11,160 results
1969ref. 168073Los Angeles: Paramount Pictures 1969. Vintage reference photograph from the 1969 film showing Haskell Wexler capturing a scene with Robert Forster. Annotations in manuscript pencil on the verso. A hardened and dubiously ethical television cameraman finds out he is being watched by the FBI amidst the tumultuous protests taking place around the 1968 Democratic National Convention. Highly influential for its groundbreaking use of factual historical events interspersed with fictional narrative and its frank depiction of the contemporary countercultural movement. Featuring early music by Frank Zappa's band Mothers of Invention. Due to its startlingly political narrative as well as nudity and language the film was originally given an X rating by the MPAA though by 1970 this would be downgraded to an R. 10 x 8 inches. Near Fine. Criterion Collection 658. Spicer US Neo-Noir. Paramount Pictures unknown
1969ref. 149604Los Angeles: Paramount Pictures 1969. Three vintage borderless reference photographs from the 1969 film a highlight of early New Hollywood cinema. One shows actor Harold Blankenship the other with actors Robert Forster Peter Bonerz and Janet Langhart. One with a printed mimeo snipe affixed to the verso along with the stamp of Paramount Pictures the other with the stamp of Israel Film Archive on the verso. A hardened and dubiously ethical television cameraman finds out he is being watched by the FBI amidst the tumultuous protests taking place around the 1968 Democratic National Convention. Highly influential for its groundbreaking use of factual historical events interspersed with fictional narrative. Featuring early music by Frank Zappa's band Mothers of Invention and addressing underlying social issues of race gender and poverty the film frankly depicted much of the growing countercultural movement of the late 1960s even going so far as to use real-life footage of civil disobedience occurring in 1968 Chicago. Due to its startlingly political narrative as well as nudity and language the film was originally given an X rating by the MPAA though by 1970 this would be downgraded to an R. One photograph 10 x 8 inches one photograph 9.5 x 7.25 inches. Near Fine. Criterion Collection 658. Spicer US Neo-Noir. Paramount Pictures unknown
1969ref. 147586Hollywood: Paramount Pictures 1969. Five vintage studio still photographs from the 1969 film. A semi-documentary dramatization of the violence that surrounded the 1968 Democratic National Convention and a film that questions the politics inherent in journalism and image-making "Medium Cool" is a remarkable directorial accomplishment highlighting the political unrest of the late 1960s in part by using real footage. 8 x 10 inches. Near Fine one uniformly faded. Paramount Pictures unknown
1986ref. 129815Burbank CA: Warner Brothers 1986. First Draft script for an unproduced television pilot in a post-feminist mode about a pair of women named Maureen and Estelle. Gray titled wrappers. Title page present dated November 11 1986 noted as First Draft with credit for screenwriter Miller. 36 leaves mechanical duplication. Pages Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown books
1973ref. 157664N.p.: N.p. 1973. Vintage borderless color reference photograph from the 1973 film. Based on the 1959 novel by John Buell about a police detective who uncovers the demonic force responsible for the death of a heroin-addicted sex worker. Set and shot on location in Montreal. 9.5 x 7.15 inches. Near Fine. N.p. unknown books
1974ref. 143719Los Angeles: Quinn Martin Productions 1974. Final Draft script for the 1974 television film originally aired November 20 1974 on ABC. Three armed men take over a private train car determined to rob and murder all of the passengers. Yellow titled wrappers noted as Final Draft on the front wrapper dated Aug 13 1974. Title page present dated Aug 13 1974 noted as Final Draft with credits for screenwriter Eugene Price. 106 leaves with last page of text numbered 105. mechanical duplication with blue pink yellow and green revision pages throughout dated variously between 8/19/74 and 9/11/74. Pages Near Fine wrapper Very Good plus bound with two gold brads. Reyes 127 Deal 121 122. Quinn Martin Productions unknown books
1974ref. 143719Los Angeles: Quinn Martin Productions 1974. Final Draft script for the 1974 television film originally aired November 20 1974 on ABC. Three armed men take over a private train car determined to rob and murder all of the passengers. Yellow titled wrappers noted as Final Draft on the front wrapper dated Aug 13 1974. Title page present dated Aug 13 1974 noted as Final Draft with credits for screenwriter Eugene Price. 106 leaves with last page of text numbered 105. mechanical duplication with blue pink yellow and green revision pages throughout dated variously between 8/19/74 and 9/11/74. Pages Near Fine wrapper Very Good plus bound with two gold brads. Reyes 127 Deal 121 122. Quinn Martin Productions unknown
1973ref. 157664N.p.: N.p. 1973. Vintage borderless color reference photograph from the 1973 film. Based on the 1959 novel by John Buell about a police detective who uncovers the demonic force responsible for the death of a heroin-addicted sex worker. Set and shot on location in Montreal. 9.5 x 7.15 inches. Near Fine. N.p. unknown
1968ref. 161742N.p.: International Film Artists 1968. Two vintage studio still photographs from the 1969 film also released under the title "The Vixens." Each photograph with a provenance stamp on the verso. Bob slips to his death off a dam bridge. His wife Betty reconstructs recent events to the police flashing back to a series of trysts and couple swapping that have nothing to do with Bob's accident. Shot on location in Connecticut and New York. 8 x 10 inches. Very Good plus with light creasing at the extremities and edgewear. International Film Artists unknown books
1968ref. 162564N.p.: International Film Artists 1968. Vintage studio still photograph from the 1969 film. Prrovenance stamp on the verso. Also released under the title "Friends and Lovers." Bob slips to his death off a dam bridge. His wife Betty reconstructs recent events to the police flashing back to a series of trysts and couple swapping that have nothing to do with Bob's accident. Shot on location in Connecticut and New York. 8 x 10 inches. Very Good plus with light edgewear and pinholes in the top margin. International Film Artists unknown books
1968ref. 162604N.p.: International Film Artists 1968. Three vintage studio still photographs from the 1969 film here under the release title "The Women" also released under the titles "The Vixens" and "Friends and Lovers." Two photographs with provenance stamps on the versos. Bob slips to his death off a dam bridge. His wife Betty reconstructs recent events to the police flashing back to a series of trysts and couple swapping that have nothing to do with Bob's accident. Shot on location in Connecticut and New York. 8 x 10 inches. Very Good plus one photograph with a wax pencil annotation to the top right margin and a crease and a small closed tear in the bottom margin. International Film Artists unknown books
1968ref. 161742N.p.: International Film Artists 1968. Two vintage studio still photographs from the 1969 film also released under the title "The Vixens." Each photograph with a provenance stamp on the verso. Bob slips to his death off a dam bridge. His wife Betty reconstructs recent events to the police flashing back to a series of trysts and couple swapping that have nothing to do with Bob's accident. Shot on location in Connecticut and New York. 8 x 10 inches. Very Good plus with light creasing at the extremities and edgewear. International Film Artists unknown
1968ref. 162564N.p.: International Film Artists 1968. Vintage studio still photograph from the 1969 film. Prrovenance stamp on the verso. Also released under the title "Friends and Lovers." Bob slips to his death off a dam bridge. His wife Betty reconstructs recent events to the police flashing back to a series of trysts and couple swapping that have nothing to do with Bob's accident. Shot on location in Connecticut and New York. 8 x 10 inches. Very Good plus with light edgewear and pinholes in the top margin. International Film Artists unknown
1968ref. 162604N.p.: International Film Artists 1968. Three vintage studio still photographs from the 1969 film here under the release title "The Women" also released under the titles "The Vixens" and "Friends and Lovers." Two photographs with provenance stamps on the versos. Bob slips to his death off a dam bridge. His wife Betty reconstructs recent events to the police flashing back to a series of trysts and couple swapping that have nothing to do with Bob's accident. Shot on location in Connecticut and New York. 8 x 10 inches. Very Good plus one photograph with a wax pencil annotation to the top right margin and a crease and a small closed tear in the bottom margin. International Film Artists unknown
1966ref. 161814N.p.: William Mishkin Motion Pictures 1966. Two vintage studio still photographs from the 1966 film. Each photograph with a provenance stamp on the verso. Jennifer Laird stars as a delivery girl who begins a romance with a photographer whose inclination to violence begins to grow as her interest in him wanes. Set in and shot on location in New York City. 8 x 10 inches. Light edgewear else Near Fine. William Mishkin Motion Pictures unknown books
1966ref. 161814N.p.: William Mishkin Motion Pictures 1966. Two vintage studio still photographs from the 1966 film. Each photograph with a provenance stamp on the verso. Jennifer Laird stars as a delivery girl who begins a romance with a photographer whose inclination to violence begins to grow as her interest in him wanes. Set in and shot on location in New York City. 8 x 10 inches. Light edgewear else Near Fine. William Mishkin Motion Pictures unknown
1958ref. 158954Universal City CA: Universal Pictures 1958. Vintage studio still photograph from the 1958 Western film. A judge wishes to hang a man for murder though the man's family will do possibly anything to commute the sentence. Unfortunately for the judge his sheriff is in love with the murderer's fiancée. 10 x 8 inches. About Fine. Pitts 979. Universal Pictures unknown books
1957ref. 138536Universal City CA: Unviersal International Pictures 1957. Vintage black-and-white studio still photograph from the 1957 film featuring Lee Van Cleef Ann Doran and Skip Homeier. Mimeo snipe affixed to the verso. Judge Jim Scott MacMurray contends with the relatives of a sentenced murder and with his unfaithful wife. 8 x 10 inches. About Near Fine. Pitts 979. Unviersal International Pictures unknown books
1961ref. 132395London: Universal / Rank Organisation 1961. Vintage full-color still British front-of-house card from the UK release of the 1961 US film. Based on the novel by Cid Ricketts Sumner about a young girl who leaves her home in Mississippi to attend college. Sandra Dee replaced Debbie Reynolds in this the third "Tammy" movie. 8 x 10 inches. Very Good plus. Universal / Rank Organisation unknown books
1961ref. 139624Universal City CA: Universal Pictures 1961. Two vintage black-and-white studio still photographs from the 1961 film. The second of four Tammy films. Tammy is a young small-town girl living out of a house boat and pining after her absent college boyfriend. She decides to enroll in college and cruises her boat to the university. The actress starring as Tammy switched between the first and second films which originally starred Debbie Reynolds. Shot on location in California. 10 x 8 inches. Good with slight wrinkling and folding. Universal Pictures unknown books
1952ref. 146607Beverly Hills CA: United Artists 1952. Vintage studio still photograph from the 1952 film. American husband and wife scientists Chris and Linda Cronyn Peter Graves Andrea Kim are receiving messages from Mars causing chaos and turmoil world-wide. An interesting Sci-Fi anti-Communist propaganda film made at the height of McCarthyism and the Red Scare. 8 x 10 inches. Very Good some horizontal creasing. United Artists unknown books
1963ref. 172397N.p.: Barney Pitkin Associates 1963. Vintage studio still photograph from the 1963 re-release of the 1953 Poverty Row film noir. Based on the 1947 novel of the same name by Mickey Spillane. A detective investigates the death of an old war buddy. Set in New York City shot on location in Los Angeles CA. 8 x 10 inches. Very Good plus. Grant US. Selby US Canon. Silver and Ward Classic Noir. Spicer US. Weldon 1983. Barney Pitkin Associates unknown books
1965ref. 161827N.p.: Astro Films 1965. Vintage studio still photograph from the 1965 film. A stripper is a mule for her gangster boyfriend transporting heroin from Mexico across the border into the US. Shot on location in Dallas and Houston Texas and Mexico City Mexico. 8 x 10 inches. Very Good plus with a half inch closed tear to the lower right. Astro Films unknown books
1965ref. 161827N.p.: Astro Films 1965. Vintage studio still photograph from the 1965 film. A stripper is a mule for her gangster boyfriend transporting heroin from Mexico across the border into the US. Shot on location in Dallas and Houston Texas and Mexico City Mexico. 8 x 10 inches. Very Good plus with a half inch closed tear to the lower right. Astro Films unknown
1995ref. 163974N.p.: N.p. 1995. Draft script for the 1995 film. From the archive of crew member Chris Scher with her numeric annotation in manuscript ink on page 2 and her annotations in manuscript pencil regarding props on the rear wrapper. In an alternate America where the social and economic positions of white and Black Americans are reversed a white factory worker kidnaps the factory owner as revenge for an unjust firing. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Red untitled wrappers. Lacking title page presumably as issued. 114 leaves with last page of text numbered 113. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
