4,915 results
1997ref. 161775N.p.: N.p. 1997. Final Draft script for Season 1 Episode 12 of the long-running 1997-2007 television series seen here under the working title "Funeral for a Friend." Originally aired on October 17 1997 on Showtime. Loosely based on the 1994 science fiction film about the discovery of an ancient alien device that holds unusual powers of space travel and communication. In this episode the Stargate team race to save Dr. Jackson after he is captured by the last survivor of an aquatic species. Self wrappers. Title page present dated July 21 1997 noted as FINAL DRAFT and production No. 3965 with credit for screenwriter Katharyn Powers. 49 leaves with last page of text numbered 47. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
1958ref. 159205Culver City CA: Columbia Pictures 1958. Two vintage studio still photographs from the 1958 film. With mimeo snipes affixed to the verso. A British man is placed in the German Army as a spy at the end of World War I. He is able to infiltrate high ranking Nazi command during the World War II eventually working his way to the top. Scripted by writers on the Hollywood blacklist. Set in Germany shot on location in Berlin Germany and London and Hertfordshire England. 8 x 10 inches. Very Good plus. Spicer UK. Columbia Pictures unknown
1981ref. 144334Paris: Studio Canal 1981. Vintage borderless photograph of Catherine Deneuve Patrick Dewaere and Etienne Chicot on the set of the 1981 film. With manuscript annotations regarding layout and photographer Tony Frank's name typed on the verso. Helene Catherine Deneuve an anesthetist depressed and mourning her recently drowned lover almost crashes her car into Gilles Patrick Dewaere a young working class man who lives at his mother's hotel. The two fall into a difficult relationship that brings up their painful past histories. Shot on location in France. 10.5 x 8 inches. Near Fine. Studio Canal unknown
1983ref. 144573Paris: Gaumont 1983. Two vintage borderless photographs of director Andrzej Wajda on the set of the 1983 Polish-French film. With manuscript annotations on the verso. Based on the 1929 play "The Danton Case" by Polish writer Stanislawa Przybyszewska. Set in 1793 Georges Danton has returned to Paris from his solitary residence in the countryside just as the Committee for Public Safety under the direction of Maximilien Robespierre his former ally begins a massive series of executions. Danton meets his fate before a revolutionary tribunal and is eventually sent to the guillotine. The film drew connections between the Reign of Terror during the French Revolution and the contemporary Polish "solidarity" movement against the Soviet-backed Polish government. Shot on location in France. 7 x 5 inches. Near Fine. Criterion Collection 464. Gaumont unknown
1973ref. 162256N.p.: New World Pictures 1973. Vintage studio still photograph from the 1973 film. Provenance stamp on the verso. Curvaceous blond and lethal private detective and race car driver Stacey Hanson is hired to investigate the extremely affluent Chambers family by the family's matriach Florence Chambers. Re-released in 1975 as "Stacy and Her Gangbusters." Director Andy Sidaris reworked and remade the film in 1984 as "Malibu Express." Shot on location in Los Angeles and Malibu California. 8 x 10 inches. Near Fine. New World Pictures unknown
1987ref. 141282Quebec City: Radio-Quebec 1987. Draft script for the 1987 French film seen here under the English title "Deaf to the City." Text in English. Based on the 1979 novel by Marie-Claire Blais. A wealthy woman's husband leaves her so she moves into a dilapidated boarding house where she befriends the optimistic landlord and tends to a terminally ill deaf young man. Set in Quebec. Black and white titled illustrated wrappers. Title page present with credits for screenwriters A. Mazouz and Sylvie Melancon author Marie-Claire Blais and translator Raymond Y. Chamberlain. 119 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with a spiral binding. Radio-Quebec unknown
1982ref. 162736Studio City CA: Private Eye Productions 1982. Revised Final Draft script for Season 1 Episode 8 of the short-lived 1982 television series. The series followed Cassie Holland a scrappy former police officer turned private eye. In this episode Cassie looks into the murder of a successful lawyer only to discover the lawyer's widow is the mistress of her mentor. Originally aired on July 6 1982 on NBC. Self wrappers. Title page present dated February 2 1982 noted as REVISED FINAL DRAFT and production No. 1814 with credit for screenwriter Abram S. Ginnes. 65 leaves with last page of text numbered 58. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 2/10/82 and 2/18/82. Pages Near Fine wrapper Near Fine bound with two gold brads. Private Eye Productions unknown
1982ref. 162751Studio City CA: Private Eye Productions 1982. Revised Final Draft script for Season 1 Episode 6 of the short-lived 1982 television series. The series followed Cassie Holland a scrappy former police officer turned private eye. In this episode Cassie's secretary is framed in a robbery case. Originally aired on June 22 1982 on NBC. Blue titled wrappers noted as production No. 1827 on the front wrapper. Title page present dated February 28 1982 noted as FINAL DRAFT and production No. 1827 with credit for screenwriter Robert Crais. 65 leaves with last page of text numbered 57. Xerographic duplication on blue stock rectos only with pink yellow green and white revision pages throughout dated variously between March 1 and 11 1982. Pages Near Fine wrapper Near Fine bound with two gold brads. Private Eye Productions unknown
1963ref. 158194N.p.: N.p. 1963. Eight vintage borderless reference photographs from the 1963 French- Italian film. Features a photograph of a camera crew on the set shooting a driving scene. Numerical annotations in manuscript pencil on the verso. Based on the 1936 play by Jean Sarment. A country stationmaster dreams of vacationing in the famous resort town of Biarritz with his family especially hoping to repair his relationship with his son. The final film appearance of Arletty. Shot in Biarritz. 3.5 x 4.75 inches. Very Good plus one photo with a bruise and dampstaining at a corner. N.p. unknown
1963ref. 158196N.p.: N.p. 1963. Three vintage borderless reference photographs from the 1963 French- Italian film. Numerical annotations in manuscript pencil on the verso. Based on the 1936 play by Jean Sarment. A country stationmaster dreams of vacationing in the famous resort town of Biarritz with his family especially hoping to repair his relationship with his son. The final film appearance of Arletty. Shot in Biarritz. 3.5 x 4.75 inches. Very Good plus one photo lightly faded. N.p. unknown
1969ref. 162601N.p.: Tonylyn Productions 1969. Three vintage studio still photographs from the 1969 film. Two with provenance stamps on the versos and one with a label obscuring a previous provenance stamp on the verso. Based on the 1966 Norwegian novel "Uten en tråd" by Jens Bjørneboe. A high school girl unable to achieve orgasm visits a doctor who advises her to keep a diary of her sexual encounters. She follows his suggestion and soon finds herself caught up in an increasingly wild series of intimate experiences. IMDB Shot on location in Copenhagen Denmark Hamburg Germany and Paris France. 8 x 10 inches. One photograph with a wax pencil cropping annotation in the lower margins else Near Fine. Tonylyn Productions unknown
1986ref. 167874Burbank CA: Warner Brothers 1986. Seven vintage studio still photographs from the US release of the 1986 French film. Years after their affair the titular man and woman meet again in order to reflect on their relationship with the woman hoping to make a film about their experiences. Sequel to director Claude Lelouch's 1966 film "A Man and a Woman" and followed by "The Best Years of a Life" in 2019. 10 x 8 inches. Fine. Warner Brothers unknown
1970ref. 144319Los Angeles: Paramount Pictures 1970. Vintage borderless still photograph of Ali MacGraw Ryan O'Neal and Arthur Hiller on the set of the 1970 film. With typed identifying description manuscript annotations regarding layout and press agency stamps on the verso. Based on screenwriter Erich Segal's novel of the same name. Oliver Barrett IV Ryan O'Neal a wealthy Harvard Law student and Jennifer Cavilleri Ali MacGraw a working class music student fall in love despite their class differences. As their love grows into a serious relationship and eventually marriage they face the disapproval of the Oliver's father despite Jenny's attempts to find common ground. Winner of the 1971 Academy Award for Best Original Score and nominated for six others. Shot on location in California New York China Massachusetts and England. 9.5 x 7.5 inches. Near Fine. Paramount Pictures unknown
1937ref. 165097Universal City: Universal Pictures 1937. Vintage photograph of John Wayne and Louise Latimer on the set of the 1937 film with a mimeo snipe on the verso. Not to be confused with the 1925 silent film of the same name. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. John Wayne stars as the manager of a trucking company who pits his trucking fleet in a contest against a train to deliver aviation parts to the Pacific coast before a labor strike takes place. Shot on location in Santa Clarita and Newhall California. 10 x 8 inches. Near Fine. Universal Pictures unknown
1939ref. 151805Universal City CA: Universal Pictures 1939. Post-production Continuity and Dialogue script for the 1939 film. A prison warden must decide between keeping a huge lot of stolen goods and saving a man from the electric chair. Tall yellow titled wrappers. Title page present noted as production No. 1032 with credits for director Arthur Lubin and actors Victor McLaglen and Jackie Cooper. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads at the top edge. Universal Pictures unknown
1966ref. 142660Culver City CA: Columbia Pictures 1966. Vintage photograph on Jane Fonda taking a peek through a camera during shooting on the set of the 1966 film. With a Columbia Pictures stamp on the verso. Based on the 1952 Broadway play by Horton Foote about a small town sheriff on the look out for an escaped prisoner he believes is innocent while the townspeople whip themselves into a vigilante frenzy. 8 x 10 inches. Near Fine. Spicer US. Twilight Time 242. Columbia Pictures unknown
1962ref. 137095Beverly Hills CA: United Artists 1962. Seven vintage studio photographs from the 1962 film. Winner of both Best Actress and Best Supporting Actress Academy awards for Bancroft and Duke respectively and nominated for three others including Best Director for Penn and Best Adapted Screenplay for Gibson working from his Tony Award winning play. 10 x 8 inches. Very Good plus overall. A few photographs lightly creased one with a dampstain to the top edge. United Artists unknown
1962ref. 137096Beverly Hills CA: United Artists 1962. Vintage studio photograph from the 1962 film showing director Arthur Penn in thoughtful consultation with producer Fred Coe. Winner of both Best Actress and Best Supporting Actress Academy awards for Bancroft and Duke respectively and nominated for three others including Best Director for Penn and Best Adapted Screenplay for Gibson working from his Tony Award winning play. 10 x 8 inches. Near Fine. United Artists unknown
1974ref. 162155N.p.: N.p. 1974. Vintage lobby card for the German release of the 1974 French film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. In 1944 a disaffected boy from a small French town agrees to collaborate with the Gestapo but later falls in love with the daughter of a local Jewish family. Actress Aurore Clément's film debut. Shot on location in Arcambal Montauban Sénaillac-Lauzès and Figeac France. 9.25 x 11.75 inches. Very Good plus with a diagonal crease near the left edge. Criterion Collection 329. N.p. unknown
1975ref. 162263N.p.: New World Pictures 1975. Two vintage studio still photographs from the 1975 film. Both photographs with provenance stamps on the versos. An exploitation comedy with a women's liberation bent directed by Barbara Peeters for Roger Corman's New World Pictures featuring the exploits of three young Iowa girls who move to California for the summer rent an apartment together and teach at the same high school. Shot on location in Los Angles San Fernando Valley and Pacoima California. 8 x 10 inches. Near Fine. New World Pictures unknown
1984ref. 154933Paris: Les Films Galatee 1984. Vintage French program for the 1984 film with color film still photographs throughout. Text in French. Barbet Schroeder's brutal funny and unsentimental character study of two degenerate gamblers and lovers. Beautifully shot by choreographer Rubby Muller. Set in and shot on location in Portugal Italy and France. 10.75 x 8.25 inches. perfect-bound in illustrated card wrappers. Near Fine. Wrappers with light rubbing overall and light horizontal creasing at spine fold. Les Films Galatee unknown
1982ref. 166508N.p.: David Gerber Co 1982. Final Draft script printed on pink leaves for episode sixteen of the 1982-1983 CBS television series which aired on January 12 1983. The series aired for one season with 22 episodes which premiered on September 19 1982 and ended on March 23 1983. Loosely based on the 1954 musical directed by Stanley Donen and starring Jane Powell and Howard Keel about a parentless family of rowdy brothers trying to run the family ranch in Northern California. In this episode Brian Drake Hogestyn teaches Guthrie River Phoenix how to hunt but Guthrie is not sure he can kill an animal. When a wounded mountain lion threatens the life of Adam Richard Dean Anderson Guthrie is forced to make a life or death decision. Goldenrod titled wrappers noted as FINAL DRAFT on the front wrapper dated November 8 1982 with credits for screenwriter Jud Scott. Title page present dated November 8 1982 noted as FINAL DRAFT with credits for screenwriter Jud Scott. 51 leaves with last page of text numbered 49. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. David Gerber Co unknown
1967ref. 162187N.p.: Barry Mahon Production 1967. Three vintage studio still photographs from the 1967 film. Two of the photographs with provenance stamps on the versos one with a label on the verso obscuring a previous provenance stamp. After being raped Laura runs away from home to Los Angeles to live with her drug dealing aunt and joins a call-girl racket where she discovers a dangerous secret about her boss. 8 x 10 inches. Very Good two with pinholes one with a crease to the lower right and one with a small bruise to the center. Barry Mahon Production unknown
1990ref. 147428Los Angeles: Twentieth Century-Fox 1990. Second Draft script for the 1992 film. A recently widowed Jewish woman finds love in her autumn years with a charming Italian playboy but faces criticism from her two unhappy daughters who believe she is moving forward too quickly. Set in Queens New York. Blue titled wrappers dated MARCH 2 1990. Title page present dated 3/2/90 noted as SECOND DRAFT with credits for screenwriter Todd Graff. 126 leaves with last page of text numbered 125. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown
1979ref. 143077Italy / US: Twentieth Century-Fox 1979. Vintage borderless photograph showing actor Jill Clayburgh and director Bernardo Bertolucci in a pensive moment during on outdoor shoot from the set of the 1979 film. With the stamp of US co-producer Twentieth Century-Fox and identifying manuscript notation on the verso. The son of a famous opera singer falls into heroin addiction and his mother begins an incestuous relationship with him to help him kick the habit. 9.5 x 7 inches. Near Fine. Twentieth Century-Fox unknown
