11,049 results
1967ref. 169587Brussels: Metropolitan Films 1967. Vintage oversize reference photograph from the set of the 1967 film showing actress Brigitte Bardot laying out in the hay. Metropolitan Films stamp on the verso. A French woman is tempted to stray from her older English husband when she meets a vibrant younger man. Shot on location in London and Paris. 12 x 9.75 inches. Very Good plus with some foxing at the edges of the verso not visible on the recto see images. Metropolitan Films unknown books
1967ref. 152312N.p.: N.p. 1967. Vintage black and white reference photograph from the set of the 1967 film showing actress Brigitte Bardot in the bath between takes with director Serge Bourguignon to her right. With layout annotations in pencil on the verso along with a provenance stamp. A French woman is tempted to stray from her older English husband when she meets a vibrant younger man. Shot on location in London and Paris. 8 x 10 with wide side margins. Near Fine. N.p. unknown books
1973ref. 167109N.p.: N.p. 1973. Vintage oversize borderless color reference photograph from the 1973 French film showing Brigitte Bardot and Jane Birkin in bed together. Director Roger Vadim's attempt to explore women's sexual liberation by changing the classical figure of Don Juan into a woman here played by Bardot in her fifth film with Vadim. Shot in Paris. 11.75 x 9.5 inches. Very Good with some light wear at the corners but still quite bright and clean. N.p. unknown books
1956ref. 159036Paris: Cocinor 1956. Vintage studio still photograph from the 1956 film. The culmination of director Roger Vadim's fascination with Brigitte Bardot. The pair had been dating since 1950 when she was 15 years old and he was 22 and were married in 1952. The film remains one of the most single-minded tributes to an actress by a film auteur and in twentieth century film-obsessed France there was perhaps never a more celebrated cinematic couple. The two would part ways the following year amidst rumors of affairs but remained close friends. Shot on location in Saint-Tropez France. 10 x 8 inches. Very Good plus with a small tear at the center of the bottom edge. Criterion Collection 77. Cocinor unknown books
1952ref. 160138Neuilly-sur-Seine France: Cite Films 1952. Three vintage reference photographs from the 1952 film. A man's uncle dies leaving him to inherit his uncle's inn but only if he can pass a final primary school exam. Brigitte Bardot's first film role. Shot on location in Conches-en-Ouche Eure France. 10 x 8 inches. Near Fine. Cite Films unknown books
1952ref. 160138Neuilly-sur-Seine France: Cite Films 1952. Three vintage reference photographs from the 1952 film. A man's uncle dies leaving him to inherit his uncle's inn but only if he can pass a final primary school exam. Brigitte Bardot's first film role. Shot on location in Conches-en-Ouche Eure France. 10 x 8 inches. Near Fine. Cite Films unknown
1973ref. 167109N.p.: N.p. 1973. Vintage oversize borderless color reference photograph from the 1973 French film showing Brigitte Bardot and Jane Birkin in bed together. Director Roger Vadim's attempt to explore women's sexual liberation by changing the classical figure of Don Juan into a woman here played by Bardot in her fifth film with Vadim. Shot in Paris. 11.75 x 9.5 inches. Very Good with some light wear at the corners but still quite bright and clean. N.p. unknown
1967ref. 169587Brussels: Metropolitan Films 1967. Vintage oversize reference photograph from the set of the 1967 film showing actress Brigitte Bardot laying out in the hay. Metropolitan Films stamp on the verso. A French woman is tempted to stray from her older English husband when she meets a vibrant younger man. Shot on location in London and Paris. 12 x 9.75 inches. Very Good plus with some foxing at the edges of the verso not visible on the recto see images. Metropolitan Films unknown
1967ref. 151850Los Angeles: Paramount Pictures 1967. Five vintage reference photographs from the 1967 film all featuring actress Brigitte Bardot. Four with printed mimeo snipes affixed to the verso. From the collection of noted British film producer John Palmer. A French woman is tempted to stray from her older English husband when she meets a vibrant younger man. Shot on location in London and Paris. 8 x 10 inches. Very Good moderately toned and lightly creased. Paramount Pictures unknown
1967ref. 152312N.p.: N.p. 1967. Vintage black and white reference photograph from the set of the 1967 film showing actress Brigitte Bardot in the bath between takes with director Serge Bourguignon to her right. With layout annotations in pencil on the verso along with a provenance stamp. A French woman is tempted to stray from her older English husband when she meets a vibrant younger man. Shot on location in London and Paris. 8 x 10 with wide side margins. Near Fine. N.p. unknown
1977ref. 137086Universal City CA: Steve Krantz Productions / American International Pictures AIP 1977. Third Revised Draft script for the 1978 film. Based on a story by producer Steve Krantz. Jennifer Pelikan is a young woman just entering a new private school where the other students torment her to the breaking point. Her only course of action is revenge which she enacts by communicating telepathically with snakes. A beautiful example of exploitation at its best borrowing from both from its obvious antecedent "Carrie" 1976 and another mind-over-animal film "Willard" 1971 where rats became tools of justice. Green titled wrappers. Title page present dated October 26 1977 noted as THIRD REVISION with credits for screenwriter Johnson and story writer Krantz. 118 leaves with last page of text numbered 102. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with three gold brads. Muir 1970s. Steve Krantz Productions / American International Pictures [AIP] unknown books
1977ref. 137086Universal City CA: Steve Krantz Productions / American International Pictures AIP 1977. Third Revised Draft script for the 1978 film. Based on a story by producer Steve Krantz. Jennifer Pelikan is a young woman just entering a new private school where the other students torment her to the breaking point. Her only course of action is revenge which she enacts by communicating telepathically with snakes. A beautiful example of exploitation at its best borrowing from both from its obvious antecedent "Carrie" 1976 and another mind-over-animal film "Willard" 1971 where rats became tools of justice. Green titled wrappers. Title page present dated October 26 1977 noted as THIRD REVISION with credits for screenwriter Johnson and story writer Krantz. 118 leaves with last page of text numbered 102. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with three gold brads. Muir 1970s. Steve Krantz Productions / American International Pictures [AIP] unknown
1987ref. 171564N.p.: Tri-Star Television / Lycanthrope Productions Inc 1987. Draft script for an Season 1 Episode 22 of the 1987-1988 television series here under the working title "Hawk Moon." Originally aired January 24 1988 on Fox. With a few manuscript ink annotations on the first two leaves. Series following a college student who is on a quest to end the curse that made him a werewolf. In this episode after a number of murders committed by werewolves the local Native American community begins to suspect skinwalkers. Generic brown manila wrappers with tape affixed to the front wrapper with manuscript ink annotation indicating the series and episode title with credits for screenwriter Christian Darren. Title page present dated November 18 1987 with credits for screenwriter Christian Darren. 33 leaves with last page of text numbered 30. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Tri-Star Television / Lycanthrope Productions Inc unknown books
1987ref. 171564N.p.: Tri-Star Television / Lycanthrope Productions Inc 1987. Draft script for an Season 1 Episode 22 of the 1987-1988 television series here under the working title "Hawk Moon." Originally aired January 24 1988 on Fox. With a few manuscript ink annotations on the first two leaves. Series following a college student who is on a quest to end the curse that made him a werewolf. In this episode after a number of murders committed by werewolves the local Native American community begins to suspect skinwalkers. Generic brown manila wrappers with tape affixed to the front wrapper with manuscript ink annotation indicating the series and episode title with credits for screenwriter Christian Darren. Title page present dated November 18 1987 with credits for screenwriter Christian Darren. 33 leaves with last page of text numbered 30. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Tri-Star Television / Lycanthrope Productions Inc unknown
ref. 140830N.p.: N.p. Draft script for an unproduced film. With a single notation in manuscript ink. Pete is a freeloader who makes a little money at the swap meet but has a keen propensity for getting laid off and living off his current wife. When wife number two tells him he has to keep his job for six months so that she won't run out on him with their child he gets fired in a matter of weeks for insulting a receptionist and being a bad bowler. Rather than go home he hitches to Las Vegas and is picked up by a smut dealer who robs him before he gets to his destination. After getting fired from a restaurant he ends up at Caesar's Palace looking for his ex-wife who is getting too old to be a showgirl and wants nothing to do with Pete. Set in California and Nevada. White titled self wrapper lacking rear wrapper with credits for screenwriter Brian Mori. 147 leaves with last page of text numbered 145. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with a comb binding. N.p. unknown books
ref. 140830N.p.: N.p. Draft script for an unproduced film. With a single notation in manuscript ink. Pete is a freeloader who makes a little money at the swap meet but has a keen propensity for getting laid off and living off his current wife. When wife number two tells him he has to keep his job for six months so that she won't run out on him with their child he gets fired in a matter of weeks for insulting a receptionist and being a bad bowler. Rather than go home he hitches to Las Vegas and is picked up by a smut dealer who robs him before he gets to his destination. After getting fired from a restaurant he ends up at Caesar's Palace looking for his ex-wife who is getting too old to be a showgirl and wants nothing to do with Pete. Set in California and Nevada. White titled self wrapper lacking rear wrapper with credits for screenwriter Brian Mori. 147 leaves with last page of text numbered 145. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with a comb binding. N.p. unknown
2000ref. 163294N.p.: N.p. 2000. Writer's First Draft script for an unproduced episode of the 2000 television series. In this one season procedural a cop moves from Los Angeles to an eccentric town in Arizona after the mysterious death of his wife. In this episode a man's wife goes missing and he suspects she has been having an affair. Set in Manhattan Arizona. White titled self-wrappers noted as Writer's First Draft on the front wrapper dated June 26 2000 with credits for screenwriter Lorraine Vos. Title page integral with front wrapper. 29 leaves with last page of text numbered 29. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with damp staining to the front wrapper bound with two gold brads. N.p. unknown books
2000ref. 163294N.p.: N.p. 2000. Writer's First Draft script for an unproduced episode of the 2000 television series. In this one season procedural a cop moves from Los Angeles to an eccentric town in Arizona after the mysterious death of his wife. In this episode a man's wife goes missing and he suspects she has been having an affair. Set in Manhattan Arizona. White titled self-wrappers noted as Writer's First Draft on the front wrapper dated June 26 2000 with credits for screenwriter Lorraine Vos. Title page integral with front wrapper. 29 leaves with last page of text numbered 29. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with damp staining to the front wrapper bound with two gold brads. N.p. unknown
1964ref. 173037Burbank CA: Walt Disney Productions 1964. Three vintage double weight British front-of-house cards from the 1964 Disney film. Based on the 1960 novel by Ian Niall. A little girl wants to save an escaped circus tiger after it escapes in a residential town and the National Guard has orders to kill it on sight. 8 x 10 inches. Very Good plus with pinholes and slight creasing at the corners. One card with creasing at the left margin. Walt Disney Productions unknown books
1962ref. 173024Burbank CA: Walt Disney 1962. Vintage hand-tinted British front-of-house card from the 1962 film. Based on the 1960 novel "Starfire" by Robert Buckner. An air force captain who is supposed to make the first flight around the moon is put under protection by the FBI when he encounters an alien. Shot on location in San Francisco CA. 8 x 10 inches. About Near Fine. Walt Disney unknown books
1974ref. 160034Hollywood: Paramount Television / Leda Productions 1974. Second Draft script for Season 1 Episode 1 of the 1975 television series. Copy belonging to an uncredited sound engineer with his name and title on the front wrapper in manuscript ink. The first adaptation to celluloid of hardboiled Southern California private eye Lew Archer a character originally created by novelist Ross Macdonald. In this episode Archer investigates a con man exploiting naive teenagers out of their parents' money. Originally aired on January 30 1975 on NBC. Orange titled wrappers noted as SECOND DRAFT on the front wrapper dated December 9 1974. Title page present noted as SECOND DRAFT dated December 9 1974 with credits for screenwriter David P. Harmon and novelist Ross Macdonald. 66 leaves with last page of text numbered 61. Xerographic duplication rectos only with blue revision pages throughout dated 12/12/74. Pages Near Fine wrapper Near Fine bound with two gold brads. Paramount Television / Leda Productions unknown books
1964ref. 173037Burbank CA: Walt Disney Productions 1964. Three vintage double weight British front-of-house cards from the 1964 Disney film. Based on the 1960 novel by Ian Niall. A little girl wants to save an escaped circus tiger after it escapes in a residential town and the National Guard has orders to kill it on sight. 8 x 10 inches. Very Good plus with pinholes and slight creasing at the corners. One card with creasing at the left margin. Walt Disney Productions unknown
1974ref. 160034Hollywood: Paramount Television / Leda Productions 1974. Second Draft script for Season 1 Episode 1 of the 1975 television series. Copy belonging to an uncredited sound engineer with his name and title on the front wrapper in manuscript ink. The first adaptation to celluloid of hardboiled Southern California private eye Lew Archer a character originally created by novelist Ross Macdonald. In this episode Archer investigates a con man exploiting naive teenagers out of their parents' money. Originally aired on January 30 1975 on NBC. Orange titled wrappers noted as SECOND DRAFT on the front wrapper dated December 9 1974. Title page present noted as SECOND DRAFT dated December 9 1974 with credits for screenwriter David P. Harmon and novelist Ross Macdonald. 66 leaves with last page of text numbered 61. Xerographic duplication rectos only with blue revision pages throughout dated 12/12/74. Pages Near Fine wrapper Near Fine bound with two gold brads. Paramount Television / Leda Productions unknown
1980ref. 152392N.p.: Warner Columbia Film 1980. Archive of material from the screening of the 1980 British film at the 1980 Cannes Film Festival including three borderless reference photographs one pressbook and one xerographically reproduced competition sheet. All text in French. A young punk singer from London rises to stardom but discovers that fame comes at the expense of her friends and integrity. The directorial debut of Brian Gibson who would go on to direct a plethora of films focusing on rock musicians most notably "What's Love Got to Do with It" 1993 and "Still Crazy" 1998. Set and shot on location in London. Photographs 9.5 x 7 inches. Pressbook 8.25 x 11.5 inches 15 leaves. All materials Near Fine. Carlson and Connolly Destroy All Movies. Olive Films 309. Warner Columbia Film unknown books
1980ref. 152392N.p.: Warner Columbia Film 1980. Archive of material from the screening of the 1980 British film at the 1980 Cannes Film Festival including three borderless reference photographs one pressbook and one xerographically reproduced competition sheet. All text in French. A young punk singer from London rises to stardom but discovers that fame comes at the expense of her friends and integrity. The directorial debut of Brian Gibson who would go on to direct a plethora of films focusing on rock musicians most notably "What's Love Got to Do with It" 1993 and "Still Crazy" 1998. Set and shot on location in London. Photographs 9.5 x 7 inches. Pressbook 8.25 x 11.5 inches 15 leaves. All materials Near Fine. Carlson and Connolly Destroy All Movies. Olive Films 309. Warner Columbia Film unknown
