11,046 results
1934ref. 156154N.p.: N.p. 1934. Vintage program for the 1934 Austrian film. Text and titles in German. A prominent surgeon's wife poses nude but masked for a portrait by a famous artist. The artist must quickly improvise when asked about the identity of the woman in the painting and accidentally implicates a real woman leading to a number of comic misunderstandings. Basis for the 1935 American film "Escapade" starring William Powell and Luise Rainer. 7.25 x 10.5 inches. Bi-fold. Very Good plus lightly age toned and edgeworn. N.p. unknown
1968ref. 162456N.p.: Globe Pictures 1968. Six vintage studio still photographs from the US release of the 1966 German film. All photographs with provenance stamps on the versos two with labels obscuring previous provenance stamps. Attractive model Alexandra comes to Berlin to try and rekindle an old affair and becomes involved with her ex-lover as well as his employee. Shot on location in Berlin. 8 x 10 inches. Near Fine overall. Globe Pictures unknown books
1968ref. 162456N.p.: Globe Pictures 1968. Six vintage studio still photographs from the US release of the 1966 German film. All photographs with provenance stamps on the versos two with labels obscuring previous provenance stamps. Attractive model Alexandra comes to Berlin to try and rekindle an old affair and becomes involved with her ex-lover as well as his employee. Shot on location in Berlin. 8 x 10 inches. Near Fine overall. Globe Pictures unknown
1996ref. 172069Los Angeles: Twentieth Century-Fox 1996. 18 vintage color slides from the 1996 film. A disparate group of survivors congregate in the Nevada desert after a large-scale attack by aliens deciding to plan a counterattack in New York City on behalf of the human race. Screenwriters Dean Devlin and Roland Emmerich previously worked together on the 1994 film "Stargate" with much of the plot of "Independence Day" conceived by the pair during promotional tours for that movie. Nominated for two Academy Awards and followed by a 2016 sequel "Independence Day: Resurgence." Shot on location in New York City in Flagstaff Arizona on the Plains of San Agustin New Mexico in Los Angeles and Fontana California in Wendover and the Bonneville Salt Flats Utah and in Cliffside Park New Jersey. Slides 1.5 x 1 inches in cardboard sleeves measuring 2 x 2 inches. Fine. Twentieth Century-Fox unknown books
1996ref. 172069Los Angeles: Twentieth Century-Fox 1996. 18 vintage color slides from the 1996 film. A disparate group of survivors congregate in the Nevada desert after a large-scale attack by aliens deciding to plan a counterattack in New York City on behalf of the human race. Screenwriters Dean Devlin and Roland Emmerich previously worked together on the 1994 film "Stargate" with much of the plot of "Independence Day" conceived by the pair during promotional tours for that movie. Nominated for two Academy Awards and followed by a 2016 sequel "Independence Day: Resurgence." Shot on location in New York City in Flagstaff Arizona on the Plains of San Agustin New Mexico in Los Angeles and Fontana California in Wendover and the Bonneville Salt Flats Utah and in Cliffside Park New Jersey. Slides 1.5 x 1 inches in cardboard sleeves measuring 2 x 2 inches. Fine. Twentieth Century-Fox unknown
ref. 163381Universal City: Dreamworks 2003. Revised Shooting script for the 2004 film. In San Diego in the 1970s successful news anchor Ron Burgundy is forced to confront his prejudices when the station owners hire a woman anchor who promptly proceeds to climb her way to the top. Followed by a 2013 sequel "Anchorman 2: The Legend Continues." Shot on location in San Diego Los Angeles Glendale and Long Beach. Self wrappers. Title page present dated 06/09/03 noted as Shooting Script with credits for screenwriters Will Ferrell and Adam McKay. 139 leaves with last page of text numbered "112-113". Xerographic duplication on pink stock rectos only. Pages Very Good plus with light splashes on the title page bound with two gold brads. Dreamworks unknown books
ref. 163381Universal City: Dreamworks 2003. Revised Shooting script for the 2004 film. In San Diego in the 1970s successful news anchor Ron Burgundy is forced to confront his prejudices when the station owners hire a woman anchor who promptly proceeds to climb her way to the top. Followed by a 2013 sequel "Anchorman 2: The Legend Continues." Shot on location in San Diego Los Angeles Glendale and Long Beach. Self wrappers. Title page present dated 06/09/03 noted as Shooting Script with credits for screenwriters Will Ferrell and Adam McKay. 139 leaves with last page of text numbered "112-113". Xerographic duplication on pink stock rectos only. Pages Very Good plus with light splashes on the title page bound with two gold brads. Dreamworks unknown
1986ref. 167403Burbank CA: Warner Brothers Television 1986. Third Draft script for the 1987 television film which aired on ABC on July 31 1987. Bound in following the script is a two page Staff and Crew List dated March 7 1986 a 19 page Shooting Schedule dated 3/7/86 a ten page Revised Shooting Schedule dated 3/9/86 an eight page Revised Shooting Schedule dated 3/21/86 and a second two page Staff and Crew List dated March 26 1986. Laid in is a Call Sheet dated March 11 1986. Not to be confused with the 2008 film directed by Frank Miller starring Gabriel Macht and Eva Mendes. Based on the comic book character created by Will Eisner in 1940. Created as a pilot for ABC's proposed 1986 Fall series the project was shelved after ABC changed ownership with the new management finding the pilot "too offbeat and morbid." ABC shelved the pilot without even arranging for test screenings and eventually released it too late for the possibility of a series pickup and with little to no promotion. Sam J. Jones stars as Denny Colt a Central City Police Department detective who after an assassination attempt in which he is believed to be dead by the general public becomes the Spirit a mysterious masked vigilante in a blue suit and fedora who is not bound by the rules of regular cops. Blue titled wrappers. Title page present dated March 10 1986 noted as THIRD DRAFT with credits for screenwriter Steven E. de Souza. 131 leaves with last page of script numbered 84A. Xerographic duplication on yellow leaves rectos only with salmon and cherry revision pages throughout dated 03/19/86 and 03/24/86. Pages Near Fine wrapper Near Fine bound with two gold brads. Warner Brothers Television unknown books
1986ref. 167403Burbank CA: Warner Brothers Television 1986. Third Draft script for the 1987 television film which aired on ABC on July 31 1987. Bound in following the script is a two page Staff and Crew List dated March 7 1986 a 19 page Shooting Schedule dated 3/7/86 a ten page Revised Shooting Schedule dated 3/9/86 an eight page Revised Shooting Schedule dated 3/21/86 and a second two page Staff and Crew List dated March 26 1986. Laid in is a Call Sheet dated March 11 1986. Not to be confused with the 2008 film directed by Frank Miller starring Gabriel Macht and Eva Mendes. Based on the comic book character created by Will Eisner in 1940. Created as a pilot for ABC's proposed 1986 Fall series the project was shelved after ABC changed ownership with the new management finding the pilot "too offbeat and morbid." ABC shelved the pilot without even arranging for test screenings and eventually released it too late for the possibility of a series pickup and with little to no promotion. Sam J. Jones stars as Denny Colt a Central City Police Department detective who after an assassination attempt in which he is believed to be dead by the general public becomes the Spirit a mysterious masked vigilante in a blue suit and fedora who is not bound by the rules of regular cops. Blue titled wrappers. Title page present dated March 10 1986 noted as THIRD DRAFT with credits for screenwriter Steven E. de Souza. 131 leaves with last page of script numbered 84A. Xerographic duplication on yellow leaves rectos only with salmon and cherry revision pages throughout dated 03/19/86 and 03/24/86. Pages Near Fine wrapper Near Fine bound with two gold brads. Warner Brothers Television unknown
1958ref. 153191Universal City: Universal 1958. Vintage photograph from the 1958 horror film. When an ancient box is unburied and opened the head of a man executed for sorcery 400 years earlier comes to life and begins telepathically controlling people in an attempt to reunite with his body and regain his full power. 10 x 8 inches. Light diagonal creasing to the corners else Near Fine. Universal unknown books
1958ref. 153191Universal City: Universal 1958. Vintage photograph from the 1958 horror film. When an ancient box is unburied and opened the head of a man executed for sorcery 400 years earlier comes to life and begins telepathically controlling people in an attempt to reunite with his body and regain his full power. 10 x 8 inches. Light diagonal creasing to the corners else Near Fine. Universal unknown
1996ref. 160285Burbank CA: Buena Vista 1996. Shooting Draft script for the 1996 film with rainbow revisions. Copy belonging to Production Coordinator Shelley Houis with her name in manuscript ink on the title page. Script housed in a blue three-ring binder with approximately 100 pages of production documents including in addition to the script cast and crew contact lists filming permits location lists and shooting schedules. Loosely based on the 1979 French film directed by René Gainville in turn based on Jenaro Prieto's 1928 novel. After years of struggling to succeed as a Black woman on Wall Street an ambitious businesswoman decides to start her own investment firm in the name of a fictitious white man Robert Cutty. The ruse begins to break down however when associates and clients begin to demand to meet with Cutty in person. Set and shot on location in New York. Title page present dated 02/15/96 with credit for screenwriter Nick Thiel. 157 leaves with last page of text numbered 131. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 11/20/95 and 02/15/96. Pages about Fine binder Very Good plus lightly foxed. Buena Vista unknown books
1996ref. 160285Burbank CA: Buena Vista 1996. Shooting Draft script for the 1996 film with rainbow revisions. Copy belonging to Production Coordinator Shelley Houis with her name in manuscript ink on the title page. Script housed in a blue three-ring binder with approximately 100 pages of production documents including in addition to the script cast and crew contact lists filming permits location lists and shooting schedules. Loosely based on the 1979 French film directed by René Gainville in turn based on Jenaro Prieto's 1928 novel. After years of struggling to succeed as a Black woman on Wall Street an ambitious businesswoman decides to start her own investment firm in the name of a fictitious white man Robert Cutty. The ruse begins to break down however when associates and clients begin to demand to meet with Cutty in person. Set and shot on location in New York. Title page present dated 02/15/96 with credit for screenwriter Nick Thiel. 157 leaves with last page of text numbered 131. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 11/20/95 and 02/15/96. Pages about Fine binder Very Good plus lightly foxed. Buena Vista unknown
1967ref. 162241N.p.: Crescent International 1967. Vintage studio still photograph from the 1967 film. Provenance stamp on the verso. A policeman's wife becomes hooked on heroin and begins secretly working at the dreaded "Club Lesbo" a sex club patronized and run by gangsters. Shot on location in Dallas Texas. 8 x 10 inches. Very Good with slight waviness pinholes and light soiling. Crescent International unknown books
1996ref. 155767Burbank CA: New Line Cinema 1996. Revised Draft script for the 1998 film copy belonging to Master Lead Painter Charlie Palazzo with the annotations in manuscript ink of "Charli P. / Print Dept." and copy number "301" on the front wrapper. "Blue Rev.1" script on blue paper dated 12/11/96 with copy number "707" in manuscript ink on the top right corner of the title page. Based on the Marvel Comics character created by Marv Wolfman and Gene Colan. Followed by two sequels "Blade II" 2002 directed by Guillermo del Toro and "Blade: Trinity" 2004 directed by screenwriter David S. Goyer all starring Wesley Snipes. Snipes stars as the Dhampir Blade a half-man half-vampire protecting the human race from evil vampires. The beginning of Marvel Comic's success in film adaptations which still continues unabatedly two and a half decades later. Set in and shot on location in Long Beach Death Valley and Los Angeles California and London Moscow and Vancouver. White titled self wrappers noted as Production Draft on the front wrapper dated 9/19/96 with credits for screenwriter David S. Goyer. Title page present dated 12/11/96 noted as "Blue Rev. 1" with credits for screenwriter David S. Goyer. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. New Line Cinema unknown books
1996ref. 155767Burbank CA: New Line Cinema 1996. Revised Draft script for the 1998 film copy belonging to Master Lead Painter Charlie Palazzo with the annotations in manuscript ink of "Charli P. / Print Dept." and copy number "301" on the front wrapper. "Blue Rev.1" script on blue paper dated 12/11/96 with copy number "707" in manuscript ink on the top right corner of the title page. Based on the Marvel Comics character created by Marv Wolfman and Gene Colan. Followed by two sequels "Blade II" 2002 directed by Guillermo del Toro and "Blade: Trinity" 2004 directed by screenwriter David S. Goyer all starring Wesley Snipes. Snipes stars as the Dhampir Blade a half-man half-vampire protecting the human race from evil vampires. The beginning of Marvel Comic's success in film adaptations which still continues unabatedly two and a half decades later. Set in and shot on location in Long Beach Death Valley and Los Angeles California and London Moscow and Vancouver. White titled self wrappers noted as Production Draft on the front wrapper dated 9/19/96 with credits for screenwriter David S. Goyer. Title page present dated 12/11/96 noted as "Blue Rev. 1" with credits for screenwriter David S. Goyer. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. New Line Cinema unknown
1940ref. 150548N.p.: N.p. 1940. Vintage reference photographs of director Wesley Ruggles on the set of the 1940 film by photographer Irving Lippman. Mimeo snipe and photographer "Irving Lippman" stamp on verso. Based on the 1919 play by W. Somerset Maugham which was based on the 1864 poem "Enoch Arden" by Alfred Tennyson. Soon after presumed window Vicky Jean Arthur marries her late husband's friend and business partner Henry Melvyn Douglas her first presumed dead husband Bill Fred MacMurray shows back up and now she's got one too many. Nominated for an Academy Award. 10 x 8 inches. Near Fine. Byrge and Miller The Screwball Comedy Films A History and Filmography 1934-1942. N.p. unknown books
1939ref. 167664Hollywood: Paramount Pictures 1939. Vintage reference photograph taken on the set of the 1939 film showing actors Marion Martin Fred MacMurray and Irene Dunne listening while director Wesley Ruggles describes a scene with a script supervisor intently taking notes on the right. Mimeo snipe on the verso. A boxer from the lower class successfully romances a wealthy patron's daughter though their courtship is plagued by his devotion to the sport. 8 x 10 inches. Near Fine. Paramount Pictures unknown books
1939ref. 167664Hollywood: Paramount Pictures 1939. Vintage reference photograph taken on the set of the 1939 film showing actors Marion Martin Fred MacMurray and Irene Dunne listening while director Wesley Ruggles describes a scene with a script supervisor intently taking notes on the right. Mimeo snipe on the verso. A boxer from the lower class successfully romances a wealthy patron's daughter though their courtship is plagued by his devotion to the sport. 8 x 10 inches. Near Fine. Paramount Pictures unknown
1940ref. 150548N.p.: N.p. 1940. Vintage reference photographs of director Wesley Ruggles on the set of the 1940 film by photographer Irving Lippman. Mimeo snipe and photographer "Irving Lippman" stamp on verso. Based on the 1919 play by W. Somerset Maugham which was based on the 1864 poem "Enoch Arden" by Alfred Tennyson. Soon after presumed window Vicky Jean Arthur marries her late husband's friend and business partner Henry Melvyn Douglas her first presumed dead husband Bill Fred MacMurray shows back up and now she's got one too many. Nominated for an Academy Award. 10 x 8 inches. Near Fine. Byrge and Miller The Screwball Comedy Films A History and Filmography 1934-1942. N.p. unknown
1954ref. 147878Los Angeles: Twentieth Century-Fox 1954. Three vintage proof photographs from the 1954 film. A woman finds herself implicated in a stagecoach robbery due to her father's notoriety as a famed outlaw. Shot on location in Utah and Arizona. 10 x 8 inches with two images 4.5 x 3.5 inches and one image 2.25 x 2 inches. Very Good plus. Pitts 2963. Twentieth Century-Fox unknown books
1954ref. 147878Los Angeles: Twentieth Century-Fox 1954. Three vintage proof photographs from the 1954 film. A woman finds herself implicated in a stagecoach robbery due to her father's notoriety as a famed outlaw. Shot on location in Utah and Arizona. 10 x 8 inches with two images 4.5 x 3.5 inches and one image 2.25 x 2 inches. Very Good plus. Pitts 2963. Twentieth Century-Fox unknown
1970ref. 139895N.p.: American International Pictures AIP 1970. Vintage studio still photograph from the 1970 film. With an American International Pictures stamp to the verso alongside a cello-taped mimeograph snipe. Featuring a "black militant" being forcibly removed from the room by actor Larry Hagman while Harlene Jones and Judy Pace look on. A lighthearted comedy and a movie that probably could not be made today in which Wes Stern fails out of college attempts suicide only to be saved against his will by university president Larry Hagman who flunked him. In grumpy retaliation Stern decides to bed the three women most important to the president: his mistress his wife and his daughter. Set against the backdrop of Civil Rights campus upheaval. Shot on location in New Mexico. 8 x 10 inches. Near Fine. American International Pictures [AIP] unknown books
1996ref. 162508Culver City CA: Columbia Pictures 1996. Vintage studio still photograph of director Wes Anderson on the set of the 1996 film. Anderson's feature film directorial debut cowritten with actor Owen Wilson about three friends who plan a heist in the southwestern suburbs. Based on Anderson's 1992 short film of the same title whose success at the 1994 Sundance Film Festival persuaded filmmaker James L. Brooks to finance a full-length version of the film. Shot on location in Dallas Fort Worth and Hillsboro Texas and at the Camarillo State Mental Hospital in Camarillo California. 8 x 10 inches. Lightly toned else Near Fine. Columbia Pictures unknown books
ref. 163863Los Angeles: Gracie Films 1994. Revised Shooting Draft script for the 1996 film. Single annotation in manuscript pencil on the rear wrapper verso. Wes Anderson's feature film directorial debut cowritten with actor Owen Wilson about three friends who plan a heist in the southwestern suburbs. Based on Anderson's 1992 short film of the same title whose success at the 1994 Sundance Film Festival persuaded filmmaker James L. Brooks to finance a full-length version of the film. Shot on location in Dallas Fort Worth and Hillsboro Texas and at the Camarillo State Mental Hospital in Camarillo California. White generic Gracie Films wrappers. Title page present dated September 20 1994 noted as Shooting Draft and credits for Anderson and Wilson. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages about Fine wrapper Near Fine bound with two gold brads. Gracie Films unknown books
