11 046 résultats
1960réf. 152388London: Lynx Films / American International Pictures 1960. Vintage reference photograph from the 1960 British film showing actors Vanda Hudson and Jack Carson. A deranged plastic surgeon becomes the owner of a traveling circus specializing in a "Temple of Beauty" transforming disfigured women into the glamorous stars of his show. Their beauty however comes at a price and any attempts to leave the circus end in their gory demise. The third film in what critic David Price called production comany Anglo-Amalgamated's "Sadian trilogy" preceded by "Horrors of the Black Museum" and "Peeping Tom" the previous year. Set in England and France shot on location in England. 10 x 8 inches. Very Good plus overall. Lynx Films / American International Pictures unknown books
1960réf. 152388London: Lynx Films / American International Pictures 1960. Vintage reference photograph from the 1960 British film showing actors Vanda Hudson and Jack Carson. A deranged plastic surgeon becomes the owner of a traveling circus specializing in a "Temple of Beauty" transforming disfigured women into the glamorous stars of his show. Their beauty however comes at a price and any attempts to leave the circus end in their gory demise. The third film in what critic David Price called production comany Anglo-Amalgamated's "Sadian trilogy" preceded by "Horrors of the Black Museum" and "Peeping Tom" the previous year. Set in England and France shot on location in England. 10 x 8 inches. Very Good plus overall. Lynx Films / American International Pictures unknown
1954réf. 168220Hollywood: Republic Pictures 1954. Vintage studio still photograph from the US release of the 1954 West German film. Sequel to the 1953 film "Stars Over Colombo" in which the Maharajah kidnaps a beautiful Swedish circus rider whose heart is promised to another. Shot on location in Bavaria and Hamburg and in Colombo Sri Lanka. 10 x 8 inches. Near Fine. Republic Pictures unknown books
1998réf. 1202221998 N° 86 - 1er trimestre 1998 - Edition Corlet / Télérama - In-8, broché - 239 pages - Nombreuses reproductions photographiques en N&B in texte
1977réf. 156639Amsterdam: Cupido Films 1977. Three vintage borderless reference photographs from the 1977 adult film. Stamp of Cupido Films on the versos. An adult retelling of the classic fairy tale about a woman who seeks the aid of her gay best friend in gaining sexual prowess in order to win over her Prince Charming. 8 x 10 inches. Very Good plus with pinholes at the corners. Cupido Films unknown books
1988réf. 170390Tokyo: Nikkatsu 1988. Three vintage borderless reference photographs and a folded program for the 1988 Japanese film. Text in Japanese. A modern sexually explicit take on the Cinderella story about a young woman who discovers a pair of red shoes that give her luck and unstoppable sexual prowess. Photographs 4.25 x 6 inches. Fine. Program approximately 28 x 7 inches folded four times and measuring 5 x 7 inches folded. Near Fine. Nikkatsu unknown books
1977réf. 156639Amsterdam: Cupido Films 1977. Three vintage borderless reference photographs from the 1977 adult film. Stamp of Cupido Films on the versos. An adult retelling of the classic fairy tale about a woman who seeks the aid of her gay best friend in gaining sexual prowess in order to win over her Prince Charming. 8 x 10 inches. Very Good plus with pinholes at the corners. Cupido Films unknown
1988réf. 170390Tokyo: Nikkatsu 1988. Three vintage borderless reference photographs and a folded program for the 1988 Japanese film. Text in Japanese. A modern sexually explicit take on the Cinderella story about a young woman who discovers a pair of red shoes that give her luck and unstoppable sexual prowess. Photographs 4.25 x 6 inches. Fine. Program approximately 28 x 7 inches folded four times and measuring 5 x 7 inches folded. Near Fine. Nikkatsu unknown
1972réf. 150687N.p.: N.p. 1972. Vintage borderless reference photograph of Michelangelo Antonioni on the set of the 1972 film. Layout annotations in manuscript pencil and "Collection" stamp obscured struck with manuscript pencil on verso. In 1972 during China's Cultural Revolution Antonioni was invited by the People's Republic of China to direct a documentary on the "New China." The final film at 220 minutes was divided into three parts. The first focusing on Beijing the second Suzhou and the third Shanghai. In each section Antonioni focuses primarily on the faces of the people. Mao Zedong was reportedly so displeased with the film Antonioni was charged with being anti-Chinese and counterrevolutionary. Shot on location in Beijing Henan Jiangsu and Shanghai China. 6.75 x 10 inches. Very Good plus with very light creasing and a tiny bruise on mid right edge. N.p. unknown books
1972réf. 150687N.p.: N.p. 1972. Vintage borderless reference photograph of Michelangelo Antonioni on the set of the 1972 film. Layout annotations in manuscript pencil and "Collection" stamp obscured struck with manuscript pencil on verso. In 1972 during China's Cultural Revolution Antonioni was invited by the People's Republic of China to direct a documentary on the "New China." The final film at 220 minutes was divided into three parts. The first focusing on Beijing the second Suzhou and the third Shanghai. In each section Antonioni focuses primarily on the faces of the people. Mao Zedong was reportedly so displeased with the film Antonioni was charged with being anti-Chinese and counterrevolutionary. Shot on location in Beijing Henan Jiangsu and Shanghai China. 6.75 x 10 inches. Very Good plus with very light creasing and a tiny bruise on mid right edge. N.p. unknown
1966réf. 144563Los Angeles: Paramount Pictures 1966. Shooting Script for the 1967 Western film. Based on the 1961 novel by Richard Jessup who also wrote the screenplay. A US army fort is under siege by Arapaho warriors. Chuka Rod Taylor a wandering gunman shows up to aid the those inside each facing their troubled pasts in this moment of desperation. Green wrappers with a die cut title window. Title page present dated September 6 1966 noted as SHOOTING SCRIPT with credits for novelist Richard Jessup and screenwriter Richard Fielder production number 066. 106 leaves with last page of text numbered 103A. mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Paramount Pictures unknown books
1966réf. 144563Los Angeles: Paramount Pictures 1966. Shooting Script for the 1967 Western film. Based on the 1961 novel by Richard Jessup who also wrote the screenplay. A US army fort is under siege by Arapaho warriors. Chuka Rod Taylor a wandering gunman shows up to aid the those inside each facing their troubled pasts in this moment of desperation. Green wrappers with a die cut title window. Title page present dated September 6 1966 noted as SHOOTING SCRIPT with credits for novelist Richard Jessup and screenwriter Richard Fielder production number 066. 106 leaves with last page of text numbered 103A. mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Paramount Pictures unknown
1977réf. 153060London: Preview Two 1977. Draft script for the 1977 television episode originally aired on November 24 1977 on BBC Two. An investigation of early diving practices narrated by Belgian underwater archaeologist Robert Stenuit who explored the underwater ruins of the Dutch merchant ship Slot Ter Hooge which had previously been explored by English diver John Lethbridge in 1725 using a primitive "diving engine." Self wrappers. Title page present undated with credits for screenwriter and actor Robert Stenuit narrator Derek Jones and other crew members. 34 leaves with last page of text numbered 32. Xerographic duplication rectos only. Pages Near Fine partially bound with a single staple at the top left corner. Preview Two unknown books
1977réf. 153060London: Preview Two 1977. Draft script for the 1977 television episode originally aired on November 24 1977 on BBC Two. An investigation of early diving practices narrated by Belgian underwater archaeologist Robert Stenuit who explored the underwater ruins of the Dutch merchant ship Slot Ter Hooge which had previously been explored by English diver John Lethbridge in 1725 using a primitive "diving engine." Self wrappers. Title page present undated with credits for screenwriter and actor Robert Stenuit narrator Derek Jones and other crew members. 34 leaves with last page of text numbered 32. Xerographic duplication rectos only. Pages Near Fine partially bound with a single staple at the top left corner. Preview Two unknown
1954réf. 149976N.p.: N.p. 1954. Vintage borderless reference photograph of Cosetta Greco from the 1954 film. Annotation in manuscript ink on bottom left margin "Georges Sadoul" and "Foto Civirani" stamps on verso. Based on the acclaimed 1947 Italian novel by Vasco Pratolini.Carlo Lizzani's Neo-Realist portrait of Fascist Italy wherein young typographer Mario Gabriele Tinti after moving to via del Corno to be near his girlfriend and befriending his anti-fascist landlord Maciste Marcello Mastroianni is beaten by the fascists. Set in Via del Corno Florence Italy shot on location in Tuscany Italy. 9.5 x 7 inches. Very Good plus with light edgewear and small closed tear on right. N.p. unknown books
1954réf. 149976N.p.: N.p. 1954. Vintage borderless reference photograph of Cosetta Greco from the 1954 film. Annotation in manuscript ink on bottom left margin "Georges Sadoul" and "Foto Civirani" stamps on verso. Based on the acclaimed 1947 Italian novel by Vasco Pratolini.Carlo Lizzani's Neo-Realist portrait of Fascist Italy wherein young typographer Mario Gabriele Tinti after moving to via del Corno to be near his girlfriend and befriending his anti-fascist landlord Maciste Marcello Mastroianni is beaten by the fascists. Set in Via del Corno Florence Italy shot on location in Tuscany Italy. 9.5 x 7 inches. Very Good plus with light edgewear and small closed tear on right. N.p. unknown
1933réf. 156284N.p.: N.p. 1933. Vintage reference photograph from the 1933 pre-Code film showing actors Colin Clive mansplaining while Katharine Hepburn is having none of it. Manuscript pencil annotations on the verso regarding cropping along with a printed provenance label. Based on the 1932 British novel by Gilbert Frankau about a middle-aged politician who falls in love with a beautiful adventurous aviator. Hepburn's second screen role directed by Dorothy Arzner one of the few female directors in Hollywood from the silent era into the early 1940s. 10 x 8 inches. Near Fine. N.p. unknown books
1933réf. 156284N.p.: N.p. 1933. Vintage reference photograph from the 1933 pre-Code film showing actors Colin Clive mansplaining while Katharine Hepburn is having none of it. Manuscript pencil annotations on the verso regarding cropping along with a printed provenance label. Based on the 1932 British novel by Gilbert Frankau about a middle-aged politician who falls in love with a beautiful adventurous aviator. Hepburn's second screen role directed by Dorothy Arzner one of the few female directors in Hollywood from the silent era into the early 1940s. 10 x 8 inches. Near Fine. N.p. unknown
1965réf. 160196N.p.: N.p. 1965. Treatment script for an unproduced film. A planned sequel to "Christmas on Earth" an absurd Beat-era stream-of-consciousness narrative following the Snow Queen and a group of fairies as they attempt to save Jean Genet playing himself from life as a Bowery Bum. Filmmaker Barbara Rubin was a figure of almost mythical importance in the New York underground. Rubin introduced Andy Warhol to the Velvet Underground was friends with Bob Dylan and a former lover of Allen Ginsberg and helped Jonas Mekas organize the Film-Makers' Cooperative all before converting to Orthodox Judaism at 24 and moving to France with her husband and children. Rubin is today best remembered for her transgressive 1963 masterpiece "Christmas on Earth" a 16mm film so sexually explicit it sent ripples through the New York film scene and was subject to multiple censorship efforts by the police made when Rubin was only 18 years old. Self wrappers. Title page present copyrighted 1965 with credit for screenwriter Barbara Rubin. 32 leaves with last page of text numbered 31. Mimeograph duplication rectos only. Pages Very Good plus with light rust marks along the binding bound with three staples. N.p. unknown books
1965réf. 160196N.p.: N.p. 1965. Treatment script for an unproduced film. A planned sequel to "Christmas on Earth" an absurd Beat-era stream-of-consciousness narrative following the Snow Queen and a group of fairies as they attempt to save Jean Genet playing himself from life as a Bowery Bum. Filmmaker Barbara Rubin was a figure of almost mythical importance in the New York underground. Rubin introduced Andy Warhol to the Velvet Underground was friends with Bob Dylan and a former lover of Allen Ginsberg and helped Jonas Mekas organize the Film-Makers' Cooperative all before converting to Orthodox Judaism at 24 and moving to France with her husband and children. Rubin is today best remembered for her transgressive 1963 masterpiece "Christmas on Earth" a 16mm film so sexually explicit it sent ripples through the New York film scene and was subject to multiple censorship efforts by the police made when Rubin was only 18 years old. Self wrappers. Title page present copyrighted 1965 with credit for screenwriter Barbara Rubin. 32 leaves with last page of text numbered 31. Mimeograph duplication rectos only. Pages Very Good plus with light rust marks along the binding bound with three staples. N.p. unknown
1983réf. 151125Culver City CA: Columbia Pictures Industries 1983. Vintage reference photograph of John Carpenter on the set of the 1983 film. Carpenter was originally not interested in directing this film which he felt lacked significant horror for the genre following a daemonic car whose owners inevitably become fatally obsessed with "her." "Christine" has since firmly established itself as a cult classic. Set in Northern California and shot on location in Los Angeles California. 9.75 x 8 inches. Near Fine. Clover Men Women and Chainsaws. Twilight Time 5240. Columbia Pictures Industries unknown books
1933réf. 150898N.p.: N.p. 1933. Vintage reference photograph of Andre Dignimont and Georges Pomies from the 1933 film. Layout annotations in manuscript pencil and provenance stamp of film historian "Maurice Bessy"on verso Bessy was a noted cinephile best known for his association with Orson Welles. One of Jean Renoir's more obscure but equally charming early sound films from 1933 wherein hard-working grocer Francois Chotard Fernand Charpin marries his daughter Jeanne Loury off to the seemingly lazy writer Julien Collient Georges Pomies and has a change of heart when Julien receives a prestigious literary award. 9 x 7 inches. Evenly faded else Near Fine. N.p. unknown books
1933réf. 150898N.p.: N.p. 1933. Vintage reference photograph of Andre Dignimont and Georges Pomies from the 1933 film. Layout annotations in manuscript pencil and provenance stamp of film historian "Maurice Bessy"on verso Bessy was a noted cinephile best known for his association with Orson Welles. One of Jean Renoir's more obscure but equally charming early sound films from 1933 wherein hard-working grocer Francois Chotard Fernand Charpin marries his daughter Jeanne Loury off to the seemingly lazy writer Julien Collient Georges Pomies and has a change of heart when Julien receives a prestigious literary award. 9 x 7 inches. Evenly faded else Near Fine. N.p. unknown
1981réf. 144586Paris: Sara Films 1981. Two vintage contact sheets from the 1981 French film. With two holes punched into the left margin of each. Noel Yves Montand a retired gangster living on a large estate outside Paris with his wife Nicole Catherine Deneuve is met by two fugitives one is Serge Pierre Forget an old accomplice who is dying from a recent gun wound the other is Mickey Gerard Depardieu an unstable maniac. Mickey's paranoia and violent outburst pulls Noel into the conflict as the police are on his tail. A high stress series of shoot-outs ensues. Shot on location in France. 9.5 x 12 inches. Near Fine. Sara Films unknown books
1981réf. 144586Paris: Sara Films 1981. Two vintage contact sheets from the 1981 French film. With two holes punched into the left margin of each. Noel Yves Montand a retired gangster living on a large estate outside Paris with his wife Nicole Catherine Deneuve is met by two fugitives one is Serge Pierre Forget an old accomplice who is dying from a recent gun wound the other is Mickey Gerard Depardieu an unstable maniac. Mickey's paranoia and violent outburst pulls Noel into the conflict as the police are on his tail. A high stress series of shoot-outs ensues. Shot on location in France. 9.5 x 12 inches. Near Fine. Sara Films unknown
