4,958 results
1966ref. 160658N.p.: N.p. 1966. Two vintage borderless reference photographs of director Jacques Rivette and actress Anna Karina on the set of the 1966 film. Both with distribution stamps on the verso and one with layout annotations in manuscript pencil and the stamp of "Télé Poche." Based on Denis Diderot's eighteenth century novel following a young woman whose family forces her into a convent. A flurry of controversy surrounded the film's production and release as a result of its critical stance toward the Catholic Church leading the French Minister of Information to ban its release. A large-scale campaign was subsequently launched in its defense and the ban was lifted in 1967 when it was shown at Cannes Film Festival and nominated for the Palme d'Or. Shot on location in Villeneuve-les-Avignon Gard France. 7 x 5.25 inches. Near Fine. Vogel Film as a Subversive Art. N.p. unknown
1955ref. 158268Burbank CA: Warner Brothers 1955. Vintage studio still photograph of James Dean talking with Julie Harris on the set of the 1955 film while actors Raymond Massey Lois Smith and Richard Davalos look on. Based on the 1952 novel by John Steinbeck about two brothers who struggle for the attentions and favor of their deeply religious emotionally troubled father. Winner of Best Dramatic Film at Cannes and nominated for the Palme d'Or. Actress Jo Van Fleet would go on to win a Best Supporting Actress Oscar and the film was nominated for three more Academy Awards including Best Director Best Screenplay and the first ever posthumous acting nomination in Academy history for James Dean's lead performance. Set and shot on location in Monterey and Salinas California. 10 x 8 inches. About Near Fine. National Film Registry. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Warner Brothers unknown
1964ref. 152148Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Draft script for the sixth episode of season two of the 1963-1965 television series originally aired on November 10 1964 on NBC. Copy belonging to actor Johnny Crawford with his name in manuscript ink on the front wrapper and his manuscript ink annotations throughout. The series followed the experiences of Mr. Novak James Franciscus a high school English teacher in Los Angeles. In this episode Mr. Novak gets involved in the lives of two students-one who seems destined for success and one on the verge of dropping out. Goldenrod titled wrappers noted as Prod. No. 7526 on the front wrapper dated September 2 1964 with credits for screenwriter Mel Goldberg. Title page integral with the front wrapper as issued. 60 leaves with last page of text numbered 65. Mimeograph duplication on eye-rest green stock rectos only with blue and gray revision pages throughout dated variously between 9-9-64 and 9-10-64. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Housed in brown wrappers with a handwritten title label affixed to the front wrapper dated Sept. 1964. Metro-Goldwyn-Mayer [MGM] unknown
1977ref. 153851N.p.: N.p. 1977. Vintage borderless reference photograph from the 1977 French hardcore film showing actress Brigitte Lahaie. 5 x 7 inches. Near Fine. Bier 370. N.p. unknown
1956ref. 151415N.p.: Franco-London Film 1956. Vintage borderless reference photograph of director Jean Renoir listening while composer Joseph Kosma plays the organ on the set of the 1956 film. With a mimeo snipe on the verso along with a stamp specific to the film's French release. In turn-of-the-century France a young Polish princess agrees to marry a wealthy older man to save her family from the poorhouse but finds herself falling in love with a handsome stranger despite her engagement. The third film in director Jean Renoir's romance trilogy preceded by "The Golden Coach" 1953 and "French Cancan" 1955. Set and shot on location in France. 7 x 5.25 inches. Near Fine. Franco-London Film unknown
1955ref. 161316N.p.: N.p. 1955. Three vintage reference photographs of director Jean Renoir on the set of the 1955 film two showing Renoir with actress Françoise Arnoul and one showing Renoir examining the ground while surrounded by cast members. All three photographs with Amsterdam distributor stamps on the versos. A dramatization of the opening of the famed Moulin Rouge nightclub about a theatre producer who decides to revive the cancan dance after seeing a beautiful young woman dancing at an old-fashioned Montmartre dance hall. 7 x 5 inches. Very Good plus lightly worn one with faint ink residue on the top portion of the recto. N.p. unknown
1971ref. 166092N.p.: N.p. 1971. Vintage borderless reference photograph from the 1971 French film. Provenance stamp and annotations in manuscript pencil on the verso. Director Jean Rollin's third vampire film following "Le viol du vampire" 1968 and "La vampire nue" 1970. 7 x 9.5 inches with a wide right margin. Near Fine. Hinds 76. N.p. unknown
1963ref. 159624N.p.: N.p. 1963. Two vintage borderless reference photographs taken on the set of the 1963 film including one showing actress Jean Seberg with director Robert Parrish. A young American art student must choose between her monied life in the US and her newfound love in Paris when her father arrives to bring her home. Set and shot on location in Paris. One photograph 9.5 x 8.25 inches one photograph 9.5 x 7 inches. Near Fine. N.p. unknown
1973ref. 171005N.p.: N.p. 1973. Vintage borderless reference photograph from the 1973 film showing Jesús Franco directing Doris Thomas and Britt Nichols. Layout annotations in manuscript pencil and ink and the stamp of photographer Mario Lippert on the verso. A group of nuns are possessed by demons and are subsequently subjected to torture and destruction. Hot on the heels of Ken Russell's "The Devils" 1971. Shot on location in Alicante Cascais and Sintra Portugal. 7 x 5 inches. Near Fine. Thrower "The Delirious Cinema of Jess Franco: Volume Two. N.p. unknown
1975ref. 161108Beverly Hills CA: Crown International Pictures 1975. Four vintage lobby cards from the Canadian release of the 1975 American film. Quebec censorship labels on the bottom right corners of the rectos. Two young hitchhikers are picked up by a man in his mobile home eventually disappearing into the Florida everglades where they experience a number of hallucinatory psychedelic experiences. Shot on location in Naples Florida. 14 x 11 inches. Very Good plus lightly creased and worn at the corners. Nightmare USA. Vinegar Syndrome 304. Crown International Pictures unknown
1983ref. 155349Los Angeles: Woodfall America 1983. Draft script for the 1984 film. Based on John Irving's 1981 novel a dark comedy following the eccentric and disaster-prone Berry family who weather hardships and incest with humor and grace. Set in Vienna and New Hampshire and shot on location in Montreal Canada. Maroon untitled wrappers. Title page present dated 3/10/83 with credits for novelist John Irving and director Tony Richardson. 126 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Very Good plus with rust marks from a paper clip affecting pages 19-21 wrapper Very Good plus bound internally with a silver prong. Woodfall America unknown
1994ref. 143834Beverly Hills CA: Outpost Productions / Multicom Entertainment 1994. Revised Shooting script for the 1995 film "Mind Ripper" seen here under the title "Wes Craven Presents: The Outpost." Round robin copy SIGNED on the front wrapper by director Joe Gayton producers Jonathan Craven and Peter Shepherd cast members Lance Henriksen Adam Solomon Natasha Gregson Wagner Giovanni Ribisi and Dan Blom editor Harry Hitner production designer Jeremy Levine stunt coordinator Anthony Cecere makeup artists James Barr and Paul Jones and more. A science lab in a remote desert location attempts to create a superhuman by reanimating a corpse but the end result is an uncontrollably violent monster zombie. Although marketed as a sequel to "The Hills Have Eyes" and "The Hills Have Eyes II" the only true link between the three films is Wes Craven's name. Shot on location in Bulgaria and Canada. Tall white titled self wrappers lacking rear wrapper presumably as issued noted as REVISED SHOOTING DRAFT BLUE on the front wrapper dated July 20 1994 with credits for screenwriters Phil Mittleman and Jonathan Craven. Title page integral with the front wrapper. 97 leaves with last page of text numbered 96. Xerographically reproduced. About Fine condition loose leaves. Outpost Productions / Multicom Entertainment unknown
1970ref. 158653Culver City CA: Columbia Pictures 1970. Two vintage borderless reference photographs of John Cassevetes on the set of the 1970 film. Following the death of a close friend three married middle-aged men spend several days attempting to recapture their youth through drinking sex sports and travel much to the chagrin of their families and the women they encounter. A personal project for Cassavetes who was at the time struggling with the death of his 30 year-old brother. Set and shot on location in New York and London. 10x 8 inches. Near Fine. Criterion Collection 1029. Columbia Pictures unknown
1961ref. 151262N.p.: N.p. 1961. Vintage reference photograph of director John Cassavetes in conversation with actors Bobby Darin and Stella Stevens on the set of the 1961 film. With manuscript pencil layout annotations on the verso. From the archive of film historian and author Joel Finler. Struggling jazz musician John "Ghost" Wakefield Bobby Darin pursues a romantic relationship with beautiful singer Jess Polanski Stella Stevens to the detriment of both parties' careers. John Cassavetes' second directorial effort following "Shadows" 1958 and his first film made for a Hollywood studio. Shot on location in California. 8 x 10 inches. Very Good plus overall with a few nicks to the top left corner. Olive Films 391. Rosenbaum 1000. N.p. unknown
1940ref. 152288Beverly Hills CA: United Artists 1940. Vintage pressbook and distributor's material for the 1940 film. Based on several early one-act plays by Eugene O'Neill including "The Moon of the Caribbees" "In the Zone" "Bound East for Cardiff" and "The Long Voyage Home." In the early days of World War II Ole John Wayne and his comrades smuggle drink and dames aboard their ship the SS Glencairn leading to mounting tensions between the crew. Materials varying sizes generally Very Good plus. Rosenbaum 1000. United Artists unknown
1939ref. 150177N.p.: N.p. 1939. Vintage borderless portrait photograph from the 1939 film showing actor Henry Fonda in costume as a young Abraham Lincoln. A dramatization of the early years of future president Abraham Lincoln following his upbringing in a log cabin to his first loves to his establishment of a law practice in Springfield Illinois. 7 x 9 inches. Very Good plus with light wear to the top corners and adhesive residue on the bottom edge of the verso. National Film Registry. Criterion Collection 320. N.p. unknown
1954ref. 150117N.p.: Romulus Films 1954. Vintage reference photograph of Humphrey Bogart on the set of the 1953 film. Two mimeo snipes affixed to the verso. Loosely based on the 1951 novel by Claud Cockburn shot as a parody of Huston's 1941 classic "The Maltese Falcon." One of the inscrutable films ever made viewed today variously as a cipher a long literary joke a Hollywood film or a bunch of famous folk on vacation with cameras rolling. In truth probably all of those things. But film noir to the hilt. Set in Europe shot on location in Italy in Ravello south of Naples Italy and nearby at Palazzo Ruffolo Palazzo Confalone and the Villa Cimbrone. Some second unit shooting and retakes were later done in the UK. 8 x 10 inches. Very Good plus with some creasing and several pinholes in margins and three very small chips on top edge. Ebert II. Grant US. Romulus Films unknown
1957ref. 156321Frankfurt: Twentieth Century-Fox 1957. Two vintage photographs from the 1957 film including one press photograph of actors Robert Mitchum and Deborah Kerr holding hands and one reference photograph of Kerr in a lifeboat with crew members at the bottom left. One photograph with a provenance stamp on the verso and the other with the stamp of Twentieth Century-Fox. Based on the 1952 novel by Charles Shaw about an Irish nun and an American Marine who find themselves stranded together on an island in the South Pacific during World War II. Nominated for two Academy Awards. Shot on location in Trinidad and Tobago. 10 x 8 inches. Near Fine. Twilight Time. Twentieth Century-Fox unknown
1956ref. 155865Burbank CA: Warner Brothers 1956. Vintage reference photograph from the 1956 film showing actor Gregory Peck surrounded by other cast members examining a model ship. Based on the 1851 novel by Herman Melville. Previously adapted for film in 1926 and in 1930 both starring John Barrymore. Set in New England shot on location in New England Ireland Wales Spain and Portugal. 10 x 8 inches. Near Fine. Warner Brothers unknown
1969ref. 155789Beverly Hills CA: United Artists 1969. Vintage studio still photograph from the 1969 film showing actors Jon Voight Paul Rossilli Viva and Dustin Hoffman. French distributor stamp on the verso. Based on the 1965 novel by James Leo Herlihy. One of the earliest films to receive an X rating and the only X-rated release to ever win an Academy Award for Best Picture also winning for Best Director and Best Screenplay. Nominated for four other Academy Awards including Best Actor for both Hoffman and Voight and Best Supporting Actress for Sylvia Miles. Set and shot on location in Big Spring Texas New York City and Miami Florida. 10 x 8 inches. Very Good plus with pinholes at the corners. National Film Registry. United Artists unknown
1950ref. 160946Los Angeles: RKO Radio Pictures 1950. Vintage mini-banner poster for the 1950 film noir. Lew Ayres stars as Lin Vanner a manager of an oil company who after learning the payroll was stolen in a hold-up pursues and kills an innocent robbery suspect. He goes to the man's widow for solace inadvertently beginning a journey down a road in which he slowly finds himself in the same position as his victim. Critically lauded on release the film remains highly underrated due to its failure at the box office. Shot on location in Pioneertown California. 4.75 x 28 inches. Very Good plus with light creasing at the extremities. Grant US. Selby US. Spicer US. RKO Radio Pictures unknown
1969ref. 160541N.p.: N.p. 1969. Three vintage double weight borderless reference photographs from the 1969 Finnish film. A woman discovers her husband has been cheating on her with an ice hockey rally driver and begins sleeping with her gynecologist in revenge. Shot on location in Helsinki and Stockholm. Photographs vary in size from 9 x 7 inches to 10.25 x 8.25 inches. Very Good plus. N.p. unknown
1936ref. 164478Culver City CA: Columbia Pictures 1936. Five vintage reference photographs from the 1936 film. All five with studio stamps crediting photographer Ray Jones on the verso and three with mimeo snipes on the same. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. A dramatization of the early years of Empress Elisabeth of Austria known as "Sissi" and her courtship and marriage to Franz Joseph I of Austria following his previous engagement to her older sister Duchess Helene in Bavaria. 8 x 10 inches. Near Fine. Columbia Pictures unknown
1973ref. 161147N.p.: N.p. 1973. Vintage French mini-poster for the 1973 French film. Based on the groundbreaking 1879 play by Henrik Ibsen. Nora leads a quiet existence with her authoritarian husband Torvald but is forced to reconsider her marriage when a blackmailer threatens to reveal secrets from her past. Shot on location in Reros Norway. 8.5 x 11 inches. Very Good plus with light edgewear and creasing. N.p. unknown
1967ref. 151771N.p.: N.p. 1967. Vintage reference photograph of director Joseph Losey in conversation with actors Dirk Bogarde and Stanley Baker on the set of the 1967 film. With a printed mimeo snipe in Spanish affixed to the verso. Based on the 1965 novel by Nicholas Mosley. A professor at Oxford University finds himself enamored with his beautiful young student Anna the fiancee of his other student Michael. Their three lives become horribly entwined by a brutal car crash. The second of three legendary collaborations between director Joseph Losey and screenwriter Harold Pinter the others being "The Servant" 1963 and The Go-Between" 1970. Shot on location in Oxford London and Middlesex UK. 9.5 x 7.25 inches. Very Good plus. N.p. unknown
