11 064 résultats
1947réf. 164485Universal City: Universal Pictures 1947. Two vintage publicity photographs from the 1947 film one showing actors Ann Blyth Ella Raines Anita Colby and Yvonne De Carlo walking on the set with producer Mark Hellinger the other showing De Carlo alone. Printed mimeo snipe affixed to the verso of one. A group of prisoners at the strict Westgate Penitentiary plan an escape but fear their plans will be ruined by sadistic power-hungry guard Captain Munsey. Director Jules Dassin's important first film a key noir followed by several others notably "The Naked City" 1948 "Thieves' Highway" 1949 "Night and the City" 1950 and "Rififi" 1955. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Very Good plus. Criterion Collection 383. Godard Histoires du cinema. Grant US. Selby US Masterwork. Spicer US. Silver and Ward Classic Noir. Universal Pictures unknown books
1947réf. 164414Universal City: Universal Pictures 1947. Two vintage publicity photographs from the 1947 film. Annotation in manuscript pencil on the versos. A group of prisoners at the strict Westgate Penitentiary plan an escape but fear their plans will be ruined by sadistic power-hungry guard Captain Munsey. Director Jules Dassin's important first film a key noir followed by several others notably "The Naked City" 1948 "Thieves' Highway" 1949 "Night and the City" 1950 and "Rififi" 1955. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Small creases at the top left corners else Near Fine. Criterion Collection 383. Godard Histoires du cinema. Grant US. Selby US Masterwork. Spicer US. Silver and Ward Classic Noir. Universal Pictures unknown books
1947réf. 165437Universal City: Universal Pictures 1947. Vintage borderless reference photograph with a thin bottom margin from the 1947 film. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. A group of prisoners at the strict Westgate Penitentiary plan an escape but fear their plans will be ruined by sadistic power-hungry guard Captain Munsey. Director Jules Dassin's important first film a key noir followed by several others notably "The Naked City" 1948 "Thieves' Highway" 1949 "Night and the City" 1950 and "Rififi" 1955. 9.25 x 7.5 inches. Light even toning else Near Fine. Criterion Collection 383. Godard Histoires du cinema. Grant US. Selby US Masterwork. Spicer US. Silver and Ward Classic Noir. Universal Pictures unknown books
1947réf. 150384Universal City: Universal-International 1947. Vintage reference photograph of actors Howard Duff Ella Raines and Burt Lancaster director Jules Dassin and producer Mark Hellinger on a lunch break on the set of the 1947 film. With a printed mimeo snipe affixed to the verso. Led by Burt Lancaster a group of prisoners at the strict Westgate Penitentiary plan an escape but fear their plans will be ruined by sadistic power-hungry guard Hume Croyn. 10 x 8 inches. Very Good plus with three hole punch impressions along the left side. Criterion Collection 383. Godard Histoires du cinema. Grant US. Selby US Masterwork. Spicer US. Silver and Ward Classic Noir. Universal-International unknown books
1947réf. 150384Universal City: Universal-International 1947. Vintage reference photograph of actors Howard Duff Ella Raines and Burt Lancaster director Jules Dassin and producer Mark Hellinger on a lunch break on the set of the 1947 film. With a printed mimeo snipe affixed to the verso. Led by Burt Lancaster a group of prisoners at the strict Westgate Penitentiary plan an escape but fear their plans will be ruined by sadistic power-hungry guard Hume Croyn. 10 x 8 inches. Very Good plus with three hole punch impressions along the left side. Criterion Collection 383. Godard Histoires du cinema. Grant US. Selby US Masterwork. Spicer US. Silver and Ward Classic Noir. Universal-International unknown
1947réf. 165437Universal City: Universal Pictures 1947. Vintage borderless reference photograph with a thin bottom margin from the 1947 film. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. A group of prisoners at the strict Westgate Penitentiary plan an escape but fear their plans will be ruined by sadistic power-hungry guard Captain Munsey. Director Jules Dassin's important first film a key noir followed by several others notably "The Naked City" 1948 "Thieves' Highway" 1949 "Night and the City" 1950 and "Rififi" 1955. 9.25 x 7.5 inches. Light even toning else Near Fine. Criterion Collection 383. Godard Histoires du cinema. Grant US. Selby US Masterwork. Spicer US. Silver and Ward Classic Noir. Universal Pictures unknown
1947réf. 164485Universal City: Universal Pictures 1947. Two vintage publicity photographs from the 1947 film one showing actors Ann Blyth Ella Raines Anita Colby and Yvonne De Carlo walking on the set with producer Mark Hellinger the other showing De Carlo alone. Printed mimeo snipe affixed to the verso of one. A group of prisoners at the strict Westgate Penitentiary plan an escape but fear their plans will be ruined by sadistic power-hungry guard Captain Munsey. Director Jules Dassin's important first film a key noir followed by several others notably "The Naked City" 1948 "Thieves' Highway" 1949 "Night and the City" 1950 and "Rififi" 1955. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Very Good plus. Criterion Collection 383. Godard Histoires du cinema. Grant US. Selby US Masterwork. Spicer US. Silver and Ward Classic Noir. Universal Pictures unknown
1947réf. 164414Universal City: Universal Pictures 1947. Two vintage publicity photographs from the 1947 film. Annotation in manuscript pencil on the versos. A group of prisoners at the strict Westgate Penitentiary plan an escape but fear their plans will be ruined by sadistic power-hungry guard Captain Munsey. Director Jules Dassin's important first film a key noir followed by several others notably "The Naked City" 1948 "Thieves' Highway" 1949 "Night and the City" 1950 and "Rififi" 1955. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Small creases at the top left corners else Near Fine. Criterion Collection 383. Godard Histoires du cinema. Grant US. Selby US Masterwork. Spicer US. Silver and Ward Classic Noir. Universal Pictures unknown
1972réf. 158145N.p.: N.p. 1972. Four vintage reference photographs from the 1972 French adult film. One with annotations in manuscript pencil regarding cropping on the verso. A young drug addict wanders into a secluded Canadian villa where she is drawn into a wild party that quickly degenerates into violence. Shot on location in Mont Saint-Hilaire. 8 x 10 inches. Very Good plus overall. Bier 1203. N.p. unknown
1972réf. 158145N.p.: N.p. 1972. Four vintage reference photographs from the 1972 French adult film. One with annotations in manuscript pencil regarding cropping on the verso. A young drug addict wanders into a secluded Canadian villa where she is drawn into a wild party that quickly degenerates into violence. Shot on location in Mont Saint-Hilaire. 8 x 10 inches. Very Good plus overall. Bier 1203. N.p. unknown books
1962réf. 132151Hollywood: Paramount Pictures 1962. Two vintage black-and-white British front-of-house cards from the UK release of the 1962 US film. A relatively unknown low-budget jungle film the only film credit for director Jack Warner Jr. son of the then-head of Warner Brothers Studios. 8 x 10 inches. Very Good plus with one with pinholes at the corners one with a short closed tear. Paramount Pictures unknown books
1996réf. 171837N.p.: Film Roman Productions 1996. First Draft script for the pilot episode of the 1996-1997 syndicated animated series an internally duplicated copy with copied punch holes here under the working title "B.R.U.N.O. The Kid 'The Adventure Begins' Pilot." From the archive of screenwriter Stephen Sustarsic. Syndicated animated series about an eleven-year old who becomes a top secret spy which premiered on September 23 1996 and aired for a single 36-episode season ending on May 26 1997. In this episode Colonel Muckbar buys the BLAP disk from Lazlo Gigahertz Tim Curry and threatens to blow up the Hoover Dam if he doesn't get two billion dollars. Front wrapper integral with the title page dated 3/21/69 noted as FINAL DRAFT with credits for screenwriter Bill Baunstein. 44 leaves with last page of text numbered 43. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Film Roman Productions unknown books
1980réf. 163607Los Angeles: Twentieth Century-Fox 1980. Vintage press kit for the 1980 film. A glossy bi-fold printed on the recto and verso enclosing a three-page promotional article and twelve black and white photographs. Inspired by the 1969 nonfiction book "Accomplices to the Crime" by Thomas O. Murton and Joe Hyams about abuse and corruption in the Arkansas prison system. Nominated for an Academy Award for Best Original Screenplay. Bi-fold and promotional material Near Fine. Photographs with one evenly toned else Near Fine. Twentieth Century-Fox unknown books
1980réf. 168149Los Angeles: Twentieth Century-Fox 1980. Vintage studio still photograph from the 1980 film showing actor Robert Redford. Inspired by the 1969 nonfiction book "Accomplices to the Crime" by Thomas O. Murton and Joe Hyams exposing widespread abuse and corruption in the Arkansas prison system. Nominated for an Academy Award for Best Original Screenplay. 8 x 10 inches. Very Good plus with light discoloration affecting the right edge. Twentieth Century-Fox unknown books
1980réf. 163607Los Angeles: Twentieth Century-Fox 1980. Vintage press kit for the 1980 film. A glossy bi-fold printed on the recto and verso enclosing a three-page promotional article and twelve black and white photographs. Inspired by the 1969 nonfiction book "Accomplices to the Crime" by Thomas O. Murton and Joe Hyams about abuse and corruption in the Arkansas prison system. Nominated for an Academy Award for Best Original Screenplay. Bi-fold and promotional material Near Fine. Photographs with one evenly toned else Near Fine. Twentieth Century-Fox unknown
1979réf. 78850Century City California: Twentieth Century-Fox 1979. Wraps. Very good. Third Revised Draft dated May 1 1979 of the script for the 1980 Stuart Rosenberg film starring Robert Redford as a newly arrived prison warden who attempts to clean up a corrupt and violent penal system. It was nominated for the Best Original Screenplay at the 1981 Academy Awards. This is Jack Hirshberg’s copy with the iconic film publicist’s signature or printed name on the first page of some of the revisions. Quarto: 292 pp. A rainbow script photomechanically reproduced on the recto of standard pink green white yellow and blue stock. The printed green paper front wrapper and plain blue rear wrapper are bound with two brass brads. Short closed tear to the left edge of the front wrapper just above the top brad; otherwise very good. Twentieth Century-Fox unknown
1971réf. 157331N.p.: N.p. 1971. Vintage borderless reference photograph of director James Goldstone with a camera on the set of the 1971 film. A mysterious African American man returns to his hometown for a funeral and is suspected by the police and district attorney of being a union organizer. His aging family doctor however knows the man holds a larger more meaningful purpose in the world. Set in Alabama shot on location in Marysville California. 10 x 8 inches. Near Fine. N.p. unknown books
1970réf. 152555Culver City CA: Columbia Pictures 1970. Draft script for the 1971 film here under the working title "Kane." Copy belonging to actor Bradford Dillman with his stamp to the title page and his manuscript ink annotations throughout. Laid in with the script are two manuscript pages with Dillman's notes on blocking for various scenes and two gatherings of cast and crew contact information. A mysterious African American man returns to his hometown for a funeral and is suspected by the police and district attorney of being a union organizer. His aging family doctor however knows the man holds a larger more meaningful purpose in the world. Set in Alabama shot on location in Marysville California. Blue titled wrappers dated January 30 1970 noted as production No. 8981. Title page present dated January 30 1970 with credits for director James Goldstone and screenwriter Ernest Kinoy. 141 leaves with last page of text numbered 140. Mimeograph duplication on eye-rest green stock rectos only with rainbow revision pages throughout dated variously between February 11 1970 and March 4 1970. Pages and wrapper Near Fine bound with two gold brads. Columbia Pictures unknown books
1970réf. 152555Culver City CA: Columbia Pictures 1970. Draft script for the 1971 film here under the working title "Kane." Copy belonging to actor Bradford Dillman with his stamp to the title page and his manuscript ink annotations throughout. Laid in with the script are two manuscript pages with Dillman's notes on blocking for various scenes and two gatherings of cast and crew contact information. A mysterious African American man returns to his hometown for a funeral and is suspected by the police and district attorney of being a union organizer. His aging family doctor however knows the man holds a larger more meaningful purpose in the world. Set in Alabama shot on location in Marysville California. Blue titled wrappers dated January 30 1970 noted as production No. 8981. Title page present dated January 30 1970 with credits for director James Goldstone and screenwriter Ernest Kinoy. 141 leaves with last page of text numbered 140. Mimeograph duplication on eye-rest green stock rectos only with rainbow revision pages throughout dated variously between February 11 1970 and March 4 1970. Pages and wrapper Near Fine bound with two gold brads. Columbia Pictures unknown
1971réf. 157331N.p.: N.p. 1971. Vintage borderless reference photograph of director James Goldstone with a camera on the set of the 1971 film. A mysterious African American man returns to his hometown for a funeral and is suspected by the police and district attorney of being a union organizer. His aging family doctor however knows the man holds a larger more meaningful purpose in the world. Set in Alabama shot on location in Marysville California. 10 x 8 inches. Near Fine. N.p. unknown
1998réf. 171538N.p.: N.p. 1998. Draft script for Season 1 Episode 18 of the 1997-1998 television series. Originally aired March 16 1998 on CBS. With production document bound into the script preceding front self wrapper. This short-lived procedural followed the uniformed police officers at a Brooklyn precinct. In this episode two officers try to help a woman being abused by her husband until they find him dead. Winner of an Emmy for Outstanding Directing for its Pilot episode. Set in Brooklyn. White titled self wrapper lacking rear wrapper production No. C118 dated February 24 1998 with credits for director Michael Watkins and screenwriters Scott A. Williams Edward Allen Bernero and Matt Olmstead. Title page integral with front wrapper. 51 leaves with last page of text numbered 51. Xerographic duplication rectos only. Pages Fine wrapper Fine bound with two gold brads. N.p. unknown books
1998réf. 171263Santa Monica: Steven Bochco Productions 1998. Vintage Draft script for Season 1 Episode 17 of the 1997-1998 television series. Originally aired March 9 1998 on CBS. This short-lived procedural followed the uniformed police officers at a Brooklyn precinct. In this episode tensions are high at the precinct following one of the officers acting as an informant for Internal Affairs. Winner of an Emmy for Outstanding Directing for its Pilot episode. Set in Brooklyn. White titled self-wrappers lacking rear wrapper production No. C117 dated February 9 1998 with credits for screenwriters Doug Palau and Nicholas Wootton and director Marc Buckland. Title page integral with front wrapper. 62 leaves with last page of text numbered 60. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Steven Bochco Productions unknown books
1998réf. 171263Santa Monica: Steven Bochco Productions 1998. Vintage Draft script for Season 1 Episode 17 of the 1997-1998 television series. Originally aired March 9 1998 on CBS. This short-lived procedural followed the uniformed police officers at a Brooklyn precinct. In this episode tensions are high at the precinct following one of the officers acting as an informant for Internal Affairs. Winner of an Emmy for Outstanding Directing for its Pilot episode. Set in Brooklyn. White titled self-wrappers lacking rear wrapper production No. C117 dated February 9 1998 with credits for screenwriters Doug Palau and Nicholas Wootton and director Marc Buckland. Title page integral with front wrapper. 62 leaves with last page of text numbered 60. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Steven Bochco Productions unknown
1998réf. 171538N.p.: N.p. 1998. Draft script for Season 1 Episode 18 of the 1997-1998 television series. Originally aired March 16 1998 on CBS. With production document bound into the script preceding front self wrapper. This short-lived procedural followed the uniformed police officers at a Brooklyn precinct. In this episode two officers try to help a woman being abused by her husband until they find him dead. Winner of an Emmy for Outstanding Directing for its Pilot episode. Set in Brooklyn. White titled self wrapper lacking rear wrapper production No. C118 dated February 24 1998 with credits for director Michael Watkins and screenwriters Scott A. Williams Edward Allen Bernero and Matt Olmstead. Title page integral with front wrapper. 51 leaves with last page of text numbered 51. Xerographic duplication rectos only. Pages Fine wrapper Fine bound with two gold brads. N.p. unknown
1919réf. 171466N.p.: N.p. 1919. Vintage publicity photograph from the 1919 film showing Lillian Gish in a patterned shawl and straw hat sitting on a coil of rope. A tragedy based on a short story by Thomas Burke about a young girl who is abused by her father an alcoholic ex-prizefighter and is taken in by a kindly Chinese man. Set in London. 6.75 x 8.5 inches trimmed irregularly with margins on two sides. Very Good plus with a crease to the bottom right corner. National Film Registry. N.p. unknown books
