HS Kleinman (screenwriter) H SBiblio.com
11,049 results
1977ref. 141225New York: Tricorn Productions 1977. Draft script for an unproduced film. A professor of sexology travels around interviewing people for his studies treading a dangerous line between seeking information and knowing too much. Set in London. Black titled wrappers with credit for screenwriter H.S. Kleinman. Title page present dated January 6 1977 with credit for screenwriter H.S. Kleinman. 85 leaves with last page of text numbered 84. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Tricorn Productions unknown
1977ref. 141225New York: Tricorn Productions 1977. Draft script for an unproduced film. A professor of sexology travels around interviewing people for his studies treading a dangerous line between seeking information and knowing too much. Set in London. Black titled wrappers with credit for screenwriter H.S. Kleinman. Title page present dated January 6 1977 with credit for screenwriter H.S. Kleinman. 85 leaves with last page of text numbered 84. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Tricorn Productions unknown books
1968ref. 141636N.p.: Aspen 1968. Final Draft script for an unproduced film. A man is unwillingly drawn into a debate around morality and death as he is questioned by the police following his best friend's suicide. Dark green wrappers with British-style die-cut window. Title page present dated July 23 1968 noted as FINAL DRAFT with credits for screenwriter Ian McLellan Hunter. 124 leaves with last page of text numbered 122. Mechanical duplication with white and blue revision pages throughout dated variously between June 17 1968 and July 23 1968. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Aspen unknown
1968ref. 141636N.p.: Aspen 1968. Final Draft script for an unproduced film. A man is unwillingly drawn into a debate around morality and death as he is questioned by the police following his best friend's suicide. Dark green wrappers with British-style die-cut window. Title page present dated July 23 1968 noted as FINAL DRAFT with credits for screenwriter Ian McLellan Hunter. 124 leaves with last page of text numbered 122. Mechanical duplication with white and blue revision pages throughout dated variously between June 17 1968 and July 23 1968. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Aspen unknown books
1976ref. 141725Hollywood: Paramount Pictures 1976. First German Edition. Text in German. A companion book for the 1976 film illustrated with photographs. Near Fine in silver titled wrappers. Paramount Pictures unknown
1976ref. 141725Hollywood: Paramount Pictures 1976. First German Edition. Text in German. A companion book for the 1976 film illustrated with photographs. Near Fine in silver titled wrappers. Paramount Pictures unknown books
1941ref. 164506Universal City: Universal Studios 1941. Vintage publicity photograph from the 1941 film showing actress Irene Dunne in a lace-embellished dress and net fascinator. Printed mimeo snipe and provenance stamp on the verso. A small-town singer falls in love with a city playboy on a train to New York only for him to ignore her as soon as the train pulls into the station. Days later after gaining a job as a nightclub singer she is propositioned by the playboy's brother. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Near Fine. Universal Studios unknown
1941ref. 164506Universal City: Universal Studios 1941. Vintage publicity photograph from the 1941 film showing actress Irene Dunne in a lace-embellished dress and net fascinator. Printed mimeo snipe and provenance stamp on the verso. A small-town singer falls in love with a city playboy on a train to New York only for him to ignore her as soon as the train pulls into the station. Days later after gaining a job as a nightclub singer she is propositioned by the playboy's brother. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Near Fine. Universal Studios unknown books
1979ref. 140031Burbank CA: Warner Brothers 1979. Eight vintage full-color lobby cards from the 1979 film. Interesting sequel that picks up where "The Poseidon Adventure" 1972 leaves off with the ship floating capsized and a band of pirates reaping havoc. 11 x 14 inches. Corner bumps and short creases else Near Fine. Warner Brothers unknown
1979ref. 140031Burbank CA: Warner Brothers 1979. Eight vintage full-color lobby cards from the 1979 film. Interesting sequel that picks up where "The Poseidon Adventure" 1972 leaves off with the ship floating capsized and a band of pirates reaping havoc. 11 x 14 inches. Corner bumps and short creases else Near Fine. Warner Brothers unknown books
1973ref. 140783N.p.: N.p. 1973. Draft script for an unproduced film. Paul is a little person dealing with life the only way he knows how. He is typecast in Hollywood and frequently plays a ventriloquist's dummy and stared at when he is just trying to go about his day. He has great luck with women but not so much in forging close relationships. His only friends are other freaks and he hopes to hit it big at the horse races and on the stock market. Set in Hollywood. Title page present with credits for screenwriter J. Michael Nicholson. 134 leaves with last page of text numbered 118. Mechanical duplication with blue revision pages throughout dated variously between January 3 1973 and November 21 1973. Pages Near Fine bound in a standard three ringed binder with an affixed title label on the front board. N.p. unknown
1973ref. 140783N.p.: N.p. 1973. Draft script for an unproduced film. Paul is a little person dealing with life the only way he knows how. He is typecast in Hollywood and frequently plays a ventriloquist's dummy and stared at when he is just trying to go about his day. He has great luck with women but not so much in forging close relationships. His only friends are other freaks and he hopes to hit it big at the horse races and on the stock market. Set in Hollywood. Title page present with credits for screenwriter J. Michael Nicholson. 134 leaves with last page of text numbered 118. Mechanical duplication with blue revision pages throughout dated variously between January 3 1973 and November 21 1973. Pages Near Fine bound in a standard three ringed binder with an affixed title label on the front board. N.p. unknown books
1957ref. 149852Universal City CA: Universal Pictures 1957. Continuity and Dialogue script for the 1957 film. A wealthy cruel rancher owns the majority of a small western town's assets. Some of his employees brutally murder a young Mexican migrant laborer stirring major controversy when the newly elected sheriff goes to great lengths to bring them to justice. Set in the fictional town of Spurline shot on location in Thousand Oaks California. White titled self-wrappers noted as Continuity and Dialogue on the front wrapper production No. 1845 dated November 12 1957 with credits for director Jack Arnold. Approximately 95 leaves with last page of text numbered 10. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine with some toning at the top edge bound with two gold brads along the top edge. Pitts 2550. Selby US. Spicer US. Spicer UK. Grant US. Universal Pictures unknown
1956ref. 146620Universal City: Universal International Pictures 1956. Eight vintage studio still photographs from the 1956 film. Based upon the 1956 novel "Back Trail" by Lewis B. Patten gunman Alec Longmire Calhoun nearly loses his life in gunfight and decides to walk the straight and narrow by becoming deputy to honest sheriff Jade Murphy Dean Jagger currently dealing with disputes between small farmers and the local cattle baron. Longmire also finds he has feelings for the sheriff's daughter Caroline Martha Hyer. 8 x 10 inches. Near Fine one with small pinholes in corners and near center pin holes with some scratching. Pitts 3337. Universal International Pictures unknown
1957ref. 149863Universal City CA: Universal Pictures 1957. Continuity and Dialogue for the 1957 film. One of the seedier and we mean that in a complimentary way late noirs with a tawdry quality that transcended its big studio trappings "The Tattered Dress" spins a dark tale about a corrupt sheriff in a small Nevada town Carson whose principal concerns are the maintenance and upkeep of all illegal activity. Lawyer Chandler and wife Crain stumble into Carson's territory and conflict ensues. Set in California shot on location in Palm Springs California. White titled self-wrappers noted as Continuity and Dialogue on the front wrapper production No. 1840 dated January 18 1957 with credits for director Jack Arnold. Approximately 120 leaves with last page of text numbered 12. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads along the top edge. Selby US. Spicer US. Grant US. Silver and Ward Classic Noir. Universal Pictures unknown
1957ref. 149852Universal City CA: Universal Pictures 1957. Continuity and Dialogue script for the 1957 film. A wealthy cruel rancher owns the majority of a small western town's assets. Some of his employees brutally murder a young Mexican migrant laborer stirring major controversy when the newly elected sheriff goes to great lengths to bring them to justice. Set in the fictional town of Spurline shot on location in Thousand Oaks California. White titled self-wrappers noted as Continuity and Dialogue on the front wrapper production No. 1845 dated November 12 1957 with credits for director Jack Arnold. Approximately 95 leaves with last page of text numbered 10. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine with some toning at the top edge bound with two gold brads along the top edge. Pitts 2550. Selby US. Spicer US. Spicer UK. Grant US. Universal Pictures unknown books
1957ref. 149863Universal City CA: Universal Pictures 1957. Continuity and Dialogue for the 1957 film. One of the seedier and we mean that in a complimentary way late noirs with a tawdry quality that transcended its big studio trappings "The Tattered Dress" spins a dark tale about a corrupt sheriff in a small Nevada town Carson whose principal concerns are the maintenance and upkeep of all illegal activity. Lawyer Chandler and wife Crain stumble into Carson's territory and conflict ensues. Set in California shot on location in Palm Springs California. White titled self-wrappers noted as Continuity and Dialogue on the front wrapper production No. 1840 dated January 18 1957 with credits for director Jack Arnold. Approximately 120 leaves with last page of text numbered 12. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads along the top edge. Selby US. Spicer US. Grant US. Silver and Ward Classic Noir. Universal Pictures unknown books
1956ref. 146620Universal City: Universal International Pictures 1956. Eight vintage studio still photographs from the 1956 film. Based upon the 1956 novel "Back Trail" by Lewis B. Patten gunman Alec Longmire Calhoun nearly loses his life in gunfight and decides to walk the straight and narrow by becoming deputy to honest sheriff Jade Murphy Dean Jagger currently dealing with disputes between small farmers and the local cattle baron. Longmire also finds he has feelings for the sheriff's daughter Caroline Martha Hyer. 8 x 10 inches. Near Fine one with small pinholes in corners and near center pin holes with some scratching. Pitts 3337. Universal International Pictures unknown books
1966ref. 150731Los Angeles: Paramount Pictures 1966. Complete set of eight vintage color studio still photographs from the 1966 film. Based on Jack Finney's 1959 novel. A group of adventurers pull up a World War II submarine and plan to use it to rob the RMS Queen Mary a large cruise liner. Set in the Bahamas. 10 x 8 inches. One with light wear and pinholes to the corners else Near Fine. Paramount Pictures unknown
1966ref. 150731Los Angeles: Paramount Pictures 1966. Complete set of eight vintage color studio still photographs from the 1966 film. Based on Jack Finney's 1959 novel. A group of adventurers pull up a World War II submarine and plan to use it to rob the RMS Queen Mary a large cruise liner. Set in the Bahamas. 10 x 8 inches. One with light wear and pinholes to the corners else Near Fine. Paramount Pictures unknown books
ref. 147006N.p.: N.p. Unknown. Draft script for an unproduced television film. With a single manuscript pencil deletion to page I-7. An American Indian man arrives at the White House claiming the land is rightfully his and demanding recompense for the years of missed rent. Screenwriter Jack Lewis was best known for "The Amazing Transparent Man" 1960 and for his prolific work in Western films such as "Outlaw Gold" 1950 "Whistling Hills" 1951 and "Black Eagle of Santa Fe" 1965. Set in Washington DC. Yellow untitled front wrapper lacking rear wrapper. Title page present with credits for screenwriter Jack Lewis. 31 leaves with last page of text numbered I-29. Mimeograph duplication rectos only. Pages Very Good plus wrapper Good bound with a paper clip. N.p. unknown
1960ref. 141953N.p.: N.p. 1960. Draft script for an unproduced television movie. A drama set during the Mexican Revolution. Jack Lewis was a screenwriter actor and stuntman who is known for his war films and Westerns in particular "A Yank in Viet-Nam" 1964 and "Billy the Kid Versus Dracula" 1966. Set in Mexico. White titled self wrappers with credits for screenwriter Jack Lewis. Title page integral with front wrapper. 89 leaves with last page of text numbered 86. Mimeograph duplication rectos only. Pages Near Fine unbound housed in a manila folder. N.p. unknown
1960ref. 141008N.p.: N.p. 1960. Treatment script for an unproduced film. Signature of reader Ilse Lahn of the Paul Kohner Agency on the title page in manuscript ink. Three men rob a bank and almost get away with it until a young ventriloquist intervenes allowing the lawmen to capture the crooks. Lacking wrappers. Title page present with credit for screenwriter Jack Lewis. Six leaves with last page of text numbered five. Mimeograph duplication rectos only. Pages Very Good plus bound with a staple. N.p. unknown
1980ref. 140855N.p.: N.p. 1980. Original Treatment script for an unproduced film. Detective Doom is investigating a gang war when he discovers a large cache of grenades belonging to one of the gangsters. Tan untitled wrappers. Eight leaves with last page of text numbered seven. Carbon typescript on onionskin stock. Pages Near Fine wrapper Near Fine bound with two gold brads. Housed in a manila envelope. N.p. unknown
1954ref. 141026N.p.: N.p. 1954. Draft script for an unproduced film. With a letter rejecting the script laid in. During Reconstruction a newspaperman comes to Texas where he encounters a slew of carpetbaggers who are exploiting the locals running the town and murdering at will. The newspaperman and his southern friend decide to start a newspaper in order to expose the corrupt system. Set in Jefferson Texas. Tan titled wrappers with credits for screenwriter Jack Lewis and author John Clark. 104 leaves with last page of text numbered 104. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine with a silver prong binding. N.p. unknown
