11,050 results
1998ref. 171538N.p.: N.p. 1998. Draft script for Season 1 Episode 18 of the 1997-1998 television series. Originally aired March 16 1998 on CBS. With production document bound into the script preceding front self wrapper. This short-lived procedural followed the uniformed police officers at a Brooklyn precinct. In this episode two officers try to help a woman being abused by her husband until they find him dead. Winner of an Emmy for Outstanding Directing for its Pilot episode. Set in Brooklyn. White titled self wrapper lacking rear wrapper production No. C118 dated February 24 1998 with credits for director Michael Watkins and screenwriters Scott A. Williams Edward Allen Bernero and Matt Olmstead. Title page integral with front wrapper. 51 leaves with last page of text numbered 51. Xerographic duplication rectos only. Pages Fine wrapper Fine bound with two gold brads. N.p. unknown books
1987ref. 166914Los Angeles: Twentieth Century-Fox Television 1987. Rainbow Revision Draft script for the eighteenth episode of the first season of the 1987-1989 ABC television series which aired on March 16 1988. Script labeled copy number 3 on the front wrapper and title page. Created by Steven Bochco and Terry Louise Fisher the creators of "L.A. Law" "Hooperman" premiered on ABC on September 9 1987 and aired for two seasons and fourty two episodes ending on July 19 1989. John Ritter stars as San Francisco police Inspector Harry Hooperman who inherits the rundown apartment building he lives in and a temperamental Jack Russell terrier when his elderly landlady is killed in a robbery and hires Susan Smith played by Debrah Farentino to manage the building and with whom he becomes romantically involved. In this episode Hooperman enlists the aid of an eccentric pilot in a child runaway case and becomes concerned that Inspector McNeil's eye problems could possibly put them both at risk. Gray titled 20th Century-Fox wrappers. Title page present dated August 06 1987 with credits for screenwriter Rick Kellard. 40 leaves with last page of text numbered 31. Xerographic duplication rectos only with blue pink green yellow and goldenrod revision pages throughout dated variously between 8/13/87 and 8/21/87. Pages Near Fine wrapper Very Good plus bound with two gold brads. Twentieth Century-Fox Television unknown books
1954ref. 132553Beverly Hills CA: Waterlow and Sons / United Artists 1954. Eight vintage full-color British front-of-house cards from the UK release of the 1954 US film. Based on Richard G. Hubler's 1946 novel "I've Got Mine" about two soldiers on a Japanese-occupied island during World War II. A true survival tale as the soldiers must escort a scientist and his daughter to the other side of the island where their ship awaits. Filmed in Hawaii and Los Angeles. 8 x 10 inches. Near Fine. Waterlow and Sons / United Artists unknown
1954ref. 132553Beverly Hills CA: Waterlow and Sons / United Artists 1954. Eight vintage full-color British front-of-house cards from the UK release of the 1954 US film. Based on Richard G. Hubler's 1946 novel "I've Got Mine" about two soldiers on a Japanese-occupied island during World War II. A true survival tale as the soldiers must escort a scientist and his daughter to the other side of the island where their ship awaits. Filmed in Hawaii and Los Angeles. 8 x 10 inches. Near Fine. Waterlow and Sons / United Artists unknown books
1980ref. 163607Los Angeles: Twentieth Century-Fox 1980. Vintage press kit for the 1980 film. A glossy bi-fold printed on the recto and verso enclosing a three-page promotional article and twelve black and white photographs. Inspired by the 1969 nonfiction book "Accomplices to the Crime" by Thomas O. Murton and Joe Hyams about abuse and corruption in the Arkansas prison system. Nominated for an Academy Award for Best Original Screenplay. Bi-fold and promotional material Near Fine. Photographs with one evenly toned else Near Fine. Twentieth Century-Fox unknown
1980ref. 163607Los Angeles: Twentieth Century-Fox 1980. Vintage press kit for the 1980 film. A glossy bi-fold printed on the recto and verso enclosing a three-page promotional article and twelve black and white photographs. Inspired by the 1969 nonfiction book "Accomplices to the Crime" by Thomas O. Murton and Joe Hyams about abuse and corruption in the Arkansas prison system. Nominated for an Academy Award for Best Original Screenplay. Bi-fold and promotional material Near Fine. Photographs with one evenly toned else Near Fine. Twentieth Century-Fox unknown books
1979ref. 151103Universal City: Universal Pictures 1979. Vintage press kit for the 1979 Mexican-American exploitation film. Full-color illustrated pocketed folder containing nine black and white photographs and four gatherings of promotional reading material. The increasingly paranoid fanatical leader of a large independent church in San Francisco moves his congregation to a plot of land in Guyana in the hopes of creating a utopia. A controversial fictionalization of the Jonestown Massacre. Folder photographs and promotional material Near Fine. Universal Pictures unknown
1979ref. 151103Universal City: Universal Pictures 1979. Vintage press kit for the 1979 Mexican-American exploitation film. Full-color illustrated pocketed folder containing nine black and white photographs and four gatherings of promotional reading material. The increasingly paranoid fanatical leader of a large independent church in San Francisco moves his congregation to a plot of land in Guyana in the hopes of creating a utopia. A controversial fictionalization of the Jonestown Massacre. Folder photographs and promotional material Near Fine. Universal Pictures unknown books
1971ref. 162182N.p.: N.p. 1971. Vintage lobby card for the 1971 German film. Stamp noting No. 8 on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. An exploitation film about a reporter who questions passersby about their marriages and sex lives. Hot on the heels of the successful "Schoolgirl Report '75" 1971. 8.5 x 9.25 inches. Near Fine. N.p. unknown
1971ref. 162182N.p.: N.p. 1971. Vintage lobby card for the 1971 German film. Stamp noting No. 8 on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. An exploitation film about a reporter who questions passersby about their marriages and sex lives. Hot on the heels of the successful "Schoolgirl Report '75" 1971. 8.5 x 9.25 inches. Near Fine. N.p. unknown books
1979ref. 150728N.p.: AVCO Embassy Pictures 1979. Eight vintage studio still photographs from the 1979 film. With the stamp of a Canadian film distributor on the verso and a stamp noting production No. 79-22 on the bottom right corner of the recto. Based on Sylvia Plath's influential semi-autobiographical 1963 novel about a young woman who suffers a series of mental breakdowns at her family's home in New England in the 1950s. Set in New York and New England shot on location in New Jersey and New York. 10 x 8 inches. Near Fine. AVCO Embassy Pictures unknown
1979ref. 150728N.p.: AVCO Embassy Pictures 1979. Eight vintage studio still photographs from the 1979 film. With the stamp of a Canadian film distributor on the verso and a stamp noting production No. 79-22 on the bottom right corner of the recto. Based on Sylvia Plath's influential semi-autobiographical 1963 novel about a young woman who suffers a series of mental breakdowns at her family's home in New England in the 1950s. Set in New York and New England shot on location in New Jersey and New York. 10 x 8 inches. Near Fine. AVCO Embassy Pictures unknown books
1984ref. 168022Los Angeles: The Samuel Goldwyn Company 1984. Two vintage reference photographs from the 1984 softcore film. Loosely based on the bondage-themed comics of John Willie and on his original character Sweet Gwendoline. After being kidnapped at a Chinese port a courageous young woman is rescued by a mercenary kicking off a string of wild adventures. 10 x 8 inches. About Fine. The Samuel Goldwyn Company unknown
1984ref. 168022Los Angeles: The Samuel Goldwyn Company 1984. Two vintage reference photographs from the 1984 softcore film. Loosely based on the bondage-themed comics of John Willie and on his original character Sweet Gwendoline. After being kidnapped at a Chinese port a courageous young woman is rescued by a mercenary kicking off a string of wild adventures. 10 x 8 inches. About Fine. The Samuel Goldwyn Company unknown books
1983ref. 160279New York: N.p. 1983. Treatment script dated 1983 for an unproduced film adaptation of the classic 1719 novel. Screenwriter Ted Bafaloukos is today best remembered as the director of the 1978 Jamaican film "Rockers." Self wrappers. Title page present dated 11/11/83 with credit for screenwriter Ted Bafaloukos. Eight leaves with last page of text numbered 7. Carbon typescript rectos only. Pages Very Good plus partially bound with a single staple at the top left corner. N.p. unknown
1983ref. 160279New York: N.p. 1983. Treatment script dated 1983 for an unproduced film adaptation of the classic 1719 novel. Screenwriter Ted Bafaloukos is today best remembered as the director of the 1978 Jamaican film "Rockers." Self wrappers. Title page present dated 11/11/83 with credit for screenwriter Ted Bafaloukos. Eight leaves with last page of text numbered 7. Carbon typescript rectos only. Pages Very Good plus partially bound with a single staple at the top left corner. N.p. unknown books
1971ref. 152528London: Scotia-Barber Distributors 1971. Vintage pressbook for the 1971 film. At his home on the North Cornish coast a demented sculptor murders a young woman in order to cast a bronze sculpture of her form. Shot on location in Cornwall and London. Bi-fold. 6.5 x 10 inches. Near Fine. Scotia-Barber Distributors unknown
1971ref. 152528London: Scotia-Barber Distributors 1971. Vintage pressbook for the 1971 film. At his home on the North Cornish coast a demented sculptor murders a young woman in order to cast a bronze sculpture of her form. Shot on location in Cornwall and London. Bi-fold. 6.5 x 10 inches. Near Fine. Scotia-Barber Distributors unknown books
1979ref. 151074Los Angeles: Paramount Pictures 1979. Vintage press kit for the 1979 film. Full-color illustrated pocketed folder containing 13 black-and-white photographs and 11 gatherings of promotional reading material. Based on the 1973 novel by Peter Gent. A satire of American pro football loosely based on the Dallas Cowboys in the 1970s following an aging wide receiver for a Texas team who refuses to conform to the wishes of his coaches and fellow team members. Folder photographs and promotional material Near Fine. Paramount Pictures unknown
1979ref. 151074Los Angeles: Paramount Pictures 1979. Vintage press kit for the 1979 film. Full-color illustrated pocketed folder containing 13 black-and-white photographs and 11 gatherings of promotional reading material. Based on the 1973 novel by Peter Gent. A satire of American pro football loosely based on the Dallas Cowboys in the 1970s following an aging wide receiver for a Texas team who refuses to conform to the wishes of his coaches and fellow team members. Folder photographs and promotional material Near Fine. Paramount Pictures unknown books
1970ref. 141053N.p.: N.p. 1970. Draft script for an unproduced film. Single annotation in manuscript pencil on the title page. A motorcycle racer decides to settle down and open a motorcycle garage in a small town. He soon realizes his dangerous past has earned him the scorn of the local government which is revealed to be intent on shutting him down. Set in Freedom Arizona. Brown untitled wrappers with die cut title window in the British style. Title page present undated with credit for screenwriter Temma Kramer. 120 leaves with last page of text numbered 116. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown
1970ref. 141053N.p.: N.p. 1970. Draft script for an unproduced film. Single annotation in manuscript pencil on the title page. A motorcycle racer decides to settle down and open a motorcycle garage in a small town. He soon realizes his dangerous past has earned him the scorn of the local government which is revealed to be intent on shutting him down. Set in Freedom Arizona. Brown untitled wrappers with die cut title window in the British style. Title page present undated with credit for screenwriter Temma Kramer. 120 leaves with last page of text numbered 116. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown books
1947ref. 172361N.p.: N.p. 1947. Vintage reference photographs from the 1947 film noir. The sole survivor of his family's massacre a man is taken in by an older woman whose family wants to kill him. Set in and shot on location in New Mexico. 8 x 10 inches. Near Fine. Grant US. Olive Films 44. Selby US. Silver and Ward Classic. Spicer US. N.p. unknown
1947ref. 172361N.p.: N.p. 1947. Vintage reference photographs from the 1947 film noir. The sole survivor of his family's massacre a man is taken in by an older woman whose family wants to kill him. Set in and shot on location in New Mexico. 8 x 10 inches. Near Fine. Grant US. Olive Films 44. Selby US. Silver and Ward Classic. Spicer US. N.p. unknown books
1986ref. 140590Atlanta GA: New World Pictures 1986. Revised Draft script for the 1987 film. With a few annotations in manuscript pencil throughout. Gunnery Sergeant Burns Dryer is sent to the Middle East where he acts as a guard at the local US Embassy. However due to the pacific nature of the ambassador the marine corps detachment is severely limited in their ability to protect the base thus allowing terrorists to take over and take everyone hostage except Burns. Now Burns must act as an army of one to defeat the terrorists and save the Americans. Set in the Middle East. White titled self wrappers noted as Revised Draft on the front wrapper dated February 24 1986 with credits for screenwriter John Gatliff. 117 leaves with last page of text numbered 106. Photographically reprodcued with revision pages dated between February 18 1986 and February 24 1986. Pages Very Good plus wrapper missing bound with two gold brads. New World Pictures unknown
