11,045 results
1952ref. 135628Los Angeles: Twentieth Century-Fox 1952. Vintage black-and-white linen-backed keybook still photograph from the 1952 film. Ownership rubber stamp Christopher C. Geest on the verso. Two hole punches at the top margin as issued. Pictured is Jennifer Jones cold-cocking Charlton Heston at the beach. Jennifer Jones offers a virtual reprise of her sultry performance in "Duel in the Sun" as the titular heroine of this film. Born into a poor-white-trash Southern family Ruby intends to improve her lot by marrying into wealth. Her casual beau Boake Tackman Heston considers Ruby unfit for marriage but prosperous businessman Jim Gentry Malden is eager and willing to make her his wife. Jim Gentry dies in an accident and the consensus of opinion is that he was killed by the covetous Ruby. For some reason this ignites a passion in Boake and he renews his torrid romance with the widow Gentry. Ruby's crazed brother Jewel James Anderson puts an end to this affair with a shotgun provoking a violent response from Ruby and a "Lady or the Tiger"-esque ending. Shot on location throughout California. 8 x 10.75 inches. Near Fine. Twentieth Century-Fox unknown
1952ref. 135628Los Angeles: Twentieth Century-Fox 1952. Vintage black-and-white linen-backed keybook still photograph from the 1952 film. Ownership rubber stamp Christopher C. Geest on the verso. Two hole punches at the top margin as issued. Pictured is Jennifer Jones cold-cocking Charlton Heston at the beach. Jennifer Jones offers a virtual reprise of her sultry performance in "Duel in the Sun" as the titular heroine of this film. Born into a poor-white-trash Southern family Ruby intends to improve her lot by marrying into wealth. Her casual beau Boake Tackman Heston considers Ruby unfit for marriage but prosperous businessman Jim Gentry Malden is eager and willing to make her his wife. Jim Gentry dies in an accident and the consensus of opinion is that he was killed by the covetous Ruby. For some reason this ignites a passion in Boake and he renews his torrid romance with the widow Gentry. Ruby's crazed brother Jewel James Anderson puts an end to this affair with a shotgun provoking a violent response from Ruby and a "Lady or the Tiger"-esque ending. Shot on location throughout California. 8 x 10.75 inches. Near Fine. Twentieth Century-Fox unknown books
1954ref. 172915Burbank CA: Buena Vista / Walt Disney Productions 1954. Vintage studio still photograph from the 1954 film. Based on the 1870 novel by Jules Verne. A professor and his assistant set out to find a giant sea monster that has been destroying ships in the Pacific Ocean only to discover the monster is a submarine manned by a reclusive sea Captain. Set in the Pacific Ocean shot on location in California Jamaica and the Bahamas. 8 x 10 inches. Very Good plus with creasing along the top and right margins and at the corners. Weldon 1983. Buena Vista / Walt Disney Productions unknown
1954ref. 172915Burbank CA: Buena Vista / Walt Disney Productions 1954. Vintage studio still photograph from the 1954 film. Based on the 1870 novel by Jules Verne. A professor and his assistant set out to find a giant sea monster that has been destroying ships in the Pacific Ocean only to discover the monster is a submarine manned by a reclusive sea Captain. Set in the Pacific Ocean shot on location in California Jamaica and the Bahamas. 8 x 10 inches. Very Good plus with creasing along the top and right margins and at the corners. Weldon 1983. Buena Vista / Walt Disney Productions unknown books
1935ref. 164515Culver City CA: Columbia Pictures 1935. Vintage reference photograph of Florence Rice from the 1935 film with a stamp crediting photographer Ray Jones and a mimeo snipe on the verso. Not to be confused with the 1925 silent film directed by Al Rogell and starring Reed Howes and Mildred Davis. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. A scientist invents a "superspeed" formula for race cars that everyone is soon fighting to own. 8 x 10 inches. Near Fine. Columbia Pictures unknown
1935ref. 164515Culver City CA: Columbia Pictures 1935. Vintage reference photograph of Florence Rice from the 1935 film with a stamp crediting photographer Ray Jones and a mimeo snipe on the verso. Not to be confused with the 1925 silent film directed by Al Rogell and starring Reed Howes and Mildred Davis. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. A scientist invents a "superspeed" formula for race cars that everyone is soon fighting to own. 8 x 10 inches. Near Fine. Columbia Pictures unknown books
1970ref. 144149N.p.: N.p. 1970. Draft script for an unproduced film. Marisa immigrates to Los Angeles from Guatemala to go to a university for the deaf. She struggles to find work without a green card and as she is forced into increasingly precarious situations she must defend herself from violent and predatory men. Set in Guatemala and Los Angeles California. Green titled wrappers with credits for screenwriter Larry Davis. 110 leaves with last page of text numbered 109. Xerographically reproduced. Pages Fine wrapper Fine bound with two gold brads. N.p. unknown
1970ref. 144149N.p.: N.p. 1970. Draft script for an unproduced film. Marisa immigrates to Los Angeles from Guatemala to go to a university for the deaf. She struggles to find work without a green card and as she is forced into increasingly precarious situations she must defend herself from violent and predatory men. Set in Guatemala and Los Angeles California. Green titled wrappers with credits for screenwriter Larry Davis. 110 leaves with last page of text numbered 109. Xerographically reproduced. Pages Fine wrapper Fine bound with two gold brads. N.p. unknown books
1968ref. 161820N.p.: Joseph Brenner Associates 1968. Two vintage studio still photographs from the 1968 film. Both photographs with provenance stamps on the verso. A drug-dealing university dropout leads his straight-laced girlfriend down a path of petty crime and uninhibited sex. Set in and shot on location in Québec and Ontario Canada. 8 x 10 inches. Very Good plus with light edgewear and faint toning at the extremities. Joseph Brenner Associates unknown
1968ref. 161820N.p.: Joseph Brenner Associates 1968. Two vintage studio still photographs from the 1968 film. Both photographs with provenance stamps on the verso. A drug-dealing university dropout leads his straight-laced girlfriend down a path of petty crime and uninhibited sex. Set in and shot on location in Québec and Ontario Canada. 8 x 10 inches. Very Good plus with light edgewear and faint toning at the extremities. Joseph Brenner Associates unknown books
1976ref. 166313N.p.: N.p. 1976. Final Draft script for the third episode of the 1976 CBS television series. "Spencer's Pilots" debuted on CBS on April 9 1976 and aired for eleven episodes ending on November 19 1976. Christopher Stone and Tod Susman star as Cass Garrett and Stan Lewis two charter pilots for Spencer Aviation in California who take on dangerous and hazardous assignments. In this episode Cass and Stan are to fly a convicted murderer and his escort a deputy sheriff to a penitentiary in southern California when an escape plot unfolds right after takeoff. Red titled wrappers with credits for screenwriter Richard Bluel. Title page present dated July 23 1976 noted as FINAL DRAFT with credits for screenwriter Richard Bluel. 54 leaves with last page of text numbered 50. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1976ref. 166313N.p.: N.p. 1976. Final Draft script for the third episode of the 1976 CBS television series. "Spencer's Pilots" debuted on CBS on April 9 1976 and aired for eleven episodes ending on November 19 1976. Christopher Stone and Tod Susman star as Cass Garrett and Stan Lewis two charter pilots for Spencer Aviation in California who take on dangerous and hazardous assignments. In this episode Cass and Stan are to fly a convicted murderer and his escort a deputy sheriff to a penitentiary in southern California when an escape plot unfolds right after takeoff. Red titled wrappers with credits for screenwriter Richard Bluel. Title page present dated July 23 1976 noted as FINAL DRAFT with credits for screenwriter Richard Bluel. 54 leaves with last page of text numbered 50. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
ref. 143888N.p.: N.p. Typed script for an unproduced film with manuscript annotations and type corrections throughout. Thomas a bureaucrat for an oppressive regime goes undercover as a clown to spy on civilians until his legitimacy is called into question on both fronts. Goldenrod titled wrappers noted as First draft on the front wrapper with credits for screenwriter Laszlo Gorog and cinematographer Roger Barlow. 120 leaves with last page of text numbered 120. Typed. Pages Good wrapper Good bound with three gold brads. N.p. unknown
ref. 143888N.p.: N.p. Typed script for an unproduced film with manuscript annotations and type corrections throughout. Thomas a bureaucrat for an oppressive regime goes undercover as a clown to spy on civilians until his legitimacy is called into question on both fronts. Goldenrod titled wrappers noted as First draft on the front wrapper with credits for screenwriter Laszlo Gorog and cinematographer Roger Barlow. 120 leaves with last page of text numbered 120. Typed. Pages Good wrapper Good bound with three gold brads. N.p. unknown books
1999ref. 160097Los Angeles: Paramount Pictures 1999. For Your Consideration script for the 2000 film. Kenneth Lonergan's directorial debut about the complicated relationship between two orphaned adult siblings. Nominated for two Academy Awards: Best Actress for Laura Linney and Best Screenplay for Lonergan. Set in the fictional Catskill towns of Scottsville and Auburn shot on location in Margaretville and Phoenicia New York. White titled Paramount Pictures wrappers undated with credit for director-screenwriter Kenneth Lonergan. Title page present dated 1999 noted as FINAL DRAFT with credit for Lonergan. 99 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Very Good wrapper Very Good with moderate dampstains affecting the top right corners and fore-edges bound with two gold brads. Paramount Pictures unknown
1999ref. 160097Los Angeles: Paramount Pictures 1999. For Your Consideration script for the 2000 film. Kenneth Lonergan's directorial debut about the complicated relationship between two orphaned adult siblings. Nominated for two Academy Awards: Best Actress for Laura Linney and Best Screenplay for Lonergan. Set in the fictional Catskill towns of Scottsville and Auburn shot on location in Margaretville and Phoenicia New York. White titled Paramount Pictures wrappers undated with credit for director-screenwriter Kenneth Lonergan. Title page present dated 1999 noted as FINAL DRAFT with credit for Lonergan. 99 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Very Good wrapper Very Good with moderate dampstains affecting the top right corners and fore-edges bound with two gold brads. Paramount Pictures unknown books
1945ref. 172365Los Angeles CA: Monogram Pictures 1945. Vintage studio still photograph from the 1945 Poverty Row film noir. With a blind stamp on the verso at the bottom right corner as well as a rubber-stamped number "7." Bruises at all four corners of the verso from being previously mounted for use. Based on the life of gangster John Dillinger. A petty criminal becomes a serious gangster when he joins a gang of bank robbers after meeting them in prison and subsequently helping them escape. Sshot on location in Simi Valley CA and the San Bernardino National Forest in California. 8 x 10 inches. Very Good plus. Grant US. Selby US. Spicer US. Weldon 1996. Monogram Pictures unknown
1945ref. 172365Los Angeles CA: Monogram Pictures 1945. Vintage studio still photograph from the 1945 Poverty Row film noir. With a blind stamp on the verso at the bottom right corner as well as a rubber-stamped number "7." Bruises at all four corners of the verso from being previously mounted for use. Based on the life of gangster John Dillinger. A petty criminal becomes a serious gangster when he joins a gang of bank robbers after meeting them in prison and subsequently helping them escape. Sshot on location in Simi Valley CA and the San Bernardino National Forest in California. 8 x 10 inches. Very Good plus. Grant US. Selby US. Spicer US. Weldon 1996. Monogram Pictures unknown books
1966ref. 161982Los Angeles: Olympic International Films 1966. Four vintage studio still photographs from the 1966 film. Provenance stamps and labels on the verso. "Documentary" exploitation classic featuring mostly faked travelogue footage including a Kyoto message parlor a Lebanese white slavery auction the Los Angeles art and peace scene and spring breakers on Balboa Island. Shot on location in Los Angeles and Newport Beach California Kyoto and Nassau Bahamas. 8 x 10 inches. Near Fine overall. Olympic International Films unknown
1966ref. 161982Los Angeles: Olympic International Films 1966. Four vintage studio still photographs from the 1966 film. Provenance stamps and labels on the verso. "Documentary" exploitation classic featuring mostly faked travelogue footage including a Kyoto message parlor a Lebanese white slavery auction the Los Angeles art and peace scene and spring breakers on Balboa Island. Shot on location in Los Angeles and Newport Beach California Kyoto and Nassau Bahamas. 8 x 10 inches. Near Fine overall. Olympic International Films unknown books
1982ref. 137892Koln Cologne: N.p. 1982. Draft script for an unproduced German film. Laid in is a manuscript letter addressed to Kinski from Kremser dated 1982 and signed by Kremser. The letter states that Kremser wrote the screenplay with Kinski in mind as the lead role in a film that would be a "political science-fiction fairy tale." Both script and letter in German. Cream untitled wrappers. Title page present with title written in manuscript ink. 329 leaves with last page of text numbered 368. Xerographic duplication versos and rectos. Pages Very Good plus wrapper Near Fine perfect-bound. Letter Very Good plus dated March 8 1982. N.p. unknown
1982ref. 137892Koln Cologne: N.p. 1982. Draft script for an unproduced German film. Laid in is a manuscript letter addressed to Kinski from Kremser dated 1982 and signed by Kremser. The letter states that Kremser wrote the screenplay with Kinski in mind as the lead role in a film that would be a "political science-fiction fairy tale." Both script and letter in German. Cream untitled wrappers. Title page present with title written in manuscript ink. 329 leaves with last page of text numbered 368. Xerographic duplication versos and rectos. Pages Very Good plus wrapper Near Fine perfect-bound. Letter Very Good plus dated March 8 1982. N.p. unknown books
1956ref. 142888Paris: Cinedis 1956. Collection of five original black-and-white photographs for the 1956 French film. Candid on-the-set moments showing actors Gil Vidal and Annie Girardot and two images of Fresnay at a jukebox and with Girardot. French film title and actor names on the versos in manuscript ink. Fresnay plays the role of a teacher who surprises meddling students in a robbery attempt. The students two played by Vidal and Girardot aim to get revenge by framing the teacher for rape. Girardot had just begun her career one that would land her roles playing strong-willed independent women relatable for women in similar situations and she would become France's leading actress by the 1970s. 4.75 x 7 inches one slightly smaller half are slightly larger all with large borders at the bottom. Slight curling else Near Fine. Selby Worldwide France. Cinedis unknown
1956ref. 142888Paris: Cinedis 1956. Collection of five original black-and-white photographs for the 1956 French film. Candid on-the-set moments showing actors Gil Vidal and Annie Girardot and two images of Fresnay at a jukebox and with Girardot. French film title and actor names on the versos in manuscript ink. Fresnay plays the role of a teacher who surprises meddling students in a robbery attempt. The students two played by Vidal and Girardot aim to get revenge by framing the teacher for rape. Girardot had just begun her career one that would land her roles playing strong-willed independent women relatable for women in similar situations and she would become France's leading actress by the 1970s. 4.75 x 7 inches one slightly smaller half are slightly larger all with large borders at the bottom. Slight curling else Near Fine. Selby Worldwide France. Cinedis unknown books
1973ref. 138032New York: Self published 1973. Draft script for an unproduced film called "Ray's Wife" written by Leon Prochnik who edited the cult 1959 short film "Pull My Daisy" a film narrated by Jack Kerouac and starring a plethora of literary icons like Allen Ginsberg and Gregory Corso. Prochnik based this screenplay on a story by director-cinematographer Christian Blackwood whose film credits include "Jim Dine: London" 1970 "David Hockney's Diaries" 1970 "Roger Corman: Hollywood's Wild Angel" 1978 and "Thelonious Monk: Straight No Chaser" 1988. Set in Las Vegas where a married man name Ray gallivants around town with hot young ladies. Ray's wife is a strong-willed woman who gets pregnant and takes control of her future long after Ray dies. Orange Studio Duplicating wrappers. Title page present dated 1973 with credits for screenwriter Prochnik and story writer Blackwood. 105 leaves with last page of text numbered 104. Mechanical duplication. Pages and wrapper Near Fine bound with two gold brads. Self published unknown
