11,046 results
1989ref. 159717San Francisco: Roxie Cinema 1989. Vintage poster for the theatrical premiere of the 1989 film at the Roxie Cinema Friday February 23 through Thursday March 1 1989. Manhattan newlyweds portrayed by Christopher Rich and Amanda Plummer set out of New York for Hoboken commencing a series of mishaps and misadventures. 11 x 17 inches. Very Good plus with tape shadows along the vertical margins. Roxie Cinema unknown books
1997ref. 161775N.p.: N.p. 1997. Final Draft script for Season 1 Episode 12 of the long-running 1997-2007 television series seen here under the working title "Funeral for a Friend." Originally aired on October 17 1997 on Showtime. Loosely based on the 1994 science fiction film about the discovery of an ancient alien device that holds unusual powers of space travel and communication. In this episode the Stargate team race to save Dr. Jackson after he is captured by the last survivor of an aquatic species. Self wrappers. Title page present dated July 21 1997 noted as FINAL DRAFT and production No. 3965 with credit for screenwriter Katharyn Powers. 49 leaves with last page of text numbered 47. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
1997ref. 161775N.p.: N.p. 1997. Final Draft script for Season 1 Episode 12 of the long-running 1997-2007 television series seen here under the working title "Funeral for a Friend." Originally aired on October 17 1997 on Showtime. Loosely based on the 1994 science fiction film about the discovery of an ancient alien device that holds unusual powers of space travel and communication. In this episode the Stargate team race to save Dr. Jackson after he is captured by the last survivor of an aquatic species. Self wrappers. Title page present dated July 21 1997 noted as FINAL DRAFT and production No. 3965 with credit for screenwriter Katharyn Powers. 49 leaves with last page of text numbered 47. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown books
1956ref. 142890N.p.: N.p. 1956. Draft script for a 1956 student film. Front wrapper title in decorative manuscript black ink presumably by the screenwriter. Based on the 1890 story by Ambrose Bierce. 22 pages of storyboards corresponding with the script that follows all bound together. Decorative cast and crew invite to premiere and wrap party laid in. The second filmed version of Bierce's short story the first one titled "The Bridge" was made by Charles Vidor in 1929 virtually unknown preceding both the well known 1959 version filmed for the fifth season of Rod Serling's "The Twilight Zone" and the French version made in 1962 by Robert Enrico. According to the 1956-57 Film Review of Student Productions presented by Department of Cinema and Delta Kappa Alpha at the University of Southern California USC the film was part of the Productions of the Graduate Workshop in the fall of 1956. Laid in is an invitation to premiere screening held at CineManor where USC's California National Honorary Cinema Fraternity Delta Kappa Alpha hosted screenings and social events. Douglas W. Gallez served as President of the Alpha USC Chapter at the time. Not in IMDB. Presumably shot in Southern California. Set in Civil War era Alabama. Pale untitled wrapper with credits for screenwriter. Title page present with credits for story writer Ambrose Bierce and screenwriter Douglas W. Gallez. 45 leaves with last page of text numbered 22. Mimeograph both storyboards and script. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
1956ref. 142890N.p.: N.p. 1956. Draft script for a 1956 student film. Front wrapper title in decorative manuscript black ink presumably by the screenwriter. Based on the 1890 story by Ambrose Bierce. 22 pages of storyboards corresponding with the script that follows all bound together. Decorative cast and crew invite to premiere and wrap party laid in. The second filmed version of Bierce's short story the first one titled "The Bridge" was made by Charles Vidor in 1929 virtually unknown preceding both the well known 1959 version filmed for the fifth season of Rod Serling's "The Twilight Zone" and the French version made in 1962 by Robert Enrico. According to the 1956-57 Film Review of Student Productions presented by Department of Cinema and Delta Kappa Alpha at the University of Southern California USC the film was part of the Productions of the Graduate Workshop in the fall of 1956. Laid in is an invitation to premiere screening held at CineManor where USC's California National Honorary Cinema Fraternity Delta Kappa Alpha hosted screenings and social events. Douglas W. Gallez served as President of the Alpha USC Chapter at the time. Not in IMDB. Presumably shot in Southern California. Set in Civil War era Alabama. Pale untitled wrapper with credits for screenwriter. Title page present with credits for story writer Ambrose Bierce and screenwriter Douglas W. Gallez. 45 leaves with last page of text numbered 22. Mimeograph both storyboards and script. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown books
1982ref. 166414Los Angeles: Avon Productions 1982. Draft script for the 1982 pornographic film. Three violent escaped convicts on the run from the law break into a house where a young girl is being given a wedding shower and they proceed on a rampage of violence rape and sexual assaults. IMDB. Title page integral with the first page of narrative text. No wrapper as issued undated. 18 leaves with last page of text numbered 18. Xerographic duplication rectos only. Pages Near Fine staple bound at the top left corner. Avon Productions unknown
1982ref. 166414Los Angeles: Avon Productions 1982. Draft script for the 1982 pornographic film. Three violent escaped convicts on the run from the law break into a house where a young girl is being given a wedding shower and they proceed on a rampage of violence rape and sexual assaults. IMDB. Title page integral with the first page of narrative text. No wrapper as issued undated. 18 leaves with last page of text numbered 18. Xerographic duplication rectos only. Pages Near Fine staple bound at the top left corner. Avon Productions unknown books
1961ref. 132659London: Gala Film Distributors 1961. Seven vintage black-and-white still photographs from the UK release as "Femme Fatale" of the 1957 Spanish-Italian film "La puerta abierta." Distributor UK rubber-stamps on the versos. Based on a Hungarian play about the murder of an actress and the young female eyewitness who can keep a secret. Marta Toren's final film credit the actress once touted as "the next Ingrid Bergman." 8 x 10 inches. Very Good plus with toning a few short creases and 1 still with pinholes. Gala Film Distributors unknown books
1967ref. 157986N.p.: N.p. 1967. Four vintage studio still photographs from the 1967 film. One with annotations in manuscript ink and pencil on the verso regarding cropping. From the archive of film historian and author Joel Finler. A bold film adaptation of the controversial allegorical drama by Amiri Baraka writing here as he often did in the 1960s as Leroi Jones. An erratic white woman meets an African American man on a subway car. When he begins to respond to her erotic advances she begins to taunt him viciously goading him until he explodes into violence. Anthony Anthony Harvey's important and still impactful first directorial effort followed by many successful films including "The Lion in Winter" 1968 "They Might Be Giants" 1971 and "The Glass Menagerie" 1973. Set in New York with subway exteriors shot in Manhattan and interiors shot in London. 10 x 8 inches. Near Fine. N.p. unknown
1967ref. 157986N.p.: N.p. 1967. Four vintage studio still photographs from the 1967 film. One with annotations in manuscript ink and pencil on the verso regarding cropping. From the archive of film historian and author Joel Finler. A bold film adaptation of the controversial allegorical drama by Amiri Baraka writing here as he often did in the 1960s as Leroi Jones. An erratic white woman meets an African American man on a subway car. When he begins to respond to her erotic advances she begins to taunt him viciously goading him until he explodes into violence. Anthony Anthony Harvey's important and still impactful first directorial effort followed by many successful films including "The Lion in Winter" 1968 "They Might Be Giants" 1971 and "The Glass Menagerie" 1973. Set in New York with subway exteriors shot in Manhattan and interiors shot in London. 10 x 8 inches. Near Fine. N.p. unknown books
1954ref. 148790Beverly Hills CA: United Artists 1954. Vintage three-sheet poster for the 1953 film. Based on the 1949 novel "The Girl on the Via Flaminia" by Alfred Hayes. Visiting Villefrance in the early 1950s Robert Teller Kirk Douglas reminisces on his time in the US Army in Paris nearing the end of WWII and his romance with the beautiful French peasant girl Lise Dany Robin. Set in and shot on location in Paris and the French Riviera France. 40.75 x 78 inches. Two panels folded as issued. Very Good with large closed tear to mid-right splitting to some folds several small closed tears at the extremities and light soiling. Royal Books can arrange for archival linen backing of posters. Please inquire. United Artists unknown
1956ref. 147087Los Angeles: Twentieth Century-Fox 1956. Final draft script for the 1956 film. Wrappers trimmed to conform to text block separating spine from wrapper abd cropping copy number stamp "650" and re-written in manuscript ink. Production number adjusted in manuscript pencil with ."5." "#3" in manuscript in on edge of spine. Based on Marcelle Maurette's 1952 stage play about a scheme to conspiracy to extort ten million pounds from a bank by teaching a homeless girl to impersonate the missing Russian princess Anastasia. Ingrid Bergman won an Academy Award for her lead role. Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 650 and production No. 2677 dated June 7 1956. Title page present dated June 7 1956 noted as Final Script with credits for screenwriter Arthur Laurents. 139 leaves with last page of text numbered 136. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus trimmed to conform to text block with spine separate bound with two gold brads. Twilight Time 203. Twentieth Century-Fox unknown
1956ref. 132186London: Twentieth Century-Fox 1956. Seven vintage British front-of-house cards from the UK release of the 1956 US film. Based on Marcelle Maurette's stage play about a scheme to conspiracy to extort ten million pounds from a bank by teaching a homeless girl to impersonate the missing Russian princess Anastasia. Ingrid Bergman won an Academy Award for her lead role. 8 x 10 inches. Tiny faint creases overalland light soil to one still else Near Fine. Twentieth Century-Fox unknown
1961ref. 138761Beverly Hills CA: United Artists 1961. Vintage borderless black-and-white still photograph from the French release of the 1961 film. Featuring Ingrid Bergman holding up Anthony Perkins as he seems to be falling backwards outside of a large doorway. From the Tele Cine Documentation archive originally known as the Collection Daniel Bouteiller with their sticker to the verso. Also on the verso is the rubber stamp of Maurice Bessy from whose archives the photo originally came alongside another small rubber stamp and light manuscript annotations in ink. Based on the 1959 novel "Aimez-vous Brahms" by Francoise Sagan. Ingrid Bergman is the mistress of a philandering business executive who refuses to change his ways until Bergman begins seeing the son of one of his wealthy clients played by Anthony Perkins. Fresh from his role as Norman Bates in Hitchcock's "Psycho" Perkins shines as a charming aimless bachelor in what would be one of the few non-typecast characters of his career. Nominated for the Palme d'Or at Cannes where Anthony Perkins also won Best Actor. 6.75 x 9 inches. United Artists unknown
1954ref. 148790Beverly Hills CA: United Artists 1954. Vintage three-sheet poster for the 1953 film. Based on the 1949 novel "The Girl on the Via Flaminia" by Alfred Hayes. Visiting Villefrance in the early 1950s Robert Teller Kirk Douglas reminisces on his time in the US Army in Paris nearing the end of WWII and his romance with the beautiful French peasant girl Lise Dany Robin. Set in and shot on location in Paris and the French Riviera France. 40.75 x 78 inches. Two panels folded as issued. Very Good with large closed tear to mid-right splitting to some folds several small closed tears at the extremities and light soiling. Royal Books can arrange for archival linen backing of posters. Please inquire. United Artists unknown books
1956ref. 147087Los Angeles: Twentieth Century-Fox 1956. Final draft script for the 1956 film. Wrappers trimmed to conform to text block separating spine from wrapper abd cropping copy number stamp "650" and re-written in manuscript ink. Production number adjusted in manuscript pencil with ."5." "#3" in manuscript in on edge of spine. Based on Marcelle Maurette's 1952 stage play about a scheme to conspiracy to extort ten million pounds from a bank by teaching a homeless girl to impersonate the missing Russian princess Anastasia. Ingrid Bergman won an Academy Award for her lead role. Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 650 and production No. 2677 dated June 7 1956. Title page present dated June 7 1956 noted as Final Script with credits for screenwriter Arthur Laurents. 139 leaves with last page of text numbered 136. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus trimmed to conform to text block with spine separate bound with two gold brads. Twilight Time 203. Twentieth Century-Fox unknown books
1956ref. 132186London: Twentieth Century-Fox 1956. Seven vintage British front-of-house cards from the UK release of the 1956 US film. Based on Marcelle Maurette's stage play about a scheme to conspiracy to extort ten million pounds from a bank by teaching a homeless girl to impersonate the missing Russian princess Anastasia. Ingrid Bergman won an Academy Award for her lead role. 8 x 10 inches. Tiny faint creases overalland light soil to one still else Near Fine. Twentieth Century-Fox unknown books
1939ref. 132529London: Films in London Publications 1939. Vintage black-and-white still photograph from the 1939 UK release of the 1938 US film. Distributors rubber-stamps on the verso. Based on the Myron Brinig novel about three sisters who are considered the most desirable young women in a tiny town in Montana and the troubled marriages each faces. 8 x 10 inches with no borders as issued. Faint discoloration at the center of the recto see image else Near Fine. Films in London Publications unknown books
1961ref. 138761Beverly Hills CA: United Artists 1961. Vintage borderless black-and-white still photograph from the French release of the 1961 film. Featuring Ingrid Bergman holding up Anthony Perkins as he seems to be falling backwards outside of a large doorway. From the Tele Cine Documentation archive originally known as the Collection Daniel Bouteiller with their sticker to the verso. Also on the verso is the rubber stamp of Maurice Bessy from whose archives the photo originally came alongside another small rubber stamp and light manuscript annotations in ink. Based on the 1959 novel "Aimez-vous Brahms" by Francoise Sagan. Ingrid Bergman is the mistress of a philandering business executive who refuses to change his ways until Bergman begins seeing the son of one of his wealthy clients played by Anthony Perkins. Fresh from his role as Norman Bates in Hitchcock's "Psycho" Perkins shines as a charming aimless bachelor in what would be one of the few non-typecast characters of his career. Nominated for the Palme d'Or at Cannes where Anthony Perkins also won Best Actor. 6.75 x 9 inches. United Artists unknown books
1990ref. 167769New York: The Green Card Production Company 1990. Sixth Final Draft script for the 1990 film. Copy belonging to an unidentified crew member with annotations in manuscript ink throughout highlighting filming locations. An American woman and a French man enter into a marriage of convenience-the man hoping to gain American citizenship the woman needing to be married to land her dream apartment. Actor Gérard Depardieu's American film debut. Set and shot on location in New York. Self wrappers. Title page present dated February 1990 noted as FINAL DRAFT #6 with credit for screenwriter Peter Weir. 138 leaves with last page of text numbered 120. Xerographic duplication rectos only with blue revision pages throughout dated March 20 1990. Pages Very Good plus bound with three gold brads. The Green Card Production Company unknown
1997ref. 160283Sherman Oaks CA: CineSon 1997. Revised script for the 1998 film seen here under the working titles "The Scalper" and "A Piece of Cake." Copy belonging to production coordinator Shelley Houis housed in a black three-ring binder with approximately 250 pages of production documents including in addition to the script cast and crew contact lists cost-per-day spreadsheets location lists shooting schedules maps and travel documents. Desperate to win back his girlfriend a ticket scalper decides to try to strike it rich by buying marking up and reselling tickets to see the Pope in New York. Shot on location in New York and New Jersey. Title page present dated 6/06/97 with credit for director and screenwriter Richard Wenk. 133 leaves with last page of text numbered 112. Xerographic duplication rectos only. Pages about Fine binder Near Fine. CineSon unknown
1997ref. 160283Sherman Oaks CA: CineSon 1997. Revised script for the 1998 film seen here under the working titles "The Scalper" and "A Piece of Cake." Copy belonging to production coordinator Shelley Houis housed in a black three-ring binder with approximately 250 pages of production documents including in addition to the script cast and crew contact lists cost-per-day spreadsheets location lists shooting schedules maps and travel documents. Desperate to win back his girlfriend a ticket scalper decides to try to strike it rich by buying marking up and reselling tickets to see the Pope in New York. Shot on location in New York and New Jersey. Title page present dated 6/06/97 with credit for director and screenwriter Richard Wenk. 133 leaves with last page of text numbered 112. Xerographic duplication rectos only. Pages about Fine binder Near Fine. CineSon unknown books
1990ref. 167769New York: The Green Card Production Company 1990. Sixth Final Draft script for the 1990 film. Copy belonging to an unidentified crew member with annotations in manuscript ink throughout highlighting filming locations. An American woman and a French man enter into a marriage of convenience-the man hoping to gain American citizenship the woman needing to be married to land her dream apartment. Actor Gérard Depardieu's American film debut. Set and shot on location in New York. Self wrappers. Title page present dated February 1990 noted as FINAL DRAFT #6 with credit for screenwriter Peter Weir. 138 leaves with last page of text numbered 120. Xerographic duplication rectos only with blue revision pages throughout dated March 20 1990. Pages Very Good plus bound with three gold brads. The Green Card Production Company unknown books
1968ref. 159702Rome: Galatea Film 1968. Two vintage studio still photographs from the 1968 television re-release of the 1957 film. A surgeon who suggested a woman go to a hospital instead of being treated by him dies at the hospital. Her husband believing the surgeon to be responsible for her death seeks revenge. Set in North Africa shot on location in Spain. 8 x 10 inches. Near Fine. Galatea Film unknown
1968ref. 159702Rome: Galatea Film 1968. Two vintage studio still photographs from the 1968 television re-release of the 1957 film. A surgeon who suggested a woman go to a hospital instead of being treated by him dies at the hospital. Her husband believing the surgeon to be responsible for her death seeks revenge. Set in North Africa shot on location in Spain. 8 x 10 inches. Near Fine. Galatea Film unknown books
