11,050 results
1939ref. 148675N.p.: Jubilee Pictures 1939. Vintage reference photograph from the 1939 Poverty Row film showing actor Frank H. Wilson and an unknown cast member conversing at a newsstand in Harlem. A small-time Harlem comedian is scared out of town when he accidentally witnesses a mob hit. The first feature film appearance of blues great Mamie Smith. Set in Harlem shot on location in Fort Lee New Jersey. 10 x 8 inches. Very Good plus with light creasing to the edges. Jubilee Pictures unknown
1939ref. 148675N.p.: Jubilee Pictures 1939. Vintage reference photograph from the 1939 Poverty Row film showing actor Frank H. Wilson and an unknown cast member conversing at a newsstand in Harlem. A small-time Harlem comedian is scared out of town when he accidentally witnesses a mob hit. The first feature film appearance of blues great Mamie Smith. Set in Harlem shot on location in Fort Lee New Jersey. 10 x 8 inches. Very Good plus with light creasing to the edges. Jubilee Pictures unknown books
1967ref. 161527N.p.: Chellee Films 1967. Two vintage studio still photographs from the 1967 film each with a provenance stamp on the versos. An early film by prolific sexploitation pioneer Joseph W. Sarno now presumed lost. A married woman kills her lover in a private room at a racketeer's nightcub and must dispose of the body without other patrons and employees knowing. 8 x 10 inches. Very Good plus with light creasing and edgewear. Chellee Films unknown
1967ref. 161991N.p.: Amalfi Productions 1967. Two vintage studio still photographs from the 1967 film. Both photographs with provenance stamps on the versos. Shot in the heat of Joseph Sarno's busiest year one of eight films he directed in 1967 alone. Marcia hitch-hikes from the country to the city to see her sister only to find her murdered. She then takes her sister's old job at a seedy roadhouse in order to find the murderer. 8 x 10 inches. Very Good plus with light creasing overall and one photograph with a chip to the bottom right corner. Nilsen Warped and Faded. Amalfi Productions unknown
1968ref. 162045N.p.: Rasnel Films 1968. Three vintage studio still photographs from the 1968 film. Two photographs with provenance stamps on the versos. Bored housewife Allison hooks up with her neighbor Janet and new friend Winnie. Together they rent a houseboat and explore hidden desires. 8 x 10 inches. Near Fine. Rasnel Films unknown
1968ref. 162565N.p.: Provocative Films 1968. Vintage studio still photograph with irregular margins from the 1968 film. With provenance stamps on the verso. Art and Vera an unhappily married couple become involved with two sisters Nan and Lauri and group therapy sessions run by a lesbian cult leader Jennifer. 8 x 10 inches. Very Good with light creasing a small chip to the bottom right margin and an emulsion irregularity along the top edge obscuring the top margin. Provocative Films unknown
1968ref. 162045N.p.: Rasnel Films 1968. Three vintage studio still photographs from the 1968 film. Two photographs with provenance stamps on the versos. Bored housewife Allison hooks up with her neighbor Janet and new friend Winnie. Together they rent a houseboat and explore hidden desires. 8 x 10 inches. Near Fine. Rasnel Films unknown books
1968ref. 162565N.p.: Provocative Films 1968. Vintage studio still photograph with irregular margins from the 1968 film. With provenance stamps on the verso. Art and Vera an unhappily married couple become involved with two sisters Nan and Lauri and group therapy sessions run by a lesbian cult leader Jennifer. 8 x 10 inches. Very Good with light creasing a small chip to the bottom right margin and an emulsion irregularity along the top edge obscuring the top margin. Provocative Films unknown books
1967ref. 161991N.p.: Amalfi Productions 1967. Two vintage studio still photographs from the 1967 film. Both photographs with provenance stamps on the versos. Shot in the heat of Joseph Sarno's busiest year one of eight films he directed in 1967 alone. Marcia hitch-hikes from the country to the city to see her sister only to find her murdered. She then takes her sister's old job at a seedy roadhouse in order to find the murderer. 8 x 10 inches. Very Good plus with light creasing overall and one photograph with a chip to the bottom right corner. Nilsen Warped and Faded. Amalfi Productions unknown books
1967ref. 161527N.p.: Chellee Films 1967. Two vintage studio still photographs from the 1967 film each with a provenance stamp on the versos. An early film by prolific sexploitation pioneer Joseph W. Sarno now presumed lost. A married woman kills her lover in a private room at a racketeer's nightcub and must dispose of the body without other patrons and employees knowing. 8 x 10 inches. Very Good plus with light creasing and edgewear. Chellee Films unknown books
2003ref. 171562N.p.: Universal Network Television 2003. Draft script for Season 1 Episode 10 of the 2003 television series here under working title "The Bunker." Originally aired March 14 2003 on NBC. With a label affixed to the front wrapper with a manuscript ink annotation identifying the name of an unknown cast member and their character name. This short-lived series followed a Democratic California senator and his staff. In this episode the Senator takes over the spot of guest speaker for the National Press Club on the same day his former Governor father gets word that a story is coming out on his past misconduct in office. Set in California. White titled self wrappers lacking rear wrappers noted as PRODUCTION DRAFT on the front wrapper production No. E3511 dated January 30 2003 with credits for screenwriter Paul Haggis and director Jessica Yu. Title page integral with front wrapper. 58 leaves with last page of text numbered 55. Xerographic duplication rectos only Pages Fine wrapper Near Fine bound with two gold brads. Universal Network Television unknown
2003ref. 171562N.p.: Universal Network Television 2003. Draft script for Season 1 Episode 10 of the 2003 television series here under working title "The Bunker." Originally aired March 14 2003 on NBC. With a label affixed to the front wrapper with a manuscript ink annotation identifying the name of an unknown cast member and their character name. This short-lived series followed a Democratic California senator and his staff. In this episode the Senator takes over the spot of guest speaker for the National Press Club on the same day his former Governor father gets word that a story is coming out on his past misconduct in office. Set in California. White titled self wrappers lacking rear wrappers noted as PRODUCTION DRAFT on the front wrapper production No. E3511 dated January 30 2003 with credits for screenwriter Paul Haggis and director Jessica Yu. Title page integral with front wrapper. 58 leaves with last page of text numbered 55. Xerographic duplication rectos only Pages Fine wrapper Near Fine bound with two gold brads. Universal Network Television unknown books
1968ref. 145682Universal City: Universal Pictures 1968. Vintage borderless photograph of actress Vanessa Redgrave and director Karel Reisz on the set of the 1968 film. With a mimeo snipe manuscript annotations and a library rubber stamp on the verso. A high spot for Vanessa Redgrave in the 1960s a story that follows the life of the free spirited modern interpretive dancer Isadora Duncan. From Dan Pavlides at Allmovie: Trained in classical dance Duncan shattered the traditional conformities in her art and her personal life. The film begins at the end of her life as she recalls the past while dictating her memoirs to her male secretary. Her uninhibited sexuality and insistence on personal freedom and expression shocked more conservative and narrow-minded patrons and audiences. She brought in elements of classic Greek dance during the height of the jazz age and had children in and out of wedlock. Married to sewing-machine heir Paris Singer Jason Robards and the Russian poet Sergei Essenin Ivan Tchenko her life was a rollercoaster ride of success and tragic failures. Two of her children drowned when her chauffeur left the car unattended and the vehicle plunged into a river. Duncan lived by her own rules often shunned by the very people who had so passionately embraced her pioneering efforts in dance women's liberation and free thinking. Redgrave was nominated for an Oscar for her performance. The film's locales are international and range from California to Europe and the Soviet Union. Shot on location in various places in England Italy France and Eastern Europe. 9.25 x 7.5 inches. Near Fine. Universal Pictures unknown
1968ref. 145682Universal City: Universal Pictures 1968. Vintage borderless photograph of actress Vanessa Redgrave and director Karel Reisz on the set of the 1968 film. With a mimeo snipe manuscript annotations and a library rubber stamp on the verso. A high spot for Vanessa Redgrave in the 1960s a story that follows the life of the free spirited modern interpretive dancer Isadora Duncan. From Dan Pavlides at Allmovie: Trained in classical dance Duncan shattered the traditional conformities in her art and her personal life. The film begins at the end of her life as she recalls the past while dictating her memoirs to her male secretary. Her uninhibited sexuality and insistence on personal freedom and expression shocked more conservative and narrow-minded patrons and audiences. She brought in elements of classic Greek dance during the height of the jazz age and had children in and out of wedlock. Married to sewing-machine heir Paris Singer Jason Robards and the Russian poet Sergei Essenin Ivan Tchenko her life was a rollercoaster ride of success and tragic failures. Two of her children drowned when her chauffeur left the car unattended and the vehicle plunged into a river. Duncan lived by her own rules often shunned by the very people who had so passionately embraced her pioneering efforts in dance women's liberation and free thinking. Redgrave was nominated for an Oscar for her performance. The film's locales are international and range from California to Europe and the Soviet Union. Shot on location in various places in England Italy France and Eastern Europe. 9.25 x 7.5 inches. Near Fine. Universal Pictures unknown books
1984ref. 146517N.p.: N.p. 1984. Revised Second Draft script for the 1985 "American Playhouse" episode originally aired on PBS on January 21 1985. Based on the 1937 novel by Katherine Anne Porter. A Swedish stranger arrives at a small family run dairy farm out of the blue asking for work promising strong effort in exchange for very little pay. While the family is initially put off by the stranger's cold demeanor they gradually accept him and the farm thrives under his care until news arrives that lays their relationship with him and each other bare. Set in South Texas shot in Fredericksburg and Mason Texas. White titled self wrappers with title page integral with the front wrapper as issued noted as Revised Second Draft dated May 10 1984 with credits for director Michael Fields and novelist Katherine Anne Porter. 55 leaves with last page of text numbered 54. Xerographic duplication rectos only. Pages Very Good with soil to the first and final leaves bound with three gold brads. N.p. unknown
1984ref. 146517N.p.: N.p. 1984. Revised Second Draft script for the 1985 "American Playhouse" episode originally aired on PBS on January 21 1985. Based on the 1937 novel by Katherine Anne Porter. A Swedish stranger arrives at a small family run dairy farm out of the blue asking for work promising strong effort in exchange for very little pay. While the family is initially put off by the stranger's cold demeanor they gradually accept him and the farm thrives under his care until news arrives that lays their relationship with him and each other bare. Set in South Texas shot in Fredericksburg and Mason Texas. White titled self wrappers with title page integral with the front wrapper as issued noted as Revised Second Draft dated May 10 1984 with credits for director Michael Fields and novelist Katherine Anne Porter. 55 leaves with last page of text numbered 54. Xerographic duplication rectos only. Pages Very Good with soil to the first and final leaves bound with three gold brads. N.p. unknown books
1968ref. 145588Beverly Hills CA: United Artists 1968. Vintage borderless photograph from the 1968 film. Based on the 1964 novel by Ian Fleming about a down-on-his-luck inventor who transforms an old race car into a magical machine and sets off with his children on an adventure. 10 x 8. Near Fine. United Artists unknown
1970ref. 154948London: Juveniles Group of IPC Magazines 1970. Vintage British program for the 1970 film with color film still photographs throughout. A biographical account of the 17th century political and religious struggles taking place in England under the reign of King Charles Alec Guinness. Director Ken Hughes' favorite of his own films. Winner of an Academy Award and nominated for one other. Shot on location in Spain and England. 8.5 x 10.5 inches. 20 pages side stapled. Near FIne with light toning and two staples in the front wrapper. McPadden Heavy Metal Movies. Juveniles Group of IPC Magazines unknown
1968ref. 145588Beverly Hills CA: United Artists 1968. Vintage borderless photograph from the 1968 film. Based on the 1964 novel by Ian Fleming about a down-on-his-luck inventor who transforms an old race car into a magical machine and sets off with his children on an adventure. 10 x 8. Near Fine. United Artists unknown books
1970ref. 154948London: Juveniles Group of IPC Magazines 1970. Vintage British program for the 1970 film with color film still photographs throughout. A biographical account of the 17th century political and religious struggles taking place in England under the reign of King Charles Alec Guinness. Director Ken Hughes' favorite of his own films. Winner of an Academy Award and nominated for one other. Shot on location in Spain and England. 8.5 x 10.5 inches. 20 pages side stapled. Near FIne with light toning and two staples in the front wrapper. McPadden Heavy Metal Movies. Juveniles Group of IPC Magazines unknown books
2000ref. 149989N.p.: N.p. 2000. Third Draft script for the pilot episode of the 2002 television series originally aired on July 17 on the Bravo Network. A one-season drama following the team members of a fictional 24-hour cable news television network named "I-24." Set in Milwaukee and shot on location in Vancouver British Columbia. Self wrappers. Title page integral with front wrapper dated February 15 2000 noted as Third Draft with credits for screenwriter Gardner Stern. 64 leaves with last page of text numbered 63. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Full provenance available. N.p. unknown
2000ref. 149989N.p.: N.p. 2000. Third Draft script for the pilot episode of the 2002 television series originally aired on July 17 on the Bravo Network. A one-season drama following the team members of a fictional 24-hour cable news television network named "I-24." Set in Milwaukee and shot on location in Vancouver British Columbia. Self wrappers. Title page integral with front wrapper dated February 15 2000 noted as Third Draft with credits for screenwriter Gardner Stern. 64 leaves with last page of text numbered 63. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Full provenance available. N.p. unknown books
1971ref. 143084London: Russflix / MGM 1971. Vintage photograph on the set of the 1971 musical with director Ken Russell staring intently at stars Twiggy and Christopher Gable. With manuscript annotations on the verso. Based on the 1953 West End musical by Sandy Wilson about a mousy stage manager forced to take the lead in a touring musical after the lead actress breaks her leg. While Wilson's original is a straight forward pastiche of 1920s musicals Russell's adaptation is a full blown parody of 1930s musical films particularly Busby Berkeley with heavy metatextual elements as the more lavish numbers take place in the imagination of a Hollywood producer watching the simple touring stage show. 10 x 8 inches. Near Fine. Russflix / MGM unknown
1971ref. 143084London: Russflix / MGM 1971. Vintage photograph on the set of the 1971 musical with director Ken Russell staring intently at stars Twiggy and Christopher Gable. With manuscript annotations on the verso. Based on the 1953 West End musical by Sandy Wilson about a mousy stage manager forced to take the lead in a touring musical after the lead actress breaks her leg. While Wilson's original is a straight forward pastiche of 1920s musicals Russell's adaptation is a full blown parody of 1930s musical films particularly Busby Berkeley with heavy metatextual elements as the more lavish numbers take place in the imagination of a Hollywood producer watching the simple touring stage show. 10 x 8 inches. Near Fine. Russflix / MGM unknown books
1971ref. 161586N.p.: Gentlemen II Productions 1971. Three studio still photographs from the presumably lost 1971 film. All photographs with provenance stamps on the verso one with a label obscuring a previous provenance stamp. Posters from the film have survived but photographs are excessively rare. 8 x 10 inches. Very Good plus one with wax pencil annotations on the recto. Gentlemen II Productions unknown
