11,046 results
1989ref. 152816N.p.: N.p. 1989. Draft script for the 1990 television film here under the working title "Fast Lane." A woman discovers that the man with whom she has just had a one-night stand is a hired assassin and tries to stop him from completing his next hit. Set in New York. Self wrappers. Missing title page presumably as issued. 107 leaves with last page of text numbered 102. Xerographic duplication on blue stock rectos only with pink yellow and green revision pages throughout. Pages Near Fine bound with two gold brads. Reyes 39. N.p. unknown books
1964ref. 160359New York: Embassy Films 1964. Vintage program for two May 20 1964 screenings of the 1954 documentary at the Crystal Ballroom at the Delmonico Hotel New York preceded by an essay presented by historian author screenwriter and president of Embassy Films Inc. Alexandre Tarsaidze included in the second half of the brochure. The screenings were presented as a benefit for the Association of Russian War Invalids of the First World War. A chronological compilation of historical newsreel footage of Nicholas II and his family taken between 1896 and 1914. 7 x 10 inches Bi-fold. Very Good plus with two faint horizontal creases and two pinholes at the top left. Embassy Films unknown
1970ref. 143874Hollywood: Goldfarb-Lewis Agency 1970. Original Treatment script for an unproduced film. Based on Guy Endore's novel of the same name about the life of Alexandre Dumas. Brown untitled wrappers. Title page present with credits for screenwriter Dale Wasserman and novelist Guy Endore. 39 leaves with last page of text numbered 36. Xerographically reproduced. Pages Fine wrapper Fine bound internally with three gold brads. Goldfarb-Lewis Agency unknown
1970ref. 162516N.p.: Maron Films 1970. Vintage studio still photograph from the US release of the French/Italian/German film. Based on the 1832 play "La Tour de Nesle" by Alexandre Dumas which was based on the fourteenth century French scandal the "Tour de Nesle affair." Captain Buridan king's swordsman and hero of the Flanders campaign returns to Paris to find the city in fear of a "vampire/witch" in the Tour de Nesle luring men to a night of sexual ecstasy followed by slaughter. Shot on location in Budapest Hungary. 8 x 10 inches. Near Fine. Maron Films unknown
1946ref. 158996Culver City CA: Columbia Pictures 1946. Vintage studio still photograph from the 1946 film. Based on the 1857 novel "The Companions of Jehu" by Alexandre Dumas. In the days leading up to the French Revolution a baron steals the king's tax profits to give them back to the poor. Set in France. 8 x 10 inches. Very Good plus. Columbia Pictures unknown books
1970ref. 162516N.p.: Maron Films 1970. Vintage studio still photograph from the US release of the French/Italian/German film. Based on the 1832 play "La Tour de Nesle" by Alexandre Dumas which was based on the fourteenth century French scandal the "Tour de Nesle affair." Captain Buridan king's swordsman and hero of the Flanders campaign returns to Paris to find the city in fear of a "vampire/witch" in the Tour de Nesle luring men to a night of sexual ecstasy followed by slaughter. Shot on location in Budapest Hungary. 8 x 10 inches. Near Fine. Maron Films unknown books
1970ref. 143874Hollywood: Goldfarb-Lewis Agency 1970. Original Treatment script for an unproduced film. Based on Guy Endore's novel of the same name about the life of Alexandre Dumas. Brown untitled wrappers. Title page present with credits for screenwriter Dale Wasserman and novelist Guy Endore. 39 leaves with last page of text numbered 36. Xerographically reproduced. Pages Fine wrapper Fine bound internally with three gold brads. Goldfarb-Lewis Agency unknown books
1964ref. 160359New York: Embassy Films 1964. Vintage program for two May 20 1964 screenings of the 1954 documentary at the Crystal Ballroom at the Delmonico Hotel New York preceded by an essay presented by historian author screenwriter and president of Embassy Films Inc. Alexandre Tarsaidze included in the second half of the brochure. The screenings were presented as a benefit for the Association of Russian War Invalids of the First World War. A chronological compilation of historical newsreel footage of Nicholas II and his family taken between 1896 and 1914. 7 x 10 inches Bi-fold. Very Good plus with two faint horizontal creases and two pinholes at the top left. Embassy Films unknown books
1971ref. 158638N.p.: Audubon Films 1971. Two vintage studio still photographs from the 1971 US release of the 1970 West German film. A sexploitation film about a small-town girl who moves to the big city where she begins a career as a sex worker eventually falling in with a group of revolutionaries. 10 x 8 inches. Near Fine. Audubon Films unknown
1971ref. 158638N.p.: Audubon Films 1971. Two vintage studio still photographs from the 1971 US release of the 1970 West German film. A sexploitation film about a small-town girl who moves to the big city where she begins a career as a sex worker eventually falling in with a group of revolutionaries. 10 x 8 inches. Near Fine. Audubon Films unknown books
1950ref. 164812Universal City: Universal Pictures 1950. Vintage publicity photograph from the 1950 film noir showing actress Alexis Smith. A young woman joins the police department in order to find and stop the killer responsible for her father's death. Actor Royal Dano's film debut. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Set in New York City. 8 x 10 inches. Near Fine. Grant US. Selby US. Spicer US. Universal Pictures unknown
1950ref. 164812Universal City: Universal Pictures 1950. Vintage publicity photograph from the 1950 film noir showing actress Alexis Smith. A young woman joins the police department in order to find and stop the killer responsible for her father's death. Actor Royal Dano's film debut. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Set in New York City. 8 x 10 inches. Near Fine. Grant US. Selby US. Spicer US. Universal Pictures unknown books
1969ref. 146544Munich: Roxy-Film and Co KG 1969. Draft script for the 1969 film. Text in German. Director Harald Philip who presumably worked on the film in addition to its credited director Alfred Vohrer is credited on the title page. A reticent widower is forced to take on the uncomfortable task of educating his 16 year old daughter about sex leading her to request that he find her a boyfriend. Set in West Germany. White untitled self wrappers. Title page present with credits for screenwriter Ernst Flugel. 148 leaves with last page of text numbered 144. Mimeograph duplication rectos only. Pages Very Good plus with gold prong binding. Roxy-Film and Co, KG unknown
1969ref. 146544Munich: Roxy-Film and Co KG 1969. Draft script for the 1969 film. Text in German. Director Harald Philip who presumably worked on the film in addition to its credited director Alfred Vohrer is credited on the title page. A reticent widower is forced to take on the uncomfortable task of educating his 16 year old daughter about sex leading her to request that he find her a boyfriend. Set in West Germany. White untitled self wrappers. Title page present with credits for screenwriter Ernst Flugel. 148 leaves with last page of text numbered 144. Mimeograph duplication rectos only. Pages Very Good plus with gold prong binding. Roxy-Film and Co, KG unknown books
1936ref. 164527Culver City CA: Columbia Pictures 1936. Vintage publicity photograph of Fay Wray and Chester Morris from the 1936 film with a stamp crediting photographer Ray Jones and a mimeo snipe on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Chester Morris is a taxi driver who picks up Fay Wray a fashion store model falsely accused of stealing jewelry and sets out to prove her innocence. Set in New York City. 10 x 8 inches. Near Fine. Columbia Pictures unknown
1936ref. 164527Culver City CA: Columbia Pictures 1936. Vintage publicity photograph of Fay Wray and Chester Morris from the 1936 film with a stamp crediting photographer Ray Jones and a mimeo snipe on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Chester Morris is a taxi driver who picks up Fay Wray a fashion store model falsely accused of stealing jewelry and sets out to prove her innocence. Set in New York City. 10 x 8 inches. Near Fine. Columbia Pictures unknown books
1953ref. 159659Culver City CA: Columbia Pictures 1953. Vintage reference photograph from the 1953 film. Four women in different walks of life all wear different versions of the same dress design called "Nude at Midnight"-each with the intention of getting something out of a man in her life. Set in Paris New York City Los Angeles and Florida. 10 x 8 inches. Near Fine. Columbia Pictures unknown books
1998ref. 162639Culver City CA: Appleton Productions 1998. Record Draft script for Season 1 Episode 2 of the 1999-2000 primetime animated television series. Based on the successful 1989-2023 comic strip by Scott Adams about the titular pessimistic white-collar engineer and his daily interactions with his idiotic boss and frustrated coworkers. In this episode Dilbert and his coworkers must ensure that a rival engineer does not steal their idea for a new product. Originally aired on February 1 1999 on UPN. Self wrappers dated May 5 1998 on the front wrapper noted as Record Draft and episode No. 102 with credit for screenwriter Jeff Kahn. Title page integral with the front wrapper as issued. 57 leaves with last page of text numbered 55. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Appleton Productions unknown
1998ref. 162639Culver City CA: Appleton Productions 1998. Record Draft script for Season 1 Episode 2 of the 1999-2000 primetime animated television series. Based on the successful 1989-2023 comic strip by Scott Adams about the titular pessimistic white-collar engineer and his daily interactions with his idiotic boss and frustrated coworkers. In this episode Dilbert and his coworkers must ensure that a rival engineer does not steal their idea for a new product. Originally aired on February 1 1999 on UPN. Self wrappers dated May 5 1998 on the front wrapper noted as Record Draft and episode No. 102 with credit for screenwriter Jeff Kahn. Title page integral with the front wrapper as issued. 57 leaves with last page of text numbered 55. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Appleton Productions unknown books
1954ref. 160547London: Pictorial Press 1954. Vintage reference photograph of director Alfred Hitchcock drawing between takes on the set of the 1954 film. Printed mimeo snipe and stamps of Pictorial Press on the verso along with annotations in manuscript pencil relating to cropping. Based on the 1952 play by Frederick Knott who also wrote the screenplay about a tennis player who arranges to have his wife framed for murder after discovering her infidelity. The only Hitchcock film to be shot in 3D although the format would ultimately be discarded for theatrical release and the first of three Hitchcock films to feature actress Grace Kelly followed by "Rear Window" 1954 and "To Catch a Thief" 1955. 10 x 8 inches. Very Good plus lightly worn at the corners. Grant US. Selby US. Spicer US. Pictorial Press unknown
1954ref. 153634N.p.: N.p. 1954. Archive of five vintage borderless oversize photographs of director Alfred Hitchcock with various cast and crew members on the set of the 1954 film noir. Manuscript ink and pencil annotations to the verso including layout annotations "FILE" stamps and the stamp of photographer Sanford H. Roth. Four photographs with printed mimeo snipes affixed to the verso and four photographs with manuscript annotations noting their appearance in the May 24 1954 issue of Life magazine. Brooklyn-born photojournalist Sanford Roth was best known for his portrait photography capturing intimate and now iconic images of artists and actors throughout his decades-long career including Marc Chagall Joan Crawford Albert Einstein Henri Matisse and Elizabeth Taylor among many others. Based on the 1952 play by Frederick Knott who also wrote the screenplay about a tennis player who arranges to have his wife framed for murder after discovering her infidelity. The only Hitchcock film to be shot in 3D although the format would ultimately be discarded for theatrical release and the first of three Hitchcock films to feature actress Grace Kelly followed by "Rear Window" 1954 and "To Catch a Thief" 1955. One photograph features Hitchcock leaning over a giant rotary dial a prop made as a result of Warner Brothers' proprietary 3D camera rig. Hitchcock wanted the first shot of the film to feature a finger pressing the letter M on a rotary dial telephone but the specialized 3D camera was unable to focus the close-up correctly leading the director to order a giant finger made from wood and a proportionally large dial in order to achieve the effect. Four photographs 10 x 13.5 inches one photograph 9.5 x 13.5 inches. Lightly edgeworn else generally Near Fine. Grant US. Selby US. Spicer US. N.p. unknown
1972ref. 148288Universal City: Universal Pictures 1972. Collection of 12 vintage French color lobby cards from the 1972 film. Based on the 1966 novel "Goodbye Piccadilly Farewell Leicester Square" by Arthur La Bern. London is terrorized by a serial rapist who then strangles his victims with a necktie. Police suspect Richard Blaney Jon Finch whose wife was brutally killed. Alfred Hitchcock's penultimate film. Set in and shot on location in London. 11.25 x 9 inches. Near Fine. Vogel Film as a Subversive Art. Clover Men Women and Chainsaws. Grant US. Universal Pictures unknown
1972ref. 148289Universal City: Universal Pictures 1972. Vintage French color lobby card from the 1972 film. Based on the 1966 novel "Goodbye Piccadilly Farewell Leicester Square" by Arthur La Bern. London is terrorized by a serial rapist who then strangles his victims with a necktie. Police suspect Richard Blaney Jon Finch whose wife was brutally killed. Alfred Hitchcock's penultimate film. Set in and shot on location in London. 11.25 x 9 inches. Pinholes at corners else Near Fine. Grant UK. Vogel Film as a Subversive Art. Clover Men Women and Chainsaws. Universal Pictures unknown
1944ref. 154237N.p.: N.p. 1944. Vintage reference photograph from the set of the 1944 film showing actress Tallulah Bankhead sitting and reading a newspaper that makes reference to World War II. A group of survivors are stranded on a lifeboat following a Nazi attack on their merchant ship. Tensions are high as the group negotiates food rations and tries to plot a course to land or rescue. The first film in Alfred Hitchcock's "limited setting" series followed by "Rope" 1948 "Dial M for Murder" 1954 and "Rear Window" 1954. Shot on location in Florida and California. 5 x 4.25 inches. Near Fine. Eureka Masters of Cinema 30. N.p. unknown
1964ref. 170777N.p.: N.p. 1964. Four vintage color transparencies from the 1964 film all four showing Tippi Hedren. Based on Winston Graham's 1961 novel which follows a wealthy businessman's unwanted often cruel attempts to help a troubled young woman come to terms with her past. The production faced several setbacks in its development most relating to Hitchcock's insistence on including a rape scene present in the novel and the subsequent troubles in casting the lead role given the emotional complexity demanded for the character. Set and shot on location in California Pennsylvania New Jersey Virginia and Maryland. 5 x 4 inches. Near Fine. Godard Histoires du cinema. Grant US. Spicer US. N.p. unknown
