GE Moore (screenwriter) G EBiblio.com
11,045 results
1950ref. 142329N.p.: N.p. 1950. Draft script for an unproduced film. Ribbon copy typescript. A gentleman pays the bail of a recently-jailed political activist who is then invited to a meeting of the League of Free Men. When the activist turns up murdered a few days later with a mysterious note found on his body the police begin investigating exactly what this organization is all about. Set in London. Brown titled wrappers with typescript title label affixed to the front wrapper. Title page present noted as First Version with credits for G.E. Moore. 98 leaves with last page of text numbered 94. Ribbon copy typescript with type in black and red. Pages Very Good plus wrapper Very Good plus bound with a string binding. N.p. unknown
1950ref. 142348N.p.: N.p. 1950. Original treatment script for an unproduced film. Ribbon copy typescript. In a nonspecific Communist-occupied country in Central Europe during the Cold War a group of military police arrest a woman they believe to be a spy. She maintains her innocence yet still she has an interesting alibi married an artist three days before and finding him dead and speaks English with a Magyar accent despite an "English" upbringing. Set in Central Europe. Brown wrappers with typescript title label affixed to the front wrapper. Title page present with credits for screenwriter Moore. 48 leaves with last leaf of text numbered 45. Ribbon copy typescript. Pages Near Fine wrapper Near Fine bound with a string binding. N.p. unknown
1950ref. 142332N.p.: N.p. 1950. Treatment script for an unproduced film. Ribbon copy typescript. A violent gang of men chaos all over the outskirts of London by beating up the daughter of an older woman they are sheltering and abducting people throughout the London countryside. Set in London. Brown titled wrappers with typescript title label affixed to the front wrapper. Title page present with credits for screenwriter G.E. Moore. 34 leaves with last leaf of text numbered 31. Ribbon copy typescript. Pages Near Fine wrapper Near Fine with string binding. N.p. unknown
1950ref. 142326N.p.: N.p. 1950. Synopsis script for an unproduced film. Ribbon copy typescript. The supposed memoir of a showgirl who begins who career simply as a beautiful woman who think she is untalented in all other areas and ends up embarrassing herself rather often at the start of her career. She eventually develops a camaraderie with her fellow performers and begins to accept her life with people who care about her. Set in England. Pink titled wrappers with typescript title label affixed to the front wrapper. Title page present with credits for screenwriter G.E. Moore. 32 leaves with last leaf of text numbered 28. Ribbon copy typescript. Pages Near Fine wrapper Very Good plus bound with string binding. N.p. unknown
1950ref. 142337N.p.: N.p. 1950. Archive of four Draft scripts for four different films all unproduced. Set in London. Title page present with credits for screenwriter G.E. Moore. 255 leaves with last page of text numbered 12. Mixed ribbon copy typescript and carbon typescript variously on white green and yellow stock. Pages Very Good plus with some foxing at the edges housed in a green spring binder that is dampstained and Good only. N.p. unknown
1950ref. 142371N.p.: N.p. 1950. Archive of screenplays for an unproduced films all by the same screenwriter from the screenwriter's estate. Collection of unproduced screenplays by screenwriter G.E. Moore including "The Wittering Alp" "Portrait of Catherine" "The Trojan Story" "The Nine Days' Wonder" and "The Choice Spirit." Title page present with credits for screenwriter Moore. 150 leaves with last page of text numbered 43. Mixed ribbon copy typescript carbon typescript and mimeograph duplication. Pages Very Good wrapper Very Good plus housed in a black spring binder. Binder is Good only significantly dampstained but has done its job and the internal leaves are unaffected. N.p. unknown
1986ref. 135813London: Independent Television 1986. 3rd Draft script for the television movie. Based on the 1938 novel by Evelyn Waugh which in turn was based on Waugh's own experiences working at the Daily Mail. Working copy with manuscript annotations in blue red and black ink and pink highlighter throughout as well as handmade tape tabs marking the scenes. Laid in are a number of original and photocopied newspaper articles dealing with the production six pages of background information on their Moroccan shooting location and four pages of call sheets from Morocco. A tale of sensationalist foreign correspondents covering a war in Ishmaelia desperately looking for news of a story to send home and the unlikely man who finds the real scoop. Shot on location in Morocco and the United Kingdom. White self titled wrappers noted as 3rd Draft on the front wrapper production No. 10556 dated June 1986 with credits for screenwriter Boyd novelist Waugh director Millar and eight other crew members including producer Sue Birtwistle. Title page integral with the front wrapper. 127 leaves with last page of text numbered 126. Mechanical duplication with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two silver brads. Independent Television unknown books
1986ref. 135813London: Independent Television 1986. 3rd Draft script for the television movie. Based on the 1938 novel by Evelyn Waugh which in turn was based on Waugh's own experiences working at the Daily Mail. Working copy with manuscript annotations in blue red and black ink and pink highlighter throughout as well as handmade tape tabs marking the scenes. Laid in are a number of original and photocopied newspaper articles dealing with the production six pages of background information on their Moroccan shooting location and four pages of call sheets from Morocco. A tale of sensationalist foreign correspondents covering a war in Ishmaelia desperately looking for news of a story to send home and the unlikely man who finds the real scoop. Shot on location in Morocco and the United Kingdom. White self titled wrappers noted as 3rd Draft on the front wrapper production No. 10556 dated June 1986 with credits for screenwriter Boyd novelist Waugh director Millar and eight other crew members including producer Sue Birtwistle. Title page integral with the front wrapper. 127 leaves with last page of text numbered 126. Mechanical duplication with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two silver brads. Independent Television unknown
1983ref. 148397Los Angeles: CBS Television Network 1983. Two vintage reference photographs of actor Michael York from the 1983 television film originally aired on January 29 on CBS. Based on the 1910 novel by Gaston Leroux. The composer for the Budapest Opera House seeks revenge for his wife's suicide and his own disfigured face after the opera house owner sets fire to the theatre. Set in Budapest and shot on location at the József Katona Theatre in Kecskemét Budapest. 8 x 10 inches. Near Fine. CBS Television Network unknown books
1931ref. 170382Paris: Les Films Osso 1931. Vintage lobby card for the 1931 French film. Annotations in manuscript pencil on the verso. Based on the 1980 novel by Gaston Leroux. Featuring set designs by Russian art director Pierre Schild who worked on a number of notable films throughout the 1930s and 1940s including "L'Age d'Or" 1930. 11.5 x 9.5 inches. Very Good plus with some light soil and wear to the margins. Les Films Osso unknown books
1931ref. 170382Paris: Les Films Osso 1931. Vintage lobby card for the 1931 French film. Annotations in manuscript pencil on the verso. Based on the 1980 novel by Gaston Leroux. Featuring set designs by Russian art director Pierre Schild who worked on a number of notable films throughout the 1930s and 1940s including "L'Age d'Or" 1930. 11.5 x 9.5 inches. Very Good plus with some light soil and wear to the margins. Les Films Osso unknown
1922ref. 159875Los Angeles: First National Pictures 1922. Vintage reference photograph of director John Stahl cameraman Ernest Palmer and a camera crew setting up a shot with actors Grace Darmond and Gaston Glass on the set of the 1922 film. Printed mimeo snipe affixed to the verso along with two provenance labels. A woman runs away from her husband and child in order to lead a more fulfilling life. Years later she helps her son reconcile with his own wife. 10 x 8 inches. Very Good plus slightly age toned and wavy along the top edge. First National Pictures unknown books
1922ref. 159875Los Angeles: First National Pictures 1922. Vintage reference photograph of director John Stahl cameraman Ernest Palmer and a camera crew setting up a shot with actors Grace Darmond and Gaston Glass on the set of the 1922 film. Printed mimeo snipe affixed to the verso along with two provenance labels. A woman runs away from her husband and child in order to lead a more fulfilling life. Years later she helps her son reconcile with his own wife. 10 x 8 inches. Very Good plus slightly age toned and wavy along the top edge. First National Pictures unknown
1989ref. 168205Los Angeles / London: Hemdale 1989. Two vintage studio still photographs from the 1989 film including one showing director Mick Jackson on the set. Based on the real-life case of Chris Calhoun a traumatized war veteran whose experiences in a Florida State Hospital led to sweeping reforms in mental health care across the state. 10 x 8 inches. Fine. Hemdale unknown books
1997ref. 171674Culver City CA: Columbia TriStar Films 1997. Two vintage studio still photographs from the 1997 film including one composite photograph. In the 23rd century a military veteran turned taxi driver is unwillingly thrown in with a beautiful humanoid alien Leeloo who holds the key to the survival of the planet. A worldwide box office success the film was first conceived by director Luc Besson at the age of 16 although the film was not completed and released until Besson was 38. Shot in London and Mauritania. 10 x 8 inches. About Fine. Columbia TriStar Films unknown books
1987ref. 157307N.p.: N.p. 1987. Four vintage reference photographs from the 1987 film: two showing Gary Oldman and Alfred Molina one showing Oldman alone and one showing Vanessa Redgrave. Based on the 1978 nonfiction book by John Lahr about the successful career and tragic murder of gay British playwright Joe Orton. Set and shot on location in London. 10 x 8 inches. About Fine. Olive Films 1098. N.p. unknown books
1987ref. 155649N.p.: N.p. 1987. Vintage borderless reference photograph of actors Gary Oldman and Alfred Molina talking with director Stephen Frears on the set of the 1987 film. Based on the 1978 nonfiction book by John Lahr about the successful career and tragic death of gay British playwright Joe Orton. Set and shot on location in London. 10 x 8 inches. About Fine. Olive Films 1098. N.p. unknown books
1987ref. 157307N.p.: N.p. 1987. Four vintage reference photographs from the 1987 film: two showing Gary Oldman and Alfred Molina one showing Oldman alone and one showing Vanessa Redgrave. Based on the 1978 nonfiction book by John Lahr about the successful career and tragic murder of gay British playwright Joe Orton. Set and shot on location in London. 10 x 8 inches. About Fine. Olive Films 1098. N.p. unknown
1987ref. 155649N.p.: N.p. 1987. Vintage borderless reference photograph of actors Gary Oldman and Alfred Molina talking with director Stephen Frears on the set of the 1987 film. Based on the 1978 nonfiction book by John Lahr about the successful career and tragic death of gay British playwright Joe Orton. Set and shot on location in London. 10 x 8 inches. About Fine. Olive Films 1098. N.p. unknown
1974ref. 161690N.p.: Distribpix 1974. Six vintage studio still photographs from the 1974 film. Three photographs with provenance stamps on the versos. An encounter group meets to relate their sexual experiences and hangups. 8 x 10 inches. Near Fine overall. Distribpix unknown books
1967ref. 161473N.p.: Distribpix 1967. Three vintage studio still photographs from the 1967 film. Provenance stamps on the versos of all three photographs. Sarah is a girl with quite the reputation who likes to hang with the wild boys. 8 x 10 inches. Very Good plus with faint overall creasing. Distribpix unknown books
1967ref. 161473N.p.: Distribpix 1967. Three vintage studio still photographs from the 1967 film. Provenance stamps on the versos of all three photographs. Sarah is a girl with quite the reputation who likes to hang with the wild boys. 8 x 10 inches. Very Good plus with faint overall creasing. Distribpix unknown
1974ref. 161690N.p.: Distribpix 1974. Six vintage studio still photographs from the 1974 film. Three photographs with provenance stamps on the versos. An encounter group meets to relate their sexual experiences and hangups. 8 x 10 inches. Near Fine overall. Distribpix unknown
1973ref. 167929Burbank CA: Warner Brothers 1973. Two vintage studio still publicity photographs from the 1973 film. A follow-up to screenwriter Herman Raucher's 1971 film "Summer of '42" following his experiences during his first year at college as World War II looms in the background. John Candy's feature film debut. Shot on location in Brooklyn New York and in Toronto. 8 x 10 inches. Fine. Warner Brothers unknown books
1971ref. 131642Burbank CA: Warner Brothers 1971. Eight vintage black-and-white still photographs from the 1971 film. Winner of the Academy Award for Best Original Score and nominated for three others including Best Screenplay Best Cinematography and Best Editing. 8 x 10 inches. Fine. Warner Brothers unknown books
