4,909 results
1953ref. 145084Los Angeles: Esskay Pictures Corporation 1953. Vintage photograph of actors Denise Darcel and Patric Knowles producer Sam Katzman and production manager Bert Leonard on the set of the 1953 film. Mimeo snipe and an rubber studio stamp on the verso. Set in 1765 in India. Calcutta's King Amir Khasid Gregory Gaye is ousted from his position by Prince Jehan George Keymas. Amir's forces led by Suzanne Roget also known as "The Flame" Denise Darcel continue the fight. Suzanne Roget is secretly engaged to a British captain though they must stay apart until the political conflict is resolved and Amir returns to the throne. Set in India shot on location in Simi Valley CA. 10 x 8 inches. Near Fine. Esskay Pictures Corporation unknown
1986ref. 009753Los Angeles CA: M/F/S Company. Offered is the screenplay for the proposed film "Her Favorite Husband" not the screenplay for the 1950 British-Italian comedy film of the same name by screenwriter Paul Southerland. A shooting script each scene is numbered the film to my knowledge was never made. The screenplay contains 115 three-hole punched mimeographed loose leaf pages including the title page with title name of screenwriter copyright 1986 Writer's Guild Registered #277074 and contact information: Fred Martin of M/F/S Company with address and telephone number in Los Angeles California. The pages measure 8-1/2" by 11" and are printed on one side. The screenplay is bound in light yellow card covers containing the same information as that on the title page and held together with three brass brads. . Fine. Soft cover. 1st Edition. 1986. M/F/S Company paperback
1976ref. 162169Hamburg: Kinothek 1976. Vintage lobby card for the German release of the 1976 Italian film. Kinothek stamp on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on the real Salon Kitty a cabaret and brothel used by Nazi secret intelligence to collect information on high-ranking SS commandants and foreign dignitaries during World War II. Heavily edited for its US release with many political elements purged in order to market the film as a sexploitation production. Considered one of the progenitors of the Nazi exploitation genre. Set in Berlin. 11.5 x 9.25 inches. Very Good plus lightly edgeworn at two corners. Blue Underground. Kinothek unknown
1986ref. 150254N.p.: Cannon Films 1986. Vintage studio still photograph of director Tobe Hooper with Dennis Hopper and Caroline Williams on the set of the 1986 film. Nearly a decade after the first installment now a slasher classic Tobe Hooper revisits his chainsaw-toting prodigy "Leatherface" but to the dismay of most critics. This feature with the great Dennis Hopper as a creepy sheriff has achieved cult status in light of its being underrated since its release. Set in and shot on location in Bastrop Prarie Dell and Austin Texas. 8 x 10 inches. Near Fine. Arrow 1494. Glover Men Women and Chainsaws. Cannon Films unknown
1954ref. 164815Universal City: Universal-International 1954. Vintage publicity photograph from the 1954 film showing actress Ursula Thiess. Printed mimeo snipe and annotations in manuscript pencil on the verso. Based on Hall Hunter's 1953 novel "Bengal Tiger." In British India in 1857 a military captain faces punishment and the dissolution of his reputation after disobeying orders to retreat. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Very Good plus. Universal-International unknown
1966ref. 162289N.p.: N.p. 1966. Vintage borderless reference photograph from the 1966 British film showing actress Susannah York. Annotations in manuscript ink on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A roving gambler breaks into a playing card manufacturing facility to mark the cards in order to win big at casinos across Europe. Set in Geneva and Monte Carlo. 8 x 10.25 inches. Near Fine. N.p. unknown
1963ref. 162033N.p.: Biolane Corporation 1963. Vintage studio still photograph from the 1962 film. Provenance stamp on the verso. A nebbish man travels back in time to meet naked cave people. Shot on location in New York. 8 x 10 inches. Near Fine. Biolane Corporation unknown
1970ref. 146584N.p.: N.p. 1970. Draft script for an unproduced film. Laid in with the script are seven copies of a page of reviews for screenwriter William Sach's film "There is No 13" 1974 as well as a small typed list labeled "BILL SACHS / DISTRIBUTORS HE IS CALLING IN NY." Convinced she is turning into a vampire due to her undiagnosed anemia a teenage girl runs away from home and enjoys a number of sensual hallucinatory experiences. Screenwriter William Sachs was known for his surrealist style as in "The Incredible Melting Man" 1977 and "Van Nuys Blvd." 1979. Red titled wrappers with credits for screenwriter William Sachs. Title page present with credits for William Sachs. 118 leaves with last page of text numbered 116. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good lightly toned with a few splashes on the front wrapper bound with two gold brads. N.p. unknown
1977ref. 164698N.p.: N.p. 1977. Set of seven color studio still photographs from the 1977 film each machine-numbered at the bottom left corner: 1 2 3 4 5 6 8. A romantic comedy about the strange relationship between a neurotic comedian and his quirky girlfriend. Winner of six Academy Awards including Best Picture Best Director Best Screenplay Best Actress and Best Actor. Shot on location in California and New York. 10 x 8 inches. Near Fine. Ebert II. Rosenbaum 1000. N.p. unknown
1958ref. 162097N.p.: Kingsley-Union 1958. Two vintage studio still photographs from the US release of the 1958 French film. Both photographs with provenance stamps on the versos. A sailor aboard a French merchant ship arrives at the Port of Hamburg and searches for a woman he knew when he was a prisoner of war in the city during the Second World War. Shot on location in Hamburg Germany. 8 x 10 inches. Near Fine. Kingsley-Union unknown
1954ref. 164753Universal City: Universal-International 1954. Vintage publicity photograph from the 1954 film showing actors Yvonne De Carlo and Joel McCrea in a passionate moment. Printed mimeo snipe affixed to the verso. A Confederate officer journeys with his men to an outlaw town in Mexico where they hope to use two million dollars in gold to acquire weapons and continue the war effort. A Union soldier determines to stop them. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Set in Zona Libra Mexico shot on location in Moab Utah and in Morelos Mexico. 8 x 10 inches. Near Fine. Pitts 450. Universal-International unknown
1945ref. 164474Universal City: Universal Studios 1945. Vintage publicity photograph from the 1945 film showing actress Yvonne De Carlo. Printed mimeo snipe affixed to the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901. Jones worked for Paramount Pictures in the early 1930s and was the first still photographer to win an Academy Award. He went on to be the head of the still photography department at Universal Pictures where he worked well into the 1950s. Loosely based on the life of famed dancer and courtesan Lola Montez. De Carlo's breakthrough role about an exotic dancer who becomes a spy during the American Civil War. 8 x 10 inches. Near Fine. Universal Studios unknown
ref. 258559 August 1927. On letterhead of New Grove Petworth Sussex. Mason was according to E. V. Lucas ‘famous in both hemispheres’. His entry in the Oxford DNB ends with this assessment: ‘His books were best-sellers for fifty years and the films made from them notably The Drum 1938 for which he wrote his own scenario and The Four Feathers 1939 were among the most popular in their time.’ 1p 12mo. In good condition lightly aged. Folded twice for postage. The valediction is in Mason's autograph: 'Yours sincerely / A. E. W. Mason'. The rest of the note is typed: 'Dear Rosemary Barron / I am very happy to send you my autograph since you are kind enough to say that you would like to have it.' 9 August 1927. On letterhead of New Grove, Petworth, Sussex. unknown
1965ref. T217113Hamish Hamilton London 1965. 1st Edition. HARDCOVER. 8vo in dark blue faux cloth gilt lettering to spine. 107pp. Warmly inscribed to author and translator Peter Meyer and signed by the author on the title-page no other marks or inscriptions __CONDITION : A well preserved FINE very clean and tight copy top edge of page block faintly dusty in a slightly tanned and faintly dusty but otherwise FINE complete Dust Jacket. A nice copy of one of Dehn's scarcest books. . __To see more of our Poetry books type DbbPOETRY in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Hamish Hamilton, London hardcover
1974ref. 140856N.p.: N.p. 1974. Draft script for an unproduced film. With a typed letter to Ms. Lahn from screenwriter John Rose laid-in. A biopic on the French sculptor Auguste Rodin and the turbulent relationships he has with everyone around him. Among his doomed romances are his mistress and in the last year of both their lives his eventual wife Rose as well as a host of other women including Camille a sculptor to whom he is a mentor. Among his friends are Edmond a long admirer of the artist who only wants what is best for him. His work is both praised and rejected by the French torturing him to the point of starvation and leading to his demise. Set in Paris. White titled self wrappers with credits for screenwriter John Rose. 108 leaves with last page of text numbered 108. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with three silver brads. N.p. unknown
1999ref. 173100N.p.: Gaumont 1999. Eight vintage satin-finished studio still photographs from the 1999 film including one photograph of director Luc Besson on the set of the 1999 film. A fictionalized account of the life of Joan of Arc including her heading the siege of Orléans and eventual heresy trial in England ending in her execution. Set in France and England shot on location in France and the Czech Republic. 8 x 10 inches. Fine. Gaumont unknown
1977ref. 146401N.p.: N.p. 1977. Draft script for an unproduced film. Included with the script is a typed letter from screenwriter John Roberts to casting agent Paul Kohner submitting the script for consideration by prospective director John Huston with a manuscript pencil annotation across the top: "Irene / Please explain John's present status / Does he want to wait" Likely from Kohner to his secretary or reader. A gritty war drama detailing the 1919 Battle of Shenkursk an important battle in the Russian Civil War. Set in Russia. White generic Paul Kohner-Michael Levy Agency wrappers. Title page present with credits for screenwriter John Roberts. 185 leaves with last page of text numbered 183. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with light soil and toning to the extremities bound with two gold brads. N.p. unknown
1994ref. 159660Santa Monica: NuWilshire Theater 1994. Vintage flyer advertising two screenings of the US release of the 1992 British film Thursday July 7 and Monday July 11 1994 at the NuWilshire Theater in Santa Monica California. Based on the 1985 novel "Geraldine For the Love of a Transvestite" by Monica Jay. Gerald an American banker who is secretly a cross-dresser is thrown out of his house when is wife discovers women's undergarments in their bedroom. Gerald takes up lodgings with Monica a 50-year old recently divorced housewife smitten with Gerald who slowly discovers Gerald's secret his alter-ego Geraldine and learns to accept and appreciate and support Gerald. Set and shot on location in London. 8.5 x 11 inches on lilac paper. Some light edgewear else Near Fine. NuWilshire Theater unknown
1970ref. 147195N.p.: N.p. 1970. Treatment script for an unproduced film. With two brief manuscript ink annotations to the title page and front wrapper noting the number 778. Based on the life of noted Viennese composer Oscar Straus. Set in Austria and New York. Yellow untitled generic Paul Kohner wrappers. Title page present with credits for screenwriter Kent A. Barret. 41 leaves with last page of text numbered 40. Mimeograph duplication on onionskin stock rectos only. Pages Very Good plus wrapper Very Good with light soil to the wrapper and first and last leaves bound with two gold brads. N.p. unknown
1947ref. 144819Culver City CA: Columbia Pictures 1947. Vintage photograph of director Charles Vidor and stars Rosalind Russell and Melvyn Douglas speaking to Orson Welles on the set of the 1947 film. Welles was directing the classic Columbia Pictures film "The Lady from Shanghai" at the same time. Mimeo snipe and agency stamps on the verso. Janet Ames Rosalind Russell seeks out five soldiers who her husband sacrificed his life for during World War II. After suffering a serious injury she meets Smithfield "Smitty" Cobb Melvyn Douglas who helps her find the men her husband saved though he does not tell her he is one of them. He tries to help her reconcile her pain and guilt while he treats his own pain from the war with heavy drinking. 8 x 10 inches. Near Fine. Columbia Pictures unknown
1984ref. 153832N.p.: N.p. 1984. Draft script for an unproduced film. Laid in with the script is a letter from Kodiak Films producer Wolf Schmidt to agent Walter Kohner declining to produce the film. A group of scientists accidentally create a deadly chemical compound which is promptly stolen by a rival scientist who threatens to kill thousands of people with the compound unless he is given one billion dollars. Two spies from the mysterious Sub Rosa agency are sent to retrieve the chemical. Blue card wrappers with a printed title label affixed to the front wrapper. Title page present dated 1984 with credits for screenwriter R. Delano Brown. 99 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a silver prong. N.p. unknown
1980ref. 152548San Francisco: Zoetrope Studios 1980. Vintage program and invitation for Francis Ford Coppola's 1980 Los Angeles screening of the 1927 French silent film. Housed in a white envelope with Coppola's address on the return flap letterhead. One of the late masterpieces of the silent era following Napoleon's early life through his appointment as Commander in Chief of the Army. Notable for the many innovative and experimental techniques used by director Abel Gance uncommon in the silent era including location shooting fast cutting close up hand held and point of view shots multiple camera set ups in-camera movement and visual effects such as superimposition film tinting and split screen or mosaic shots. Most famously the film helped pioneer widescreen viewing as Gance created a technique later referred as Polyvision which required three projectors to run film shot from three different cameras simultaneously to achieve a 4:1 aspect ratio for the film's climatic battle sequence although seams between the screens would remain visible. After only showing at a handful of theaters the film was acquired by MGM and severely cut with only the middle section of the triptych retained the other two sections remaining largely unseen until Coppola's 1980 restoration debuted at Radio City Music Hall in New York on January 23 igniting public interest in Gance and bringing him much-belated recognition before his death eleven months later in November 1981. Program folded three times 7 x 10.5 inches. Near Fine. Invitation 6 x 9 inches Near Fine. Zoetrope Studios unknown
1985ref. 141905N.p.: N.p. 1985. Draft script for an unproduced film. A Black man and his son struggle to survive in Apartheid-era South Africa where they find themselves constantly at odds with white society whether at the hands of questioning police the disrespect Mogane faces when he is promoted to foreman at his job and his son struggling to earn respect and money for hard work out on the streets. Set in South Africa. White titled self wrappers dated August 19 1985. Title page present dated August 19 1985 noted as Revised First Draft with credits for screenwriter Adam Rodman. 127 leaves with last page of text numbered 126. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1950ref. 167604Berlin: Carlton-Film 1950. Six vintage studio still photographs from the 1950 West German film. The inhabitants of a small village in the Bavarian Alps lose their senses upon the arrival of a beautiful young dancer arousing the men and enraging their wives. Set and shot on location in Bavaria. 10 x 8 inches. Very Good to Very Good plus with pinholes on the margins. Carlton-Film unknown
1980ref. 163675N.p.: Toho Company 1980. Three vintage photographs from the 1980 film two film still photographs and a photograph of director Akira Kurosawa on the set with executive producers Francis Ford Coppola and George Lucas. The story of a low-class criminal taught to be the decoy or kagemusha of a dying feudal lord based on the historical daimyo Takeda Shingen and depicting the 1575 Battle of Nagashino in the cinematic climax. When Toho Studios could not afford to complete the film Coppola and Lucas convinced Twentieth Century Fox to cover the shortfall in exchange for international distribution rights receiving credits as executive producers on the finished film. Nominated for two Academy Awards including Best Foreign Language Film and winner of the Palme d'Or at the 1980 Cannes Film Festival. Set in Sengoku period shot on location in Iga Ueno Castle Himeji Castle Kumamoto Castle Yuhara Plain Hokkaido Japan. 8 x 10 inches. Near Fine. Criterion Collection 267. Toho Company unknown
