11,049 results
1964ref. 161897N.p.: Griffith Productions 1964. Vintage studio still photograph from the 1964 film. A husband and wife seeking to invigorate their sex lives enjoy a weekend apart with the husband spending the weekend watching exotic dancer Virginia Bell and the wife going to a nudist camp and partaking in various nudist activities. Shot on location in Florida. 8 x 10 inches. Near Fine. Griffith Productions unknown books
1982ref. 147198Paris: Peri Productions 1982. Draft script for an unproduced film. Overcome with jealousy over her infidelity a crime and mystery novel writer murders his dream woman and decides to frame her lover for the crime. Set in Paris and on the French Riviera. Red untitled wrappers. Title page present dated 1982 with credits for screenwriter MARC WERNER. 140 leaves with last page of text numbered 133. Xerographic duplication rectos only. Pages Good with light tide marks on the front wrapper and binding of the first four leaves wrapper Very Good plus bound with two silver brads. Peri Productions unknown
1982ref. 147198Paris: Peri Productions 1982. Draft script for an unproduced film. Overcome with jealousy over her infidelity a crime and mystery novel writer murders his dream woman and decides to frame her lover for the crime. Set in Paris and on the French Riviera. Red untitled wrappers. Title page present dated 1982 with credits for screenwriter MARC WERNER. 140 leaves with last page of text numbered 133. Xerographic duplication rectos only. Pages Good with light tide marks on the front wrapper and binding of the first four leaves wrapper Very Good plus bound with two silver brads. Peri Productions unknown books
1968ref. 147011N.p.: N.p. 1968. Treatment script for an unproduced television series. An elite team of beautiful highly educated young women work in tandem with an international hotel chain to provide services for guests upon request-whether that be a dining date private hostess tennis partner interpreter or whatever "the busy traveler far away from home" needs. Red untitled card wrappers. Title page present dated 3/29/68 with credits for screenwriter MARCIA BORIE and story credits to CHARLES BRONSON. 20 leaves with last page of text numbered 19. Carbon typescript on onionskin stock rectos only. Pages Very Good plus wrapper Very Good bound with three gold brads. N.p. unknown
1968ref. 147011N.p.: N.p. 1968. Treatment script for an unproduced television series. An elite team of beautiful highly educated young women work in tandem with an international hotel chain to provide services for guests upon request-whether that be a dining date private hostess tennis partner interpreter or whatever "the busy traveler far away from home" needs. Red untitled card wrappers. Title page present dated 3/29/68 with credits for screenwriter MARCIA BORIE and story credits to CHARLES BRONSON. 20 leaves with last page of text numbered 19. Carbon typescript on onionskin stock rectos only. Pages Very Good plus wrapper Very Good bound with three gold brads. N.p. unknown books
1970ref. 141235N.p.: N.p. 1970. Draft script for an unproduced film. A man travels to Vienna on business and falls in love with a beautiful stranger whom he suspects of stealing his car. Guided by his daily horoscope he believes he has found his soulmate. Set in London and Vienna. Blue untitled wrappers. Title page present with credit for screenwriter Mario Garriba. 140 leaves with last page of text numbered 139. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown
1970ref. 141235N.p.: N.p. 1970. Draft script for an unproduced film. A man travels to Vienna on business and falls in love with a beautiful stranger whom he suspects of stealing his car. Guided by his daily horoscope he believes he has found his soulmate. Set in London and Vienna. Blue untitled wrappers. Title page present with credit for screenwriter Mario Garriba. 140 leaves with last page of text numbered 139. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown books
1943ref. 129155N.p.: N.p. 1943. Typescript treatment script for an unproduced film called "The Sailor and the Girl" written by Martha Chapin whose notable film credits include "Gambling with Souls" 1936 "Slaves in Bondage" 1937 and "Lightning Strikes West" 1940. Typeovers on a few pages. Set in New York during World War II with a touch of hard-boiled attitude the story follows Bill Jones an American sailor with shore leave in New York where he meets Carol a footloose woman with dark secrets involving theft and petty crime. Blue titled wrappers noted as Treatment on the front wrapper dated January 6 1943 and 6/9/43 with credit for screenwriter Chapin. 44 leaves with last leaf of text numbered 44. Carbon typescript on onionskin stock. Pages and wrapper Near Fine bound with two small gold brads. N.p. unknown
1943ref. 129155N.p.: N.p. 1943. Typescript treatment script for an unproduced film called "The Sailor and the Girl" written by Martha Chapin whose notable film credits include "Gambling with Souls" 1936 "Slaves in Bondage" 1937 and "Lightning Strikes West" 1940. Typeovers on a few pages. Set in New York during World War II with a touch of hard-boiled attitude the story follows Bill Jones an American sailor with shore leave in New York where he meets Carol a footloose woman with dark secrets involving theft and petty crime. Blue titled wrappers noted as Treatment on the front wrapper dated January 6 1943 and 6/9/43 with credit for screenwriter Chapin. 44 leaves with last leaf of text numbered 44. Carbon typescript on onionskin stock. Pages and wrapper Near Fine bound with two small gold brads. N.p. unknown books
1947ref. 149135Universal City: Universal Pictures 1947. Vintage reference photograph of Agnes Moorehead being made to look 105 by makeup artist Bud Westmore on the set of the 1947 film noir. Mimeo snipe on verso. Loosely based on Henry James' 1888 novella "The Aspern Papers." A young publisher Robert Cummings attempts to obtain a famous writer's long-lost love letters which are kept hidden by the poet's former mistress Agnes Moorehead now an elderly recluse living in a decaying Venetian mansion. The old woman's niece Susan Hayward who acts as her live-in caretaker agrees to help the publisher find the poems discovering in the process the house holds far darker secrets. The first and only film directed by Martin Gabel. Set in Venice. 8 x 10 inches. Near Fine. Universal Pictures unknown
1947ref. 149135Universal City: Universal Pictures 1947. Vintage reference photograph of Agnes Moorehead being made to look 105 by makeup artist Bud Westmore on the set of the 1947 film noir. Mimeo snipe on verso. Loosely based on Henry James' 1888 novella "The Aspern Papers." A young publisher Robert Cummings attempts to obtain a famous writer's long-lost love letters which are kept hidden by the poet's former mistress Agnes Moorehead now an elderly recluse living in a decaying Venetian mansion. The old woman's niece Susan Hayward who acts as her live-in caretaker agrees to help the publisher find the poems discovering in the process the house holds far darker secrets. The first and only film directed by Martin Gabel. Set in Venice. 8 x 10 inches. Near Fine. Universal Pictures unknown books
ref. 146805N.p.: N.p. Unknown. Treatment script for an unproduced television film. Incomplete as issued. With a small handwritten label to the first leaf noting the name and address of screenwriter Martin Warner. A lonely widower finds new love with a vibrant retired school teacher aided by his well-intentioned but meddling apartment building neighbors. Set in Santa Monica California. White lacking titled wrappers. Title page present with credits for screenwriter Martin Warner. 45 leaves with last page of text numbered 44. Xerographic duplication rectos only. Pages Very Good with light rust to the first and last leaves likely from a paper clip bound with two gold brads. N.p. unknown
ref. 146805N.p.: N.p. Unknown. Treatment script for an unproduced television film. Incomplete as issued. With a small handwritten label to the first leaf noting the name and address of screenwriter Martin Warner. A lonely widower finds new love with a vibrant retired school teacher aided by his well-intentioned but meddling apartment building neighbors. Set in Santa Monica California. White lacking titled wrappers. Title page present with credits for screenwriter Martin Warner. 45 leaves with last page of text numbered 44. Xerographic duplication rectos only. Pages Very Good with light rust to the first and last leaves likely from a paper clip bound with two gold brads. N.p. unknown books
1980ref. 147188N.p.: N.p. 1980. Draft script for an unproduced television film. The sheriff of the town of Slayton is tasked with closing the old Barton family mine after a series of disasters and accidents-not realizing the Bartons would rather blow up the mine than surrender it to outsiders. Set in the fictional town of Slayton Nevada. Brown faux-leather non-standard titled wrappers. Title page present with credits for screenwriter Max Kleven. 104 leaves with last page of text numbered 102. Xerographic duplication rectos only. Pages Near Fine with a small rust mark to the first leaf wrapper Very Good plus bound with two gold brads. N.p. unknown
1980ref. 147188N.p.: N.p. 1980. Draft script for an unproduced television film. The sheriff of the town of Slayton is tasked with closing the old Barton family mine after a series of disasters and accidents-not realizing the Bartons would rather blow up the mine than surrender it to outsiders. Set in the fictional town of Slayton Nevada. Brown faux-leather non-standard titled wrappers. Title page present with credits for screenwriter Max Kleven. 104 leaves with last page of text numbered 102. Xerographic duplication rectos only. Pages Near Fine with a small rust mark to the first leaf wrapper Very Good plus bound with two gold brads. N.p. unknown books
1970ref. 146941N.p.: N.p. 1970. Draft script for an unproduced film. An aging undercover spy tells the story of one of his many exploits to the patrons of a dive bar-this time involving a cyber caper with millions of dollars at stake. Set in South America. Self wrappers. Title page present with credits for screenwriter Michael Agelasto. 107 leaves with last page of text numbered 106. Xerographic duplication rectos only. Pages Very Good plus with some light wear to the first leaf bound with two gold brads. N.p. unknown
1970ref. 146941N.p.: N.p. 1970. Draft script for an unproduced film. An aging undercover spy tells the story of one of his many exploits to the patrons of a dive bar-this time involving a cyber caper with millions of dollars at stake. Set in South America. Self wrappers. Title page present with credits for screenwriter Michael Agelasto. 107 leaves with last page of text numbered 106. Xerographic duplication rectos only. Pages Very Good plus with some light wear to the first leaf bound with two gold brads. N.p. unknown books
ref. 147407N.p.: N.p. Unknown. Draft script for an unproduced film. With a few manuscript annotations throughout most noting deletions. Two professional gamblers plan to pull off an international long con. Set in Lucerne and Las Vegas. Red titled wrappers. Title page present with credits for screenwriter Michael Curry. 122 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown
ref. 147407N.p.: N.p. Unknown. Draft script for an unproduced film. With a few manuscript annotations throughout most noting deletions. Two professional gamblers plan to pull off an international long con. Set in Lucerne and Las Vegas. Red titled wrappers. Title page present with credits for screenwriter Michael Curry. 122 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown books
1980ref. 147225N.p.: N.p. 1980. Treatment script for an unproduced film. Based on a presumably unpublished novel by Michael Joseph who also adapted the screenplay. Set in the near future the Ayatollah Khomeini has recently died and the new leftist regime in Iran has begun to work together with the Soviet Union. The young and nontraditional US president embarks on an diplomacy trip to address the Soviet Union's recent breach of an antinuclear treaty. His first stop is the UK where he narrowly avoids assassination. White titled wrappers. Title page present dated 1980 noted as Story Outline with credits for screenwriter Michael Joseph. 29 leaves with last page of text numbered 26. Xerographically reproduced on orange stock rectos only. Pages Very Good plus wrapper Very Good plus with black comb binding. N.p. unknown
1980ref. 144156London: N.p. 1980. Draft script for an unproduced film. Set in the near future the Ayatollah Khomeini has recently died and the new leftist regime in Iran has begun to work together with the Soviet Union. The young and untraditional US president embarks on an diplomacy trip to address The Soviet Unions recent breach of an anti-nuclear treaty. His first stop is the UK where he narrowly avoids assassination. White titled wrappers Title page present dated 1980 with credits for screenwriter Michael Joseph. 28 leaves with last page of text numbered 27. Xerographically reproduced. Pages Near Fine wrapper Near Fine comb binding. N.p. unknown
1980ref. 144156London: N.p. 1980. Draft script for an unproduced film. Set in the near future the Ayatollah Khomeini has recently died and the new leftist regime in Iran has begun to work together with the Soviet Union. The young and untraditional US president embarks on an diplomacy trip to address The Soviet Unions recent breach of an anti-nuclear treaty. His first stop is the UK where he narrowly avoids assassination. White titled wrappers Title page present dated 1980 with credits for screenwriter Michael Joseph. 28 leaves with last page of text numbered 27. Xerographically reproduced. Pages Near Fine wrapper Near Fine comb binding. N.p. unknown books
1980ref. 147225N.p.: N.p. 1980. Treatment script for an unproduced film. Based on a presumably unpublished novel by Michael Joseph who also adapted the screenplay. Set in the near future the Ayatollah Khomeini has recently died and the new leftist regime in Iran has begun to work together with the Soviet Union. The young and nontraditional US president embarks on an diplomacy trip to address the Soviet Union's recent breach of an antinuclear treaty. His first stop is the UK where he narrowly avoids assassination. White titled wrappers. Title page present dated 1980 noted as Story Outline with credits for screenwriter Michael Joseph. 29 leaves with last page of text numbered 26. Xerographically reproduced on orange stock rectos only. Pages Very Good plus wrapper Very Good plus with black comb binding. N.p. unknown books
1981ref. 141480N.p.: N.p. 1981. First Draft script for an unproduced film. David a constant disappointment is floundering coming up with new ways to make money. A doctor friend of his asks him to donate some sperm for an artificial insemination experiment and the First Lady is destined to give birth to his child. Set in New York. Clear untitled wrappers. Title page present dated November 1981 noted as First Draft with credits for screenwriter Michael K. Lange. 125 leaves with last page of text numbered 124. Mechanical duplication. Pages Near Fine wrapper Near Fine housed in a black binder. N.p. unknown
1981ref. 141480N.p.: N.p. 1981. First Draft script for an unproduced film. David a constant disappointment is floundering coming up with new ways to make money. A doctor friend of his asks him to donate some sperm for an artificial insemination experiment and the First Lady is destined to give birth to his child. Set in New York. Clear untitled wrappers. Title page present dated November 1981 noted as First Draft with credits for screenwriter Michael K. Lange. 125 leaves with last page of text numbered 124. Mechanical duplication. Pages Near Fine wrapper Near Fine housed in a black binder. N.p. unknown books
