Woody AllenLivre Rare Book
11 160 résultats
réf. CIN005C341998 / 190 pages. Broché Editions Petites bibliothèque des Cahiers du Cinéma.
1984réf. 163805N.p.: N.p. 1984. Vintage reference photograph from the 1984 cult film showing actors William S. Burroughs and F.M. Einhelt. Annotations in manuscript ink on the verso. Loosely based on Burroughs' "The Electronic Revolution" 1970 about a young punk who creates a device to unscramble the subliminal messages embedded in Muzak. An underground film made on a shoestring budget shot in Berlin with a cast of non-actors playing themselves-including FM Einheit of Einstürzende Neubauten and Genesis P-Orridge of Psychic TV. Largely forgotten until 2019 when the film was released by Vinegar Syndrome on Blu-ray and DVD. 9.5 x 7 inches. Near Fine. Vinegar Syndrome 288. N.p. unknown books
1984réf. 163805N.p.: N.p. 1984. Vintage reference photograph from the 1984 cult film showing actors William S. Burroughs and F.M. Einhelt. Annotations in manuscript ink on the verso. Loosely based on Burroughs' "The Electronic Revolution" 1970 about a young punk who creates a device to unscramble the subliminal messages embedded in Muzak. An underground film made on a shoestring budget shot in Berlin with a cast of non-actors playing themselves-including FM Einheit of Einstürzende Neubauten and Genesis P-Orridge of Psychic TV. Largely forgotten until 2019 when the film was released by Vinegar Syndrome on Blu-ray and DVD. 9.5 x 7 inches. Near Fine. Vinegar Syndrome 288. N.p. unknown
2002réf. 160032N.p.: N.p. 2002. Draft script for the 2002 film. Loosely based on and not to be confused with the notorious 1977 horror film directed and written by George Barry. A murderous haunted bed terrorizes a young couple after they move into a newly renovated warehouse. Set in Los Angeles. Self wrappers. Title page present undated with credit for screenwriter John Strysik. 117 leaves with last page of text numbered 116. Xerographic duplication rectos only. Pages Very Good plus silver prong binding. N.p. unknown books
2002réf. 160032N.p.: N.p. 2002. Draft script for the 2002 film. Loosely based on and not to be confused with the notorious 1977 horror film directed and written by George Barry. A murderous haunted bed terrorizes a young couple after they move into a newly renovated warehouse. Set in Los Angeles. Self wrappers. Title page present undated with credit for screenwriter John Strysik. 117 leaves with last page of text numbered 116. Xerographic duplication rectos only. Pages Very Good plus silver prong binding. N.p. unknown
1980réf. 162953N.p.: N.p. 1980. Draft script for an unproduced short film. A woman who receives a lifesaving heart transplant is haunted by the ghost of the man whose heart she received. White titled self wrappers lacking rear wrapper with credits for screenwriter Stephen Sustarsic. Title page integral with front self wrapper. 25 leaves with last page of text numbered 25. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with a paper clip at the top left corner. N.p. unknown books
1980réf. 162953N.p.: N.p. 1980. Draft script for an unproduced short film. A woman who receives a lifesaving heart transplant is haunted by the ghost of the man whose heart she received. White titled self wrappers lacking rear wrapper with credits for screenwriter Stephen Sustarsic. Title page integral with front self wrapper. 25 leaves with last page of text numbered 25. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with a paper clip at the top left corner. N.p. unknown
1985réf. 152520Hollywood: Paramount Pictures 1985. Vintage promotional flyer from the 1974 film. The granddaddy of all modern vigilante movies and a watershed film for rugged American icon Charles Bronson who had roles in many crime and adventure films prior to 1974 but met with destiny as an iceman. The series became a franchise with Bronson's character falling deeper into a typecast mold with each outing. But this first film is a different matter quite faithful to Brian Garfield's novel one of the great films of the New Hollywood cinema a great New York location film and a statement on the rampant and epidemic spread of urban crime in the US during the 1970s. 8.25 x 11.75 inches. Very Good plus with a light horizontal crease affecting the center of the flyer and a faint vertical crease running the length of the left edge. Grant US. 341. Silver Classic Noir. Spicer US. Paramount Pictures unknown books
1985réf. 152520Hollywood: Paramount Pictures 1985. Vintage promotional flyer from the 1974 film. The granddaddy of all modern vigilante movies and a watershed film for rugged American icon Charles Bronson who had roles in many crime and adventure films prior to 1974 but met with destiny as an iceman. The series became a franchise with Bronson's character falling deeper into a typecast mold with each outing. But this first film is a different matter quite faithful to Brian Garfield's novel one of the great films of the New Hollywood cinema a great New York location film and a statement on the rampant and epidemic spread of urban crime in the US during the 1970s. 8.25 x 11.75 inches. Very Good plus with a light horizontal crease affecting the center of the flyer and a faint vertical crease running the length of the left edge. Grant US. 341. Silver Classic Noir. Spicer US. Paramount Pictures unknown
1964réf. 143965France: Filmel 1964. Revised Draft script for the 1964 French film here under the original French title. Printed and bound by the Studio de la Copie in Paris operated by Mme. L. Lucienne Sotier with credits on the first page. Text in French. Based on Daniel-Rops' 1934 eponymous novel. Laure Audret is a young woman nearly raped by a member of her family Terzieff but she meets Jean Auclair who takes her in to help his dying wife and his children. Daniel-Rops was a member of the French Academy wrote dozens of works from 1926 to 1965 and was an active Christian and scholar. Director Bromberger was active in French film noir during the late 1940s including his sole debut "Paris Vice Squad" 1951 nominated at Cannes and he made a few sexploitation films notably "Secrets of a French Nurse" 1958 and this film was his second-to-last as director before "A Night in Tiberias"1965. Partially set in a castle in foggy France. Blue untitled wrappers with vellum spine. Title page present undated with credits for novelist/screenwriter Daniel-Rops screenwriter Grendel and director/screenwriter Bromberger. #PAGES leaves with last page of text numbered 270. Mimeograph duplication with pink and yellow revision pages throughout all pages undated. Pages Near Fine wrapper Very Good side-stapled some loss to the spine. Filmel unknown books
1964réf. 143965France: Filmel 1964. Revised Draft script for the 1964 French film here under the original French title. Printed and bound by the Studio de la Copie in Paris operated by Mme. L. Lucienne Sotier with credits on the first page. Text in French. Based on Daniel-Rops' 1934 eponymous novel. Laure Audret is a young woman nearly raped by a member of her family Terzieff but she meets Jean Auclair who takes her in to help his dying wife and his children. Daniel-Rops was a member of the French Academy wrote dozens of works from 1926 to 1965 and was an active Christian and scholar. Director Bromberger was active in French film noir during the late 1940s including his sole debut "Paris Vice Squad" 1951 nominated at Cannes and he made a few sexploitation films notably "Secrets of a French Nurse" 1958 and this film was his second-to-last as director before "A Night in Tiberias"1965. Partially set in a castle in foggy France. Blue untitled wrappers with vellum spine. Title page present undated with credits for novelist/screenwriter Daniel-Rops screenwriter Grendel and director/screenwriter Bromberger. #PAGES leaves with last page of text numbered 270. Mimeograph duplication with pink and yellow revision pages throughout all pages undated. Pages Near Fine wrapper Very Good side-stapled some loss to the spine. Filmel unknown
1976réf. 152516London: Brent Walker Film Distributing 1976. Vintage flyer for the UK release of the 1976 Canadian exploitation thriller. Included with the flyer are two pages of promotional material for the film. A wealthy dentist and his girlfriend are terrorized by a group of psychotic thugs. When it seems the man is too afraid to do anything Diane steps in to exact revenge. Hot on the heels of Wes Craven's successful 1972 revenge thriller "Last House on the Left." Shot on location in Ontario Canada. Flyer 10 x 7.5 inches. Flyer and promotional materials Very Good plus lightly creased. Canuxploitation Complete. Brent Walker Film Distributing unknown books
1976réf. 152516London: Brent Walker Film Distributing 1976. Vintage flyer for the UK release of the 1976 Canadian exploitation thriller. Included with the flyer are two pages of promotional material for the film. A wealthy dentist and his girlfriend are terrorized by a group of psychotic thugs. When it seems the man is too afraid to do anything Diane steps in to exact revenge. Hot on the heels of Wes Craven's successful 1972 revenge thriller "Last House on the Left." Shot on location in Ontario Canada. Flyer 10 x 7.5 inches. Flyer and promotional materials Very Good plus lightly creased. Canuxploitation Complete. Brent Walker Film Distributing unknown
1980réf. 147426N.p.: N.p. 1980. Draft script for the 1982 film. Title page contains "#40" written in manuscript pencil on the upper right likely a copy number as well as several pages with annotations again in manuscript pencil commenting circling and striking scenes action and dialogue. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. A year before Peter Billingsley would become the familiar face of Ralphie Parker in Bob Clark's 1983 "A Christmas Story" he was Billy a child coping with his parent's recent divorce flying to California with his mom Sally Catherine Hicks to meet her high school sweetheart Mike Paul Le Mat for a vacation in Death Valley. It isn't long before Billy comes across a killer's crime scene leading the killer to them and it is up to little Billy to outsmart him. Set in Death Valley California and New York shot on location in California Arizona and New York. Gray untitled wrappers. Title page present dated October 28 1980 with credits for screenwriter Richard Rothstein. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1980réf. 147426N.p.: N.p. 1980. Draft script for the 1982 film. Title page contains "#40" written in manuscript pencil on the upper right likely a copy number as well as several pages with annotations again in manuscript pencil commenting circling and striking scenes action and dialogue. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. A year before Peter Billingsley would become the familiar face of Ralphie Parker in Bob Clark's 1983 "A Christmas Story" he was Billy a child coping with his parent's recent divorce flying to California with his mom Sally Catherine Hicks to meet her high school sweetheart Mike Paul Le Mat for a vacation in Death Valley. It isn't long before Billy comes across a killer's crime scene leading the killer to them and it is up to little Billy to outsmart him. Set in Death Valley California and New York shot on location in California Arizona and New York. Gray untitled wrappers. Title page present dated October 28 1980 with credits for screenwriter Richard Rothstein. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1990réf. 159505San Francisco: Artists' Television Access 1990. Vintage flyer for the premiere of Danny Plotnick's 1990 experimental short film "Death Sled II: Steel-Belted Romeos" with an addition screening of Plotnick's 1989 short "Creep" as well as films by Mark Street Phillip R. Ford Phillip Guilbeau Laura Rosow Jim Sikora and Dana Mendelssohn at the Artists' Television Access ATA Saturday February 3 1990. According to director Danny Plotnick's website "Death Sled II: Steel-Belted Romeos" is a "tale of backwoods blacktop mayhem-Two dim-witted lead-footed guidos from Bayonne New Jersey bust through stoplight after stoplight in their turbo-charged bad-assed jet-black Pontiac Grand Prix until their mean machine nearly eighty-sixes another hunk of American steel. And that's just the start of it . A confrontation an assault fists-a-flying and traffic violations." A trailblazer for the independent film scene of the 1990s Plotnick made over twenty films since the late 1980s and has released three VHS compilations and one DVD compilation. His coffee table art book on the history of Super 8 filmmaking "Super 8: An Illustrated History" was published in 2020. Formed in 1986 the ATA is a San Francisco-based artist-run non-profit which promotes underground and experimental art as well as providing a screening venue for independent films exhibitions performances workshops and events. 8.5 x 11 inches on pink paper. Very Good plus with light overall dampstaining and two pinholes. Artists' Television Access unknown books
1990réf. 159505San Francisco: Artists' Television Access 1990. Vintage flyer for the premiere of Danny Plotnick's 1990 experimental short film "Death Sled II: Steel-Belted Romeos" with an addition screening of Plotnick's 1989 short "Creep" as well as films by Mark Street Phillip R. Ford Phillip Guilbeau Laura Rosow Jim Sikora and Dana Mendelssohn at the Artists' Television Access ATA Saturday February 3 1990. According to director Danny Plotnick's website "Death Sled II: Steel-Belted Romeos" is a "tale of backwoods blacktop mayhem-Two dim-witted lead-footed guidos from Bayonne New Jersey bust through stoplight after stoplight in their turbo-charged bad-assed jet-black Pontiac Grand Prix until their mean machine nearly eighty-sixes another hunk of American steel. And that's just the start of it . A confrontation an assault fists-a-flying and traffic violations." A trailblazer for the independent film scene of the 1990s Plotnick made over twenty films since the late 1980s and has released three VHS compilations and one DVD compilation. His coffee table art book on the history of Super 8 filmmaking "Super 8: An Illustrated History" was published in 2020. Formed in 1986 the ATA is a San Francisco-based artist-run non-profit which promotes underground and experimental art as well as providing a screening venue for independent films exhibitions performances workshops and events. 8.5 x 11 inches on pink paper. Very Good plus with light overall dampstaining and two pinholes. Artists' Television Access unknown
2006réf. 156849Columbia NC: HPE Rights 2006. Shooting script for the 2007 neo-noir film. Based on the 1975 novel by Brian Garfield the sequel to his 1972 novel "Death Wish." Kevin Bacon seeks revenge after seeing his son killed in a gang initiation. Set in Columbia South Carolina shot on location in Columbia South Carolina and Los Angeles. Front wrapper dated 8/11/06 noted as Shooting Script with credits for screenwriter Ian Mackenzie Jeffers. 126 leaves with last page of text numbered 106. Xerographic duplication rectos only with pink and yellow revision pages throughout dated variously between 9/13/06 and 9/14/06. Pages Near Fine bound with two gold brads. Grant US Neo-Noir. HPE Rights unknown books
2006réf. 156849Columbia NC: HPE Rights 2006. Shooting script for the 2007 neo-noir film. Based on the 1975 novel by Brian Garfield the sequel to his 1972 novel "Death Wish." Kevin Bacon seeks revenge after seeing his son killed in a gang initiation. Set in Columbia South Carolina shot on location in Columbia South Carolina and Los Angeles. Front wrapper dated 8/11/06 noted as Shooting Script with credits for screenwriter Ian Mackenzie Jeffers. 126 leaves with last page of text numbered 106. Xerographic duplication rectos only with pink and yellow revision pages throughout dated variously between 9/13/06 and 9/14/06. Pages Near Fine bound with two gold brads. Grant US Neo-Noir. HPE Rights unknown
1972réf. 132510Culver City CA: Columbia Pictures 1972. Draft script for the 1973 film. Copy belonging to actress Tresa Hughes with her annotations and yellow revision leaves throughout. Rita a middle aged New York City homemaker finds herself in an emotional crisis which forces her to re-examine her life as well as her relationships with her mother her eye doctor husband her alienated daughter and estranged son. Hughes was nominated for a Tony award for Best Actress for her role in the 1961 production of "The Devil's Advocate." Black titled wrappers with credits for screenwriter Stern. Title page present with credits for screenwriter Stern. 112 leaves mimeograph duplication with yellow revision pages throughout all dated 10/6/72. Pages Near Fine wrapper Very Good bound with two gold screw brads. Columbia Pictures unknown books
1955réf. 144737Culver City CA: RKO Radio Pictures 1955. Second Revised Draft script for the 1956 film noir. Loosely based on the death of Russian-born financier Serge Rubinstein. Copy belonging to Guy Prescott who plays an uncredited role in the film as the assistant to Captain LaFarge played by Morris Ankrum with Prescott's manuscript annotations at the inclusion of his dialogue and appearances. George Sanders plays a wealthy hated businessman who has conned his way to the top and as the film begins has been found murdered. We see his life in a series of flashbacks as it is told to the police by his secretary and fellow con artist Yvonne DeCarlo. One of only two films in which Saunders and his real-life brother Tom Conway also play brothers onscreen. Shot on location in New York City and California. Tan titled wrappers noted as 2ND REVISION on the front wrapper copy No. 54 dated December 29 1955 with credits for producer Charles Martin. Title page present dated December 29 1955 noted as 2ND REVISE with credits for screenwriter/producer Martin. 179 leaves with last page of text numbered 190. Mimeograph duplication rectos only with blue and pink undated revision pages throughout. Pages Near Fine wrapper Very Good plus bound with two gold brads. Grant US. Selby US. Spicer US. RKO Radio Pictures unknown books
1968réf. 163595Universal City: Universal Pictures 1968. Vintage bound production budget and two cost reports for the 1969 Western film. This grouping of documentation does NOT include the film's script. Based on the 1968 novel by Lewis B. Patten. An old-fashioned lawman is fired after killing a man in self-defense but refuses to resign resulting in violence on both sides. Actor Richard Widmark was dissatisfied with the film's original director Robert Totten and arranged to have him replaced by Don Siegel. Each director felt that the film did not represent his creative vision and the resultant dispute over the directorial credit led the Directors Guild of America to create the pseudonym Alan Smithee. Set in the fictional Cottonwood Springs shot on location in California and Arizona. Tall green Universal Pictures leatherette wrappers dated June 26 1968 noted as production No. 2022 with credits for Totten actors Richard Widmark and Lena Horne and producer Richard Lyons. Approximately 50 leaves. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver screw brads. Pitts 1015. Universal Pictures unknown books
1955réf. 144737Culver City CA: RKO Radio Pictures 1955. Second Revised Draft script for the 1956 film noir. Loosely based on the death of Russian-born financier Serge Rubinstein. Copy belonging to Guy Prescott who plays an uncredited role in the film as the assistant to Captain LaFarge played by Morris Ankrum with Prescott's manuscript annotations at the inclusion of his dialogue and appearances. George Sanders plays a wealthy hated businessman who has conned his way to the top and as the film begins has been found murdered. We see his life in a series of flashbacks as it is told to the police by his secretary and fellow con artist Yvonne DeCarlo. One of only two films in which Saunders and his real-life brother Tom Conway also play brothers onscreen. Shot on location in New York City and California. Tan titled wrappers noted as 2ND REVISION on the front wrapper copy No. 54 dated December 29 1955 with credits for producer Charles Martin. Title page present dated December 29 1955 noted as 2ND REVISE with credits for screenwriter/producer Martin. 179 leaves with last page of text numbered 190. Mimeograph duplication rectos only with blue and pink undated revision pages throughout. Pages Near Fine wrapper Very Good plus bound with two gold brads. Grant US. Selby US. Spicer US. RKO Radio Pictures unknown
1968réf. 163595Universal City: Universal Pictures 1968. Vintage bound production budget and two cost reports for the 1969 Western film. This grouping of documentation does NOT include the film's script. Based on the 1968 novel by Lewis B. Patten. An old-fashioned lawman is fired after killing a man in self-defense but refuses to resign resulting in violence on both sides. Actor Richard Widmark was dissatisfied with the film's original director Robert Totten and arranged to have him replaced by Don Siegel. Each director felt that the film did not represent his creative vision and the resultant dispute over the directorial credit led the Directors Guild of America to create the pseudonym Alan Smithee. Set in the fictional Cottonwood Springs shot on location in California and Arizona. Tall green Universal Pictures leatherette wrappers dated June 26 1968 noted as production No. 2022 with credits for Totten actors Richard Widmark and Lena Horne and producer Richard Lyons. Approximately 50 leaves. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver screw brads. Pitts 1015. Universal Pictures unknown
1972réf. 132510Culver City CA: Columbia Pictures 1972. Draft script for the 1973 film. Copy belonging to actress Tresa Hughes with her annotations and yellow revision leaves throughout. Rita a middle aged New York City homemaker finds herself in an emotional crisis which forces her to re-examine her life as well as her relationships with her mother her eye doctor husband her alienated daughter and estranged son. Hughes was nominated for a Tony award for Best Actress for her role in the 1961 production of "The Devil's Advocate." Black titled wrappers with credits for screenwriter Stern. Title page present with credits for screenwriter Stern. 112 leaves mimeograph duplication with yellow revision pages throughout all dated 10/6/72. Pages Near Fine wrapper Very Good bound with two gold screw brads. Columbia Pictures unknown
