11,050 results
1966ref. 161961New York: CIP 1966. Two vintage studio still photographs from the 1966 film. Provenance stamps on the verso of each. Harry's doctor gives him sedatives to help him to abstain from sex unfortunately the side effects of the drug cause him to hallucinate about sex constantly. 8 x 10 inches. Near Fine. CIP unknown books
1999ref. 162696Culver City CA: Adelaide Productions 1999. Table Draft script for Season 2 Episode 2 of the 1999-2000 primetime animated television series. Script belonging to screenwriter and co-executive producer Stephen Sustarsic with his name on a printed label affixed to the first page of the script. Included with the script is a three-page treatment dated March 11 1999 credited to screenwriters Ron Nelson Mark Steen and Christina Chahal. Based on the successful 1989-2023 comic strip by Scott Adams about the titular pessimistic white-collar engineer and his daily interactions with his idiotic boss and frustrated coworkers. In this episode Dilbert has a near-death experience and subsequently struggles to get his insurance benefits reinstated. Originally aired on November 9 1999 on UPN. Self wrappers dated April 1 1999 on the front wrapper noted as TABLE DRAFT and episode No. 203 with credits for screenwriters Ron Nelson Mark Steen and Scott Adams. Title page integral with the front wrapper. 50 leaves with last page of text numbered 48. Xerographic duplication rectos only. Pages Very Good plus with a small dampstain affecting the bottom right corner of the first 25 leaves bound with two gold brads. Adelaide Productions unknown
1999ref. 162697Culver City CA: Adelaide Productions 1999. Table Draft script for Season 2 Episode 5 of the 1999-2000 primtime animated television series. Based on the successful 1989-2023 comic strip by Scott Adams about the titular pessimistic white-collar engineer and his daily interactions with his idiotic boss and frustrated coworkers. In this episode Dilbert is tasked with creating a mysterious humanoid product advertised by the company but finds his creation soon slipping out of his command. Originally aired on December 7 1999 on UPN. Self wrappers dated April 8 1999 on the front wrapper noted as TABLE DRAFT and episode No. 204 with credits for screenwriters Joe Wiseman Joe Port Scott Adams and Larry Charles. Title page integral with the front wrapper. 52 leaves with last page of text numbered 49. Xerographic duplication rectos only. Pages Very Good plus with a small dampstain affecting the bottom right corner of the last 25 leaves bound with two gold brads. Adelaide Productions unknown
1999ref. 162697Culver City CA: Adelaide Productions 1999. Table Draft script for Season 2 Episode 5 of the 1999-2000 primtime animated television series. Based on the successful 1989-2023 comic strip by Scott Adams about the titular pessimistic white-collar engineer and his daily interactions with his idiotic boss and frustrated coworkers. In this episode Dilbert is tasked with creating a mysterious humanoid product advertised by the company but finds his creation soon slipping out of his command. Originally aired on December 7 1999 on UPN. Self wrappers dated April 8 1999 on the front wrapper noted as TABLE DRAFT and episode No. 204 with credits for screenwriters Joe Wiseman Joe Port Scott Adams and Larry Charles. Title page integral with the front wrapper. 52 leaves with last page of text numbered 49. Xerographic duplication rectos only. Pages Very Good plus with a small dampstain affecting the bottom right corner of the last 25 leaves bound with two gold brads. Adelaide Productions unknown books
1999ref. 162696Culver City CA: Adelaide Productions 1999. Table Draft script for Season 2 Episode 2 of the 1999-2000 primetime animated television series. Script belonging to screenwriter and co-executive producer Stephen Sustarsic with his name on a printed label affixed to the first page of the script. Included with the script is a three-page treatment dated March 11 1999 credited to screenwriters Ron Nelson Mark Steen and Christina Chahal. Based on the successful 1989-2023 comic strip by Scott Adams about the titular pessimistic white-collar engineer and his daily interactions with his idiotic boss and frustrated coworkers. In this episode Dilbert has a near-death experience and subsequently struggles to get his insurance benefits reinstated. Originally aired on November 9 1999 on UPN. Self wrappers dated April 1 1999 on the front wrapper noted as TABLE DRAFT and episode No. 203 with credits for screenwriters Ron Nelson Mark Steen and Scott Adams. Title page integral with the front wrapper. 50 leaves with last page of text numbered 48. Xerographic duplication rectos only. Pages Very Good plus with a small dampstain affecting the bottom right corner of the first 25 leaves bound with two gold brads. Adelaide Productions unknown books
1999ref. 150509N.p.: N.p. 1999. Shooting Draft script for the 2002 television movie originally aired on Independent Television Service on June 18 2002. From the collection of novelist William Hjortsberg who worked as a screenwriter in Hollywood between 1977-1985. Hjortsberg is best known for the film adaptation of "Angel Heart" 1987 based on his 1978 novel. A newly separated hunting guide attempts to reconcile with his wife and family while facing the decline of his career. Gray titled wrappers. Title page present dated October 2 1999 noted as SHOOTING DRAFT with credits for screenwriter Michael Hacker. 77 leaves with last page of text numbered 76. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with a small splash on the bottom left corner of the front wrapper bound with three gold brads. N.p. unknown
1999ref. 150509N.p.: N.p. 1999. Shooting Draft script for the 2002 television movie originally aired on Independent Television Service on June 18 2002. From the collection of novelist William Hjortsberg who worked as a screenwriter in Hollywood between 1977-1985. Hjortsberg is best known for the film adaptation of "Angel Heart" 1987 based on his 1978 novel. A newly separated hunting guide attempts to reconcile with his wife and family while facing the decline of his career. Gray titled wrappers. Title page present dated October 2 1999 noted as SHOOTING DRAFT with credits for screenwriter Michael Hacker. 77 leaves with last page of text numbered 76. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with a small splash on the bottom left corner of the front wrapper bound with three gold brads. N.p. unknown books
1992ref. 146403N.p.: N.p. 1992. Draft script for an unproduced film. With a single manuscript ink annotation to the title page noting the name and phone numbers of storywriter Rick Orr. A homeless man obsessed with Western movies from his childhood attempts to save his favorite theater the Corral from the nefarious businessmen who seek to build a high-rise in its place. Set in Hollywood. White lacking titled wrappers. Title page present dated 1992 with credits for screenwriter Sean McCulley and story credit to Ric Orr sic. 119 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Very Good plus with light soil overall bound with three gold brads. N.p. unknown
1992ref. 146403N.p.: N.p. 1992. Draft script for an unproduced film. With a single manuscript ink annotation to the title page noting the name and phone numbers of storywriter Rick Orr. A homeless man obsessed with Western movies from his childhood attempts to save his favorite theater the Corral from the nefarious businessmen who seek to build a high-rise in its place. Set in Hollywood. White lacking titled wrappers. Title page present dated 1992 with credits for screenwriter Sean McCulley and story credit to Ric Orr sic. 119 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Very Good plus with light soil overall bound with three gold brads. N.p. unknown books
1970ref. 161495N.p.: N.p. 1970. Two vintage studio still photographs from the 1970 film. Both photographs with provenance stamps on the verso and blank labels obscuring previous provenance stamps. Early film by Sean S. Cunningham creator-director of the "Friday the 13th" franchise. A "white coater" film which utilized a doctor dressed in a white coat to introduce the graphic content which followed thus qualifying the film as "educational." Created and shot by Broadway director Sean Cunningham and a three person crew on a budget of $3500 the film a modest hit for the time grossed over $100000. 8 x 10 inches. Near Fine. N.p. unknown
1970ref. 161495N.p.: N.p. 1970. Two vintage studio still photographs from the 1970 film. Both photographs with provenance stamps on the verso and blank labels obscuring previous provenance stamps. Early film by Sean S. Cunningham creator-director of the "Friday the 13th" franchise. A "white coater" film which utilized a doctor dressed in a white coat to introduce the graphic content which followed thus qualifying the film as "educational." Created and shot by Broadway director Sean Cunningham and a three person crew on a budget of $3500 the film a modest hit for the time grossed over $100000. 8 x 10 inches. Near Fine. N.p. unknown books
1970ref. 161698N.p.: Rond Inc 1970. Vintage studio still photograph from the 1970 film with a provenance stamp on the verso and two labels obscuring a previous provenance stamp. An innocent girl has her sexual awakening over a wild weekend. 8 x 10 inches. Very Good plus. Rond, Inc unknown
1970ref. 161698N.p.: Rond Inc 1970. Vintage studio still photograph from the 1970 film with a provenance stamp on the verso and two labels obscuring a previous provenance stamp. An innocent girl has her sexual awakening over a wild weekend. 8 x 10 inches. Very Good plus. Rond, Inc unknown books
1959ref. 148742Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Vintage one sheet poster for the US release of the 1958 British film noir. Based on the 1956 novel by Donald MacKenzie. Con-artist Paul Gregory George Nader charms an old widow Bessie Love and steals her husbands coin collection hides it and then waits to get arrested thinking he'll get a minor sentence and retrieve it afterward. When the judge gives him a substantially longer term than expected he decides to escape from prison but his attempts at recovering the stash proves more difficult than expected. Maggie Smith's theatrical debut and the penultimate film produced by the British production company Ealing Studios. Set in and shot on location in London. 27 x 41 inches. Folded as issued. Very Good with large horizontal closed tear along top right crease and some small chips and closed tears at the extremities. Spencer UK. Selby UK. Grant UK. Lyons UK. Spicer UK. Metro-Goldwyn-Mayer [MGM] unknown
1959ref. 148742Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Vintage one sheet poster for the US release of the 1958 British film noir. Based on the 1956 novel by Donald MacKenzie. Con-artist Paul Gregory George Nader charms an old widow Bessie Love and steals her husbands coin collection hides it and then waits to get arrested thinking he'll get a minor sentence and retrieve it afterward. When the judge gives him a substantially longer term than expected he decides to escape from prison but his attempts at recovering the stash proves more difficult than expected. Maggie Smith's theatrical debut and the penultimate film produced by the British production company Ealing Studios. Set in and shot on location in London. 27 x 41 inches. Folded as issued. Very Good with large horizontal closed tear along top right crease and some small chips and closed tears at the extremities. Spencer UK. Selby UK. Grant UK. Lyons UK. Spicer UK. Metro-Goldwyn-Mayer [MGM] unknown books
1984ref. 171314Los Angeles CA: Orion Television Productions 1984. First Draft script for Season 4 Episode 18 of the 1981-1988 television series. Originally aired February 25 1985 on CBS. Internal wrapper inscribed in manuscript ink by actress Sharon Gless. With manuscript ink annotation of the name of an unknown cast or crew member on the front internal wrapper and on the recto of the last page of narrative text. Series following two women police women one single and one married. In this episode one of the women ponders retirement following a breast surgery and one has her corvette stolen. Set in Manhattan. Untitled brown external wrappers with manuscript ink annotation. Green titled internal wrappers. Title page present dated December 10 1984 noted as First Draft with credits for screenwriter Georgia Jeffries. 56 leaves with last page of text numbered 52. Xerographic duplication rectos only. Pages Fine external wrapper Very Good plus wrapper Fine bound internally with three silver brads. Orion Television Productions unknown
1984ref. 171314Los Angeles CA: Orion Television Productions 1984. First Draft script for Season 4 Episode 18 of the 1981-1988 television series. Originally aired February 25 1985 on CBS. Internal wrapper inscribed in manuscript ink by actress Sharon Gless. With manuscript ink annotation of the name of an unknown cast or crew member on the front internal wrapper and on the recto of the last page of narrative text. Series following two women police women one single and one married. In this episode one of the women ponders retirement following a breast surgery and one has her corvette stolen. Set in Manhattan. Untitled brown external wrappers with manuscript ink annotation. Green titled internal wrappers. Title page present dated December 10 1984 noted as First Draft with credits for screenwriter Georgia Jeffries. 56 leaves with last page of text numbered 52. Xerographic duplication rectos only. Pages Fine external wrapper Very Good plus wrapper Fine bound internally with three silver brads. Orion Television Productions unknown books
1967ref. 168188Burbank CA: Warner Brothers 1967. Three vintage studio still photographs from the 1967 film. Frank Sinatra's last film with Warner Brothers. Based on the 1966 novel by Francis Clifford about an industrialist who is pulled into a Cold War espionage scheme. Shot on location in London and Copenhagen. 10 x 8 inches. Two Near Fine one Very Good plus. Warner Brothers unknown
1967ref. 168188Burbank CA: Warner Brothers 1967. Three vintage studio still photographs from the 1967 film. Frank Sinatra's last film with Warner Brothers. Based on the 1966 novel by Francis Clifford about an industrialist who is pulled into a Cold War espionage scheme. Shot on location in London and Copenhagen. 10 x 8 inches. Two Near Fine one Very Good plus. Warner Brothers unknown books
1968ref. 161885N.p.: American Film Distributing 1968. Two vintage studio still photographs from the 1968 film. One photograph with multiple provenance stamps on the verso. Hard-boiled private eye Phil Kane is on the hunt for a convict on the lam and in the process interrogates a series of scantily clad women. Shot on location in New York City. 8 x 10 inches. Very Good plus. American Film Distributing unknown
1972ref. 161664N.p.: Mature Pictures 1972. Vintage studio still photograph from the 1970 film. Provenance stamp on the verso. Meta sexploitation film in which Tina Russell stars as May a woman held hostage in a mansion after seeking a job in an experimental film. 8 x 10 inches. Light edgewear else Near Fine. Mature Pictures unknown
1972ref. 161989N.p.: Mature Pictures 1972. Three vintage studio still photographs from the 1972 film. Two with provenance stamps on the versos. Booking agent investigates the brutal murder of his sister Gay leading him to his best friend Parker who owns the strip club where Gay worked. Shot on location in New York City. 8 x 10 inches. Near Fine. Mature Pictures unknown
1972ref. 161989N.p.: Mature Pictures 1972. Three vintage studio still photographs from the 1972 film. Two with provenance stamps on the versos. Booking agent investigates the brutal murder of his sister Gay leading him to his best friend Parker who owns the strip club where Gay worked. Shot on location in New York City. 8 x 10 inches. Near Fine. Mature Pictures unknown books
1972ref. 161664N.p.: Mature Pictures 1972. Vintage studio still photograph from the 1970 film. Provenance stamp on the verso. Meta sexploitation film in which Tina Russell stars as May a woman held hostage in a mansion after seeking a job in an experimental film. 8 x 10 inches. Light edgewear else Near Fine. Mature Pictures unknown books
1968ref. 161885N.p.: American Film Distributing 1968. Two vintage studio still photographs from the 1968 film. One photograph with multiple provenance stamps on the verso. Hard-boiled private eye Phil Kane is on the hunt for a convict on the lam and in the process interrogates a series of scantily clad women. Shot on location in New York City. 8 x 10 inches. Very Good plus. American Film Distributing unknown books
