11,047 results
1971ref. 141228N.p.: N.p. 1971. Treatment script for an unproduced television series. Selected vignettes on the history of luxury cars and automobile racing. One vignette of note involves the creator of the Bugatti. Clear untitled front wrapper and red rear wrapper. Title page present dated 1971 with credit for screenwriter Robert J. Koster. 22 leaves with last leaf of text numbered 20. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown
1971ref. 141228N.p.: N.p. 1971. Treatment script for an unproduced television series. Selected vignettes on the history of luxury cars and automobile racing. One vignette of note involves the creator of the Bugatti. Clear untitled front wrapper and red rear wrapper. Title page present dated 1971 with credit for screenwriter Robert J. Koster. 22 leaves with last leaf of text numbered 20. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown books
1956ref. 132370Los Angeles: Bischoff-Diamond 1956. Draft script for an unproduced film. A story set aboard the USS. Missouri "The Mighty Mo" during WWII. Presnell would also write screenplays for "Screaming Eagles" 1956 also produced by Bischoff-Diamond "Legend of the Lost" 1957 "Conspiracy of Hearts" 1960 and "The Third Day" 1965. Light blue titled wrappers noted as copy No. 47 dated January 26 1956 with a credit for screenwriter Presnell Jr. Title page present with a credit for screenwriter Presnell Jr. 129 leaves mechanical duplication with the last leaf of text numbered 128. Pages Near Fine wrapper lightly toned and creased else Near Fine bound with two gold brads. Bischoff-Diamond unknown
1956ref. 132370Los Angeles: Bischoff-Diamond 1956. Draft script for an unproduced film. A story set aboard the USS. Missouri "The Mighty Mo" during WWII. Presnell would also write screenplays for "Screaming Eagles" 1956 also produced by Bischoff-Diamond "Legend of the Lost" 1957 "Conspiracy of Hearts" 1960 and "The Third Day" 1965. Light blue titled wrappers noted as copy No. 47 dated January 26 1956 with a credit for screenwriter Presnell Jr. Title page present with a credit for screenwriter Presnell Jr. 129 leaves mechanical duplication with the last leaf of text numbered 128. Pages Near Fine wrapper lightly toned and creased else Near Fine bound with two gold brads. Bischoff-Diamond unknown books
1947ref. 157481N.p.: N.p. 1947. Vintage reference photograph from the 1947 film noir. An amateur prizefighter's desire for fortune and fame leads him to join a corrupt boxing syndicate led by an unethical promoter. Widely considered one of the finest boxing films ever made with a strong screenplay by noted screenwriter Abraham Polonsky who would later face blacklisting in Hollywood as a result of the HUAC trials. 10 x 8 inches. Near Fine. Grant US. Olive Films 452. Selby US. Silver and Ward Classic Noir. Spicer US. N.p. unknown
1947ref. 157481N.p.: N.p. 1947. Vintage reference photograph from the 1947 film noir. An amateur prizefighter's desire for fortune and fame leads him to join a corrupt boxing syndicate led by an unethical promoter. Widely considered one of the finest boxing films ever made with a strong screenplay by noted screenwriter Abraham Polonsky who would later face blacklisting in Hollywood as a result of the HUAC trials. 10 x 8 inches. Near Fine. Grant US. Olive Films 452. Selby US. Silver and Ward Classic Noir. Spicer US. N.p. unknown books
1962ref. 147622Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1962. Collection of 18 vintage reference photographs from the 1962 film. With a mimeo snipe and the stamp of The Silver Screen Archives to the verso. A physician newly released from prison for mercy killing her terminally ill married lover cannot find work especially without her medical license. To her surprise the only person who will employ her is the prosecutor from her trial who wants her to care for his mentally ill wife-a job which soon leads her to suspect his foul intentions. Set and shot on location in England and Ireland. 8 x 10 inches. Ten Very Good plus with light edgewear and creasing and eight Very Good with light soil and a few small chips and tears to the edges. Metro-Goldwyn-Mayer [MGM] unknown
1962ref. 147622Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1962. Collection of 18 vintage reference photographs from the 1962 film. With a mimeo snipe and the stamp of The Silver Screen Archives to the verso. A physician newly released from prison for mercy killing her terminally ill married lover cannot find work especially without her medical license. To her surprise the only person who will employ her is the prosecutor from her trial who wants her to care for his mentally ill wife-a job which soon leads her to suspect his foul intentions. Set and shot on location in England and Ireland. 8 x 10 inches. Ten Very Good plus with light edgewear and creasing and eight Very Good with light soil and a few small chips and tears to the edges. Metro-Goldwyn-Mayer [MGM] unknown books
1982ref. 151092Burbank CA: Warner Brothers 1982. Vintage press kit for the 1982 film containing four black-and-white photographs and three gatherings of promotional reading material. A young track-and-field athlete prepares to compete in the 1980 Olympic Games finding romance with a fellow competitor along the way. Featuring noted real-life track-and-field athlete Patrice Donnelly and cameos by many contemporary athletes including Evelyn Ashford Jodi Anderson Earl Bell Pam Spencer Deby LaPlante and many others. Photographs and promotional material Near Fine. Warner Brothers unknown
1982ref. 151092Burbank CA: Warner Brothers 1982. Vintage press kit for the 1982 film containing four black-and-white photographs and three gatherings of promotional reading material. A young track-and-field athlete prepares to compete in the 1980 Olympic Games finding romance with a fellow competitor along the way. Featuring noted real-life track-and-field athlete Patrice Donnelly and cameos by many contemporary athletes including Evelyn Ashford Jodi Anderson Earl Bell Pam Spencer Deby LaPlante and many others. Photographs and promotional material Near Fine. Warner Brothers unknown books
1970ref. 162121N.p.: Medford Film Corporation 1970. Vintage studio still photograph from the 1970 film. A psychiatrist attempts to brainwash a patient into murdering his wife. 8 x 10 inches. Very Good with a diagonal crease to the lower right. Thrower Nightmare USA. Medford Film Corporation unknown
1970ref. 162121N.p.: Medford Film Corporation 1970. Vintage studio still photograph from the 1970 film. A psychiatrist attempts to brainwash a patient into murdering his wife. 8 x 10 inches. Very Good with a diagonal crease to the lower right. Thrower Nightmare USA. Medford Film Corporation unknown books
1949ref. 137966Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1949. Vintage photograph showing an illustrated advertisement for the 1949 film noir based on the short story of the same name by Frederick Nebel. 10 x 8 inches. Very Good plus. Grant US. Selby Canon US. Silver Classic Noir. Spicer US. Metro-Goldwyn-Mayer [MGM] unknown
1949ref. 137966Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1949. Vintage photograph showing an illustrated advertisement for the 1949 film noir based on the short story of the same name by Frederick Nebel. 10 x 8 inches. Very Good plus. Grant US. Selby Canon US. Silver Classic Noir. Spicer US. Metro-Goldwyn-Mayer [MGM] unknown books
1971ref. 161460N.p.: Abraxas Productions 1971. Three vintage studio still photographs from the 1971 film. All photographs with provenance stamps on the versos one with a label obscuring another provenance stamp. A Swedish woman who emigrated to New York reveals to her psychiatrist that she had been raped by her stepfather and is increasingly attracted to women. Set in and shot on location in New York. 8 x 10 inches. Very Good plus with faint creasing and two with wax pencil annotations on the recto. Abraxas Productions unknown
1968ref. 161646N.p.: American Film Distributing 1968. Vintage studio still photograph from the 1968 film. Provenance stamp on the verso. One of two sequels along with the 1968 film "The Kiss of Her Flesh" to exploitation maestro Michael Findlay's 1967 breakthrough "The Touch of Her Flesh." Strip club owner Steve a killer of strippers seeks revenge after catching his stripper wife with another man. Set in and shot on location in New York. 8 x 10 inches. Very Good plus with light creasing at the extremities. American Film Distributing unknown
1971ref. 161460N.p.: Abraxas Productions 1971. Three vintage studio still photographs from the 1971 film. All photographs with provenance stamps on the versos one with a label obscuring another provenance stamp. A Swedish woman who emigrated to New York reveals to her psychiatrist that she had been raped by her stepfather and is increasingly attracted to women. Set in and shot on location in New York. 8 x 10 inches. Very Good plus with faint creasing and two with wax pencil annotations on the recto. Abraxas Productions unknown books
1968ref. 161646N.p.: American Film Distributing 1968. Vintage studio still photograph from the 1968 film. Provenance stamp on the verso. One of two sequels along with the 1968 film "The Kiss of Her Flesh" to exploitation maestro Michael Findlay's 1967 breakthrough "The Touch of Her Flesh." Strip club owner Steve a killer of strippers seeks revenge after catching his stripper wife with another man. Set in and shot on location in New York. 8 x 10 inches. Very Good plus with light creasing at the extremities. American Film Distributing unknown books
1955ref. 107862N.p.: N.p. 1955. Treatment script for an unproduced film. From the collection of British film director and editor Peter Hunt presumably one of only a handful of copies made. The only other copy located is in the Harry Ransom Center film library at the University of Texas and the notes from that collection read: "'The Speaker's Corner' is a screenplay based on three stories by Robin Maugham including 'Broken Cellophane' 'The Prodigal Son' and 'The Man Who Could Hypnotize Racehorses.' Maugham worked with Rodney Ackland on the adaptation." Mauve titled wrapper noted as a short story on the front wrapper copy No. 20 with credits for screenwriter Robin Maugham. Title page present with credits for Maugham. 13 leaves with last page of text numbered 12. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good with a string binding. N.p. unknown
1955ref. 107862N.p.: N.p. 1955. Treatment script for an unproduced film. From the collection of British film director and editor Peter Hunt presumably one of only a handful of copies made. The only other copy located is in the Harry Ransom Center film library at the University of Texas and the notes from that collection read: "'The Speaker's Corner' is a screenplay based on three stories by Robin Maugham including 'Broken Cellophane' 'The Prodigal Son' and 'The Man Who Could Hypnotize Racehorses.' Maugham worked with Rodney Ackland on the adaptation." Mauve titled wrapper noted as a short story on the front wrapper copy No. 20 with credits for screenwriter Robin Maugham. Title page present with credits for Maugham. 13 leaves with last page of text numbered 12. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good with a string binding. N.p. unknown books
1982ref. 141746N.p.: N.p. 1982. Draft script for an unproduced television series. Laid in is a letter to agent Walter Kohner and five pages relating to another unrelated and unproduced television program. After speaking very fondly about the Americans he met while traveling abroad a chef is arrested by the KGB. Set in the Czech Republic. Green titled wrappers with credit for screenwriter Robin Sanborn. Title page present with credit for screenwriter Robin Sanborn. 39 leaves with last page of text numbered 38. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown
1982ref. 141746N.p.: N.p. 1982. Draft script for an unproduced television series. Laid in is a letter to agent Walter Kohner and five pages relating to another unrelated and unproduced television program. After speaking very fondly about the Americans he met while traveling abroad a chef is arrested by the KGB. Set in the Czech Republic. Green titled wrappers with credit for screenwriter Robin Sanborn. Title page present with credit for screenwriter Robin Sanborn. 39 leaves with last page of text numbered 38. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown books
1980ref. 147222Montreal: A.S.A. Productions 1980. Second Draft script for the 1988 television film originally aired on New Star Entertainment on September 21 here under the working title "Hit and Run." Based on Tom Alderman's 1976 novel "Hit and Run" wherein a devastated Canadian woman hires a private detective to track down the driver who killed her teenage son in a hit and run accident. Set and shot on location in New York City and Montreal. Blue untitled wrappers white comb binding. Title page present dated 1980 noted as SECOND DRAFT with credits for director ROBIN SPRY screenwriter ARTHUR FULLER and novelist TOM ALDERMAN. 128 leaves with last page of text numbered 127. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus. A.S.A. Productions unknown
1980ref. 147222Montreal: A.S.A. Productions 1980. Second Draft script for the 1988 television film originally aired on New Star Entertainment on September 21 here under the working title "Hit and Run." Based on Tom Alderman's 1976 novel "Hit and Run" wherein a devastated Canadian woman hires a private detective to track down the driver who killed her teenage son in a hit and run accident. Set and shot on location in New York City and Montreal. Blue untitled wrappers white comb binding. Title page present dated 1980 noted as SECOND DRAFT with credits for director ROBIN SPRY screenwriter ARTHUR FULLER and novelist TOM ALDERMAN. 128 leaves with last page of text numbered 127. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus. A.S.A. Productions unknown books
1957ref. 139216Glendale CA: Allied Artists 1957. Collection of 4 vintage black-and-white studio still photographs from the 1957 film. Included are two film still photos and two advertisement layout photos. Mimeo snipes once affixed to the versos of the film stills detached but present. Director Corman at his noir-est. The Black Widows a teenage girl gang led by Helen Spain an early favorite of Russ Meyer suspect Barbara Kenney of killing one of their members. Barbara is the sometimes girlfriend of the leader of rival gang and the two gangs prepare for warfare. As the gangs prepare the stories of their private lives unfold and every aspect of family dysfunction is represented showcasing an example of the mid-century "juvenile delinquency" scare. 8 x 10 inches advert photos slightly larger. Very Good plus overall with a corner crease to one film still photo and minor creasing to others. Grant US. Lyons US. Martin 382. Selby US. Spicer US. Allied Artists unknown