11 045 résultats
1962réf. 131827Beverly Hills CA: United Artists 1962. Treatment script for the 1963 film. Paul Brenner at AllMovie: It's Bob Hope as phony explorer Matt Merriwether who promotes himself as an expert on the dark continent basing his exploration of the African subcontinent on old diaries of his uncle. When an American space capsule crashes in an uncharted region of Africa Merriwether based on his alleged expert knowledge of the region is selected to recover the capsule. Joining Merriwether and his pre-Kervorkian suicide kit is security agent Frederica Larsen Edie Adams. Hot on their heels are Russian agents Luba Anita Ekberg and Dr. Ezra Mungo Lionel Jeffries who want to get to the space capsule first. Self wrappers. Title page present integral with front wrapper dated 1st June 1962 noted as Original Screen Treatment on the front wrapper with credits for producers Saltzman and Broccoli. 35 leaves mimeograph on gray stock. Pages Very Good plus to Near Fine side stapled with a single staple. United Artists unknown books
1962réf. 131827Beverly Hills CA: United Artists 1962. Treatment script for the 1963 film. Paul Brenner at AllMovie: It's Bob Hope as phony explorer Matt Merriwether who promotes himself as an expert on the dark continent basing his exploration of the African subcontinent on old diaries of his uncle. When an American space capsule crashes in an uncharted region of Africa Merriwether based on his alleged expert knowledge of the region is selected to recover the capsule. Joining Merriwether and his pre-Kervorkian suicide kit is security agent Frederica Larsen Edie Adams. Hot on their heels are Russian agents Luba Anita Ekberg and Dr. Ezra Mungo Lionel Jeffries who want to get to the space capsule first. Self wrappers. Title page present integral with front wrapper dated 1st June 1962 noted as Original Screen Treatment on the front wrapper with credits for producers Saltzman and Broccoli. 35 leaves mimeograph on gray stock. Pages Very Good plus to Near Fine side stapled with a single staple. United Artists unknown
1959réf. 161565N.p.: President Films 1959. Vintage studio still photograph from the US release of the 1957 German film. Ingmar Zeisberg stars as Eva a girl who illegally leaves Germany for Denmark and is forced into working as a call girl under the threat of deportation. Set in Copenhagen Denmark. 8 x 10 inches. Near Fine. President Films unknown books
1968réf. 161566N.p.: N.p. 1968. Two vintage studio still photographs from US release of the 1966 Austrian film. Both photographs with provenance stamps on the versos one with a label obscuring a previous provenance stamp. Inspector Reinisch is investigating the brutal murder of a prostitute and through a friend of the victim discovers reports of wild sex parties featuring prominent politicians and businessmen. Set in and shot on location in Germany and Austria. 8 x 10 inches. Very Good plus with light edgewear and one with wax pencil annotations on the recto. N.p. unknown books
1959réf. 161565N.p.: President Films 1959. Vintage studio still photograph from the US release of the 1957 German film. Ingmar Zeisberg stars as Eva a girl who illegally leaves Germany for Denmark and is forced into working as a call girl under the threat of deportation. Set in Copenhagen Denmark. 8 x 10 inches. Near Fine. President Films unknown
1968réf. 161566N.p.: N.p. 1968. Two vintage studio still photographs from US release of the 1966 Austrian film. Both photographs with provenance stamps on the versos one with a label obscuring a previous provenance stamp. Inspector Reinisch is investigating the brutal murder of a prostitute and through a friend of the victim discovers reports of wild sex parties featuring prominent politicians and businessmen. Set in and shot on location in Germany and Austria. 8 x 10 inches. Very Good plus with light edgewear and one with wax pencil annotations on the recto. N.p. unknown
1988réf. 166941N.p.: Showscan Film Corporation 1988. Revised Draft script for the 1989 joint French-US short film. Attached by staple to the top corner of the title page is a small hand-written note "Vicki" a phone number and "Call from Space office." Copy belonging to uncredited actor Nick Dimitri with two copies of a January 16 1989 call sheet laid in. The 29-minute short film was the first film shot using the "Showscan" process developed by Douglas Trumbull which is photographed and projected on 70mm film at 60 frames per second 2.5 times the standard film speed and was only screened twice in 1989 once at the "Big Bang Schtroumpf" amusement park now "Walygator Parc" in Maizières-les-Metz France and once at the Omnimax Theatre at Ceasars Palace Las Vegas. A film director Richard Brestoff and his nephew Bill Campbell an aspiring actor and eccentric inventor make a low-budget science fiction film when one of the nephew's inventions begins to bring visitors from the past and future into the present including Napoleon Archimedes and cavemen making what they believe may be one of the greatest movies ever made. Featuring a cameo from James Coburn as an irate studio head and the voice of Charlton Heston as an alien visitor. Director Richard Fleischer's final film. Shot on location in Simi Valley California. Front wrapper integral with the title page dated 1-6-89 noted as revised with credits for screenwriter Sarah Paris and story by Peter Beal and Sarah Paris. 29 leaves with last page of text numbered 26. Xerographic duplication rectos only with yellow green and goldenrod revision pages throughout dated variously between 12/22/88 and 1/6/89. Pages Near Fine bound with two gold brads. Showscan Film Corporation unknown books
1988réf. 166941N.p.: Showscan Film Corporation 1988. Revised Draft script for the 1989 joint French-US short film. Attached by staple to the top corner of the title page is a small hand-written note "Vicki" a phone number and "Call from Space office." Copy belonging to uncredited actor Nick Dimitri with two copies of a January 16 1989 call sheet laid in. The 29-minute short film was the first film shot using the "Showscan" process developed by Douglas Trumbull which is photographed and projected on 70mm film at 60 frames per second 2.5 times the standard film speed and was only screened twice in 1989 once at the "Big Bang Schtroumpf" amusement park now "Walygator Parc" in Maizières-les-Metz France and once at the Omnimax Theatre at Ceasars Palace Las Vegas. A film director Richard Brestoff and his nephew Bill Campbell an aspiring actor and eccentric inventor make a low-budget science fiction film when one of the nephew's inventions begins to bring visitors from the past and future into the present including Napoleon Archimedes and cavemen making what they believe may be one of the greatest movies ever made. Featuring a cameo from James Coburn as an irate studio head and the voice of Charlton Heston as an alien visitor. Director Richard Fleischer's final film. Shot on location in Simi Valley California. Front wrapper integral with the title page dated 1-6-89 noted as revised with credits for screenwriter Sarah Paris and story by Peter Beal and Sarah Paris. 29 leaves with last page of text numbered 26. Xerographic duplication rectos only with yellow green and goldenrod revision pages throughout dated variously between 12/22/88 and 1/6/89. Pages Near Fine bound with two gold brads. Showscan Film Corporation unknown
1937réf. 165097Universal City: Universal Pictures 1937. Vintage photograph of John Wayne and Louise Latimer on the set of the 1937 film with a mimeo snipe on the verso. Not to be confused with the 1925 silent film of the same name. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. John Wayne stars as the manager of a trucking company who pits his trucking fleet in a contest against a train to deliver aviation parts to the Pacific coast before a labor strike takes place. Shot on location in Santa Clarita and Newhall California. 10 x 8 inches. Near Fine. Universal Pictures unknown books
1937réf. 165097Universal City: Universal Pictures 1937. Vintage photograph of John Wayne and Louise Latimer on the set of the 1937 film with a mimeo snipe on the verso. Not to be confused with the 1925 silent film of the same name. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. John Wayne stars as the manager of a trucking company who pits his trucking fleet in a contest against a train to deliver aviation parts to the Pacific coast before a labor strike takes place. Shot on location in Santa Clarita and Newhall California. 10 x 8 inches. Near Fine. Universal Pictures unknown
1942réf. 160003Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1942. Two vintage reference photographs of Ethel Waters from the 1942 film. A successful American newspaper reporter is sent to cover the war in Europe. A British spy asks him to bring a coded message to Cairo where he finds out a movie star he is a fan of is a Nazi spy. Set in the Mediterranean and Cario Egypt shot in Hollywood and on location in Santa Monica Bay California. Both photos 4 x 5 inches. About Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1942réf. 160003Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1942. Two vintage reference photographs of Ethel Waters from the 1942 film. A successful American newspaper reporter is sent to cover the war in Europe. A British spy asks him to bring a coded message to Cairo where he finds out a movie star he is a fan of is a Nazi spy. Set in the Mediterranean and Cario Egypt shot in Hollywood and on location in Santa Monica Bay California. Both photos 4 x 5 inches. About Fine. Metro-Goldwyn-Mayer [MGM] unknown
1970réf. 155109N.p.: N.p. 1970. Vintage oversize borderless color reference photograph from the 1970 French film showing actress Bernadette Lafont undressing behind a curtain. A modern retelling of the Biblical story of Cain and Abel. 9 x 11.5 inches. Very Good plus lightly faded at the edges. N.p. unknown books
1970réf. 155109N.p.: N.p. 1970. Vintage oversize borderless color reference photograph from the 1970 French film showing actress Bernadette Lafont undressing behind a curtain. A modern retelling of the Biblical story of Cain and Abel. 9 x 11.5 inches. Very Good plus lightly faded at the edges. N.p. unknown
1960réf. 105121960 N° 114 - tome XIX (décembre 1960) - In-4 broché - Couverture illustrée, nombreuses reproductions photographiques dans l'ouvrage - 72 pages
1960réf. 1165781960 N° 113 - tome XIX (Novembre 1960) - In-4 broché - Couverture illustrée (Janet Leigh et John Gavin dans Psycho d'Alfred Hitchcock), nombreuses reproductions photographiques dans l'ouvrage - 64 pages
1960réf. 1165791960 N° 111 - tome XIX (Septembre 1960) - In-4 broché - Couverture illustrée (Joseph Losey), nombreuses reproductions photographiques dans l'ouvrage - 64 pages
1984réf. 171314Los Angeles CA: Orion Television Productions 1984. First Draft script for Season 4 Episode 18 of the 1981-1988 television series. Originally aired February 25 1985 on CBS. Internal wrapper inscribed in manuscript ink by actress Sharon Gless. With manuscript ink annotation of the name of an unknown cast or crew member on the front internal wrapper and on the recto of the last page of narrative text. Series following two women police women one single and one married. In this episode one of the women ponders retirement following a breast surgery and one has her corvette stolen. Set in Manhattan. Untitled brown external wrappers with manuscript ink annotation. Green titled internal wrappers. Title page present dated December 10 1984 noted as First Draft with credits for screenwriter Georgia Jeffries. 56 leaves with last page of text numbered 52. Xerographic duplication rectos only. Pages Fine external wrapper Very Good plus wrapper Fine bound internally with three silver brads. Orion Television Productions unknown books
1984réf. 171314Los Angeles CA: Orion Television Productions 1984. First Draft script for Season 4 Episode 18 of the 1981-1988 television series. Originally aired February 25 1985 on CBS. Internal wrapper inscribed in manuscript ink by actress Sharon Gless. With manuscript ink annotation of the name of an unknown cast or crew member on the front internal wrapper and on the recto of the last page of narrative text. Series following two women police women one single and one married. In this episode one of the women ponders retirement following a breast surgery and one has her corvette stolen. Set in Manhattan. Untitled brown external wrappers with manuscript ink annotation. Green titled internal wrappers. Title page present dated December 10 1984 noted as First Draft with credits for screenwriter Georgia Jeffries. 56 leaves with last page of text numbered 52. Xerographic duplication rectos only. Pages Fine external wrapper Very Good plus wrapper Fine bound internally with three silver brads. Orion Television Productions unknown
1990réf. 160456Los Angeles: European American Entertainment 1990. Second Draft script for the 1991 film here under the working title "Chained Heat II" with a manuscript marker annotation of copy number "40" on the front wrapper. Not to be confused with the 1993 film "Chained Heat II" directed by Lloyd Simandl and starring Brigitte Nielsen and Paul Koslo. Copy likely belonging to actor Ray Sharkey with manuscript annotations in blue highlighter and ink on five pages highlighting all the dialogue of Sharkey's character "Hayes." Also released under the title "Hotel Oklahoma." David Keith stars as Tommy an ex-con who disguises himself as a warden to free his innocent girlfriend Kristen Cloke from a women's penitentiary after she took the fall for a crime he committed. Shot on location in McAlester Oklahoma. Front wrapper integral with title page dated 6/20/90 noted as SECOND DRAFT with credits for screenwriter Bobby Houston. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. European American Entertainment unknown books
1990réf. 160456Los Angeles: European American Entertainment 1990. Second Draft script for the 1991 film here under the working title "Chained Heat II" with a manuscript marker annotation of copy number "40" on the front wrapper. Not to be confused with the 1993 film "Chained Heat II" directed by Lloyd Simandl and starring Brigitte Nielsen and Paul Koslo. Copy likely belonging to actor Ray Sharkey with manuscript annotations in blue highlighter and ink on five pages highlighting all the dialogue of Sharkey's character "Hayes." Also released under the title "Hotel Oklahoma." David Keith stars as Tommy an ex-con who disguises himself as a warden to free his innocent girlfriend Kristen Cloke from a women's penitentiary after she took the fall for a crime he committed. Shot on location in McAlester Oklahoma. Front wrapper integral with title page dated 6/20/90 noted as SECOND DRAFT with credits for screenwriter Bobby Houston. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. European American Entertainment unknown
1970réf. 132902Culver City CA: Columbia Pictures 1970. Vintage black-and-white still photograph from the UK release of the 1969 US film. Mimeograph snipe and layout annotations on the verso with layout annotations on the recto. Based on the play "Fleur de cactus" by Barillet and Gredy starring Walter Matthau as Julian Winston physician and lover to Toni Simmons played by Goldie Hawn in her first starring role. Julian tells women he's married to avoid getting involved annoying Toni. When Julian decides to become exclusive with Toni she insists on meeting his wife and Julian enlists the aid of his receptionist Stephanie Dickinson Ingrid Bergman to act the part. Shot on location in New York. 8 x 10 inches with no borders as issued. And faint rubbing to the edges else Near Fine. Columbia Pictures unknown books
1949réf. 137478Universal City CA: Universal Pictures 1949. Final shooting script for the 1950 film. Copy belonging to actor Marshall Reed who here plays the role of the villain with his name in black manuscript ink on the front wrapper. A ruthless man attempts to rekindle a settled feud between two rancher families in order to take both their lands when they kill each other off. Luckily the town has a good sheriff and a standup rancher gal to help save the day. An odd short musical western with a good crop of the genre's favorite themes bar brawls ambushes sharpshooters to help round out the plot. Red titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper production No. A7 dated November 2 1949. Title page present with credits for screenwriter Joseph O'Donnell. 47 leaves with last page of text numbered 46. Mimeograph duplication. Pages Fair wrapper Fair bound with three gold brads. Foxing and dampstaining to much of the wrappers and extremities. Universal Pictures unknown books
1949réf. 137478Universal City CA: Universal Pictures 1949. Final shooting script for the 1950 film. Copy belonging to actor Marshall Reed who here plays the role of the villain with his name in black manuscript ink on the front wrapper. A ruthless man attempts to rekindle a settled feud between two rancher families in order to take both their lands when they kill each other off. Luckily the town has a good sheriff and a standup rancher gal to help save the day. An odd short musical western with a good crop of the genre's favorite themes bar brawls ambushes sharpshooters to help round out the plot. Red titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper production No. A7 dated November 2 1949. Title page present with credits for screenwriter Joseph O'Donnell. 47 leaves with last page of text numbered 46. Mimeograph duplication. Pages Fair wrapper Fair bound with three gold brads. Foxing and dampstaining to much of the wrappers and extremities. Universal Pictures unknown
1982réf. 137892Koln Cologne: N.p. 1982. Draft script for an unproduced German film. Laid in is a manuscript letter addressed to Kinski from Kremser dated 1982 and signed by Kremser. The letter states that Kremser wrote the screenplay with Kinski in mind as the lead role in a film that would be a "political science-fiction fairy tale." Both script and letter in German. Cream untitled wrappers. Title page present with title written in manuscript ink. 329 leaves with last page of text numbered 368. Xerographic duplication versos and rectos. Pages Very Good plus wrapper Near Fine perfect-bound. Letter Very Good plus dated March 8 1982. N.p. unknown books
