11,064 results
1980ref. 149772Tokyo: Nikkatsu 1980. Three vintage borderless reference photographs from the 1980 Japanese pinku pink film. Also included with the set is a film program in Japanese. Housed in a studio envelope. Photographs 6 x 4.25 inches Near Fine. Film program is 28.25 x 6.75 inches one sheet folded four times Near Fine. Weisser and Weisser The Japanese Cinema Encyclopedia: The Sex Films p. 89. Nikkatsu unknown books
1968ref. 149444Neuilly-sur-Seine France: Presse Parc Film 1968. Four vintage borderless reference photographs from the 1968 French film. With a stamp specific to the French release for the film on the verso and one with a provenance stamp. After being released from the hospital following a suicide attempt a young man is scouted by a mysterious research group to participate in a time travel experiment. Alain Resnais' fifth film a brutal rumination on memory and the death of a relationship thematically and stylistically a precursor to Michel Gondry's 2004 film "Eternal Sunshine of the Spotless Mind." Shot on location in Brussels Belgium. Three photographs 5 x 6.75 inches one photograph 7 x 5 inches. Near Fine. Presse Parc Film unknown
1968ref. 149444Neuilly-sur-Seine France: Presse Parc Film 1968. Four vintage borderless reference photographs from the 1968 French film. With a stamp specific to the French release for the film on the verso and one with a provenance stamp. After being released from the hospital following a suicide attempt a young man is scouted by a mysterious research group to participate in a time travel experiment. Alain Resnais' fifth film a brutal rumination on memory and the death of a relationship thematically and stylistically a precursor to Michel Gondry's 2004 film "Eternal Sunshine of the Spotless Mind." Shot on location in Brussels Belgium. Three photographs 5 x 6.75 inches one photograph 7 x 5 inches. Near Fine. Presse Parc Film unknown books
1968ref. 162088New York: Trans American Films 1968. Three vintage reference photographs and one vintage studio still photograph from the US release of the 1966 French film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. An inexperienced drug runner on a cross-continental train becomes the central figure in the imaginations of a group of filmmakers who are engaged in the process of drafting their next feature. Set in Paris and Antwerp. 10 x 8 inches. Near Fine. BFI 2033. Grant France. Trans American Films unknown
1968ref. 162088New York: Trans American Films 1968. Three vintage reference photographs and one vintage studio still photograph from the US release of the 1966 French film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. An inexperienced drug runner on a cross-continental train becomes the central figure in the imaginations of a group of filmmakers who are engaged in the process of drafting their next feature. Set in Paris and Antwerp. 10 x 8 inches. Near Fine. BFI 2033. Grant France. Trans American Films unknown books
1975ref. 129187Los Angeles: Twentieth Century-Fox 1975. First Draft script for the 1977 film. Benny Fikus owns a failing clothing store and wishes to cash in on it by burning down his store and collecting the money from the fire insurance policy. He goes on vacation with his wife and puts his son in charge and suffers a heart attack while away. His other son Ezra attempts to adopt an African American teenager to have him play on his basketball team so that he may keep his job as the unsuccessful high school basketball coach. Blue titled wrappers. Title page present dated September 19 1975 noted as First Draft with credit for screenwriter Klane. 124 leaves mimeograph duplication. Pages Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown
1975ref. 129187Los Angeles: Twentieth Century-Fox 1975. First Draft script for the 1977 film. Benny Fikus owns a failing clothing store and wishes to cash in on it by burning down his store and collecting the money from the fire insurance policy. He goes on vacation with his wife and puts his son in charge and suffers a heart attack while away. His other son Ezra attempts to adopt an African American teenager to have him play on his basketball team so that he may keep his job as the unsuccessful high school basketball coach. Blue titled wrappers. Title page present dated September 19 1975 noted as First Draft with credit for screenwriter Klane. 124 leaves mimeograph duplication. Pages Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown books
1922ref. 172059N.p.: N.p. 1922. Vintage reference photograph from the 1922 silent film showing Marion Davies watching Pedro de Cordoba in his laboratory. Received stamp and annotations in manuscript pencil on the verso. Based on the 1918 novel by Marie Corelli about a young woman who undergoes a surgical procedure to regain her beauty and youth at the cost of her sympathy. Davies' 14th film appearance. Currently considered lost. 8 x 10 inches. Near Fine. Complete collation details available on request. N.p. unknown
1922ref. 172059N.p.: N.p. 1922. Vintage reference photograph from the 1922 silent film showing Marion Davies watching Pedro de Cordoba in his laboratory. Received stamp and annotations in manuscript pencil on the verso. Based on the 1918 novel by Marie Corelli about a young woman who undergoes a surgical procedure to regain her beauty and youth at the cost of her sympathy. Davies' 14th film appearance. Currently considered lost. 8 x 10 inches. Near Fine. Complete collation details available on request. N.p. unknown books
1947ref. 160973Universal City: Universal-International 1947. Vintage reference photograph of director Zoltán Korda talking with producer and head of Universal-International William Goetz on the set of the 1948 film noir. Printed mimeo snipe affixed to the verso. From the archive of film historian and author Joel Finler. Based on Aldous Huxley's 1922 short story "The Gioconda Smile" about an unfaithful husband who is wrongly charged with the murder of his first wife. 8 x 10 inches. Slightly curled else Near Fine. Selby US. Spicer US. Universal-International unknown
1947ref. 160973Universal City: Universal-International 1947. Vintage reference photograph of director Zoltán Korda talking with producer and head of Universal-International William Goetz on the set of the 1948 film noir. Printed mimeo snipe affixed to the verso. From the archive of film historian and author Joel Finler. Based on Aldous Huxley's 1922 short story "The Gioconda Smile" about an unfaithful husband who is wrongly charged with the murder of his first wife. 8 x 10 inches. Slightly curled else Near Fine. Selby US. Spicer US. Universal-International unknown books
1972ref. 168659N.p.: N.p. 1972. Vintage one sheet poster for the 1972 adult comedy. Alex de Renzy's first fictional film following his landmark documentaries "Censorship in Denmark: A New Approach: 1970 and "A History of the Blue Movie" 1970. A mom embarks on a perilous journey into a dangerous forest to save her daughters Emily and Kandi abducted by pirates and encounters singing cross-dressers a lesbian gang gay monks and a helpful dwarf named Derek. 27 x 41 inches. Folded as issued. Very Good plus with starting at the center folds. Bright and unfaded. N.p. unknown
1972ref. 168659N.p.: N.p. 1972. Vintage one sheet poster for the 1972 adult comedy. Alex de Renzy's first fictional film following his landmark documentaries "Censorship in Denmark: A New Approach: 1970 and "A History of the Blue Movie" 1970. A mom embarks on a perilous journey into a dangerous forest to save her daughters Emily and Kandi abducted by pirates and encounters singing cross-dressers a lesbian gang gay monks and a helpful dwarf named Derek. 27 x 41 inches. Folded as issued. Very Good plus with starting at the center folds. Bright and unfaded. N.p. unknown books
1955ref. 151587London: Rank Organisation 1955. Vintage lobby card from the 1955 British film. With manuscript ink annotations on the verso noting the names of actors. A motley group of five small-time criminals rent out rooms from a wealthy octogenarian widow in order to plan a heist while posing as classical musicians. 14 x 11 inches. Very Good plus with pinholes to the corners. Grant UK. Lee The Heist Film. Rank Organisation unknown
1955ref. 151587London: Rank Organisation 1955. Vintage lobby card from the 1955 British film. With manuscript ink annotations on the verso noting the names of actors. A motley group of five small-time criminals rent out rooms from a wealthy octogenarian widow in order to plan a heist while posing as classical musicians. 14 x 11 inches. Very Good plus with pinholes to the corners. Grant UK. Lee The Heist Film. Rank Organisation unknown books
1938ref. 132192Los Angeles: Twentieth Century-Fox 1938. Final Script for the 1938 film. Loosely based on the events surrounding the construction of the Suez Canal the film stirred controversy upon its release when the descendants of main characters Matthieu and Ferdinand de Lesseps unsuccessfully sued the studio for libel. With all the elaborate costuming special effects and production costs typical of a Zanuck picture its cinematic qualities do their best to offset what can only be called a very unique take on historical accuracy. Nominated for the Academy Awards for Best Cinematography Best Original Score and Best Sound Recording. Power and Annabella were married shortly after the film's release. Set in Paris and Egypt shot on location in Arizona and California. Pale blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 178 dated April 8 1938. Distribution page present with receipt removed. Title page present dated April 8 1938 noted as Final Script with credits for screenwriters Dunne and Josephson. 186 leaves mimeograph duplication. Pages Near Fine wrapper Very Good bound internally with three gold brads. Twentieth Century-Fox unknown
1938ref. 132192Los Angeles: Twentieth Century-Fox 1938. Final Script for the 1938 film. Loosely based on the events surrounding the construction of the Suez Canal the film stirred controversy upon its release when the descendants of main characters Matthieu and Ferdinand de Lesseps unsuccessfully sued the studio for libel. With all the elaborate costuming special effects and production costs typical of a Zanuck picture its cinematic qualities do their best to offset what can only be called a very unique take on historical accuracy. Nominated for the Academy Awards for Best Cinematography Best Original Score and Best Sound Recording. Power and Annabella were married shortly after the film's release. Set in Paris and Egypt shot on location in Arizona and California. Pale blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 178 dated April 8 1938. Distribution page present with receipt removed. Title page present dated April 8 1938 noted as Final Script with credits for screenwriters Dunne and Josephson. 186 leaves mimeograph duplication. Pages Near Fine wrapper Very Good bound internally with three gold brads. Twentieth Century-Fox unknown books
1964ref. 142333Buckinghamshire: British Lion Film Corporation 1964. Draft script for the 1964 film. Based on the 1960 novel of the same title by Douglas Hayes. A middle-aged stage actor moves from a conservative life in the provinces to the very center of Swinging London and tries to revitalize his career by performing in commercials. Set in London shot on location there. Black untitled wrappers with a die-cut title window in the British style. Title page present with credits for screenwriter Peter Yeldham and author Douglas Hayes. 129 leaves with last page of text numbered 128. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three silver brads. British Lion Film Corporation unknown
1964ref. 142333Buckinghamshire: British Lion Film Corporation 1964. Draft script for the 1964 film. Based on the 1960 novel of the same title by Douglas Hayes. A middle-aged stage actor moves from a conservative life in the provinces to the very center of Swinging London and tries to revitalize his career by performing in commercials. Set in London shot on location there. Black untitled wrappers with a die-cut title window in the British style. Title page present with credits for screenwriter Peter Yeldham and author Douglas Hayes. 129 leaves with last page of text numbered 128. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three silver brads. British Lion Film Corporation unknown books
1956ref. 147087Los Angeles: Twentieth Century-Fox 1956. Final draft script for the 1956 film. Wrappers trimmed to conform to text block separating spine from wrapper abd cropping copy number stamp "650" and re-written in manuscript ink. Production number adjusted in manuscript pencil with ."5." "#3" in manuscript in on edge of spine. Based on Marcelle Maurette's 1952 stage play about a scheme to conspiracy to extort ten million pounds from a bank by teaching a homeless girl to impersonate the missing Russian princess Anastasia. Ingrid Bergman won an Academy Award for her lead role. Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 650 and production No. 2677 dated June 7 1956. Title page present dated June 7 1956 noted as Final Script with credits for screenwriter Arthur Laurents. 139 leaves with last page of text numbered 136. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus trimmed to conform to text block with spine separate bound with two gold brads. Twilight Time 203. Twentieth Century-Fox unknown
1956ref. 147087Los Angeles: Twentieth Century-Fox 1956. Final draft script for the 1956 film. Wrappers trimmed to conform to text block separating spine from wrapper abd cropping copy number stamp "650" and re-written in manuscript ink. Production number adjusted in manuscript pencil with ."5." "#3" in manuscript in on edge of spine. Based on Marcelle Maurette's 1952 stage play about a scheme to conspiracy to extort ten million pounds from a bank by teaching a homeless girl to impersonate the missing Russian princess Anastasia. Ingrid Bergman won an Academy Award for her lead role. Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 650 and production No. 2677 dated June 7 1956. Title page present dated June 7 1956 noted as Final Script with credits for screenwriter Arthur Laurents. 139 leaves with last page of text numbered 136. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus trimmed to conform to text block with spine separate bound with two gold brads. Twilight Time 203. Twentieth Century-Fox unknown books
1938ref. 147687Los Angeles: Paramount Pictures 1938. Draft script for the 1938 film. Paramount "File Copy" and "Master File" stamps on front wrapper. Script divided into sequences as was customary for the period. Harebrained comedy wherein international golf champion Richard "Ricky" Carrington Jr. Ray Milland returns home to New York with his new Parisian wife Julie Olympe Bradna only to find his parents arranged a financially motivated marriage for him to his childhood friend the wealthy heiress Auriol Marsden Irene Hervey. Self wrappers front wrapper dated August 16 1938 rubber-stamped production No. 1569. 150 leaves with last page of text numbered J-10. Mimeograph duplication rectos only. Pages Near Fine saddle-stapled with two staples. Byrge and Miller The Screwball Comedy Films. Paramount Pictures unknown
1938ref. 147687Los Angeles: Paramount Pictures 1938. Draft script for the 1938 film. Paramount "File Copy" and "Master File" stamps on front wrapper. Script divided into sequences as was customary for the period. Harebrained comedy wherein international golf champion Richard "Ricky" Carrington Jr. Ray Milland returns home to New York with his new Parisian wife Julie Olympe Bradna only to find his parents arranged a financially motivated marriage for him to his childhood friend the wealthy heiress Auriol Marsden Irene Hervey. Self wrappers front wrapper dated August 16 1938 rubber-stamped production No. 1569. 150 leaves with last page of text numbered J-10. Mimeograph duplication rectos only. Pages Near Fine saddle-stapled with two staples. Byrge and Miller The Screwball Comedy Films. Paramount Pictures unknown books
1968ref. 140838N.p.: Wolper Pictures 1968. Revised Draft script for the 1968 film. Based on the book of the same name by Robert H. Adleman and Col. George Walton. Based on the 1966 book by Robert H. Adleman and Col. George Walton in turn based on the true story of a specially trained unit of misfit American and Canadian soldiers given the seemingly impossible task to capture Mt. La Difensa and prove their merit. Set in America England and Italy shot on location in Utah and Italy. Yellow titled wrappers. Title page present dated 1/13/67 noted as Final Revised with credits for William Roberts. 131 leaves with last page of text numbered 129. Mechanical duplication. Pages Fine wrapper Near Fine bound internally with three gold brads. Rubber stamped on the title page #79. Wolper Pictures unknown
1968ref. 140838N.p.: Wolper Pictures 1968. Revised Draft script for the 1968 film. Based on the book of the same name by Robert H. Adleman and Col. George Walton. Based on the 1966 book by Robert H. Adleman and Col. George Walton in turn based on the true story of a specially trained unit of misfit American and Canadian soldiers given the seemingly impossible task to capture Mt. La Difensa and prove their merit. Set in America England and Italy shot on location in Utah and Italy. Yellow titled wrappers. Title page present dated 1/13/67 noted as Final Revised with credits for William Roberts. 131 leaves with last page of text numbered 129. Mechanical duplication. Pages Fine wrapper Near Fine bound internally with three gold brads. Rubber stamped on the title page #79. Wolper Pictures unknown books
