11 046 résultats
1980réf. 168211Los Angeles: Paramount Pictures 1980. Vintage borderless studio still photograph from the 1980 film showing Dyan Cannon and Michael Lerner. A woman escapes from a mental institution in New York and hitches a ride with a trucker to California where she plans to avenge her wrongful institutionalization by her unethical husband. Shot on location in Stockton California. 10 x 8 inches. Near Fine. Paramount Pictures unknown books
1980réf. 163674Universal City: Universal City Studios 1980. Five vintage studio still photographs from the 1980 film. Based on Loretta Lynn's autobiography "Loretta Lynn: Coal Miner's Daughter" cowritten by George Vecsey. A dramatization of Lynn's life following her poverty-stricken upbringing in Butcher Hollow Kentucky to her rise to fame as a country music superstar. Winner of an Academy Award for Sissy Spacek as Best Actress nominated for six others including Best Picture Best Screenplay and Best Cinematography. Shot on location in Kentucky Tennessee and Virginia. 8 x 10 inches. Light even toning commensurate with age else Near Fine. Universal City Studios unknown books
1980réf. 163674Universal City: Universal City Studios 1980. Five vintage studio still photographs from the 1980 film. Based on Loretta Lynn's autobiography "Loretta Lynn: Coal Miner's Daughter" cowritten by George Vecsey. A dramatization of Lynn's life following her poverty-stricken upbringing in Butcher Hollow Kentucky to her rise to fame as a country music superstar. Winner of an Academy Award for Sissy Spacek as Best Actress nominated for six others including Best Picture Best Screenplay and Best Cinematography. Shot on location in Kentucky Tennessee and Virginia. 8 x 10 inches. Light even toning commensurate with age else Near Fine. Universal City Studios unknown
1956réf. 140428France / Italy: Les Films Ariane 1956. Collection of over 80 vintage borderless single weight candid and glamor photographs and film negatives black-and-white and color and color transparencies for the 1956 French-Italian film. Most of the images are glamour portraits of the film's leading women: Dany Carrel Nicole Courcel Giorgia Moll and Beatrice Altariba. Several color transparencies show Brigitte Bardot whose sister Mijanou starred in the film leaving a small airplane with her male companion. Several photos rubber-stamped with various photographer names and agencies including Esther Kiss Rene Hollinger and L. Markine. Housed in a vintage French Crumiere brand photo paper box. A remake of Jacques Deval's 1936 film of the same name about a women's boarding house and the group of women forced to band together because of a housing shortage. Released during the heyday of American exploitation films about women's prisons all-girl boarding schools and girl gangs. Photographs range from 7.25 x 9.25 inches to 3 x 4 inches with most being smaller developed photos from medium-format transparencies negatives and transparencies include 15 frames on 35mm strips 6 mounted medium format color transparencies 5 medium format color transparencies and 39 medium format negatives. Negatives with light rubbing. Very Good plus overall. Box split at corners foxing Good. Les Films Ariane unknown books
1956réf. 140428France / Italy: Les Films Ariane 1956. Collection of over 80 vintage borderless single weight candid and glamor photographs and film negatives black-and-white and color and color transparencies for the 1956 French-Italian film. Most of the images are glamour portraits of the film's leading women: Dany Carrel Nicole Courcel Giorgia Moll and Beatrice Altariba. Several color transparencies show Brigitte Bardot whose sister Mijanou starred in the film leaving a small airplane with her male companion. Several photos rubber-stamped with various photographer names and agencies including Esther Kiss Rene Hollinger and L. Markine. Housed in a vintage French Crumiere brand photo paper box. A remake of Jacques Deval's 1936 film of the same name about a women's boarding house and the group of women forced to band together because of a housing shortage. Released during the heyday of American exploitation films about women's prisons all-girl boarding schools and girl gangs. Photographs range from 7.25 x 9.25 inches to 3 x 4 inches with most being smaller developed photos from medium-format transparencies negatives and transparencies include 15 frames on 35mm strips 6 mounted medium format color transparencies 5 medium format color transparencies and 39 medium format negatives. Negatives with light rubbing. Very Good plus overall. Box split at corners foxing Good. Les Films Ariane unknown
1966réf. 151607N.p.: N.p. 1966. Collection of 17 vintage borderless reference photographs from the 1966 Czechoslovakian film. With the printed label of Columbus Film in Zurich affixed to the verso. Based on Bohumil Hrabal's 1965 novel about a young man working at a German-occupied train station in Czechoslovakia during World War II. A key entry in Czechoslovak New Wave film poignantly asserting that the Czech people were part of an oppressive system during the war hitting the mark with sly wit and a peculiar innocence. Set and shot on location in the Central Bohemian Region of the Czech Republic. 9.5 x 7 inches. Near Fine. N.p. unknown books
1966réf. 151607N.p.: N.p. 1966. Collection of 17 vintage borderless reference photographs from the 1966 Czechoslovakian film. With the printed label of Columbus Film in Zurich affixed to the verso. Based on Bohumil Hrabal's 1965 novel about a young man working at a German-occupied train station in Czechoslovakia during World War II. A key entry in Czechoslovak New Wave film poignantly asserting that the Czech people were part of an oppressive system during the war hitting the mark with sly wit and a peculiar innocence. Set and shot on location in the Central Bohemian Region of the Czech Republic. 9.5 x 7 inches. Near Fine. N.p. unknown
1977réf. 151940Culver City CA: Columbia Pictures 1977. Vintage reference photograph of Steven Spielberg and François Truffaut on the set of the 1977 film. Roy Neary Dreyfuss is one of several people who witness UFOs at night and subsequently begins to have visions of a mysterious place. Government agents also have similar encounters only they discover physical evidence of extraterrestrials. Roy and the agents join together and are led to a place not unlike the place in Roy's visions where they have a close encounter of the third kind: contact. Winner of an Academy Award Best Cinematography 1978 and Spielberg's third feature as director following "Jaws" 1975 and "The Sugarland Express" 1974. Set in Muncie Indiana shot on location in Alabama and India. 9.75 x 8.25 inches. Near Fine. National Film Registry. Columbia Pictures unknown books
1980réf. 157332Culver City CA: Columbia Pictures 1980. Vintage studio still photograph from the 1980 re-release of the 1977 film showing Steven Spielberg on the set. From the archive of film historian and author Joel Finler. After witnessing a UFO hovering over his suburban home an electrician joins with several government agents to seek out and hopefully make contact with the aliens. Winner of an Academy Award for Best Cinematography. Set in Muncie Indiana shot on location in Alabama and India. 10 x 8 inches. Very Good plus with light creasing at three corners and a short closed tear on the right edge. National Film Registry. Columbia Pictures unknown books
1980réf. 157332Culver City CA: Columbia Pictures 1980. Vintage studio still photograph from the 1980 re-release of the 1977 film showing Steven Spielberg on the set. From the archive of film historian and author Joel Finler. After witnessing a UFO hovering over his suburban home an electrician joins with several government agents to seek out and hopefully make contact with the aliens. Winner of an Academy Award for Best Cinematography. Set in Muncie Indiana shot on location in Alabama and India. 10 x 8 inches. Very Good plus with light creasing at three corners and a short closed tear on the right edge. National Film Registry. Columbia Pictures unknown
1977réf. 151940Culver City CA: Columbia Pictures 1977. Vintage reference photograph of Steven Spielberg and François Truffaut on the set of the 1977 film. Roy Neary Dreyfuss is one of several people who witness UFOs at night and subsequently begins to have visions of a mysterious place. Government agents also have similar encounters only they discover physical evidence of extraterrestrials. Roy and the agents join together and are led to a place not unlike the place in Roy's visions where they have a close encounter of the third kind: contact. Winner of an Academy Award Best Cinematography 1978 and Spielberg's third feature as director following "Jaws" 1975 and "The Sugarland Express" 1974. Set in Muncie Indiana shot on location in Alabama and India. 9.75 x 8.25 inches. Near Fine. National Film Registry. Columbia Pictures unknown
1985réf. 119986N.p.: N.p. 1985. Draft script for the 1986 comedy film. The headmaster of a British school is trying to get to a conference for school headmasters where he is meant to give a speech. He runs into a number of obstacles that delay him resulting in one of the most hilarious stressful movies ever made. Set in England shot on location in West Midlands Shropshire Worcestershire and Yorkshire England. Blue untitled wrappers with a die-cut title window in the British style. Title page present with manuscript ink annotation noting copy No. 160 dated March 1985 with credits for screenwriter Michael Frayn. 164 leaves with last page of text numbered 161. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus wit some curling at the corners internally bound with two silver brads. N.p. unknown books
1985réf. 119986N.p.: N.p. 1985. Draft script for the 1986 comedy film. The headmaster of a British school is trying to get to a conference for school headmasters where he is meant to give a speech. He runs into a number of obstacles that delay him resulting in one of the most hilarious stressful movies ever made. Set in England shot on location in West Midlands Shropshire Worcestershire and Yorkshire England. Blue untitled wrappers with a die-cut title window in the British style. Title page present with manuscript ink annotation noting copy No. 160 dated March 1985 with credits for screenwriter Michael Frayn. 164 leaves with last page of text numbered 161. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus wit some curling at the corners internally bound with two silver brads. N.p. unknown
1957réf. 158425N.p.: N.p. 1957. Second Revised Draft script for Season 3 Episode 17 of the 1954-1958 anthology television series. Copy belonging to child actor Johnny Crawford with his signature on the title page and his manuscript annotations in pencil throughout. An emotionally scarred man must return to the state where his father a governor was murdered. Originally aired on February 14 1957 on CBS. Brown titled wrappers. Title page present dated 2-9-57 with credits for director Robert Stevens screenwriter Adrian Spies and others. 85 leaves with last page of text numbered III-24. Mimeograph duplication rectos only. Pages Very Good plus wrapper Near Fine bound internally with three gold brads. N.p. unknown books
1957réf. 158425N.p.: N.p. 1957. Second Revised Draft script for Season 3 Episode 17 of the 1954-1958 anthology television series. Copy belonging to child actor Johnny Crawford with his signature on the title page and his manuscript annotations in pencil throughout. An emotionally scarred man must return to the state where his father a governor was murdered. Originally aired on February 14 1957 on CBS. Brown titled wrappers. Title page present dated 2-9-57 with credits for director Robert Stevens screenwriter Adrian Spies and others. 85 leaves with last page of text numbered III-24. Mimeograph duplication rectos only. Pages Very Good plus wrapper Near Fine bound internally with three gold brads. N.p. unknown
1963réf. 134356Los Angeles: Twentieth Century-Fox 1963. Collection of 3 vintage black-and-white still photographs two studio stills one reference still from the 1963 film. This film featured Elizabeth Taylor and Richard Burton in their first pairing beginning their tumultuous love-hate relationship. Based on the histories written by Plutarch Suetonius and Appian and also based on the Carlo Maria Franzero book and set in 48 B.C. in Egypt. Winner of several Academy Awards Best Cinematography Art Direction Costume Design Effects. Set in Egypt shot on location in Spain Italy England and the USA. 8 x 10 inches. Very Good plus corner creases to all studio stills toned short closed tears and a few tiny chips. The reference still has two larger tears at the right edge. Twentieth Century-Fox unknown books
1963réf. 162366N.p.: N.p. 1963. Vintage reference photograph from the 1963 film showing director Joseph L. Mankiewicz sitting on the set surrounded by crew members. Based on Carlo Maria Franzero's 1957 book "The Life and Times of Cleopatra." Twentieth Century-Fox's ambitious bank-breaking venture the most expensive production ever made at the time and the first film to pair Elizabeth Taylor with Richard Burton beginning their tumultuous love-hate relationship. Set in Egypt and Rome and shot on location in Spain and Italy. 10 x 8 inches. Very Good plus lightly creased at the corners. N.p. unknown books
1963réf. 167790N.p.: N.p. 1963. Vintage reference photograph from the 1963 film showing Elizabeth Taylor as the titular pharaoh taking a bath. Newspaper clipping with date stamp annotations in manuscript pencil and provenance label on the verso. Based on Carlo Maria Franzero's 1957 book "The Life and Times of Cleopatra." Twentieth Century-Fox's ambitious bank-breaking venture the most expensive production ever made at the time and the first film to pair Taylor with Richard Burton beginning their tumultuous love-hate relationship. Set in Egypt and Rome and shot on location in Spain and Italy. 10 x 8 inches. Near Fine. N.p. unknown books
1963réf. 167790N.p.: N.p. 1963. Vintage reference photograph from the 1963 film showing Elizabeth Taylor as the titular pharaoh taking a bath. Newspaper clipping with date stamp annotations in manuscript pencil and provenance label on the verso. Based on Carlo Maria Franzero's 1957 book "The Life and Times of Cleopatra." Twentieth Century-Fox's ambitious bank-breaking venture the most expensive production ever made at the time and the first film to pair Taylor with Richard Burton beginning their tumultuous love-hate relationship. Set in Egypt and Rome and shot on location in Spain and Italy. 10 x 8 inches. Near Fine. N.p. unknown
1963réf. 162366N.p.: N.p. 1963. Vintage reference photograph from the 1963 film showing director Joseph L. Mankiewicz sitting on the set surrounded by crew members. Based on Carlo Maria Franzero's 1957 book "The Life and Times of Cleopatra." Twentieth Century-Fox's ambitious bank-breaking venture the most expensive production ever made at the time and the first film to pair Elizabeth Taylor with Richard Burton beginning their tumultuous love-hate relationship. Set in Egypt and Rome and shot on location in Spain and Italy. 10 x 8 inches. Very Good plus lightly creased at the corners. N.p. unknown
1963réf. 134356Los Angeles: Twentieth Century-Fox 1963. Collection of 3 vintage black-and-white still photographs two studio stills one reference still from the 1963 film. This film featured Elizabeth Taylor and Richard Burton in their first pairing beginning their tumultuous love-hate relationship. Based on the histories written by Plutarch Suetonius and Appian and also based on the Carlo Maria Franzero book and set in 48 B.C. in Egypt. Winner of several Academy Awards Best Cinematography Art Direction Costume Design Effects. Set in Egypt shot on location in Spain Italy England and the USA. 8 x 10 inches. Very Good plus corner creases to all studio stills toned short closed tears and a few tiny chips. The reference still has two larger tears at the right edge. Twentieth Century-Fox unknown
1962réf. 146923Paris: Cine Tamaris 1962. Vintage oversize double weight single photograph of four studio still images from the 1962 film. "CINE VOG FILMS S.A." and "CLEO DE 5 A 7" stamps on the verso. Told more or less in real time the story of a pop singer trying to distract herself from worry while awaiting the results of a biopsy. Nominated for the Palme d'Or. Set and shot on location in Paris. 9.25 x 11.75 inches. Very Good plus some creasing and curling pinholes primarily in corners repaired with paper tape on the verso. Rosenbaum 1000. Ebert IV. Criterion Collection 73. Cine Tamaris unknown books
1962réf. 132899Paris: Cine Tamaris / Rome Paris Films 1962. Four vintage black-and-white still photographs from the 1962 French film. Agnes Varda is an important and influential French director writer and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work including this film prefigures stylistically the French New Wave and is today considered very much a part of it. Varda was nominated for the Palme d'Or for "Cleo from 5 to 7" her second feature film about a female pop singer whose spends two adventurous and winsome hours on her own and talking to friends while awaiting the results of a biopsy. Set and shot on location in Paris. 8 x 10 inches. Near Fine. Edges lightly toned. Cine Tamaris / Rome Paris Films unknown books
1962réf. 150413N.p.: N.p. 1962. Vintage borderless reference photograph from the 1962 French film showing actors Michel Legrand Corinne Marchand and Jean-Pierre Taste-from the memorable early sequence in the film where Legrand and Taste drop in to Marchand's flat. With manuscript pencil and ink annotations on the verso. Agnes Varda's second feature film following a pop singer over the course of two hours as she talks with friends and anxiously awaits the results of a biopsy. Varda is an important and influential French director writer and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work including this film stylistically prefigures the French New Wave and is today considered very much a part of it. Set and shot on location in Paris. 9.5 x 7 inches. Near Fine. N.p. unknown books
1962réf. 150424N.p.: N.p. 1962. Vintage borderless reference photograph of director Agnes Varda on the set of the 1962 French film. With a stamp noting Varda's name on the verso along with manuscript pencil and ink annotations. Agnes Varda's second feature film following a pop singer over the course of two hours as she talks with friends and anxiously awaits the results of a biopsy. Varda is an important and influential French director writer and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work including this film stylistically prefigures the French New Wave and is today considered very much a part of it. Set and shot on location in Paris. 4.5 x 6.5 inches. Near Fine. N.p. unknown books
