11,048 results
ref. 146809N.p.: N.p. Unknown. Draft script for an unproduced film. In post-apocalyptic America a former drive-in movie theatre owner tries to keep his land from the predatory bankers who now hold a monopoly on the nation's resources. Screenwriters Rod Amateau and Harold Nebenzal were best known for co-writing "The Wilby Conspiracy" 1975. Set in the American West. Blue untitled wrappers. Title page present with credits for screenwriters Rod Amateau and Harold Nebenzal. 117 leaves with last page of text numbered 112. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1955ref. 153207US: American Releasing Corporation 1955. Vintage contact sheet showing twelve images of actors Lloyd Bridges and Joan Taylor with unidentified crew members on the set of the 1955 Western. With manuscript ink notations on the verso identifying the film. Roger Corman's second film as a director about a lawman sent to a small town to investigate reports of Apache attacks but finds things might not be exactly as they seem. Contact sheet 8 x 10 inches images 2.5 x 2.5 inches. Very Good plus with light creasing. American Releasing Corporation unknown
1955ref. 153207US: American Releasing Corporation 1955. Vintage contact sheet showing twelve images of actors Lloyd Bridges and Joan Taylor with unidentified crew members on the set of the 1955 Western. With manuscript ink notations on the verso identifying the film. Roger Corman's second film as a director about a lawman sent to a small town to investigate reports of Apache attacks but finds things might not be exactly as they seem. Contact sheet 8 x 10 inches images 2.5 x 2.5 inches. Very Good plus with light creasing. American Releasing Corporation unknown books
1958ref. 143080France: Iena Productions 1958. Vintage borderless photograph from the 1958 film showing director Roger Vadim positioning actor Brigitte Bardot's hands as she holds a cape. With manuscript annotations on the verso identifying the film. Based on the 1954 novel by Albert Vidalie about a young woman who runs away from a convent only to get entangled with the young man her aunt is having an affair with to deadly consequences. Vadim's second film and the second of five films he would make with Bardot. Set and shot in Torremolinos Spain. 9.5 x 7 inches. Near Fine. Iena Productions unknown
1958ref. 143080France: Iena Productions 1958. Vintage borderless photograph from the 1958 film showing director Roger Vadim positioning actor Brigitte Bardot's hands as she holds a cape. With manuscript annotations on the verso identifying the film. Based on the 1954 novel by Albert Vidalie about a young woman who runs away from a convent only to get entangled with the young man her aunt is having an affair with to deadly consequences. Vadim's second film and the second of five films he would make with Bardot. Set and shot in Torremolinos Spain. 9.5 x 7 inches. Near Fine. Iena Productions unknown books
1968ref. 161566N.p.: N.p. 1968. Two vintage studio still photographs from US release of the 1966 Austrian film. Both photographs with provenance stamps on the versos one with a label obscuring a previous provenance stamp. Inspector Reinisch is investigating the brutal murder of a prostitute and through a friend of the victim discovers reports of wild sex parties featuring prominent politicians and businessmen. Set in and shot on location in Germany and Austria. 8 x 10 inches. Very Good plus with light edgewear and one with wax pencil annotations on the recto. N.p. unknown
1968ref. 161566N.p.: N.p. 1968. Two vintage studio still photographs from US release of the 1966 Austrian film. Both photographs with provenance stamps on the versos one with a label obscuring a previous provenance stamp. Inspector Reinisch is investigating the brutal murder of a prostitute and through a friend of the victim discovers reports of wild sex parties featuring prominent politicians and businessmen. Set in and shot on location in Germany and Austria. 8 x 10 inches. Very Good plus with light edgewear and one with wax pencil annotations on the recto. N.p. unknown books
1968ref. 144427Hollywood: Paramount Pictures 1968. Two vintage candid photographs from the 1968 film. With manuscript annotations on the verso of each. A seminal horror film one of the finest genre pictures ever made from the earliest days of the New Hollywood cinema bringing together Hollywood newcomer Roman Polanski old-time producer William Castle young star Mia Farrow and John Cassavetes. Set and shot on location in New York City. 8 x 10 inches. Near Fine. National Film Registry. Criterion Collection 630. Rosenbaum 1000. Paramount Pictures unknown
1968ref. 144427Hollywood: Paramount Pictures 1968. Two vintage candid photographs from the 1968 film. With manuscript annotations on the verso of each. A seminal horror film one of the finest genre pictures ever made from the earliest days of the New Hollywood cinema bringing together Hollywood newcomer Roman Polanski old-time producer William Castle young star Mia Farrow and John Cassavetes. Set and shot on location in New York City. 8 x 10 inches. Near Fine. National Film Registry. Criterion Collection 630. Rosenbaum 1000. Paramount Pictures unknown books
1976ref. 164365N.p.: Danton Films 1976. Vintage one sheet poster for a double-bill of the 1968 and circa 1976 films circa 1976. An amusing pairing of two obscure exploitation films released as a double-bill by Danton Films one of the more memorable sexploitation and Gridnouse production companies of the 1970s circa 1976. "The Sex Shuffle" from 1968 is an exploitation film shot in Texas of hippie orgies drug use and body painting. The second film "Teenage She-Wolves" circa 1976 is largely undocumented except for a few newspaper ads from 1976-1979 and a favorable review in the April 26 1979 "Toronto Star" which describes the film as a Faustian fable set in Mexico in which a Vietnam veteran trades his soul to save the life of the woman he loves. 28 x 39.5 inches. Very Good with two R-rating labels over the recto a 1.5 inch chip to the lower left side a small open tear to the top left corner and repairs to pinholes and starting at the creases on the verso with linen tape and cello tape. Danton Films unknown
1976ref. 164365N.p.: Danton Films 1976. Vintage one sheet poster for a double-bill of the 1968 and circa 1976 films circa 1976. An amusing pairing of two obscure exploitation films released as a double-bill by Danton Films one of the more memorable sexploitation and Gridnouse production companies of the 1970s circa 1976. "The Sex Shuffle" from 1968 is an exploitation film shot in Texas of hippie orgies drug use and body painting. The second film "Teenage She-Wolves" circa 1976 is largely undocumented except for a few newspaper ads from 1976-1979 and a favorable review in the April 26 1979 "Toronto Star" which describes the film as a Faustian fable set in Mexico in which a Vietnam veteran trades his soul to save the life of the woman he loves. 28 x 39.5 inches. Very Good with two R-rating labels over the recto a 1.5 inch chip to the lower left side a small open tear to the top left corner and repairs to pinholes and starting at the creases on the verso with linen tape and cello tape. Danton Films unknown books
1986ref. 115890N.p.: N.p. 1986. Revised Draft script for the 1986 film. Production assistant Cynthia Jessen's copy with her name in manuscript ink on the title page numerous lines throughout the script circled and several dog-eared pages. Not to be confused with the 1994 film directed by Robert Benton and starring Paul Newman. A young woman who is tired of her life falls for a man in a traveling Shakespeare troupe. Shot on location in Prescott and Sedona AZ. Blue untitled wrappers. Title page present dated February 19 1986 noted as Revised Draft with credits for screenwriter Beth Henley. 109 leaves with last page of text numbered 104. Xerographic duplication rectos only with blue revision pages throughout dated March 3 1986. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1986ref. 115890N.p.: N.p. 1986. Revised Draft script for the 1986 film. Production assistant Cynthia Jessen's copy with her name in manuscript ink on the title page numerous lines throughout the script circled and several dog-eared pages. Not to be confused with the 1994 film directed by Robert Benton and starring Paul Newman. A young woman who is tired of her life falls for a man in a traveling Shakespeare troupe. Shot on location in Prescott and Sedona AZ. Blue untitled wrappers. Title page present dated February 19 1986 noted as Revised Draft with credits for screenwriter Beth Henley. 109 leaves with last page of text numbered 104. Xerographic duplication rectos only with blue revision pages throughout dated March 3 1986. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1959ref. 161847N.p.: N.p. 1959. Two vintage studio still photographs from the 1959 film one photograph under the original release title "Steam Heat." Director Russ Meyer's first commercially successful film. Shot without sound with a voice-over narration and a musical theme added and noted for extensive female nudity. Mr. Teas is a door to door salesman selling dentists' appliances who seems to encounter buxom nude women everywhere he goes. Set in and shot on location in Los Angeles and Malibu California. 8 x 10 inches. Very Good plus one with faint creasing light edgewear and four pinholes and one with light edgewear a half inch closed tear to the upper right side and a small chip in the bottom margin. N.p. unknown
1959ref. 161847N.p.: N.p. 1959. Two vintage studio still photographs from the 1959 film one photograph under the original release title "Steam Heat." Director Russ Meyer's first commercially successful film. Shot without sound with a voice-over narration and a musical theme added and noted for extensive female nudity. Mr. Teas is a door to door salesman selling dentists' appliances who seems to encounter buxom nude women everywhere he goes. Set in and shot on location in Los Angeles and Malibu California. 8 x 10 inches. Very Good plus one with faint creasing light edgewear and four pinholes and one with light edgewear a half inch closed tear to the upper right side and a small chip in the bottom margin. N.p. unknown books
1951ref. 146057Hollywood: Tom Productions 1951. Draft script for the 1951 film here under the working title "Off We Go!" With manuscript pencil annotations throughout. Desperate to leave his lowly post as a tailgunner an unskilled G.I. asks his girlfriend who owns a cafe on the air base to flirt with his commanding officer in order to get him a promotion. Instead of the better position he desires however the officer finds himself roped by the base special intelligence officer into impersonating the head saboteur of a spy ring. Gray titled wrappers rubber-stamped copy No. 10 and noted as production No. 1067 dated May 5 1951. Title page present dated May 5 1951 with credits for screenwriter Orville H. Hampton. 114 leaves with last page of text numbered 110. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus with tide marks to the lower edge bound with three gold brads. Tom Productions unknown
1951ref. 146057Hollywood: Tom Productions 1951. Draft script for the 1951 film here under the working title "Off We Go!" With manuscript pencil annotations throughout. Desperate to leave his lowly post as a tailgunner an unskilled G.I. asks his girlfriend who owns a cafe on the air base to flirt with his commanding officer in order to get him a promotion. Instead of the better position he desires however the officer finds himself roped by the base special intelligence officer into impersonating the head saboteur of a spy ring. Gray titled wrappers rubber-stamped copy No. 10 and noted as production No. 1067 dated May 5 1951. Title page present dated May 5 1951 with credits for screenwriter Orville H. Hampton. 114 leaves with last page of text numbered 110. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus with tide marks to the lower edge bound with three gold brads. Tom Productions unknown books
1973ref. 150388Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1973. Vintage studio still photograph of director Sam Peckinpah on the set of the 1973 film. A very nearly experimental Western made by Peckinpah at his peak sufficiently strange to have remained of interest only to the most intense fans of revisionism. Comparable only to "McCabe and Mrs. Miller" 1971 and "The Shooting" 1966 in terms of sheer impressionism being laid upon the genre with iconic imagery and super-stylization in every frame. Particularly so in the case of Bob Dylan whose mysteriousness was yet again renewed by his performance as "Alias" in the film. Filmed on location in Durango Mexico. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1973ref. 150388Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1973. Vintage studio still photograph of director Sam Peckinpah on the set of the 1973 film. A very nearly experimental Western made by Peckinpah at his peak sufficiently strange to have remained of interest only to the most intense fans of revisionism. Comparable only to "McCabe and Mrs. Miller" 1971 and "The Shooting" 1966 in terms of sheer impressionism being laid upon the genre with iconic imagery and super-stylization in every frame. Particularly so in the case of Bob Dylan whose mysteriousness was yet again renewed by his performance as "Alias" in the film. Filmed on location in Durango Mexico. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1999ref. 171716Culver City CA: N.p. 1999. Two Draft scripts a Table Draft script dated August 6 1999 and a Record Draft script dated August 12 1999 for the 2000 episode of the 1999-2000 primetime animated television series which aired on UPN on July 18 2000. Copies belonging to screenwriter and co-executive producer Stephan Sustarsic with labels with his name printed on it on the front wrappers. The Record Draft script with copied annotations noting scene numbers throughout. Based on the successful 1989-2023 comic strip by Scott Adams about the titular pessimistic white-collar engineer and his daily interactions with his idiotic boss and frustrated coworkers. In this episode Dogbert writes a best-selling book "Chronic Cubicle Syndrome" which the boss sees as an opportunity to promote a new product. Table Draft script: Front wrapper integral with title page dated August 6 1999 noted as TABLE DRAFT with credits for screenwriter Larry Charles. 47 leaves with last page of text numbered 45. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Record Draft script: Blue titled wrappers noted as RECORD DRAFT on the front wrapper dated August 12 1999 with credits for screenwriters Ron Nelson and Mark Steen and story and rewrite credits for Larry Charles. 57 leaves with last page of text numbered 55. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1999ref. 171716Culver City CA: N.p. 1999. Two Draft scripts a Table Draft script dated August 6 1999 and a Record Draft script dated August 12 1999 for the 2000 episode of the 1999-2000 primetime animated television series which aired on UPN on July 18 2000. Copies belonging to screenwriter and co-executive producer Stephan Sustarsic with labels with his name printed on it on the front wrappers. The Record Draft script with copied annotations noting scene numbers throughout. Based on the successful 1989-2023 comic strip by Scott Adams about the titular pessimistic white-collar engineer and his daily interactions with his idiotic boss and frustrated coworkers. In this episode Dogbert writes a best-selling book "Chronic Cubicle Syndrome" which the boss sees as an opportunity to promote a new product. Table Draft script: Front wrapper integral with title page dated August 6 1999 noted as TABLE DRAFT with credits for screenwriter Larry Charles. 47 leaves with last page of text numbered 45. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Record Draft script: Blue titled wrappers noted as RECORD DRAFT on the front wrapper dated August 12 1999 with credits for screenwriters Ron Nelson and Mark Steen and story and rewrite credits for Larry Charles. 57 leaves with last page of text numbered 55. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1961ref. 147683Glendale CA: Allied Artists 1961. Collection of nine vintage studio still photographs from the 1961 British film noir seen here under the title for its US release "Payroll." Based on Derek Bickerton's 1959 novel wherein a gang of crooks' plan to rob a local factory is complicated by the accidental murder of the getaway driver leading the driver's wife to seek revenge. Set and partially shot on location in Gateshead Whitley Bay Rugby Southwold and Newcastle upon Tyne England. 8 x 10 inches. Near Fine. Grant UK. Selby UK. Spicer UK. Allied Artists unknown
1961ref. 147683Glendale CA: Allied Artists 1961. Collection of nine vintage studio still photographs from the 1961 British film noir seen here under the title for its US release "Payroll." Based on Derek Bickerton's 1959 novel wherein a gang of crooks' plan to rob a local factory is complicated by the accidental murder of the getaway driver leading the driver's wife to seek revenge. Set and partially shot on location in Gateshead Whitley Bay Rugby Southwold and Newcastle upon Tyne England. 8 x 10 inches. Near Fine. Grant UK. Selby UK. Spicer UK. Allied Artists unknown books
1939ref. 129771N.p.: N.p. 1939. Draft script for an unproduced film. A kind but reclusive woman inherits the fortune of her father a man of dubious morals who was well known at Tammany Hall and with the assistance of the Devil believes she can help put things to rights in part by funding a performance of "Faust." Written by Sidney Howard who received widespread fame for his work on "Gone with the Wind." Red titled wrappers. Title page present dated June 15 1939 with credits for screenwriter Howard. 141 leaves mimeograph on onionskin stock. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown
1939ref. 129771N.p.: N.p. 1939. Draft script for an unproduced film. A kind but reclusive woman inherits the fortune of her father a man of dubious morals who was well known at Tammany Hall and with the assistance of the Devil believes she can help put things to rights in part by funding a performance of "Faust." Written by Sidney Howard who received widespread fame for his work on "Gone with the Wind." Red titled wrappers. Title page present dated June 15 1939 with credits for screenwriter Howard. 141 leaves mimeograph on onionskin stock. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown books
