4,914 results
ref. 146400N.p.: N.p. Unknown. Film treatment for an unproduced film. Included with the script is a typed English translation credited to Scot Finch. With a small manuscript ink annotation on the front wrapper of the treatment and a single manuscript ink annotation deletion to the character list of the translation. Treatment text in French translation in English. A group of policemen reminisce about the rise to power of the late criminal Pierrot Loutrel also known as Pierrot le Fou-"public enemy number one" in Paris after World War II. Screenwriters Yves Boisset and Claude Veillot enjoyed an extensive collaboration on mid-century crime mystery and thriller films including "Coplan sauve sa peau" 1968 "R.A.S." 1973 "Le Juge Fayard dit Le Sheriff" 1977 "La Femme flic" 1980 and "Espion leve-toi" 1982. Set in France. Treatment: Blue untitled wrappers. Title page present with credits for screenwriters Yves Boisset and Claude Veillot with a CEDIC European Film Broadcasting Company stamp on the upper right corner. 67 leaves with last page of text numbered 64. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus with perfect binding Translation: Beige titled wrappers. Title page present with credits for screenwriters Yves Boisset and Claude Veillot and translator Scot Finch. 61 leaves with last page of text numbered 58. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good bound with two silver clips. N.p. unknown
1953ref. 147147N.p.: N.p. 1953. Treatment script for the 1953 film here under the working title "Comme le sucre dans le cafe.". Text in French. A doctor turned homeopath poaches patients from his former medical colleagues but is challenged when his shady treatment further endangers the life of a woman with a brain tumor. Set in Brittany France. Tall yellow titled wrappers. Title page present with credits for director YVES CIAMPI. 56 leaves with last page of text numbered 54. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus lightly creased and soiled bound with two silver clamps. N.p. unknown
1926ref. 148247Los Angeles: Paramount Pictures 1926. Vintage reference photograph of actress Arlette Marchal from the 1926 film. Based on the 1927 novel by Zane Grey not published until a year after the film's release. A fugitive is left in the desert to die by his outlaw partner but is rescued by a young rancher unaware that romantic entanglements with a neighboring rancher's daughter will complicate their friendship. Now considered to be a lost film. Shot on location in Hurricane Bluffs Utah. 10 x 8 inches. Very Good with light toning and edgewear and a small chip to the right edge. Paramount Pictures unknown
ref. 147015Munich: Sunset Films Unknown. Treatment script for an unproduced film. Bound in with the script are two copied letters one addressed to film producer Stefan Abendroth from a talent agent discussing actor Stacy Keach's interest in the title role and one from screenwriter Zbigniew Kaminski expressing willingness to write a full screenplay on the materials addressed in the treatment. The true story of Lech Walesa a shipyard electrician who became the father of the Polish Solidarity party and eventually served as the first democratically-elected president of Poland. Screenwriter Zbigniew Kaminski was best known as a Polish director of political films and biopics including "The Shadow Line" 1976 "Pani Bovary to ja" 1977 and "In a Moment of Passion" 1993. Set in Poland. Yellow transparent plastic front wrapper blue rear wrapper. Title page present with credits for screenwriter Zbigniew Kaminski. 62 leaves with last page of text numbered 57. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three silver brads. Sunset Films unknown
1956ref. 158827Culver City CA: Columbia Pictures 1956. Vintage studio still photograph from the 1956 film. Based on A.E.W. Mason's 1902 novel "The Four Feathers" previously adapted by Korda in 1939 under the title "The Four Feathers." A British lieutenant resigns in order to remain with his fiancee but this choice brands him a coward leading him to travel to the Sudan to fight incognito as a show of courage. Set and shot on location in Sudan. 8 x 10 inches. Very Good plus with light toning at the extremities and two faint diagonal creases at the bottom left and top right corners. Columbia Pictures unknown
1965ref. 0208210120th Century Fox 1965. 1st Edition . No Binding. Fine. First Printing. A vintage original Finnish cinema-foyer POSTER for the first screening in Finland March 1965 of the celebrated film Zorba the Greek starring Anthony Quinn and Alan Bates. A rolled poster i.e. no folding creases in Fine condition approximate size is 23.5 inches by 16 inches standard Finnish A2 format. With minor signs of use: one very short tear to right edge and similar to bottom edge neither immediately noticeable. Minor print-soiling to verso where there is also a small pen inscription of film-title and date. Minor handling creases to the corners and some minor dings along the left edge of the poster suggesting that it may have been mounted with clips - there are neither pin-holes nor tape residue marks. In fantastic clean condition otherwise Fine or better. Artist-signed in the plate. For best appreciation of condition please examine the high-resolution image which accompanies this listing. 20th Century Fox unknown
ref. 1028996Encuadernación de tapa blanda. Aceptable. . Reedición Facsimilar de la de Valencia. Edit. Valenciana. 1947. 24x17 cm. 4 págs. de la historieta 6 págs. de humor gráfico relatos y pasatiempos. Cubiertas en color interior en b/n. 2 grapas por núm. Dibujantes: Manuel Gago / José Liceras. Perfecto estado. # comics. unknown
ref. 1028985Encuadernación de tapa blanda. Aceptable. . Barcelona. Ibero Mundial de Ediciones. Nº 1. Julio 1970 Nº 22. Junio 1972. 1ª edic. Col. Ringo los 2 primeros núms. resto Ringo Ley. 21x15 cm. 48 págs. 2 de cubiertas por núm. en color. interior en b/n. Dibujantes: Carlos Giménez / López Espí / Francisco Cueto. Portadista: Gómez Esteban. buen estado. # comics. unknown
ref. 1029031Encuadernación de tapa blanda. Aceptable. . Madrid. Cómic ¿ Mam. Años 1980. Reedición Facsimilar de la de Barcelona. Edit. Grafidea. 1953. 17x24 cm. apaisado. 10 págs. 2 de cubiertas a color interior en b/n. 2 grapas por núm. Dibujante: Matías Alonso. Perfecto estado. # cómics unknown
1968ref. 159702Rome: Galatea Film 1968. Two vintage studio still photographs from the 1968 television re-release of the 1957 film. A surgeon who suggested a woman go to a hospital instead of being treated by him dies at the hospital. Her husband believing the surgeon to be responsible for her death seeks revenge. Set in North Africa shot on location in Spain. 8 x 10 inches. Near Fine. Galatea Film unknown
1999ref. 158401N.p.: N.p. 1999. Four vintage reference photographs from the 1999 film including three in color and one in black-and-white. Printed label of photographer Zade Rosenthal affixed to the versos. A New York policeman turned alcoholic security guard finds himself embroiled in a religious war culminating in Satan coming to Earth to find the woman who will bear his child the antichrist. Set and shot on location in New York. 10 x 8 inches. Near Fine with light adhesive residue on the versos. N.p. unknown
1977ref. 167417Universal City: Universal Studios 1977. Rainbow Revision Draft script for the fifth and final episode of the 1978 mini-series which aired on NBC on May 15 1978. Laid in are three Shooting Call sheets two copies of one dated December 16 1977 and one dated December 20 1977. Based on the 1971 novel by Arthur Hailey and starring Rock Hudson and Lee Remick the five part 1978 NBC mini-series which aired on May 7-9 and 14-15 was an insider's look at the day-to-day operations of National Motors a large fictitious US automobile manufacturer and was nominated for two Primetime Emmy Awards and a Golden Globe award. Set in late 1960s Detroit. Front wrapper integral with title page dated July 15 1977 with credits for screenwriter Robert Hamilton and author Arthur Hailey. 110 leaves with last page of text numbered 106. Mimeograph duplication on pink leaves rectos only with blue yellow green pink and white revision pages throughout dated variously between 10/7/77 and 10/26/77. Pages Very Good plus with light foxing and wear to the extremities bound with two gold brads. Universal Studios unknown
1974ref. 161544N.p.: N.p. 1974. Vintage studio still photograph from the 1974 film with a provenance stamp on the verso. Also released as "Street Sisters." Based on the 1969 play "Don't Leave Go My Hand" by director and screenwriter Arthur Roberson. A mixed-race boy raised on a farm by his grandmother attempts to reconnect with his mother a Black prostitute. Set in and shot on location in Long Beach and Stockton California. 8 x 10 inches. Near Fine. Parish and Hill Black Action Films. N.p. unknown
1995ref. 163676Beverly Hills CA: Twentieth Century-Fox Television 1995. Two vintage color promotional portrait photographs of Gillian Anderson and David Duchovny in character from 1995 released during the second to third season of the beloved Fox television series which aired in its original run from September 1993 through May 2002. The show originally ran for nine seasons from 1995 through 2002 and was revived for a short six episode tenth season in 2016. Following the success of the revival the show returned for a ten episode eleventh season in 2018. In addition to the television series the show spawned two feature films "The X-Files" directed by Rob Bowman in 1998 and "The X-Files: I Want to Believe" directed by creator Chris Carter in 2008 as well as the 2001 Fox series "The Lone Gunman" and numerous comic book adaptations. Two FBI Special Agents Fox Mulder Duchovny and Dana Scully Anderson investigate the eponymous "X-Files" marginalized unsolved cases involving paranormal phenomena. Winner of 16 Primetime Emmy Awards. 8 x 10 inches. Near Fine. Twentieth Century-Fox Television unknown
1970ref. 162162N.p.: Universal Marion Corporation Pictures 1970. Two vintage lobby cards for the American release of the 1970 German film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on the 1860 novella by Ivan Turgenev about a young boy's one-sided lifelong romance with the daughter of a princess. Approximately 14 x 11 inches. Very Good plus lightly creased at a few corners. Universal Marion Corporation Pictures unknown
1958ref. 167615Beverly Hills CA: United Artists 1958. Vintage studio still photograph from the 1958 film. In 1973 a second mission of astronauts travels to Mars to locate the lost members of the first mission only to be hunted by a murderous Martian that has stowed away on the spaceship. Frequently cited as the inspiration for the seminal 1979 film "Alien." 10 x 8 inches. Near Fine. United Artists unknown
1943ref. 164585Universal City: Universal Pictures 1943. Vintage reference photograph from the 1943 film showing actors Randolph Scott Ella Raines and James Brown walking with linked arms on the set. Printed mimeo snipe affixed to the verso along with a provenance stamp. A dramatization of the experiences of the crew of a Canadian naval vessel during World War II focusing in particular on the ship's captain who lost his previous ship and many men to a German torpedo. The film debut of actress Ella Raines who was discovered and signed virtually on sight by producer Howard Hawks during a theatre production at the University of Washington. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 10 x 8 inches. Near Fine. Universal Pictures unknown
1970ref. 161866N.p.: Tower Productions 1970. Two vintage studio still photographs from the US release of the 1969 Italian film. Both photographs with provenance stamps on the verso. Loosely based on the Italian historical novel "The Betrothed" by Alessandro Manzoni wherein a 17th century nun is accused and tried by the church for breaking celibacy and plotting murder. Shot on location in Rome. 8 x 10 inches. Light edgewear else Near Fine. Tower Productions unknown
1932ref. 160116Culver City CA: Columbia Pictures 1932. Two vintage reference photographs from the 1932 film. During the Great Depression a bank owner's bank is robbed and his protégé an ex-con is the only suspect. His protégé can't reveal his alibi because one of his witnesses is having an affair he does not want revealed. Partially shot on location at Citizen's National Bank in Los Angeles California. 8 x 10 inches. Poor with significant creasing on across the top middle of the photographs. Columbia Pictures unknown
1966ref. 161997N.p.: Manson Distributing 1966. Three vintage studio still photographs from the US release of the 1966 British film here under the British release title "The Naked World of Harrison Marks." All three photographs with provenance stamps on the versos two with labels obscuring previous provenance stamps. A pseudo-documentary on the life and dreams of adult film director and photographer George Harrison Marks. 8 x 10 inches. Near Fine. Manson Distributing unknown
1945ref. 164614N.p.: N.p. 1945. Two vintage borderless publicity photographs from the 1945 film one showing actor Glenn Strange in costume as Frankenstein's monster the other showing Strange with Onslow Stevens. Second photograph with annotations in manuscript ink on the verso. The last entry in Universal's famed "monsters" canon a direct sequel to 1944's "House of Frankenstein" which appropriately hosted Universal's "big three" monsters all in Dracula's house including the Prince of Darkness himself Carradine the Wolf Man Chaney Jr. and Frankenstein Glenn Strange along with the requisite mad scientist Onslow Stevens and hunchbacked assistant Jane Adams. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Approximately 7 x 9 inches trimmed irregularly. Very Good plus one with adhesive residue on the verso. N.p. unknown
1966ref. 161814N.p.: William Mishkin Motion Pictures 1966. Two vintage studio still photographs from the 1966 film. Each photograph with a provenance stamp on the verso. Jennifer Laird stars as a delivery girl who begins a romance with a photographer whose inclination to violence begins to grow as her interest in him wanes. Set in and shot on location in New York City. 8 x 10 inches. Light edgewear else Near Fine. William Mishkin Motion Pictures unknown
1960ref. 173034Burbank CA: Walt Disney 1960. Two vintage British front-of-house cards from the 1960 Disney film. Based on the 1913 novel by Eleanor H. Porter. An orphaned girl goes to live with her rich and powerful aunt who is in conflict with the local townspeople over a defunct orphanage. Winner of an Academy Award. Shot on location in Northern California. 8 x 10 inches. Near Fine. Walt Disney unknown
1964ref. 162538N.p.: Cambist Films 1964. Vintage studio still photograph from the US release of the 1961 Spanish sexploitation film. Photograph with provenance stamps and a label obscuring a previous provenance stamp on the verso. A young woman Susana is stabbed to death in a bar frequented by criminals and delinquents. Susana's boyfriend the son of the police commissioner immediately becomes the prime suspect. Shot on location in Barcelona. 8 x 10 inches. Very Good plus with several pinholes and light edgewear. Cambist Films unknown
1964ref. 154929Duisburg Germany: Atlas Filmverleih 1964. First Edition. First Edition of Atlas Filmheft double issue booklet number 32 on the 1963 film text in German. Featuring 18 essays an Ingmar Bergman filmography and illustrated with black and white film still photographs throughout. The third entry in Ingmar Bergman's trilogy of faith and redemption preceded by "Through A Glass Darkly" 1961 and "Winter Light"1963. A stark and enigmatic allegory fueled by subtle performances from Ingrid Thulin and Gunnel Lindblom wherein Ester Thulin suffering from a terminal disease is traveling home with her younger sister Anna Lindblom and Anna's son Johan when they stop in the town of Timoka a fictional European county on the brink of war with an unknown dialect. After checking into a nearly empty hotel with the exception of a group of Spanish dwarves in a traveling show Anna leaves and has an affair with a waiter as Johan wanders the hallways of the hotel. 9.25 x 8 inches 16 pages side stapled with self wrappers. Very Good plus with light creasing to the lower right corner and light soiling to the rear wrapper. Criterion Collection 211. Ebert III. Atlas Filmverleih unknown
