11,050 results
1973ref. 141286Los Angeles: Filmways 1973. Draft script for an unproduced film. Based on the 1971 novel by Jack Curtis about a Kansas farm boy with a big heart who grows up and becomes a crime boss. Set in Kansas. Blue titled wrappers. Title page present dated December 27 1973 with credits for screenwriter Dennis Shryack and author Jack Curtis. 140 leaves with last page of text numbered 138. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Filmways unknown
1973ref. 141286Los Angeles: Filmways 1973. Draft script for an unproduced film. Based on the 1971 novel by Jack Curtis about a Kansas farm boy with a big heart who grows up and becomes a crime boss. Set in Kansas. Blue titled wrappers. Title page present dated December 27 1973 with credits for screenwriter Dennis Shryack and author Jack Curtis. 140 leaves with last page of text numbered 138. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Filmways unknown books
1967ref. 140880N.p.: N.p. 1967. Draft script for an unproduced film. Laid in is a letter dated February 16 1967 from Elizabeth Leeson secretary of Leon Mirelli returning the screenplay to Ilse Lahn as well as 15 on-set photographs housed in an envelope. During the Korean War a group of marines are pinned down behind enemy lines in a remote village where the only survivor is a widowed Korean woman and her child. Chaos descends as the soldiers find their radio is broken they are running out of supplies and they are slowly being picked off by snipers. Set in Korea. Yellow untitled wrappers. Title page present with credits for screenwriter Jack Lewis. 103 leaves with last page of text numbered 101. Ribbon copy typescript. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
1967ref. 140880N.p.: N.p. 1967. Draft script for an unproduced film. Laid in is a letter dated February 16 1967 from Elizabeth Leeson secretary of Leon Mirelli returning the screenplay to Ilse Lahn as well as 15 on-set photographs housed in an envelope. During the Korean War a group of marines are pinned down behind enemy lines in a remote village where the only survivor is a widowed Korean woman and her child. Chaos descends as the soldiers find their radio is broken they are running out of supplies and they are slowly being picked off by snipers. Set in Korea. Yellow untitled wrappers. Title page present with credits for screenwriter Jack Lewis. 103 leaves with last page of text numbered 101. Ribbon copy typescript. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown books
1950ref. 159352Burbank CA: Warner Brothers 1950. Two vintage borderless reference photographs from the 1950 film. With mimeo snipes affixed to the versos. Based on Jack London's 1904 novel "The Sea Wolf." Two ex-fugitive employees of a corrupt gold-mine operator try to prove him to be a murderer. Shot on location in southern California. 9.5 x 7.25 inches. Near Fine. Warner Brothers unknown
1950ref. 159352Burbank CA: Warner Brothers 1950. Two vintage borderless reference photographs from the 1950 film. With mimeo snipes affixed to the versos. Based on Jack London's 1904 novel "The Sea Wolf." Two ex-fugitive employees of a corrupt gold-mine operator try to prove him to be a murderer. Shot on location in southern California. 9.5 x 7.25 inches. Near Fine. Warner Brothers unknown books
1947ref. 144680Paris: Gaumont 1947. Vintage photograph of director Jacques Becker and actor Claire Maffei on the set of the 1947 film. With manuscript annotations and a rubber stamp on the verso. A working class couple in Paris find their dreams of a life free of financial hardship about to come true when they win the lottery only to have the dream snatched away when they lose the ticket on the Metro. Shot on location in Paris. 7 x 5 inches. Near Fine. Gaumont unknown
1947ref. 144680Paris: Gaumont 1947. Vintage photograph of director Jacques Becker and actor Claire Maffei on the set of the 1947 film. With manuscript annotations and a rubber stamp on the verso. A working class couple in Paris find their dreams of a life free of financial hardship about to come true when they win the lottery only to have the dream snatched away when they lose the ticket on the Metro. Shot on location in Paris. 7 x 5 inches. Near Fine. Gaumont unknown books
1988ref. 151512N.p.: AMLF 1988. Vintage reference photograph of Jacques Demy and Yves Montand on the set of the 1988 film. Demy's fanciful portrait of the life of singer and actor Yves Montand playing himself who returns to Marseille the city of his childhood to rehearse a stage musical based on his life and falls in love the female lead Marian only to discover she is his daughter. Music by Demy's long-time collaborator Michel Legrand. Demy's final film before his unexpected death in 1990. Set in and shot on location in Marseille France. 9.5 x 7 inches. Near Fine. Rosenbaum 1000. AMLF unknown
1988ref. 151512N.p.: AMLF 1988. Vintage reference photograph of Jacques Demy and Yves Montand on the set of the 1988 film. Demy's fanciful portrait of the life of singer and actor Yves Montand playing himself who returns to Marseille the city of his childhood to rehearse a stage musical based on his life and falls in love the female lead Marian only to discover she is his daughter. Music by Demy's long-time collaborator Michel Legrand. Demy's final film before his unexpected death in 1990. Set in and shot on location in Marseille France. 9.5 x 7 inches. Near Fine. Rosenbaum 1000. AMLF unknown books
1954ref. 143324Paris: Franco London Films 1954. Vintage photograph on the set of the 1954 film showing star Daniel Gelin and director Jacques Duvivier along with crew setting up a shot on a scaffolding. With a studio stamp and mimeo snipe on the verso. Based on the 1928 novel "Der Fall Maurizius" "The Maurizius Case" by Jakob Wasserman about a young man who discovers his father may have convicted an innocent man and sets to uncover the truth. 7 x 5 inches. Near Fine. Grant France. Selby France. Franco London Films unknown
1954ref. 143324Paris: Franco London Films 1954. Vintage photograph on the set of the 1954 film showing star Daniel Gelin and director Jacques Duvivier along with crew setting up a shot on a scaffolding. With a studio stamp and mimeo snipe on the verso. Based on the 1928 novel "Der Fall Maurizius" "The Maurizius Case" by Jakob Wasserman about a young man who discovers his father may have convicted an innocent man and sets to uncover the truth. 7 x 5 inches. Near Fine. Grant France. Selby France. Franco London Films unknown books
1968ref. 139010Paris: Champs-Elysees Productions 1968. Original French grande poster for the 1968 film. Based on Catherine Paysan's 1964 novel "Je M'appelle Jericho." Jericho Simon is an old man in the midst of a split with his partner and whose kids are along for the ride as he rekindles his love with a past girlfriend. 47 x 63 inches folded as issued. A few central tears faint toning else about Near Fine. Champs-Elysees Productions unknown
1968ref. 139010Paris: Champs-Elysees Productions 1968. Original French grande poster for the 1968 film. Based on Catherine Paysan's 1964 novel "Je M'appelle Jericho." Jericho Simon is an old man in the midst of a split with his partner and whose kids are along for the ride as he rekindles his love with a past girlfriend. 47 x 63 inches folded as issued. A few central tears faint toning else about Near Fine. Champs-Elysees Productions unknown books
1954ref. 144577France: DisCina 1954. Vintage borderless photograph of director Jacques Tati during on a promotional tour for his 1953 film. Mimeo snipe on the verso. The film that introduced Jacques Tati's bumbling and hilarious Monsieur Hulot to the world. Nominated for an Academy Award. Shot on location on the coast of France. 5 x 7 inches. Near Fine. Criterion Collection 110. Ebert I. Rosenbaum 1000. DisCina unknown
1974ref. 145146France: Gray-Film 1974. Vintage oversize borderless color photograph of director and star Jacques Tati on the set of the 1974 French film. Tati's final film in which the beloved director plays a circus clown. Shown out of competition at Cannes and then released in France as a television movie. 11.75 x 9.5 inches. Near Fine. BFI. Criterion Collection 731. Rosenbaum 1000. Gray-Film unknown
1974ref. 145146France: Gray-Film 1974. Vintage oversize borderless color photograph of director and star Jacques Tati on the set of the 1974 French film. Tati's final film in which the beloved director plays a circus clown. Shown out of competition at Cannes and then released in France as a television movie. 11.75 x 9.5 inches. Near Fine. BFI. Criterion Collection 731. Rosenbaum 1000. Gray-Film unknown books
1954ref. 144577France: DisCina 1954. Vintage borderless photograph of director Jacques Tati during on a promotional tour for his 1953 film. Mimeo snipe on the verso. The film that introduced Jacques Tati's bumbling and hilarious Monsieur Hulot to the world. Nominated for an Academy Award. Shot on location on the coast of France. 5 x 7 inches. Near Fine. Criterion Collection 110. Ebert I. Rosenbaum 1000. DisCina unknown books
1964ref. 161870N.p.: Juniper Productions 1964. Two vintage studio still photographs from the 1964 film. Both photographs with provenance stamps on the versos. An obscure 1960s sexploitation film from director and screenwriter Jai Hais. 8 x 10 inches. Near Fine. Juniper Productions unknown
1964ref. 161870N.p.: Juniper Productions 1964. Two vintage studio still photographs from the 1964 film. Both photographs with provenance stamps on the versos. An obscure 1960s sexploitation film from director and screenwriter Jai Hais. 8 x 10 inches. Near Fine. Juniper Productions unknown books
1968ref. 171042N.p.: N.p. 1968. Vintage vernacular color photograph of Dean Martin director Andrew V. McLaglen and uncredited camera operator Al Meyers on the set of the 1968 film. Photograph belonging to uncredited camera operator Myers with pencil annotations in Myers' hand on the verso noting the title McLaglen and Martin and "with Bill Clothier 19" William H. Clothier was the director of photography who Myers worked under. British born Albert Myers usually credited as Al Myers was a camera operator and camera crew member in Hollywood for over 50 years beginning in the late 1920s. He is credited in 30 films from 1927 to 1978 and assuredly worked on many more films uncredited during that time. His credits include "The Virginian" 1946 "Carmen Jones" 1954 "The Man with the Golden Arm" 1955 and "The Defiant Ones" 1958. Two brothers are pursued by a posse after robbing a bank and taking a widow as hostage but accidentally flee into a territory controlled by a gang of violent Mexican bandoleros. Set in Texas shot on location in Arizona Texas and Utah. 8 x 10 inches mounted to a heavy stock paper. Very Good plus with faint spotting and light edgewear see image. Pitts 237. N.p. unknown
1968ref. 171042N.p.: N.p. 1968. Vintage vernacular color photograph of Dean Martin director Andrew V. McLaglen and uncredited camera operator Al Meyers on the set of the 1968 film. Photograph belonging to uncredited camera operator Myers with pencil annotations in Myers' hand on the verso noting the title McLaglen and Martin and "with Bill Clothier 19" William H. Clothier was the director of photography who Myers worked under. British born Albert Myers usually credited as Al Myers was a camera operator and camera crew member in Hollywood for over 50 years beginning in the late 1920s. He is credited in 30 films from 1927 to 1978 and assuredly worked on many more films uncredited during that time. His credits include "The Virginian" 1946 "Carmen Jones" 1954 "The Man with the Golden Arm" 1955 and "The Defiant Ones" 1958. Two brothers are pursued by a posse after robbing a bank and taking a widow as hostage but accidentally flee into a territory controlled by a gang of violent Mexican bandoleros. Set in Texas shot on location in Arizona Texas and Utah. 8 x 10 inches mounted to a heavy stock paper. Very Good plus with faint spotting and light edgewear see image. Pitts 237. N.p. unknown books
1946ref. 146146Culver City CA: RKO Radio Pictures 1946. Vintage studio photograph of Mervyn LeRoy and Louella Parsons rehearsing on the set of the 1946 film. Based on the obscure 1946 pulp novel by Jane Allen and Mae Livingston about a best selling novelist who meets Marine who she thinks is perfect for the lead in an upcoming film adaptation although he doesn't her book. An abundance of Hollywood cameos with columnist Louella Parsons playing herself. 8.25 x 10 inches. Near Fine with some light creasing. RKO Radio Pictures unknown
1946ref. 146146Culver City CA: RKO Radio Pictures 1946. Vintage studio photograph of Mervyn LeRoy and Louella Parsons rehearsing on the set of the 1946 film. Based on the obscure 1946 pulp novel by Jane Allen and Mae Livingston about a best selling novelist who meets Marine who she thinks is perfect for the lead in an upcoming film adaptation although he doesn't her book. An abundance of Hollywood cameos with columnist Louella Parsons playing herself. 8.25 x 10 inches. Near Fine with some light creasing. RKO Radio Pictures unknown books
1986ref. 144120Budapest: MAFILM Objektiv Filmstudio 1986. Draft script for the 1987 film with the directors filmography and brief biography set in on the front wrapper. Text in English. A busy middle-class family at the end of Hungary's Kadar era use their kitchen chalk board as their primary mode of communication. The young son stays home from school and watches the family through periscopes. Shot on location in Budapest Hungary. Clear mylar front wrapper and black plastic rear wrapper. Title page present dated 1/20/86 with credits for screenwriter Miklos Vamos director Janos Rozsa dramaturge Istvan Kardos and translator Jack Jorgens. 109 leaves with last page of text numbered 108. Xerographically reproduced. Pages Fine wrapper Near Fine Comb binding. MAFILM Objektiv Filmstudio unknown
