11,049 results
1978ref. 149253New South Wales: Avco Embassy Pictures 1978. Vintage one sheet poster for the 1978 film. Based on the 1975 memoir by Charles Colson. Charles Colson played by Disney stalwart Dean Jones Special Counsel to President Richard Nixon and one of the Watergate Seven known as Nixon's "hatchet man" has a mid-life religious conversion when serving seven months in federal prison for obstruction of justice in the Watergate Scandal and establishes Prison Fellowship a world wide ministry. Shot on location in Washington DC and Chino California. 27 x 41 inches. Folded as issued. Near Fine. Avco Embassy Pictures unknown books
1941ref. 159770Burbank CA: Warner Brothers 1941. Vintage reference photograph from the 1941 film. With manuscript ink annotation on the verso identifying actress Geraldine Fitzgerald. Based on the 1940 play "Jupiter Laughs" by A.J. Cronin. A psychiatrist is hired to do research on a type of dementia. He falls in love with his lab assistant but when she suddenly dies in a lab fire he quits his work to go live out her dream of doing missionary work in China. Set in London and Scotland. 8 x 10 inches. Very Good plus. Warner Brothers unknown books
1968ref. 131823London: National General Pictures 1968. Revised British script for the 1969 film a UK-US co-production. Based on the play by Peter Shaffer written for the screen by Philip Yordan. Dan Pavlides: Fueled by promises of gold Pizarro Robert Shaw and his explorers make a third trip across the treacherous Andes Mountains to Peru where they meet King Atahuallpa Christopher Plummer considered to be a god by his faithful followers. The two leaders overcome their initial mistrust and suspicion garnering admiration for each other. When the King is sentenced to die Pizarro tries unsuccessfully to prevent the monarch's death at the hands of gold-hungry explorers. Green titled wrappers with a die-cut title window in the British style. Title page present dated 1 June 1968 noted as Revised with credits for screenwriter Yordan. 163 leaves mechanical duplication with pink blue green white tan and goldenrod revision pages throughout dated variously between 16 May and 22 July. Pages Near Fine wrapper Very Good plus bound internally with three screw brads. National General Pictures unknown books
1960ref. 151665Beverly Hills CA: United Artists 1960. Vintage US half sheet poster for the 1960 film. Stamped Nos. 60 and 226 on the verso as issued. Based on James T. Farrell's Studs Lonigan novel trilogy about a young Irish-American man's attempts to escape his impoverished background in Chicago's South Side during the Great Depression. 27 x 22 inches. Very Good lightly toned and creased with pinholes to the corners and a small bruise to the upper margin. Folded as issued. United Artists unknown books
1960ref. 151664Beverly Hills CA: United Artists 1960. Seven vintage studio still photographs from the 1960 film. Based on James T. Farrell's Studs Lonigan novel trilogy about a young Irish-American man's attempts to escape his impoverished background in Chicago's South Side during the Great Depression. 10 x 8 inches. Very Good plus several with pinholes to the corners lightly and evenly toned. United Artists unknown books
1963ref. 130735Hollywood: Petramonte Productions 1963. Draft script for the 1963 film. Actor Van Heflin's copy with his manuscript annotations throughout. Based on the 1951 novel "Fortress in the Rice" by Benjamin Appel. The only film ever released by Petramonte Productions and eventually distributed by Allied Artists. During World War II the spoiled son of a wealthy businessman finds himself involved in the Philippine guerrilla movement fighting against the Japanese. Shot on location in the Philippines. Gray titled wrappers with credit for with credit for screenwriter Marcus. Title page present with credits for screenwriter Marcus and writer Appel. 141 leaves roneograph with annotations throughout. Pages Fine wrapper Near Fine. internally bound with three gold brads. Petramonte Productions unknown books
1963ref. 130735Hollywood: Petramonte Productions 1963. Draft script for the 1963 film. Actor Van Heflin's copy with his manuscript annotations throughout. Based on the 1951 novel "Fortress in the Rice" by Benjamin Appel. The only film ever released by Petramonte Productions and eventually distributed by Allied Artists. During World War II the spoiled son of a wealthy businessman finds himself involved in the Philippine guerrilla movement fighting against the Japanese. Shot on location in the Philippines. Gray titled wrappers with credit for with credit for screenwriter Marcus. Title page present with credits for screenwriter Marcus and writer Appel. 141 leaves roneograph with annotations throughout. Pages Fine wrapper Near Fine. internally bound with three gold brads. Petramonte Productions unknown
1960ref. 151664Beverly Hills CA: United Artists 1960. Seven vintage studio still photographs from the 1960 film. Based on James T. Farrell's Studs Lonigan novel trilogy about a young Irish-American man's attempts to escape his impoverished background in Chicago's South Side during the Great Depression. 10 x 8 inches. Very Good plus several with pinholes to the corners lightly and evenly toned. United Artists unknown
1968ref. 131823London: National General Pictures 1968. Revised British script for the 1969 film a UK-US co-production. Based on the play by Peter Shaffer written for the screen by Philip Yordan. Dan Pavlides: Fueled by promises of gold Pizarro Robert Shaw and his explorers make a third trip across the treacherous Andes Mountains to Peru where they meet King Atahuallpa Christopher Plummer considered to be a god by his faithful followers. The two leaders overcome their initial mistrust and suspicion garnering admiration for each other. When the King is sentenced to die Pizarro tries unsuccessfully to prevent the monarch's death at the hands of gold-hungry explorers. Green titled wrappers with a die-cut title window in the British style. Title page present dated 1 June 1968 noted as Revised with credits for screenwriter Yordan. 163 leaves mechanical duplication with pink blue green white tan and goldenrod revision pages throughout dated variously between 16 May and 22 July. Pages Near Fine wrapper Very Good plus bound internally with three screw brads. National General Pictures unknown
1940ref. 145329Los Angeles: Twentieth Century-Fox 1940. Vintage photograph of director Irving Cummings cinematographer Leon Shamroy and actresses Alice Faye and Helen Westley on the set of the 1940 film. Mimeo snipe on the verso. The life story of the 19th century American musical star. 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
1942ref. 116171N.p.: N.p. 1942. Revised Final Script for the 1942 film. Two blue revision pages dated 8/8/42 paper clipped to the rear wrapper of the script. One the greatest Technicolor musicals produced by Fox in the 1940s employing Harry James and his orchestra at their peak and pulling out all the stops on the musical numbers. Featuring Carmen Miranda's version of "Chattanooga Choo-Choo" and the debut of the classic song "I Had the Craziest Dream." Red titled wrappers noted as Revised Final on the front wrapper rubber-stamped copy No. 47 and production No. 763 dated June 11 1942. Distribution page present with receipt intact. Title page present dated June 11 1942 noted as Revised Final. 131 leaves with last page of text numbered 129. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 6/13/42 and 7/20/42. Pages Near Fine wrapper Very Good bound internally with two gold brads. N.p. unknown books
1924ref. 151017N.p.: N.p. 1924. Vintage publicity photograph of actress Virginia Valli from the 1924 film. With a mimeo snipe on the verso along with the stamp of King Features Syndicate. Based on the 1920 novel "Belonging" by Olive Wadsley. Considered a lost film. 8 x 10 inches. Very Good plus overall. N.p. unknown books
1943ref. 139821Los Angeles: Twentieth Century-Fox 1943. Vintage studio still photograph from the 1943 film musical. A loose remake of the 1937 film "Love is News" with Tyrone Power and Loretta Young "Sweet Rosie O'Grady" finds Betty Grable in London seeking to better herself as an artist which in 1943 means landing a wealthy duke for a husband. But newspaperman Robert Young has other plans for her love life. Remade once more as a comedy in 1948 as "That Wonderful Urge" with Tyrone Power and Gene Tierney. Shot on location in California. 10 x 8 inches. Good with profuse manuscript annotations to the verso and three to the recto although not obscuring the image. Stamped to the verso. Twentieth Century-Fox unknown books
1924ref. 151017N.p.: N.p. 1924. Vintage publicity photograph of actress Virginia Valli from the 1924 film. With a mimeo snipe on the verso along with the stamp of King Features Syndicate. Based on the 1920 novel "Belonging" by Olive Wadsley. Considered a lost film. 8 x 10 inches. Very Good plus overall. N.p. unknown
1942ref. 116171N.p.: N.p. 1942. Revised Final Script for the 1942 film. Two blue revision pages dated 8/8/42 paper clipped to the rear wrapper of the script. One the greatest Technicolor musicals produced by Fox in the 1940s employing Harry James and his orchestra at their peak and pulling out all the stops on the musical numbers. Featuring Carmen Miranda's version of "Chattanooga Choo-Choo" and the debut of the classic song "I Had the Craziest Dream." Red titled wrappers noted as Revised Final on the front wrapper rubber-stamped copy No. 47 and production No. 763 dated June 11 1942. Distribution page present with receipt intact. Title page present dated June 11 1942 noted as Revised Final. 131 leaves with last page of text numbered 129. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 6/13/42 and 7/20/42. Pages Near Fine wrapper Very Good bound internally with two gold brads. N.p. unknown
1948ref. 152133N.p.: Brecher Productions 1948. Final Shooting script for the 1949 film. Copy belonging to uncredited editor Walter Thompson with his name in manuscript pencil on the front wrapper and his manuscript pencil annotations throughout. The daughter of a factory worker causes an uproar in her family when she announces her engagement to her father's boss' son. Notable for having been written by but not starring Groucho Marx. Set in California. Red titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper dated August 24 1948. Title page present undated with credits for director-screenwriter Irving Brecher. 140 leaves with last page of text numbered 137. Mimeograph duplication rectos only with pink and blue revision pages throughout dated variously between 9/3/48 and 10/7/48. Pages Near Fine wrapper Very Good plus bound with two gold brads. Brecher Productions unknown books
1960ref. 132166Culver City CA: Columbia Pictures 1960. First Estimating script for the 1961 film. Based on the novel of the same name by Nathaniel Benchley. A screw-up comedy in which a ship intended to be scrapped is instead commandeered by crooks as a getaway vessel in a bank heist their two hostages left to attract the attention of the Coast Guard. Kovacs' last film before he was killed in a car crash. Gray titled wrappers noted as FIRST ESTIMATING DRAFT on the front wrapper dated Sept. 28 1960 with credits for producer Barry. Title page present noted as production No. 8602 dated September 27 1960 noted as FIRST ESTIMATING DRAFT with credits for producer Barry and screenwriter Bower. 182 leaves mimeograph duplication with white yellow and blue revision pages throughout dated variously between October 26 1960 and October 28 1960. Pages Near Fine wrapper Very Good plus bound with two gold brads. Columbia Pictures unknown books
1960ref. 132166Culver City CA: Columbia Pictures 1960. First Estimating script for the 1961 film. Based on the novel of the same name by Nathaniel Benchley. A screw-up comedy in which a ship intended to be scrapped is instead commandeered by crooks as a getaway vessel in a bank heist their two hostages left to attract the attention of the Coast Guard. Kovacs' last film before he was killed in a car crash. Gray titled wrappers noted as FIRST ESTIMATING DRAFT on the front wrapper dated Sept. 28 1960 with credits for producer Barry. Title page present noted as production No. 8602 dated September 27 1960 noted as FIRST ESTIMATING DRAFT with credits for producer Barry and screenwriter Bower. 182 leaves mimeograph duplication with white yellow and blue revision pages throughout dated variously between October 26 1960 and October 28 1960. Pages Near Fine wrapper Very Good plus bound with two gold brads. Columbia Pictures unknown
1948ref. 152133N.p.: Brecher Productions 1948. Final Shooting script for the 1949 film. Copy belonging to uncredited editor Walter Thompson with his name in manuscript pencil on the front wrapper and his manuscript pencil annotations throughout. The daughter of a factory worker causes an uproar in her family when she announces her engagement to her father's boss' son. Notable for having been written by but not starring Groucho Marx. Set in California. Red titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper dated August 24 1948. Title page present undated with credits for director-screenwriter Irving Brecher. 140 leaves with last page of text numbered 137. Mimeograph duplication rectos only with pink and blue revision pages throughout dated variously between 9/3/48 and 10/7/48. Pages Near Fine wrapper Very Good plus bound with two gold brads. Brecher Productions unknown
1970ref. 141267N.p.: Kings Road Productions 1970. Draft script for an unproduced film. Based on the 1975 novel by Irving A. Greenfield about early man and his struggles. Named for the one of the many gods worshipped by the people living in the Mesopotamian Valley. Set in the Mesopotamian Valley. Brown untitled wrappers. Title page present with credits for screenwriter Paul Young and author Irving A. Greenfield. 123 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Kings Road Productions unknown books
1970ref. 141267N.p.: Kings Road Productions 1970. Draft script for an unproduced film. Based on the 1975 novel by Irving A. Greenfield about early man and his struggles. Named for the one of the many gods worshipped by the people living in the Mesopotamian Valley. Set in the Mesopotamian Valley. Brown untitled wrappers. Title page present with credits for screenwriter Paul Young and author Irving A. Greenfield. 123 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Kings Road Productions unknown
1976ref. 139461Burbank CA: Warner Brothers 1976. Vintage studio still photograph of Gale Sondergaard from the 1976 film. Sequel to the 1970 film "A Man Called Horse." John Morgan returns to the Americas to help his now threatened Sioux tribe. Once a prisoner of the tribe he was accepted as one of their own after proving himself as a warrior. The film received mixed reviews mostly reacting to the white male savior plot line as well as the gruesome "initiation rite" scene which was repeated in both films. Set in the United States shot on location in the United States and Mexico. 10 x 8 inches. Near Fine with a blue manuscript notation to the verso. Olive Films 1227. Warner Brothers unknown books
1976ref. 139893Beverly Hills CA: United Artists 1976. Eight vintage full-color lobby cards from the 1976 film. Based on characters developed by Dorothy M. Johnson. Sequel to the cult Western "A Man Called Horse" 1970 John Morgan Harris returns to save his Native tribe from being wiped out. More self-imposed rituals and torture ensue to invigorate the tribe to save their land. 11 x 14 inches. Light bumps to a few corners else Near Fine. Pitts 3369. United Artists unknown books
1976ref. 139893Beverly Hills CA: United Artists 1976. Eight vintage full-color lobby cards from the 1976 film. Based on characters developed by Dorothy M. Johnson. Sequel to the cult Western "A Man Called Horse" 1970 John Morgan Harris returns to save his Native tribe from being wiped out. More self-imposed rituals and torture ensue to invigorate the tribe to save their land. 11 x 14 inches. Light bumps to a few corners else Near Fine. Pitts 3369. United Artists unknown
1966ref. 162261N.p.: Emerson Film Enterprises 1966. Vintage studio still photograph from the 1966 film. Provenance stamp on the verso. A newlywed learns her husband is a pimp and ultimately agrees to work for him as a call girl. Shot on location in Texas. 8 x 10 inches. Near Fine. Emerson Film Enterprises unknown books
