11,045 results
1947ref. 148202N.p.: Monogram Pictures 1947. Vintage studio still photograph of Regis Toomey John Litel Bonita Granville and Don Castle from the 1947 film. Based on the 1941 short story "He Looked Like Murder" by Cornell Woolrich. The tale of a manhunt for the murderer of a woman with a twin told through a series of flashbacks and plot twists "The Guilty" is a prototypical Poverty Row second feature. Set in New York City. 8 x 10 inches. Near Fine. Grant US. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Monogram Pictures unknown books
1973ref. 147085N.p.: N.p. 1973. Revised scenes for second unit post-production re-shooting and editing for the 1973 film seen here under the working title "Valdez Horses." With annotations in manuscript ink and pencil throughout. Based on the 1967 novel "The Valdez Horses" by Lee Hoffman about a mixed-race horse breeder who lives on the outskirts of New Mexican society a solitary life that is disrupted for better when he takes in a young runaway boy who asks to be his protégé. Set in southwest New Mexico shot on location in Andalucia Spain. Blue untitled wrappers. Lacking title page. 40 leaves with last page of text numbered 38. Carbon typescript rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown
1973ref. 147085N.p.: N.p. 1973. Revised scenes for second unit post-production re-shooting and editing for the 1973 film seen here under the working title "Valdez Horses." With annotations in manuscript ink and pencil throughout. Based on the 1967 novel "The Valdez Horses" by Lee Hoffman about a mixed-race horse breeder who lives on the outskirts of New Mexican society a solitary life that is disrupted for better when he takes in a young runaway boy who asks to be his protégé. Set in southwest New Mexico shot on location in Andalucia Spain. Blue untitled wrappers. Lacking title page. 40 leaves with last page of text numbered 38. Carbon typescript rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown books
1976ref. 162486N.p.: Maturpix 1976. Vintage studio still photograph from the 1976 film. Provenance stamp on the verso. Catharine Burgess stars as a wealthy socialite who finds herself sexually drawn to a mirror in the attic of her family's estate where she speaks to her dead father who tries to convince her to come through the looking glass. Shot on location in Long Island New York. 8 x 10 inches. Near Fine. Thrower Nightmare USA. Maturpix unknown
1976ref. 162486N.p.: Maturpix 1976. Vintage studio still photograph from the 1976 film. Provenance stamp on the verso. Catharine Burgess stars as a wealthy socialite who finds herself sexually drawn to a mirror in the attic of her family's estate where she speaks to her dead father who tries to convince her to come through the looking glass. Shot on location in Long Island New York. 8 x 10 inches. Near Fine. Thrower Nightmare USA. Maturpix unknown books
1955ref. 164729Universal City: Universal Pictures 1955. Vintage publicity photograph from the 1955 film showing actors June Allyson and José Ferrer. Printed mimeo snipe affixed to the verso. Based on the 1952 Pulitzer Prize-winning play by Joseph Kramm about a successful stage director who is driven to a mental breakdown by his domineering vengeful wife. Ferrer reprised his role from the stage production. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Shot on location in New York City around Times Square and in Bellevue Hospital. 10 x 8 inches. Very Good plus. Universal Pictures unknown
1955ref. 164729Universal City: Universal Pictures 1955. Vintage publicity photograph from the 1955 film showing actors June Allyson and José Ferrer. Printed mimeo snipe affixed to the verso. Based on the 1952 Pulitzer Prize-winning play by Joseph Kramm about a successful stage director who is driven to a mental breakdown by his domineering vengeful wife. Ferrer reprised his role from the stage production. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Shot on location in New York City around Times Square and in Bellevue Hospital. 10 x 8 inches. Very Good plus. Universal Pictures unknown books
1978ref. 146439N.p.: N.p. 1978. Revised First Draft script for an unproduced film. Based on screenwriter Josef Shaftel's experiences working as a newspaper correspondent in 1948 in the Middle East during the Arab-Israeli conflict during which time he falls in love with a Jewish refugee and gradually becomes sympathetic to the Zionist cause. Shaftel's story was also the basis for a 1962 novel by Robert Nathan. Set in Rome Israel and Palestine. Blue titled wrappers. Title page present dated JUNE 5 1978 noted as REVISED FIRST DRAFT with credits for screenwriter JOSEF SHAFTEL. 125 leaves with last page of text numbered 133. Xerographic duplication rectos only with undated yellow revision pages throughout. Pages Very Good plus wrapper Very Good plus with a small dampstain affecting the front wrapper and lower page edge bound with two gold brads. N.p. unknown
1978ref. 146513N.p.: N.p. 1978. Treatment script for an unproduced film. Criminals plan a massive theft from a military air base in order to secure the materials to build a nuclear warhead. Screenwriter Josef Shaftel was better known for "The Biggest Bundle of them All" 1968. Set in Boston Chicago Las Vegas and New York. Black untitled wrappers. Title page present dated June 15 1978 noted as Film Treatment with credits for screenwriters JOSEF SHAFTEL and PAUL WHEELER. 32 leaves with last page of text numbered 31. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with silver prong binding. N.p. unknown
1978ref. 146513N.p.: N.p. 1978. Treatment script for an unproduced film. Criminals plan a massive theft from a military air base in order to secure the materials to build a nuclear warhead. Screenwriter Josef Shaftel was better known for "The Biggest Bundle of them All" 1968. Set in Boston Chicago Las Vegas and New York. Black untitled wrappers. Title page present dated June 15 1978 noted as Film Treatment with credits for screenwriters JOSEF SHAFTEL and PAUL WHEELER. 32 leaves with last page of text numbered 31. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with silver prong binding. N.p. unknown books
1978ref. 146439N.p.: N.p. 1978. Revised First Draft script for an unproduced film. Based on screenwriter Josef Shaftel's experiences working as a newspaper correspondent in 1948 in the Middle East during the Arab-Israeli conflict during which time he falls in love with a Jewish refugee and gradually becomes sympathetic to the Zionist cause. Shaftel's story was also the basis for a 1962 novel by Robert Nathan. Set in Rome Israel and Palestine. Blue titled wrappers. Title page present dated JUNE 5 1978 noted as REVISED FIRST DRAFT with credits for screenwriter JOSEF SHAFTEL. 125 leaves with last page of text numbered 133. Xerographic duplication rectos only with undated yellow revision pages throughout. Pages Very Good plus wrapper Very Good plus with a small dampstain affecting the front wrapper and lower page edge bound with two gold brads. N.p. unknown books
1943ref. 156120N.p.: N.p. 1943. Vintage program for the 1943 German film. Based on the adventures of fictional immortal German nobleman Baron von Münchhausen created by Rudolf Erich Raspe in his 1785 novel "Baron Münchausen's Narrative of his Marvellous Travels and Campaigns in Russia." The film was commissioned by Nazi Propaganda Minister Joseph Goebbels during World War II nominally to celebrate the 25th anniversary of the UFA film studio released after the German loss at the Battle of Stalingrad in an attempt to reinvigorate German morale. 7.25 x 10.5 inches. Bi-fold. About Near Fine. N.p. unknown
1943ref. 156120N.p.: N.p. 1943. Vintage program for the 1943 German film. Based on the adventures of fictional immortal German nobleman Baron von Münchhausen created by Rudolf Erich Raspe in his 1785 novel "Baron Münchausen's Narrative of his Marvellous Travels and Campaigns in Russia." The film was commissioned by Nazi Propaganda Minister Joseph Goebbels during World War II nominally to celebrate the 25th anniversary of the UFA film studio released after the German loss at the Battle of Stalingrad in an attempt to reinvigorate German morale. 7.25 x 10.5 inches. Bi-fold. About Near Fine. N.p. unknown books
1955ref. 158962Glendale CA: Allied Artists Pictures 1955. Vintage studio still photograph from the 1955 film noir. A police lieutenant is ordered by his boss to stop trying to catch a sadistic gangster but finds himself increasingly obsessed with catching the man-and increasingly bewitched by the man's girlfriend. 10 x 8 inches. Very Good plus with pin holes at the corners and one small chip missing from the top left corner. Grant US. Olive Films. Selby US Canon. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Allied Artists Pictures unknown
1955ref. 158962Glendale CA: Allied Artists Pictures 1955. Vintage studio still photograph from the 1955 film noir. A police lieutenant is ordered by his boss to stop trying to catch a sadistic gangster but finds himself increasingly obsessed with catching the man-and increasingly bewitched by the man's girlfriend. 10 x 8 inches. Very Good plus with pin holes at the corners and one small chip missing from the top left corner. Grant US. Olive Films. Selby US Canon. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Allied Artists Pictures unknown books
1963ref. 134356Los Angeles: Twentieth Century-Fox 1963. Collection of 3 vintage black-and-white still photographs two studio stills one reference still from the 1963 film. This film featured Elizabeth Taylor and Richard Burton in their first pairing beginning their tumultuous love-hate relationship. Based on the histories written by Plutarch Suetonius and Appian and also based on the Carlo Maria Franzero book and set in 48 B.C. in Egypt. Winner of several Academy Awards Best Cinematography Art Direction Costume Design Effects. Set in Egypt shot on location in Spain Italy England and the USA. 8 x 10 inches. Very Good plus corner creases to all studio stills toned short closed tears and a few tiny chips. The reference still has two larger tears at the right edge. Twentieth Century-Fox unknown
1963ref. 134356Los Angeles: Twentieth Century-Fox 1963. Collection of 3 vintage black-and-white still photographs two studio stills one reference still from the 1963 film. This film featured Elizabeth Taylor and Richard Burton in their first pairing beginning their tumultuous love-hate relationship. Based on the histories written by Plutarch Suetonius and Appian and also based on the Carlo Maria Franzero book and set in 48 B.C. in Egypt. Winner of several Academy Awards Best Cinematography Art Direction Costume Design Effects. Set in Egypt shot on location in Spain Italy England and the USA. 8 x 10 inches. Very Good plus corner creases to all studio stills toned short closed tears and a few tiny chips. The reference still has two larger tears at the right edge. Twentieth Century-Fox unknown books
1966ref. 151995Los Angeles: Twentieth Century-Fox 1966. Vintage reference photograph of Terence Stamp and Monica Vitti from the 1966 film. "20th Century Fox Film Corp." stamp on verso. Based on the British comic strip which originally appeared in 1963. Modesty Blaise a former criminal mastermind occasionally employed by the Secret Service must protect a shipment of diamonds en route to a small Middle Eastern kingdom from a crime syndicate. Monica Vitti's first English-speaking role. Nominated for the Palme d'Or. Shot on location in Italy Netherlands and England. 10 x 8 inches. Very Good plus with light edgewear and creasing in far corners. Twentieth Century-Fox unknown
1971ref. 170548Culver City CA: Columbia Pictures 1971. Vintage reference photograph from the 1971 film showing actress Julie Christie sporting a fringed shawl and riding a bicycle on the set. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. Columbia Pictures unknown
1971ref. 170553Culver City CA: Columbia Pictures 1971. Vintage studio still photograph from the 1971 film showing Julie Christie in costume. Provenance stamp on the verso. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. Columbia Pictures unknown
1971ref. 170553Culver City CA: Columbia Pictures 1971. Vintage studio still photograph from the 1971 film showing Julie Christie in costume. Provenance stamp on the verso. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. Columbia Pictures unknown books
1971ref. 170548Culver City CA: Columbia Pictures 1971. Vintage reference photograph from the 1971 film showing actress Julie Christie sporting a fringed shawl and riding a bicycle on the set. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. Columbia Pictures unknown books
1966ref. 151995Los Angeles: Twentieth Century-Fox 1966. Vintage reference photograph of Terence Stamp and Monica Vitti from the 1966 film. "20th Century Fox Film Corp." stamp on verso. Based on the British comic strip which originally appeared in 1963. Modesty Blaise a former criminal mastermind occasionally employed by the Secret Service must protect a shipment of diamonds en route to a small Middle Eastern kingdom from a crime syndicate. Monica Vitti's first English-speaking role. Nominated for the Palme d'Or. Shot on location in Italy Netherlands and England. 10 x 8 inches. Very Good plus with light edgewear and creasing in far corners. Twentieth Century-Fox unknown books
1951ref. 146074Universal City: Universal International Pictures 1951. Post-production Continuity and Dialogue script for the 1951 film. A group of new recruits arrive at an Air Force training camp and experience the usual growing pains: hazing romance and rivalry. An early appearance by Golden Age heartthrob Rock Hudson as an aggressive upperclassman. Shot on location in Arizona Florida and Texas. White titled self wrappers noted as CONTINUITY & DIALOGUE on the front wrapper noted as production No. 1653 dated JANUARY 31 1951 with credits for actors Stephen McNally Gail Russell Alex Nicol and other cast members. Title page integral with the front wrapper as issued. 136 leaves with last page of text numbered REEL TEN PAGE 13. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus with some fading to the top left and right edges bound with two gold brads. Universal International Pictures unknown
1954ref. 130946Universal City CA: Universal Pictures 1954. Continuity and Dialogue script for the 1954 film. A woman moves from the midwest to New York City and develops a friendship with a nightclub singer. Unfortunately the nightclub singer's husband develops feelings for the new to town woman. The misunderstanding may be deadly. Set in New York City. White titled self-wrappers noted as Continuity and Dialogue on the front wrapper production No. 1757 dated March 16 1954 with credits for director Joseph Pevney. PAGES leaves with last page of text numbered 9. Multilith duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads along the top edge. Grant US. Selby US. Spicer US. Universal Pictures unknown
