Elaine Mueller (screenwriter)Biblio.com
11,064 results
1978ref. 141418Burbank CA: Marcia Nasatir 1978. Draft script for an unproduced film. With a single annotation in manuscript ink on page five. A Swedish woman living in New York pursues a relationship with a mover after he attempts to steal her television set. Set in New York. Yellow titled wrappers with credit for screenwriter Elaine Mueller. Title page present dated December 1978 with credit for screenwriter Elaine Mueller. 116 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Marcia Nasatir unknown
1978ref. 141418Burbank CA: Marcia Nasatir 1978. Draft script for an unproduced film. With a single annotation in manuscript ink on page five. A Swedish woman living in New York pursues a relationship with a mover after he attempts to steal her television set. Set in New York. Yellow titled wrappers with credit for screenwriter Elaine Mueller. Title page present dated December 1978 with credit for screenwriter Elaine Mueller. 116 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Marcia Nasatir unknown books
2000ref. 146395N.p.: N.p. 2000. Draft script for an unproduced film. A group of kids from Anaheim come of age in the counterculture of the swinging sixties leaving behind the gang violence of their hometown in favor of becoming drug-smuggling hippies. Set in California. White lacking wrappers. Title page present with credits for screenwriter Elias Cecil. 134 leaves with last page of text numbered 133. Typescript rectos only. Pages Very Good plus bound with three gold brads. N.p. unknown
2000ref. 146395N.p.: N.p. 2000. Draft script for an unproduced film. A group of kids from Anaheim come of age in the counterculture of the swinging sixties leaving behind the gang violence of their hometown in favor of becoming drug-smuggling hippies. Set in California. White lacking wrappers. Title page present with credits for screenwriter Elias Cecil. 134 leaves with last page of text numbered 133. Typescript rectos only. Pages Very Good plus bound with three gold brads. N.p. unknown books
1970ref. 141057N.p.: N.p. 1970. Draft script for an unproduced film. An ambitious young man heads to Hollywood to make his fortune. There he falls in love with a prostitute and begins hustling in order to get her off the streets. Blue titled wrappers. Title page present with credits for screenwriter Ellis St. Joseph. 118 leaves with last page of text numbered 116. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a black Velo binding. N.p. unknown
1970ref. 141057N.p.: N.p. 1970. Draft script for an unproduced film. An ambitious young man heads to Hollywood to make his fortune. There he falls in love with a prostitute and begins hustling in order to get her off the streets. Blue titled wrappers. Title page present with credits for screenwriter Ellis St. Joseph. 118 leaves with last page of text numbered 116. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a black Velo binding. N.p. unknown books
ref. 141676Pretoria South Africa: Emil Nofal Films N.D. Treatment script for an unproduced television series. A half-hour television series focusing on the unique cultures of Africa and how different groups interact with each other especially in the modern age. Written for South African television by Nofal an acclaimed South African director producer and screenwriter. Set in South Africa. White titled wrappers with credits for screenwriter Emil Nofal. 5 leaves with last leaf of text numbered 5. Mechanical duplication. Pages Very Good plus wrapper Very Good plus perfect-bound. Emil Nofal Films unknown
ref. 141676Pretoria South Africa: Emil Nofal Films N.D. Treatment script for an unproduced television series. A half-hour television series focusing on the unique cultures of Africa and how different groups interact with each other especially in the modern age. Written for South African television by Nofal an acclaimed South African director producer and screenwriter. Set in South Africa. White titled wrappers with credits for screenwriter Emil Nofal. 5 leaves with last leaf of text numbered 5. Mechanical duplication. Pages Very Good plus wrapper Very Good plus perfect-bound. Emil Nofal Films unknown books
1970ref. 141943N.p.: N.p. 1970. Draft script for an unproduced film. Text in French. Green untitled wrappers. Title page present with credit for screenwriter Eric Ferro. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two silver binder clips. Pagination available upon request. N.p. unknown
1970ref. 141943N.p.: N.p. 1970. Draft script for an unproduced film. Text in French. Green untitled wrappers. Title page present with credit for screenwriter Eric Ferro. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two silver binder clips. Pagination available upon request. N.p. unknown books
1982ref. 142224Ottawa: Canadian Broadcast Corporation 1982. Treatment script for an unproduced film. W.O. Mitchell one of Canada's best-loved writers originally wrote the play "Back to Beulah" which was produced as a television film in 1974 and for the stage in 1976. In 1978 the play won the Chalmers Award. It is the story of three patients moved out of the mental hospital and into a halfway house. This treatment was for an intended American adaptation retitled as "Listen to Me" and released in 1982 but since remains unmade. Clear untitled wrappers. Title page present dated September 29 1982 with credits for screenwriter and playwright W.O. Mitchell and screenwriter Eric Till. Ten leaves. Xerographically reproduced. Pages Near Fine wrapper Very Good plus unbound. Canadian Broadcast Corporation unknown
1982ref. 142224Ottawa: Canadian Broadcast Corporation 1982. Treatment script for an unproduced film. W.O. Mitchell one of Canada's best-loved writers originally wrote the play "Back to Beulah" which was produced as a television film in 1974 and for the stage in 1976. In 1978 the play won the Chalmers Award. It is the story of three patients moved out of the mental hospital and into a halfway house. This treatment was for an intended American adaptation retitled as "Listen to Me" and released in 1982 but since remains unmade. Clear untitled wrappers. Title page present dated September 29 1982 with credits for screenwriter and playwright W.O. Mitchell and screenwriter Eric Till. Ten leaves. Xerographically reproduced. Pages Near Fine wrapper Very Good plus unbound. Canadian Broadcast Corporation unknown books
1970ref. 141411N.p.: N.p. 1970. Treatment script for an unproduced film. A successful doctor suffers a mental breakdown due to her survivor's guilt after being the only member of her family to survive the Holocaust. She becomes obsessed with a man four years older than her whom she met previously in a refugee camp in France. Set in New York. Red untitled wrappers. Title page present with credit for screenwriter Ethel Tyne. 28 leaves with last leaf of text numbered 27. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a silver prong. N.p. unknown
1970ref. 141411N.p.: N.p. 1970. Treatment script for an unproduced film. A successful doctor suffers a mental breakdown due to her survivor's guilt after being the only member of her family to survive the Holocaust. She becomes obsessed with a man four years older than her whom she met previously in a refugee camp in France. Set in New York. Red untitled wrappers. Title page present with credit for screenwriter Ethel Tyne. 28 leaves with last leaf of text numbered 27. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a silver prong. N.p. unknown books
1970ref. 140743N.p.: N.p. 1970. Treatment script for an unproduced television series. Beans is the chauffeur secret agent Jedediah Norris a beautiful young woman who is in graduate school and adopted from Vietnam during the war by her father a black man named Tom Callahan. She is also a gourmet chef and is in desperate love with her boss but he only seems to notice her when she goofs. All the while she is an aspiring television star hoping to work in show business one day. Set in San Francisco. Yellow untitled wrappers. Title page present with credits for screenwriter Ezra Bowen. 26 leaves with last page of text numbered 25. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown
1970ref. 140743N.p.: N.p. 1970. Treatment script for an unproduced television series. Beans is the chauffeur secret agent Jedediah Norris a beautiful young woman who is in graduate school and adopted from Vietnam during the war by her father a black man named Tom Callahan. She is also a gourmet chef and is in desperate love with her boss but he only seems to notice her when she goofs. All the while she is an aspiring television star hoping to work in show business one day. Set in San Francisco. Yellow untitled wrappers. Title page present with credits for screenwriter Ezra Bowen. 26 leaves with last page of text numbered 25. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown books
1972ref. 150813Beverly Hills CA: United Artists 1972. Vintage reference photograph of Federico Fellini on the set of the 1972 film. A semi-autobiographical impressionistic portrait of Rome featuring two contrasting sections one based on Fellini's first journey to the city as a young man under Mussolini the other featuring scenes of contemporary city life. Set and shot on location in Rome. 8 x 10 inches. Near Fine. Criterion Collection 848. Eureka! 86. Rosenbaum 1000. Vogel Film as a Subversive Art. United Artists unknown
1972ref. 150813Beverly Hills CA: United Artists 1972. Vintage reference photograph of Federico Fellini on the set of the 1972 film. A semi-autobiographical impressionistic portrait of Rome featuring two contrasting sections one based on Fellini's first journey to the city as a young man under Mussolini the other featuring scenes of contemporary city life. Set and shot on location in Rome. 8 x 10 inches. Near Fine. Criterion Collection 848. Eureka! 86. Rosenbaum 1000. Vogel Film as a Subversive Art. United Artists unknown books
1940ref. 129720N.p.: N.p. 1940. Treatment script for an unproduced film. Two brothers with a patchy relationship both end up becoming competent jockeys and one who had previously slighted the other throws the important race so the other can win. Self wrappers with integral title page present showing credits for screenwriter Pinkham. 9 leaves original typescript. Pages Very Good plus bound with three gold brads. N.p. unknown
1940ref. 129720N.p.: N.p. 1940. Treatment script for an unproduced film. Two brothers with a patchy relationship both end up becoming competent jockeys and one who had previously slighted the other throws the important race so the other can win. Self wrappers with integral title page present showing credits for screenwriter Pinkham. 9 leaves original typescript. Pages Very Good plus bound with three gold brads. N.p. unknown books
1957ref. 168227Beverly Hills CA: United Artists 1957. Vintage studio still photograph from the 1957 film. A major in the US Air Force is asked to join a team working on an experimental Boeing B-47 Stratojet bomber although the first experiments with human test subjects prove dangerous. Based on a 1955 episode of the "Climax" anthology television series directed by John Frankenheimer and starring Charlton Heston. 10 x 8 inches. Lightly toned on the margins else Near Fine. United Artists unknown
1957ref. 168227Beverly Hills CA: United Artists 1957. Vintage studio still photograph from the 1957 film. A major in the US Air Force is asked to join a team working on an experimental Boeing B-47 Stratojet bomber although the first experiments with human test subjects prove dangerous. Based on a 1955 episode of the "Climax" anthology television series directed by John Frankenheimer and starring Charlton Heston. 10 x 8 inches. Lightly toned on the margins else Near Fine. United Artists unknown books
1931ref. 135170Los Angeles: Fox Film Corporation 1931. Post-production Screen Continuity script for the 1931 film. Based on the 1908 play "Father and the Boys" by George Ade. A comedy of errors in which a wealthy meatpacking company owner in Chicago has two sons both who treat their father's company as a means to their own extravagant ends. When he turns the tables evading his work responsibilities and traveling around with a French singer they fear that the singer is out to blackmail him. Pale blue studio wrappers dated April 27 1931 noting footage of 7000 feet. Mimeograph duplication. Very Good plus condition. Fox Film Corporation unknown
1931ref. 135170Los Angeles: Fox Film Corporation 1931. Post-production Screen Continuity script for the 1931 film. Based on the 1908 play "Father and the Boys" by George Ade. A comedy of errors in which a wealthy meatpacking company owner in Chicago has two sons both who treat their father's company as a means to their own extravagant ends. When he turns the tables evading his work responsibilities and traveling around with a French singer they fear that the singer is out to blackmail him. Pale blue studio wrappers dated April 27 1931 noting footage of 7000 feet. Mimeograph duplication. Very Good plus condition. Fox Film Corporation unknown books
ref. 146547N.p.: N.p. Unknown. Draft script for an unproduced film. With a few small manuscript ink annotations to the title page. After a dissatisfying experience with a prostitute a man begins to have a number of hallucinatory experiences while sitting in a bar. Blue untitled card wrappers. Title page present with credits for screenwriter Frank Flannery. 110 leaves with last page of text numbered 109. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with light dampstaining on the front wrapper bound with a silver clasp. N.p. unknown
