11,049 results
1965ref. 166067London: Paramount Film Service 1965. Revised Draft script for the 1966 British film copy belonging to Art Director George Provis with his name written on the top of the title page and manuscript pencil and marker annotations on nearly every page with clippings of the shooting schedule and set requirements frequently affixed to the verso of the opposing page and two pencil illustrations of the house and cottage from the film on the verso of the last page. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Michael Parks stars as an arrogant young art student who seduces the overprotective mother of his friend played by a stunning Jennifer Jones. Shot on location in Middlesex and London. Purple untitled wrappers with a die-cut window in the British style. Title page present dated 16 July 1965 noted as Revised Screenplay with credits for screenwriter Millard Lampell. 117 leaves with last page of text numbered 109. Mimeograph duplication rectos only with blue pink and goldenrod revision pages throughout dated variously between 14 September 1965 and 31 August 1965. Unbound as issued. Pages Near Fine wrapper Near Fine. Paramount Film Service unknown
1971ref. 137443Burbank CA: Cinema Center Films 1971. Revised Final Draft script for the 1972 film. Based on a story by Steven W. Carabatsos. A key Western vigilante film John Benedict Holden leads a peaceful life on his ranch until a gang of Comanche Indians led by a white man murders his family and trashes his home. He assembles his own posse of ruthless outlaws guns-for-hire to help him enact sweet revenge on the murderers. Shot on location in Mexico. Red titled wrappers noted as Final Draft on the front wrapper and production No. 5008 dated January 5 1971 with a credit for screenwriter Mayes. Title page present dated January 5 1971 noted as FINAL DRAFT with a credit for screenwriter Mayes. 143 leaves with last page of text numbered 134. Mechanical duplication with blue light blue and pink revision pages throughout dated variously between 1/18/71 and 3/16/71. Pages and wrapper Near Fine bound internally with three gold brads. Hardy p. 341. Pitts 3402. Cinema Center Films unknown books
1955ref. 141526N.p.: Hal Wallis Productions 1955. Six vintage double weight studio still photographs from the 1955 film. The film is based on Tennessee Williams' 1951 play in which an Italian widow and her teenage daughter cope with the aftermath of her husband's death. Shot on location in Florida and California. 8 x 10 inches. Near Fine. Hal Wallis Productions unknown books
1968ref. 152359Los Angeles: Cinerama International Releasing Organization 1968. Vintage borderless reference photograph of director Daniel Mann laughing with actors Abbey Lincoln and Joseph Attles on the set of the 1968 film. With a printed mimeo snipe affixed to the verso. In order to prevent their maid from leaving their employment to attend secretarial school the youngest son of a wealthy white Long Island family searches for a handsome executive to wine and dine her. Set in Long Island and New York. 9.5 x 6.5 inches. Very Good plus lightly toned and soiled to the right edge with brief wear to the corners. Cinerama International Releasing Organization unknown books
1976ref. 135943Los Angeles: Albert S. Ruddy Productions / American International Pictures AIP 1976. Draft script for the 1978 film. Based on Paul Gallico's 1970 novel. Bernie Bonnelli Gould is a small-time talent agent down on his luck who discovers a boxing kangaroo named Matilda. Hoping to gain recognition and income he schedules a fight between the kangaroo and the boxing heavyweight champion of the world. The fight attracts the attention of the local mob boss who wants total control of the marsupial and the attention of animal activists looking to stop cruelty to animals. Set in New York shot on location in California New York and Nevada. Illustrated titled wrappers with glassine cover on the front wrapper. Title page present dated March 15 1976 with credits for novelist Gallico and screenwriter Galfas. 133 leaves with last page of text numbered 129. Mechanical duplication. Pages and wrapper Near Fine bound internally with three silver brads. Albert S. Ruddy Productions / American International Pictures [AIP] unknown books
1960ref. 141368N.p.: Afton-Linebrook 1960. Vintage studio still photograph from the 1960 film. Extremely watchable trash a big-budget film with lowdown agenda and the last film in which Elizabeth Taylor who won an Oscar for her performance could have been accurately described as young and radiant. Something of an American answer to De Sica's "Madame De." with the object in question being a fur coat rather than a pair of earrings. Shot on location in New York. 8 x 10 inches. Very Good plus with extensive annotations to the verso in red felt-tipped ink blue ink and manuscript graphite. Afton-Linebrook unknown books
1968ref. 152359Los Angeles: Cinerama International Releasing Organization 1968. Vintage borderless reference photograph of director Daniel Mann laughing with actors Abbey Lincoln and Joseph Attles on the set of the 1968 film. With a printed mimeo snipe affixed to the verso. In order to prevent their maid from leaving their employment to attend secretarial school the youngest son of a wealthy white Long Island family searches for a handsome executive to wine and dine her. Set in Long Island and New York. 9.5 x 6.5 inches. Very Good plus lightly toned and soiled to the right edge with brief wear to the corners. Cinerama International Releasing Organization unknown
1976ref. 135943Los Angeles: Albert S. Ruddy Productions / American International Pictures AIP 1976. Draft script for the 1978 film. Based on Paul Gallico's 1970 novel. Bernie Bonnelli Gould is a small-time talent agent down on his luck who discovers a boxing kangaroo named Matilda. Hoping to gain recognition and income he schedules a fight between the kangaroo and the boxing heavyweight champion of the world. The fight attracts the attention of the local mob boss who wants total control of the marsupial and the attention of animal activists looking to stop cruelty to animals. Set in New York shot on location in California New York and Nevada. Illustrated titled wrappers with glassine cover on the front wrapper. Title page present dated March 15 1976 with credits for novelist Gallico and screenwriter Galfas. 133 leaves with last page of text numbered 129. Mechanical duplication. Pages and wrapper Near Fine bound internally with three silver brads. Albert S. Ruddy Productions / American International Pictures [AIP] unknown
1971ref. 137443Burbank CA: Cinema Center Films 1971. Revised Final Draft script for the 1972 film. Based on a story by Steven W. Carabatsos. A key Western vigilante film John Benedict Holden leads a peaceful life on his ranch until a gang of Comanche Indians led by a white man murders his family and trashes his home. He assembles his own posse of ruthless outlaws guns-for-hire to help him enact sweet revenge on the murderers. Shot on location in Mexico. Red titled wrappers noted as Final Draft on the front wrapper and production No. 5008 dated January 5 1971 with a credit for screenwriter Mayes. Title page present dated January 5 1971 noted as FINAL DRAFT with a credit for screenwriter Mayes. 143 leaves with last page of text numbered 134. Mechanical duplication with blue light blue and pink revision pages throughout dated variously between 1/18/71 and 3/16/71. Pages and wrapper Near Fine bound internally with three gold brads. Hardy p. 341. Pitts 3402. Cinema Center Films unknown
1955ref. 141526N.p.: Hal Wallis Productions 1955. Six vintage double weight studio still photographs from the 1955 film. The film is based on Tennessee Williams' 1951 play in which an Italian widow and her teenage daughter cope with the aftermath of her husband's death. Shot on location in Florida and California. 8 x 10 inches. Near Fine. Hal Wallis Productions unknown
1968ref. 161029Los Angeles: Cinerama 1968. Three vintage studio still photographs from the 1968 film. Based on Daniel Keyes' 1966 novel "Flowers for Algernon" about a 32-year-old bakery worker with an intellectual disability who is approached by two doctors about participating in an experiment that will enhance his mental aptitude. Actor Cliff Robertson also appeared as Charly in a previous adaptation of Keyes' novel a 1961 television adaptation on the United States Steel Hour titled "The Two Worlds of Charlie Gordon." Nelson who is best-known for his work on "The Graduate" "The Manchurian Candidate" "The Getaway" "The Godfather Part II" and "Apocalypse Now" was not credited in the final film so it must be assumed that he was either involved with it early on or considered it at some point. Set in Boston. 8 x 10 inches. Near Fine. Cinerama unknown books
1968ref. 161029Los Angeles: Cinerama 1968. Three vintage studio still photographs from the 1968 film. Based on Daniel Keyes' 1966 novel "Flowers for Algernon" about a 32-year-old bakery worker with an intellectual disability who is approached by two doctors about participating in an experiment that will enhance his mental aptitude. Actor Cliff Robertson also appeared as Charly in a previous adaptation of Keyes' novel a 1961 television adaptation on the United States Steel Hour titled "The Two Worlds of Charlie Gordon." Nelson who is best-known for his work on "The Graduate" "The Manchurian Candidate" "The Getaway" "The Godfather Part II" and "Apocalypse Now" was not credited in the final film so it must be assumed that he was either involved with it early on or considered it at some point. Set in Boston. 8 x 10 inches. Near Fine. Cinerama unknown
1975ref. 136240Burbank CA: American Broadcasting Company ABC 1975. Second Revised Draft script for the 1976 film "The Desperate Miles" seen here under the title "No Help Required." A disabled Vietnam war veteran takes a road trip from LA to San Diego in his wheelchair to prove himself. Green titled wrappers noted as 2nd Rev. on the front wrapper production No. 42128 dated 1/22/75 with credits for screenwriters Arthur Ross and Joel Rogosin. Title page present integral with the front wrapper. 92 leaves with last page of text numbered 82 and with 9 additional revision pages at the rear. Mimeograph duplication with blue green yellow and pink revision pages throughout dated variously between 1/8/75 and 1/22/75. Pages Near Fine wrappers Very Good bound with two gold brads. American Broadcasting Company [ABC] unknown books
1975ref. 136240Burbank CA: American Broadcasting Company ABC 1975. Second Revised Draft script for the 1976 film "The Desperate Miles" seen here under the title "No Help Required." A disabled Vietnam war veteran takes a road trip from LA to San Diego in his wheelchair to prove himself. Green titled wrappers noted as 2nd Rev. on the front wrapper production No. 42128 dated 1/22/75 with credits for screenwriters Arthur Ross and Joel Rogosin. Title page present integral with the front wrapper. 92 leaves with last page of text numbered 82 and with 9 additional revision pages at the rear. Mimeograph duplication with blue green yellow and pink revision pages throughout dated variously between 1/8/75 and 1/22/75. Pages Near Fine wrappers Very Good bound with two gold brads. American Broadcasting Company [ABC] unknown
1948ref. 148430Los Angeles: Eagle-Lion Films 1948. Vintage US lobby card for the 1948 film noir here under the alternate title "The Scar." With brief manuscript annotations to the verso. Based on the 1946 novel wherein a desperate con man on the run from the mob goes into hiding by impersonating a psychiatrist unaware that the doctor has his own debts to pay. 14 x 11 inches. Very Good plus with light toning to the edges and a tiny closed tear to the bottom edge. Grant US. Selby US Masterwork. Spicer US. Silver and Ward US. Eagle-Lion Films unknown books
1953ref. 148427Los Angeles: Twentieth Century-Fox 1953. Vintage US lobby card for the 1953 film. Loosely based on Jean-Paul Le Chanois' 1951 French film "Without Leaving an Address." An ill-tempered New York cabbie helps an Irish immigrant with an infant son locate her missing husband. Set and shot on location in New York. 14 x 11 inches. Very Good plus with light soil and light toning to the edges. Twentieth Century-Fox unknown books
1948ref. 148430Los Angeles: Eagle-Lion Films 1948. Vintage US lobby card for the 1948 film noir here under the alternate title "The Scar." With brief manuscript annotations to the verso. Based on the 1946 novel wherein a desperate con man on the run from the mob goes into hiding by impersonating a psychiatrist unaware that the doctor has his own debts to pay. 14 x 11 inches. Very Good plus with light toning to the edges and a tiny closed tear to the bottom edge. Grant US. Selby US Masterwork. Spicer US. Silver and Ward US. Eagle-Lion Films unknown
1953ref. 148427Los Angeles: Twentieth Century-Fox 1953. Vintage US lobby card for the 1953 film. Loosely based on Jean-Paul Le Chanois' 1951 French film "Without Leaving an Address." An ill-tempered New York cabbie helps an Irish immigrant with an infant son locate her missing husband. Set and shot on location in New York. 14 x 11 inches. Very Good plus with light soil and light toning to the edges. Twentieth Century-Fox unknown
1977ref. 132299N.p.: N.p. 1977. Original Polish one sheet poster for the Polish release of the 1975 British/American film designed by Anna Mikke. Based on the 1973 play by Adrian Mitchell which was based on the classic 1719 novel "Robinson Crusoe" by Daniel Defoe. A post-civil rights movement take on the Defoe classic wherein Crusoe finds himself stranded on an island with a black islander whom he names Friday and finds himself incapable of seeing the islander beyond his narrow and racist colonialist worldview. Nominated for the Palm d'Or. 23 x 32.5 inches. Very Good with light dampstaining to the right side. N.p. unknown books
1957ref. 141710N.p.: N.p. 1957. Draft script for an unproduced film. Copy belonging to Ben Colman after previously being owned by screenwriter Maxwell Shane with both of their names and addresses on the first page. Based in part on an adventure story by Daniel Defoe. The film opens with a man trying to drown himself in the ocean as he reflects on his journey to this point of his life. Maxwell Shane began as a screenwriter and found his greatest recognition as a director of five key films noir in the 1940s and 1950s including "Fear in the Night" and "City Across the River." Blue titled wrappers. Title page present with credits for screenwriter Maxwell Shane and author Daniel Defoe. 145 leaves with last page of text numbered 142. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown books
1957ref. 141710N.p.: N.p. 1957. Draft script for an unproduced film. Copy belonging to Ben Colman after previously being owned by screenwriter Maxwell Shane with both of their names and addresses on the first page. Based in part on an adventure story by Daniel Defoe. The film opens with a man trying to drown himself in the ocean as he reflects on his journey to this point of his life. Maxwell Shane began as a screenwriter and found his greatest recognition as a director of five key films noir in the 1940s and 1950s including "Fear in the Night" and "City Across the River." Blue titled wrappers. Title page present with credits for screenwriter Maxwell Shane and author Daniel Defoe. 145 leaves with last page of text numbered 142. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
1977ref. 132299N.p.: N.p. 1977. Original Polish one sheet poster for the Polish release of the 1975 British/American film designed by Anna Mikke. Based on the 1973 play by Adrian Mitchell which was based on the classic 1719 novel "Robinson Crusoe" by Daniel Defoe. A post-civil rights movement take on the Defoe classic wherein Crusoe finds himself stranded on an island with a black islander whom he names Friday and finds himself incapable of seeing the islander beyond his narrow and racist colonialist worldview. Nominated for the Palm d'Or. 23 x 32.5 inches. Very Good with light dampstaining to the right side. N.p. unknown
1988ref. 166665N.p.: N.p. 1988. Six vintage borderless reference photographs from the 1988 film including three showing cast and crew members between takes on the set. Based on Milan Kundera's 1984 novel set during the Prague Spring about a womanizing brain surgeon who struggles between his childlike wife and his free-spirited lover. Set in 1960s Prague and Switzerland shot on location in Paris and Lyon France. 9.5 x 7 inches. Near Fine. Criterion Collection 55. N.p. unknown books
1988ref. 166665N.p.: N.p. 1988. Six vintage borderless reference photographs from the 1988 film including three showing cast and crew members between takes on the set. Based on Milan Kundera's 1984 novel set during the Prague Spring about a womanizing brain surgeon who struggles between his childlike wife and his free-spirited lover. Set in 1960s Prague and Switzerland shot on location in Paris and Lyon France. 9.5 x 7 inches. Near Fine. Criterion Collection 55. N.p. unknown
1970ref. 155109N.p.: N.p. 1970. Vintage oversize borderless color reference photograph from the 1970 French film showing actress Bernadette Lafont undressing behind a curtain. A modern retelling of the Biblical story of Cain and Abel. 9 x 11.5 inches. Very Good plus lightly faded at the edges. N.p. unknown books
