4,914 results
2017ref. 163937N.p.: Fire and Ice Productions 2017. Two Revised Draft scripts for Season 1 Episode 2 of the 2018-present television series one dated 8/9/17 and one dated 8/12/17. From the archive of crew member Chris Scher with her name as a watermark throughout the scripts. The long-running neo-Western series follows the trials and tribulations of the family-owned Yellowstone Dutton Ranch the largest cattle ranch in Montana. In this episode the Dutton family attempts to recover from the deaths of the eldest son and a brother-in-law. Originally aired on June 27 2018 on Paramount Network. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Set in Montana and shot on location in Darby and Helena Montana and in Park City Woodland and Springville Utah. 8/9/17 Draft: Self wrappers. Title page present dated 8/9/17 noted as episode No. 102 and PRODUCTION DRAFT with credit for screenwriter Taylor Sheridan. 64 leaves with last page of text numbered 57. Xerographic duplication on blue stock rectos only. Pages Near Fine bound with two gold brads. Revised Draft: Self wrappers. Title page present dated 8/12/17 noted as episode No. 102 and Pink Revised Pages with credit for Sheridan. 63 leaves with last page of text numbered 57. Xerographic duplication on pink stock rectos only. Pages Near Fine bound with two gold brads. Fire and Ice Productions unknown
2017ref. 163941N.p.: Fire and Ice Productions 2017. Two Draft scripts for Season 1 Episode 5 of the 2018-present television series one undated and one dated 8/12/17. From the archive of crew member Chris Scher with her name as a watermark throughout the scripts. The long-running neo-Western series follows the trials and tribulations of the family-owned Yellowstone Dutton Ranch the largest cattle ranch in Montana. In this episode Kayce continues to battle the tribal police while John attempts to keep Kayce and Monica at the ranch. Originally aired on July 25 2018 on Paramount Network. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Set in Montana and shot on location in Darby and Helena Montana and in Park City Woodland and Springville Utah. Undated Draft: Self wrappers. Title page present noted as episode No. 105 with credit for screenwriter Taylor Sheridan. 43 leaves with last page of text numbered 41. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. 8/12/17 Draft: Self wrappers. Title page present dated 8/12/17 noted as episode No. 105 and Production Draft with credit for Sheridan. 45 leaves with last page of text numbered 41. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Fire and Ice Productions unknown
2017ref. 163942N.p.: Fire and Ice Productions 2017. Two Draft scripts for Season 1 Episode 6 of the 2018-present television series including one Production Draft and one Network Draft. From the archive of crew member Chris Scher with her name as a watermark throughout the scripts. The long-running neo-Western series follows the trials and tribulations of the family-owned Yellowstone Dutton Ranch the largest cattle ranch in Montana. In this episode Chief Rainwater and developer Dan Jenkins team up threatening John's hold over the Yellowstone ranch. Originally aired on August 1 2018 on Paramount Network. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Set in Montana and shot on location in Darby and Helena Montana and in Park City Woodland and Springville Utah. Network Draft: Self wrappers. Title page present dated 8/12/17 noted as episode No. 106 and NETWORK DRAFT with credit for screenwriter Taylor Sheridan. 47 leaves with last page of text numbered 43. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Production Draft: Self wrappers. Title page present dated 9/7/17 noted as episode No. 106 and PRODUCTION DRAFT with credit for Sheridan. 47 leaves with last page of text numbered 43. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Fire and Ice Productions unknown
1982ref. 160158Tokyo: Wakamatsu Production 1982. Vintage mini poster for the 1982 Japanese pink film. A married railway ticket puncher starts sedating women with chloroform in order to invade their houses. His cruelty escalates and he grows bolder in his desires. A late release by controversial pink film director and producer Kôji Wakamatsu. 7 x 5 inches. About Fine. Weisser p. 319. Wakamatsu Production unknown
1976ref. 99595Switzerland July 5th 1976. 1976. Fine. - Over 275 words typed on his personal 11-1/2 inch high by 8-1/4 inch wide stationery with his Swiss address centered at the top. Norman Krasna writes to Jean Dalrymple about his latest play "Hold the presses." he says having rethought the ending. "I had a long searching session with the muse and also a critique from a friend and the three of us have come to the conclusion that the ending is not right." Feeling that his original ending seemed to imply that the girl settled for marriage "as she hasn't got the ability to be a star". "People don't go to the theatre to accept resignation. I prefer the girl on her way to be a star and have the marriage too." Signed "Norman". An apparent phone number is penned at top left of the letter and another spelled out in French at top right. The letter is further briefly annotated on the verso. The top edge of the page is slightly creased and the letter is folded for mailing. Near fine. The American screenwriter playwirth producer and film director Norman Krasna 1909-1984 was known for his screwball comedies based on a case of mistaken identity. He wrote several successful Broadway plays including "Dear Ruth" and "John Loves Mary" and directed 3 films "The Ambassador's Daughter" "The Big Hangover" and "Princess O'Rourke" all of which he also wrote and was nominated 4 times for screenwriting Academy Awards winning once for "Princess O'Rourke". The recipient Jean Dalrymple 1902-1998 was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville appearing with James Cagney and Carey Grant in the early 1930s. She was a founding member of the American Theatre Wing the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski Mary Martin Jos Iturbi Andre Kostalanetz Nathan Milstein and Lily Pons. She began her work at City Center with its founding in 1943 serving as a board member and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951 Jean Dalrymple married Major-General Philip deWitt Ginder commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world. Switzerland, July 5th, 1976.
1984ref. 152231Burbank CA: Warner Brothers 1984. First Draft script for an unproduced film. Based on iconic leading lady Lana Turner's 1982 autobiography following Turner's humble beginnings and rise to fame and the alcoholism and relationship troubles which clouded her later years. Red titled wrappers. Title page present dated February 29 1984 noted as FIRST DRAFT with credits for screenwriter James Lee. 177 leaves with last page of text numbered 175. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown
1968ref. 157623Los Angeles: R.A.C. Films 1968. Vintage studio still photograph from the 1968 film. Con women steal one million dollars from two mob money couriers forcing the men to find and recover the money before their employers discover the theft. Versatile and prolific cross-genre filmmaker Lee Frost was best known for his string of often radical exploitation and adult films throughout the 1960s and 1970s most notably including "The Animal" 1968 "Chain Gang Women" 1971 and "Policewomen" 1974. Shot on location in Las Vegas. 10 x 8 inches. Near Fine with a light crease on the bottom right corner. R.A.C. Films unknown
1961ref. 152439N.p.: N.p. 1961. Cut Version Draft script for Season 1 Episode 12 "Trick or Treason" of the NBC anthology series "The DuPont Show of the Week" which aired on December 17 1961 and is today presumably lost. Copy belonging to uncredited associate producer Milt Myers with script housed in spring binder with Myers name in gilt on lower right. Annotations in manuscript pencil throughout with first name of Monique van Vooren who played Krys written boldly and underlined on top of title page. Script is preceded by a six page "teaser" for the episode. Missing five pages likely as used or issued. From the estate of actress Monique van Vooren. American OSS captain DiLuca Martin Gabel who has fallen in love with the Dutch spy Krys is fed erroneous invasion plans through Holland which Krys reveals to the Nazis confusing them as the Allies prepare for the Battle of Normandy. "The Dupont Show of the Week" was a comedy drama and musical television anthology series which aired on NBC for three seasons from September 17 1961 to August 30 1964 and was nominated for eight Primetime Emmy Awards. Black untitled wrappers. Title page present dated 10/25/61 noted as CUT VERSION with credits for screenwriter Leon Tokatyan. 87 leaves with last page of text numbered IV-23. Mimeograph duplication with the exception of four leaves IV6 - IV-8 and IV-19 which are carbon typescript on onionskin stock rectos only. Pages Near Fine wrapper Very Good plus. Spring binder Near Fine. N.p. unknown
1954ref. 146060N.p.: N.p. 1954. Draft script for the 1954 film. With faint manuscript pencil annotations throughout. Set months before the beginning of the Korean War an American Air Force instructor is assigned to a Kungju base where he is set with the formidable task of completely transforming the South Korean pilots into unstoppable fighting machines in 25 days. Originally intended for release as a 3D film and filmed in dual 53mm Polaroid 3-D by the time the film premiered in 1954 public interest in 3D had declined and the film was shown as a flat print. Set in South Korea and shot on location in California. Blue titled wrappers with credits for screenwriter John C. Champion. Title page present with screenwriting and story credits for John C. Champion. 126 leaves with last page of text numbered 119. Typescript on onionskin stock rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown
1926ref. 171336Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1926. Vintage reference photograph from the 1926 silent film showing Lillian Gish and John Gilbert in a playful moment. Mimeo snipe on the verso. Gish then MGM's highest paid actress had an unprecedented level of control over the production and was allowed input into direction story casting cinematography and costume design. 8 x 10 inches. Very Good moderately toned with nicks to the margins and creasing affecting the right portion of the photograph. Metro-Goldwyn-Mayer [MGM] unknown
1943ref. 164451Universal City CA: Universal Pictures 1943. Two vintage photographs from the 1943 film including one studio still photograph showing actors Lon Chaney Jr. and Ramsay Ames and one reference photograph showing Chaney Jr. alone. One with a printed mimeo snipe affixed to the verso. The first film in Universal's "Inner Sanctum" series. Universal struck a deal with publishers Simon and Schuster in 1943 obtaining screen rights to their "Inner Sanctum" radio series with Chaney Jr. slated to star. "Calling Dr. Death" would set the standard for the series including the classic introductory sequence of a fortune teller who warns the audience of impending albeit cinematic doom and the recurrent "stream of consciousness" voiceover. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 10 x 8 inches. Very Good plus lightly faded. Weaver Universal Horrors. Universal Pictures unknown
1975ref. 162161N.p.: Cinema International 1975. Six vintage lobby cards for the 1975 French film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. An experimental film loosely based on Lewis Carroll's "Alice's Adventures in Wonderland" about a young woman in a post-apocalyptic world who seeks refuge from a violent civil war in an abandoned château. 11.5 x 9.25 inches. About Fine. Criterion Collection 571. Cinema International unknown
1960ref. 150445N.p.: N.p. 1960. Vintage borderless publicity photograph from the 1960 French film showing actress Catherine Demongeot posing near a metro stop in Paris. With a printed mimeo snipe specific to the film's German release on the verso along with layout annotations in ink. A satire of Parisian society through the eyes of a ten-year-old girl visiting from the French countryside who sneaks away from her relatives to venture into the city alone. Set and shot on location in Paris. 7 x 9.25 inches. Near Fine. N.p. unknown
1955ref. 164817Universal City: Universal-International 1955. Vintage publicity photograph from the 1955 film showing actress Mamie Van Doren leaning against a jukebox. Based on Ben Benson's 1954 novel "Girl in the Cage" about an undercover cop working to stop an automobile theft ring run by teenagers. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. About Near Fine. Universal-International unknown
1989ref. 130299Burbank CA: Warner Brothers 1989. Revised Draft script for the 1995 film. 17 year old Henri Young Bacon steals five dollars from a grocery store to feed his little sister. He is caught his sister is sent to an orphanage and he never sees her again and unfortunately for him the grocery store also housed a post office making the crime a federal offense. He is sent to Alcatraz where he attempts escape and is foiled by a fellow inmate leaving him sentenced to solitary confinement in the basement of the island prison. Upon his release he has a psychotic episode in which he stabs his betrayer to death with a spoon. James Stamphill Slater is to defend him alleging that Alcatraz drove him insane. Red titled wrappers. Title page present dated January 23 1989 noted as Revised Rewrite with credits for screenwriters Gordon and Ponicsan. 122 leaves mechanical duplication. Pages Fine wrapper Near Fine bound with two gold brads. Silver and Ward Neo-Noir. Warner Brothers unknown
1972ref. 146825Rome: N.p. 1972. Treatment script for the 1975 film. Text in English. A young Italian priest is sent to New York where he becomes involved with a group of hippies that declare their plan to publicly commit mass suicide as a protest against modern society. Set in Italy and New York. Blue untitled wrappers. Title page present dated June 1972 with credits for screenwriters MARIO CHIARI SUSO CECCHI D'AMICO MICHELE SAKKARA and translator MELTON S. DAVIS. 91 leaves with last page of text numbered 90. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with light offsetting on the front wrapper bound with two gold brads. N.p. unknown
1971ref. 132245Germany: P. R. Wilk Ffm 1971. Original German A1 re-release poster circa 1971 for the 1938 Russian film. Artwork by Lenicka. From the collection of noted film historian Amos Vogel. Full provenance available. 23.25 x 33 inches rolled. Near Fine. P. R. Wilk, Ffm unknown
1967ref. 119761Universal City CA: Universal City Studios 1967. Final script for the 1968 film. Prop master C.S. Chrisman's copy with his trademark manuscript ink initial on the front wrapper and profuse manuscript annotations throughout the text regarding scenes that will require props. Based on the 1966 novel "The Wrong Venus" by Charles Williams. An author on a European cruise is slacking on finishing her newest novel when her publisher sends someone to check in on her progress. The first of two screenplays Williams wrote in Hollywood. Williams was one of the most popular hard-boiled authors in the Gold Medal stable. Beginning in the early 1960s he found work as a screenwriter adapting his novel "All the Way" first adapted in 1960 in the US as an obscure late film noir "The 3rd Voice" as a comedy for French director Marcel Ophuls. Set in Europe. Red titled wrappers noted as Final draft on the front wrapper production No. 02000 dated February 6 1967. Title page present noted as Final draft with credits for author and screenwriter Charles Williams. 132 leaves with last page of text numbered 131. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Universal City Studios unknown
1945ref. 135327New York: Noel Meadow / Monogram Pictures 1945. Original program for the 1945 film. Features ad layouts side-by-side comparison of Lawrence Tierney and the real John Dillinger and various headline suggestions. Dillinger Tierney robs a store meets fellow gangster Specs Lowe in jail and continues his heists once freed from prison this time with a moll named Helen Jeffreys who eventually rats him out to the Fuzz. Nominated for an Academy Award. Director Nosseck made good use of stock footage from previous gangster films. Illustrated wrappers saddle-stapled. 16 leaves. Very Good with light foxing faint bruising and a vertical fold at the center. Grant US. Hardy The Gangster Film US. Okuda 440. Selby US. Spicer US. Stephens pp. 85-86. Noel Meadow / Monogram Pictures unknown
1975ref. 161837N.p.: Group 1 Int. Dist. Org 1975. Three vintage studio still photographs from the US release of the 1974 French film. Two photographs with provenance stamps on the versos one of which also has a label obscuring a previous provenance stamp. A beautiful woman undresses in the back of Marcel's taxi and proceeds to take him to the "Private Club" a sex club where he can live out his wildest sexual fantasies unfortunately Marcel's mind is on Lisa a girl he met in Paris. 8 x 10 inches. Very Good plus one with a wax pencil annotation on the top right of the recto. Group 1 Int. Dist. Org unknown
1985ref. 149992N.p.: N.p. 1985. Draft script for the 1986 film. With a manuscript ink annotation on the front wrapper noting copy No. 356. Missing five pages likely as used or issued. A young librarian poses as a police officer for a one-time charity dance event but attempts to maintain the ruse when he catches the attentions of a young attractive policewoman. Light blue illustrated titled wrappers. Title page present dated May 12 1985 with credits for director Michael Dinner and screenwriter Mark Medoff. 141 leaves with last page of text numbered 132. Xerographic duplication rectos only with white revision pages throughout dated variously between 5/20/85 and 7/16/85. Pages Near Fine wrapper Very Good plus bound with two gold brads. Full provenance available. N.p. unknown
1987ref. 171549N.p.: N.p. 1987. Revised Draft script for Season 2 Episode 3 of the 1986-1988 television series. Originally aired October 20 1987 on NBC. With revisions by Michael Mann prior to developing "Miami Vice" and moving on to a massive film career. Series following a detective with plans to stop a mobster in 1960s Las Vegas. In this episode the detective sets up a sting operation to catch a family involved in the marijuana trade. Set in 1960s Las Vegas. Generic brown wrappers with tape affixed to the front wrapper with manuscript ink annotations indicating the series and episode titles and with credits for screenwriter Tom Towler. Title page present dated 8/21/87 noted as Revised with credits for screenwriter Tom Towler. 62 leaves with last page of text numbered 57. Xerographic duplication rectos only with revision pages throughout dated variously between 8/18/87 and 8/21/87. Pages Fine wrapper Near Fine internally bound with silver prong binding. N.p. unknown
1976ref. 150675Universal City: Universal Pictures 1976. Complete set of eight vintage color studio still photographs for the 1976 film. The employees of a Los Angeles car wash encounter a variety of strange and humorous customers over the course of their daily work including a Muslim revolutionary Bill Duke a power-hungry evangelist Richard Pryor with a singing entourage The Pointer Sisters and a man posing a potential bomb threat Irwin Corey. Set and shot on location in Westlake Los Angeles. 10 x 8 inches. Very Good plus several with pinholes to the corners. Universal Pictures unknown
1981ref. 142543Moore Park Australia: First City / Embassy Pictures 1981. Revised Draft script for the 1981 film. An executive's life takes an unexpected turn when his illegitimate son shows up. Featuring Denzel Washington in his film debut. Yellow titled wrappers. Title page present noted as Revised with credits for screenwriter Stanley Shapiro and director Michael Schultz. 111 leaves with last page of text numbered 109. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with two gold brads. First City / Embassy Pictures unknown
1957ref. 143949Japan: Towa 1957. Two original uncut Japanese stamp sheets for the 1957 French-Italian film. Bardot is amply represented in red and green variants 10 stamps per sheet also with an image of the Eiffel Tower. Produced by the Towa Corporation Japan with "BB" and film titles in Japanese represented. The film was released in Japan in December about one week after the French premiere. Scarce and cool Bardot ephemera and a unique Japan-France collaboration circa 1957-1958. Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet Vidal who happens to be a womanizer. Taking control of the situation she has an weekend affair with a prince Boyer and ultimately reunites with her husband after somewhat passive apologies. Sheets 4.5 x 8 inches stamps 1.25 x 1.75 inches. Very Good plus overall with a little light handling and toning. Towa unknown
