11,046 results
1948ref. 164632Los Angeles: Universal-International Pictures 1948. Vintage publicity photograph from the 1948 film showing teenage actress Carol Yorke made up to look gaunt and plain on the left and made up to look glamorous on the right. Printed mimeo snipe affixed to the verso. Based on the 1922 novella by Stefan Zweig about a pianist in 1900s Vienna who receives an important letter from a woman from his past and must figure out how to escape a duel he is due to fight the next morning. The first film produced by Rampart Productions an independent company formed by Joan Fontaine and her husband William Dozier. 10 x 8 inches. Faint tide mark on the top edge of the recto else about Near Fine. National Film Registry. Universal-International Pictures unknown books
1948ref. 164632Los Angeles: Universal-International Pictures 1948. Vintage publicity photograph from the 1948 film showing teenage actress Carol Yorke made up to look gaunt and plain on the left and made up to look glamorous on the right. Printed mimeo snipe affixed to the verso. Based on the 1922 novella by Stefan Zweig about a pianist in 1900s Vienna who receives an important letter from a woman from his past and must figure out how to escape a duel he is due to fight the next morning. The first film produced by Rampart Productions an independent company formed by Joan Fontaine and her husband William Dozier. 10 x 8 inches. Faint tide mark on the top edge of the recto else about Near Fine. National Film Registry. Universal-International Pictures unknown
1955ref. 152332N.p.: N.p. 1955. Vintage reference photograph from the 1955 film showing Diana Dors and Vera Day bringing a pants presser to David Kossoff. With manuscript pencil and ink annotations to the verso identifying the actors. From the archive of film historian and author Joel Finler. Based on the 1953 novel. A young boy growing up in a working class community buys what he believes to be a unicorn in reality a small deformed goat with the hope that it will bring luck to his friends and family. Set and shot on location in East London. 10 x 8 inches. Very Good plus lightly worn to the corners. N.p. unknown books
1955ref. 149455London: London Film Productions 1955. Vintage reference photograph from the 1955 British film showing an aerial view of Whitechapel Road market in London. With a printed mimeo snipe affixed to the verso. Based on the 1953 novel. A young boy growing up in a working class community buys what he believes to be a unicorn in reality a small deformed goat with the hope that it will bring luck to his friends and family. Set and shot on location in East London. 10 x 8 inches. Very Good plus with a small tear to the top left corner. London Film Productions unknown books
1940ref. 158029N.p.: N.p. 1940. Vintage reference photograph from the 1940 film showing actress Margaret Lockwood against a backdrop of "screaming headlines." Based on the 1937 novel by Roy Vickers about a young nurse struggling to find work after she is wrongly accused of murder and subjected to a high-profile court case. The first of several collaborations between director Carol Reed and screenwriter Sidney Gilliat followed by "The Night Train to Munich" 1940 "The Remarkable Mr. Kipps" 1941 and "The Young Mr. Pitt" 1942. 8 x 10 inches. About Near Fine with a faint diagonal crease on the bottom right corner. N.p. unknown books
1963ref. 157290N.p.: N.p. 1963. Vintage reference photograph from the 1963 film showing director Carol Reed in conversation with actress Lee Remick on the set. Based on Shelley Smith's 1961 novel "The Ballad of the Running Man" about a man who fakes his own death in the hopes of gaining a substantial insurance payout but encounters trouble in the form of the company's nosy claim investigator. Shot on location in Cadiz Spain in Gibraltar and in Ireland. 10 x 8 inches. Near Fine. N.p. unknown books
1947ref. 168074London: J. Arthur Rank / Eagle-Lion 1947. Vintage reference photograph from the 1947 British film noir showing an outdoor scene with James Mason shot on location in Shoreditch London. Printed mimeo snipe and provenance label on the verso. Based on the 1945 novel by F.L. Green about an injured Nationalist revolutionary who goes on the run after a botched hold-up. A taut psychological noir featuring the work of noted cinematographer Robert Krasker who would go on to collaborate again with Carol Reed on the 1949 noir "The Third Man." Set in Belfast Northern Ireland shot on location in Belfast and London. 10 x 8 inches. Near Fine. Criterion Collection 754. Grant UK. Rosenbaum 1000. Selby UK Masterwork. Spicer UK. J. Arthur Rank / Eagle-Lion unknown books
1947ref. 170495Universal City: Universal-International 1947. Seven vintage studio still photographs from the American release of the classic 1947 British film noir. Four with provenance labels and stamps on the versos. Based on the 1945 novel by F.L. Green about an injured Nationalist revolutionary who goes on the run after a botched hold-up. A taut psychological noir featuring the work of noted cinematographer Robert Krasker who would go on to collaborate again with Carol Reed on the 1949 noir "The Third Man." Set in Belfast Northern Ireland shot on location in Belfast and London. 10 x 8 inches. Very Good to Very Good plus. Criterion Collection 754. Grant UK. Rosenbaum 1000. Selby UK Masterwork. Spicer UK. Universal-International unknown books
1965ref. 141539Los Angeles: Twentieth Century-Fox 1965. Five vintage color British front-of-house cards from the 1965 UK film. The film follows the quarrels between Michelangelo and Pope Julius II over the painting of the Sistine Chapel. It was nominated for five Academy Awards including Best Cinematography and Best Art Direction. Shot on location in Italy. 8 x 10 inches. Fine. Twentieth Century-Fox unknown books
1949ref. 135960London and Los Angeles: London Film Productions / Selznick Releasing Organization 1949. Advertising supplement ad mat for the US release of the 1948 UK film. 20 x 14 inches. Folded vertically at the center as issued else Fine. Criterion Collection 357. London Film Productions / Selznick Releasing Organization unknown books
1949ref. 135959London and Los Angeles: London Film Productions / Selznick Releasing Organization 1949. Post-production Dialogue Cutting Continuity script for the 1948 film. Dated June 29 1949 and printed for use in the November 15 1949 US release of the UK film. Orange studio wrappers dated June 29 1949 noting 6 reels and footage of 768 feet. Mimeograph duplication. Pages and wrapper Near Fine. Criterion Collection 357. London Film Productions / Selznick Releasing Organization unknown books
1948ref. 158992Buckinghamshire: London Film 1948. Two vintage reference photographs of director Carol Reed on the set of the 1948 British film one showing Reed with a camera crew on location and the other showing Reed between takes with actors Ralph Richardson and Bobby Henrey. Both photographs with printed mimeo snipes affixed the versos one with the stamp of photographer Leslie Baker on the verso and one with a studio stamp incorrectly crediting Anthony Asquith's 1948 film "The Winslow Boy." Based on Graham Greene's 1936 short story "The Basement Room" about a diplomat's son who comes to suspect that his family's beloved butler has committed a murder. Shot on location in London. One photograph 9.75 x 8 inches one photograph 10 x 8 inches. Near Fine. Criterion Collection 357. Grant UK. Penzler 101. Selby UK Masterwork. Spicer UK. London Film unknown books
1949ref. 151694N.p.: N.p. 1949. Vintage reference photograph of director Carol Reed with his camera crew on the set of the 1949 film noir. With a London Film Studios stamp to the verso. An unemployed pulp fiction novelist travels to postwar Vienna to investigate the death of an old school friend. Screenwriter Graham Greene's first and only original screenplay and second collaboration with Carol Reed following "The Fallen Idol" 1948 and preceding "Our Man in Havana" 1959. Set and shot on location in Vienna Austria and England. 10 x 7.75 inches. Near Fine. Criterion Collection 64. Ebert I. Grant UK. Penzler 101. Rosenbaum 1000. Schrader Canon Fodder 18. Selby UK. Spicer UK. N.p. unknown books
1949ref. 150986N.p.: N.p. 1949. Two vintage reference photographs one of Orson Welles and Carol Reed and one of Reed Joseph Cotten and Welles on the set of the 1949 film. Reed's classic 1949 British film noir based on an original screenplay by Graham Greene starring Cotten as Holly Martins Anna Schmidt as Valli and Welles as Harry Lime with Cotten and Welles at the peak of their respective powers. The second of three films in which Green collaborated directly with Reed and remains Greene's only original screenplay. Produced and directed by Reed who narrated the UK version and who worked with Greene on two other films "The Fallen Idol" and "Our Man in Havana." Winner of the Academy Award for Best Cinematography nominated for Best Editing and Best Director. Set in and shot on location in Vienna Austria and England UK. 8 x 10 inches. Near Fine. Criterion Collection 64. Ebert I. Grant UK. Penzler 101. Rosenbaum 1000. Schrader Canon Fodder 18. Selby UK. Spicer UK. N.p. unknown books
1955ref. 152332N.p.: N.p. 1955. Vintage reference photograph from the 1955 film showing Diana Dors and Vera Day bringing a pants presser to David Kossoff. With manuscript pencil and ink annotations to the verso identifying the actors. From the archive of film historian and author Joel Finler. Based on the 1953 novel. A young boy growing up in a working class community buys what he believes to be a unicorn in reality a small deformed goat with the hope that it will bring luck to his friends and family. Set and shot on location in East London. 10 x 8 inches. Very Good plus lightly worn to the corners. N.p. unknown
1955ref. 149455London: London Film Productions 1955. Vintage reference photograph from the 1955 British film showing an aerial view of Whitechapel Road market in London. With a printed mimeo snipe affixed to the verso. Based on the 1953 novel. A young boy growing up in a working class community buys what he believes to be a unicorn in reality a small deformed goat with the hope that it will bring luck to his friends and family. Set and shot on location in East London. 10 x 8 inches. Very Good plus with a small tear to the top left corner. London Film Productions unknown
1947ref. 170495Universal City: Universal-International 1947. Seven vintage studio still photographs from the American release of the classic 1947 British film noir. Four with provenance labels and stamps on the versos. Based on the 1945 novel by F.L. Green about an injured Nationalist revolutionary who goes on the run after a botched hold-up. A taut psychological noir featuring the work of noted cinematographer Robert Krasker who would go on to collaborate again with Carol Reed on the 1949 noir "The Third Man." Set in Belfast Northern Ireland shot on location in Belfast and London. 10 x 8 inches. Very Good to Very Good plus. Criterion Collection 754. Grant UK. Rosenbaum 1000. Selby UK Masterwork. Spicer UK. Universal-International unknown
1947ref. 168074London: J. Arthur Rank / Eagle-Lion 1947. Vintage reference photograph from the 1947 British film noir showing an outdoor scene with James Mason shot on location in Shoreditch London. Printed mimeo snipe and provenance label on the verso. Based on the 1945 novel by F.L. Green about an injured Nationalist revolutionary who goes on the run after a botched hold-up. A taut psychological noir featuring the work of noted cinematographer Robert Krasker who would go on to collaborate again with Carol Reed on the 1949 noir "The Third Man." Set in Belfast Northern Ireland shot on location in Belfast and London. 10 x 8 inches. Near Fine. Criterion Collection 754. Grant UK. Rosenbaum 1000. Selby UK Masterwork. Spicer UK. J. Arthur Rank / Eagle-Lion unknown
1948ref. 158992Buckinghamshire: London Film 1948. Two vintage reference photographs of director Carol Reed on the set of the 1948 British film one showing Reed with a camera crew on location and the other showing Reed between takes with actors Ralph Richardson and Bobby Henrey. Both photographs with printed mimeo snipes affixed the versos one with the stamp of photographer Leslie Baker on the verso and one with a studio stamp incorrectly crediting Anthony Asquith's 1948 film "The Winslow Boy." Based on Graham Greene's 1936 short story "The Basement Room" about a diplomat's son who comes to suspect that his family's beloved butler has committed a murder. Shot on location in London. One photograph 9.75 x 8 inches one photograph 10 x 8 inches. Near Fine. Criterion Collection 357. Grant UK. Penzler 101. Selby UK Masterwork. Spicer UK. London Film unknown
1940ref. 158029N.p.: N.p. 1940. Vintage reference photograph from the 1940 film showing actress Margaret Lockwood against a backdrop of "screaming headlines." Based on the 1937 novel by Roy Vickers about a young nurse struggling to find work after she is wrongly accused of murder and subjected to a high-profile court case. The first of several collaborations between director Carol Reed and screenwriter Sidney Gilliat followed by "The Night Train to Munich" 1940 "The Remarkable Mr. Kipps" 1941 and "The Young Mr. Pitt" 1942. 8 x 10 inches. About Near Fine with a faint diagonal crease on the bottom right corner. N.p. unknown
1963ref. 157290N.p.: N.p. 1963. Vintage reference photograph from the 1963 film showing director Carol Reed in conversation with actress Lee Remick on the set. Based on Shelley Smith's 1961 novel "The Ballad of the Running Man" about a man who fakes his own death in the hopes of gaining a substantial insurance payout but encounters trouble in the form of the company's nosy claim investigator. Shot on location in Cadiz Spain in Gibraltar and in Ireland. 10 x 8 inches. Near Fine. N.p. unknown
1949ref. 151694N.p.: N.p. 1949. Vintage reference photograph of director Carol Reed with his camera crew on the set of the 1949 film noir. With a London Film Studios stamp to the verso. An unemployed pulp fiction novelist travels to postwar Vienna to investigate the death of an old school friend. Screenwriter Graham Greene's first and only original screenplay and second collaboration with Carol Reed following "The Fallen Idol" 1948 and preceding "Our Man in Havana" 1959. Set and shot on location in Vienna Austria and England. 10 x 7.75 inches. Near Fine. Criterion Collection 64. Ebert I. Grant UK. Penzler 101. Rosenbaum 1000. Schrader Canon Fodder 18. Selby UK. Spicer UK. N.p. unknown
1949ref. 150986N.p.: N.p. 1949. Two vintage reference photographs one of Orson Welles and Carol Reed and one of Reed Joseph Cotten and Welles on the set of the 1949 film. Reed's classic 1949 British film noir based on an original screenplay by Graham Greene starring Cotten as Holly Martins Anna Schmidt as Valli and Welles as Harry Lime with Cotten and Welles at the peak of their respective powers. The second of three films in which Green collaborated directly with Reed and remains Greene's only original screenplay. Produced and directed by Reed who narrated the UK version and who worked with Greene on two other films "The Fallen Idol" and "Our Man in Havana." Winner of the Academy Award for Best Cinematography nominated for Best Editing and Best Director. Set in and shot on location in Vienna Austria and England UK. 8 x 10 inches. Near Fine. Criterion Collection 64. Ebert I. Grant UK. Penzler 101. Rosenbaum 1000. Schrader Canon Fodder 18. Selby UK. Spicer UK. N.p. unknown
1972ref. 158776N.p.: Cinépix Film Properties 1972. Collection of ten vintage studio still photographs and three vintage reference photographs from the 1972 film. Based on the play written by screenwriter and director William Fruet. A young girl is raped by her brother's friend and discovers she is pregnant shortly thereafter. Her parents quickly attempt to marry her off to an older man. Shot on location in Toronto Ontario. Eight photographs 10 x 8 inches two photographs 8 x 10 inches three photographs 10 x 7.25 inches. Near Fine. Cinépix Film Properties unknown books
1972ref. 158770N.p.: Cinépix Film Properties 1972. Collection including four vintage studio still photographs and one vintage reference photograph from the 1972 film. Based on the play written by screenwriter and director William Fruet. A young girl is raped by her brother's friend and discovers she is pregnant shortly thereafter. Her parents quickly attempt to marry her off to an older man. Shot on location in Toronto Ontario. Four photographs 10 x 8 inches one photograph 9.75 x 7 inches. Near Fine. Cinépix Film Properties unknown books
