10,190 results
1965ref. 153069N.p.: N.p. 1965. Vintage borderless reference photograph from the 1965 film showing actors James Coburn and Dick Shawn crouching in a bush with director Blake Edwards and a camera to the right capturing the shot. During the Allied invasion of Sicily an outfit of US soldiers are assigned to capture the small town of Valerno but find the townspeople ready and willing to be captured with two stipulations: a soccer match and a wine festival. Set in Sicily shot on location in Lake Sherwood California. 10 x 8 inches. Near Fine. N.p. unknown books
1959ref. 132443London: Rank Film Distributors 1959. Seven vintage full-color British front-of-house cards from the UK release of the 1958 US film. Tony Curtis stars as a sex-starved soldier who wins a date with pinup model Linda Cristal. Janet Legih Curtis' real life wife plays an Army shrink tasked with keeping things chaste. 8 x 10 inches. One still with faint stains and light corner creases to most else Near Fine. Rank Film Distributors unknown books
1962ref. 132191London: Warner-Pathe 1962. A collection of 7 vintage vintage black-and-white still photographs from the UK release of the 1962 US film. Distributor rubber-stamps and mimeograph snipes on the versos. Jack Lemmon plays an alcoholic who falls in love with an innocent young women whom he convinces to start drinking leading them both lose themselves in the downward spiral of addiction. Henry Mancini composed the score and along with Johnny Mercer won an Academy Award for the for the title song. 8 x 10 inches. Very Good plus with light toning. Warner-Pathe unknown books
1962ref. 132163London: Warner-Pathe 1962. Two vintage vintage black-and-white publicity photographs of Jack Lemmon from the UK release of the 1962 US film. Mimeograph snipes affixed to the versos. Lemmon plays an alcoholic who falls in love with an innocent young women whom he convinces to start drinking leading them both lose themselves in the downward spiral of addiction. Henry Mancini composed the score and along with Johnny Mercer won an Academy Award for the for the title song. 8 x 10 inches. Very Good plus with light corner creases to one and a closed tear to one of the mimeograph snipes. Warner-Pathe unknown books
1965ref. 132873London: Warner-Pathe Distributors 1965. Vintage full-color still photograph from the UK release of the 1965 US film. A professional daredevil convinces auto makers that a race from New York to Paris will help to promote automobile sales. A rival vows to win the race in a car of his own invention. Shot on location in Austria and throughout California. 8 x 10 inches. Light rubbing else Near Fine. Warner-Pathe Distributors unknown books
1984ref. 140554Culver City CA: Columbia Pictures 1984. Draft script for the 1984 film. With a few annotations in manuscript ink throughout. Rob Salinger Moore works as a television reporter and his wife Micki Reinking is a lawyer who is having difficulty getting pregnant to the chagrin of Rob. While working Rob meets a cellist Maude Irving who he begins dating without mentioning his wife. She soon becomes pregnant as well as his current wife and he ends up marrying Maude as well. To hide his bigamy he uses work as an excuse to spend days with one woman and nights with another. The women eventually find out about each other as they go into labor at the same time and are at the same hospital on the same floor. Self wrappers. Title page integral with front wrapper is present dated March 7 1984 with a credit for screenwriter Jonathan Reynolds. 127 leaves with last page of text numbered 122. Later generation photocopy with revision pages throughout dated variously between March 6 1984 and March 22 1984. Pages Very Good plus wrapper missing bound with two gold brads. Columbia Pictures unknown books
1984ref. 171899N.p.: Blake Edwards Entertainment 1984. Draft script for the 1984 film seen here under the working title "Mickey and Maude." With rainbow revisions. A tabloid television reporter is torn between his wife and his girlfriend both of whom have recently announced that they are pregnant. Ann Reinking's final film performance. Silver generic Blake Edwards Entertainment wrappers. Title page present dated March 7 1984 with credit for screenwriter Jonathan Reynolds. 128 leaves with last page of text numbered 121. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between March 7 and 22 2984. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Blake Edwards Entertainment unknown books
1984ref. 140554Culver City CA: Columbia Pictures 1984. Draft script for the 1984 film. With a few annotations in manuscript ink throughout. Rob Salinger Moore works as a television reporter and his wife Micki Reinking is a lawyer who is having difficulty getting pregnant to the chagrin of Rob. While working Rob meets a cellist Maude Irving who he begins dating without mentioning his wife. She soon becomes pregnant as well as his current wife and he ends up marrying Maude as well. To hide his bigamy he uses work as an excuse to spend days with one woman and nights with another. The women eventually find out about each other as they go into labor at the same time and are at the same hospital on the same floor. Self wrappers. Title page integral with front wrapper is present dated March 7 1984 with a credit for screenwriter Jonathan Reynolds. 127 leaves with last page of text numbered 122. Later generation photocopy with revision pages throughout dated variously between March 6 1984 and March 22 1984. Pages Very Good plus wrapper missing bound with two gold brads. Columbia Pictures unknown
1984ref. 171899N.p.: Blake Edwards Entertainment 1984. Draft script for the 1984 film seen here under the working title "Mickey and Maude." With rainbow revisions. A tabloid television reporter is torn between his wife and his girlfriend both of whom have recently announced that they are pregnant. Ann Reinking's final film performance. Silver generic Blake Edwards Entertainment wrappers. Title page present dated March 7 1984 with credit for screenwriter Jonathan Reynolds. 128 leaves with last page of text numbered 121. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between March 7 and 22 2984. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Blake Edwards Entertainment unknown
1957ref. 164746Universal City: Universal-International 1957. Two vintage studio still photographs from the 1957 film both showing actor Tony Curtis. Printed mimeo snipe affixed to the verso of one. An opportunistic busboy at a resort gambles his way into high society where he falls in love with a wealthy but disinterested young heiress. Director Blake Edwards' third directorial effort. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Set in Wisconsin shot on location at Lake Arrowhead and Lake Tahoe California. 8 x 10 inches. Very Good plus. Universal-International unknown
1957ref. 155307Universal City: Universal-International 1957. Vintage reference photograph from the 1957 film showing Blake Edwards directing actors Tony Curtis and Martha Hyer on the set. Printed mimeo snipe affixed to the verso. An opportunistic busboy at a resort gambles his way into high society where he falls in love with a wealthy but disinterested young heiress. Edwards' third directorial effort. Set in Wisconsin shot on location at Lake Arrowhead and Lake Tahoe California. 8 x 10 inches. Near Fine. Universal-International unknown
1987ref. 171907N.p.: N.p. 1987. Draft script for the 1988 film. Copy belonging to stunt coordinator Joe Dunne with his annotations in manuscript ink on several pages indicating stunt sequences. Crew contact list and eight white revision pages bound in at the rear of the script. Based on an unpublished novel by Rod Amateau. In Hollywood during the transition to sound film US Marshal Wyatt Earp and Western actor Tom Mix team up to solve a murder involving a violent gangster. The second film in which James Garner portrayed Wyatt Earp following "Hour of the Gun" in 1967. Cream titled pictorial wrappers. Title page present dated March 20 1987 with credits for Amateau and screenwriter Blake Edwards. 138 leaves with last page of text numbered 133. Xerographic duplication rectos only with blue and pink revision pages throughout dated 3/27/87 and 3/30/87 respectively. Pages Near Fine wrapper Very Good plus extremities lightly toned bound internally with two gold brads. N.p. unknown
1988ref. 171904N.p.: N.p. 1988. Revised Draft script for the 1988 television movie aired as part of the revamped 1988-1990 Disney television anthology series. With two annotations in manuscript ink to two pages of the script noting prices. The ghost of a private eye teams up with an out-of-work dancer to find the woman he believes to be responsible for his death. Originally aired on May 15 1988 on ABC. White titled pictorial wrappers. Title page present dated January 14 1988 noted as Revised with credits for screenwriters Blake and Jennifer Edwards. 113 leaves with last page of text numbered 109. Xerographic duplication rectos only with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown
1982ref. 171906N.p.: N.p. 1982. Final Draft script for the 1983 film. Copy belonging to stunt coordinator Joe Dunne with his annotations in manuscript ink on several pages. Based on the 1977 François Truffaut film about a middle-aged man whose single-minded obsession with sex and beauty disrupts his life and eventually leads to his downfall. Self wrappers. Title page present dated October 1982 noted as Final Draft with credits for screenwriters Blake and Geoffrey Edwards. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue revision pages throughout dated 11/2/82. Pages Near Fine bound with two gold brads. N.p. unknown
1982ref. 169091N.p.: N.p. 1982. Final Draft script for the 1983 film. Blake Edwards remake of Francois Truffaut's 1977 film about sculptor David Fowler Burt Reynolds whose obsessive love of women leads to his eventual death told from the perspective of his analyst and eventual lover Marianna Julie Andrews. Shot on location in Texas New York and California. Front wrapper integral with title page dated October 1982 noted as FINAL DRAFT with credits for screenwriters Blake Edwards Geoffrey Edwards Milton Wexler. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue and pink revision pages throughout dated 11/2/82 and 2/23/83. Pages Near Fine bound with two gold brads. N.p. unknown
1958ref. 132722London: Unviersal International Pictures 1958. Eight vintage full-color British front-of-house cards from the UK release of the 1958 US film. Based on a play by F. Hugh Herbert about a young woman who asks another guest at party to rescue her from her lecherous boss. When her rescuer suggests that she get out of her wet clothes she escapes and finds safety in the home of a retired actor. A story set in Connecticut shot at Universal Studios in California. 8 x 10 inches. Faint creasing overall else Near Fine. Unviersal International Pictures unknown
1965ref. 153069N.p.: N.p. 1965. Vintage borderless reference photograph from the 1965 film showing actors James Coburn and Dick Shawn crouching in a bush with director Blake Edwards and a camera to the right capturing the shot. During the Allied invasion of Sicily an outfit of US soldiers are assigned to capture the small town of Valerno but find the townspeople ready and willing to be captured with two stipulations: a soccer match and a wine festival. Set in Sicily shot on location in Lake Sherwood California. 10 x 8 inches. Near Fine. N.p. unknown
ref. 7900in 12 broché,faux-titre,frontispice,titre,212 pages,29 dessins pris sur le vif,dans le texte et hors-texte de Jean GUERIN.Edition Bernard Grasset 2 décembre 1936,petites traces de manipulation,sans gravité.Edition originale
1946ref. 159187Los Angeles: Paramount Pictures 1946. Vintage studio still photograph of Bing Crosby and Fred Astaire from the 1946 film. With provenance stamps on the verso. A man hosting a radio broadcast is telling his life story mostly about himself and a friend trying to make it big after World War I-until both men fall for the same woman. 8 x 10 inches. Very Good plus with some pin holes along the edges. Paramount Pictures unknown books
1978ref. 141772Munich: Bavaria Atelier 1978. Press kit for the 1978 film. Full-color illustrated folder with six black-and-white borderless reference photographs and 15 gatherings of promotional reading material housed all together in a white envelope. Based on the novella by Thomas Tryon from his 1976 collection "Crowned Heads." A struggling Hollywood producer attempts to revive his career by luring a retired and reclusive actress back into the spotlight. Told in flashback beginning with her suicide-by-train. The fifth and final pairing of director Billy Wilder and actor William Holden who began their association in 1950 with the classic "Sunset Blvd." "Fedora" has been seen as a companion piece to that film. Set in Hollywood shot on location in France Germany and Greece. Folder and contents Near Fine. Envelope Very Good plus lightly toned on the edges. Bavaria Atelier unknown books
1950ref. 151310Los Angeles: Paramount Pictures 1950. Vintage studio still photograph from the 1950 film showing the "wax works" card party composed of actress Gloria Swanson and actors Anna Q. Nilsson H.B. Warner and Buster Keaton playing themselves. From the archive of film historian and author Joel Finler. A down-on-his-luck screenwriter stumbles into the home of a forgotten silent film star quickly becoming enmeshed in her deranged plan for a comeback. A kingpin in the pantheon of films about fame and Hollywood Wilder's urban noir counterpart to the daylight rural world of "Ace in the Hole" 1951. Winner of three Academy Awards and nominated for another eight including Best Picture. Set and shot on location in Los Angeles. 10 x 8 inches with wide margins photograph measuring 4.75 x 3.5 inches. National Film Registry. Ebert I. Godard Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Paramount Pictures unknown books
1964ref. 136035N.p.: Lopert Pictures Corporation 1964. Vintage black-and-white reference photograph from the set of the 1964 film. Director Billy Wilder shown with Kim Novak. Based on the 1945 Italian play "L'ora della fantasia" by Anna Bonacci. A jealous piano teacher playing host to an infamous nightclub singer sends his beautiful wife away in the hopes of keeping the lecherous singer from seducing her. 8 x 10 inches. Near Fine condition. Lopert Pictures Corporation unknown books
1978ref. 148287N.p.: N.p. 1978. Collection of twelve vintage French color lobby cards from the 1978 film. Based on the novella by Thomas Tryon from his 1976 collection "Crowned Heads." A struggling Hollywood producer attempts to revive his career by luring a retired and reclusive actress back into the spotlight. Told in flashback beginning with her suicide-by-train. The fifth and final pairing of director Billy Wilder and actor William Holden who began their association in 1950 with the classic "Sunset Blvd." 1950. "Fedora" has been seen as a companion piece to that film. 11.25 x 9 inches. Near Fine. Eureka Masters of Cinema 147. N.p. unknown books
1954ref. 143155Hollywood: Paramount Pictures 1954. Two vintage studio still photographs from the 1954 film. One of the photographs with a sticker noting the photograph is from the collection of film historian collector and founder of the Tele Cine Documentation TCD cinema photo library Daniel Bouteiller on the verso. The second photograph is from a later Paramount re-release of the film. Based on the 1953 Broadway play by screenwriter Samuel Taylor. Winner of an Academy Award and nominated for five more including Best Director Best Actress and Best Adapted Screenplay. Remade by director Sydney Pollack in 1995 starring Julia Ormond Harrison Ford and Greg Kinnear. 8 x 10 inches. Near Fine National Film Registry. Paramount Pictures unknown books
1976ref. 146256N.p.: N.p. 1976. Draft script for the 1978 film. With a manuscript ink notation on the title page reading "draft completed 10/8/76." Based on the novella by Thomas Tryon from his 1976 collection "Crowned Heads." A struggling Hollywood producer attempts to revive his career by luring a retired and reclusive actress back into the spotlight. Told in flashback beginning with her suicide-by-train. The fifth and final pairing of director Billy Wilder and actor William Holden who began their association in 1950 with the classic "Sunset Blvd." 1950. "Fedora" has been seen as a companion piece to that film. White titled self wrappers with credits for screenwriters Billy Wilder and I.A.L. Diamond. Title page integral with the front wrapper as issued. 109 leaves with last page of text numbered 107. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with light toning and soil bound with two gold brads. Eureka Masters of Cinema 147. N.p. unknown books
