10,190 results
1961ref. 128815London: Merton Park Studios 1961. Final Shooting Script for the 1962 UK film. The 18th film out of 47 of the "Edgar Wallace Mysteries" a British film series that showed as 1-hour second features on British film screens between 1960 and 1965 then later on television. White titled wrappers noted as Final Shooting script on the front wrapper dated October 1961 with credits for screenwriter Mackie and writer Wallace. Title page integral with the front wrapper as issued. 64 leaves mimeograph duplication. Pages Near Fine wrapper Near Fine bound with two silver brads. Merton Park Studios unknown
1961ref. 128815London: Merton Park Studios 1961. Final Shooting Script for the 1962 UK film. The 18th film out of 47 of the "Edgar Wallace Mysteries" a British film series that showed as 1-hour second features on British film screens between 1960 and 1965 then later on television. White titled wrappers noted as Final Shooting script on the front wrapper dated October 1961 with credits for screenwriter Mackie and writer Wallace. Title page integral with the front wrapper as issued. 64 leaves mimeograph duplication. Pages Near Fine wrapper Near Fine bound with two silver brads. Merton Park Studios unknown books
1962ref. 128816London: Merton Park Studios 1962. Final Shooting script for the 1962 UK film. The 21st film out of 47 of the "Edgar Wallace Mysteries" a British film series that screened as 60-minute second features on British film screens between 1960 and 1965 then later on television. A shady businessman has perpetrated a fraud that has resulted in the death of a large number of people. His business partner has evidence of the fraud and threatens the fraudster with exposure in the event of any further dishonest dealing. But when the fraudster suddenly receives death threats he decides to fake his own murder. . Light blue tall titled wrappers noted as Final Shooting Script on the front wrapper dated January 1962 with credits for screenwriter Harris and writer Wallace. 55 leaves mimeograph duplication. Pages Near Fine wrapper Near Fine bound with two silver British-style brads. Merton Park Studios unknown books
1960ref. 150525N.p.: N.p. 1960. Vintage reference photograph of Elia Kazan Warren Beatty and four other female cast members on the set of the 1961 film. Warren Beatty's film debut. Natalie Wood was nominated for Best Actress Academy Award and William Inge won for Best Screenplay his first original screenplay after a career as a playwright. Family and societal pressures on Deanie Wood and Bud's Beatty heated teen romance threaten their romance and their sanity. 10.25 x 8 inches. Near Fine. Godard Histoires du cinema. N.p. unknown
1960ref. 150525N.p.: N.p. 1960. Vintage reference photograph of Elia Kazan Warren Beatty and four other female cast members on the set of the 1961 film. Warren Beatty's film debut. Natalie Wood was nominated for Best Actress Academy Award and William Inge won for Best Screenplay his first original screenplay after a career as a playwright. Family and societal pressures on Deanie Wood and Bud's Beatty heated teen romance threaten their romance and their sanity. 10.25 x 8 inches. Near Fine. Godard Histoires du cinema. N.p. unknown books
1956ref. 158265Burbank CA: Warner Brothers 1956. Vintage studio still photograph from the 1956 film showing Elia Kazan astride a rocking horse directing actor Eli Wallach. Warner Brothers stamp on the verso crediting photographer Floyd McCarty. Based on Tennessee Williams' 1946 one-act plays "27 Wagons Full of Cotton" and "The Unsatisfactory Supper." A spoiled virginal teenage girl is caught between the unfulfilled passions of her middle-aged husband and his amorous business rival a Sicilian with a monopoly on local cotton plantations. Set in the fictional county of Tiger Tail Mississippi and shot on location in Benoit Mississippi and Stockton California. 8 x 10 inches. Very Good plus with light wear along the left edge. Warner Brothers unknown books
1969ref. 158639N.p.: N.p. 1969. Vintage reference photograph from the 1969 film showing actors Deborah Kerr and Kirk Douglas. From the archive of film historian and author Joel Finler. Adapted by director Elia Kazan from his own 1967 novel about an advertising executive on the verge of a nervous breakdown balancing the demands of his unhappy wife younger mistress and dying father. Set and shot on location in Los Angeles and New York. 10 x 8 inches. Near Fine. N.p. unknown books
1972ref. 156668N.p.: N.p. 1972. Vintage oversize borderless color reference photograph from the 1972 French film. The sixth and final film in Éric Rohmer's "Six Moral Tales" series about a married businessman whose harmless fantasies threaten to spill over into reality when he encounters an old flame at his office. Set and shot on location in Paris. 11.75 x 9.25 inches. Near Fine. Criterion Collection 348. N.p. unknown books
1928ref. 152353N.p.: N.p. 1928. Vintage reference photograph from the 1928 film struck circa 1950 from the original negative showing actors Erich von Stroheim and Fay Wray. With a stamp specific to the film's French release on the verso along with a few manuscript ink annotations. From the archive of film historian and author Joel Finler. Stroheim's runaway production was halted after nine months of shooting by producer Pat Powers having gone nearly $1 million over budget with an edited running time of over four hours. After a disastrous preview Paramount decided to release two films from the footage as was Stroheim's original intent with the second part entitled "The Honeymoon" now lost. The film follows Prince Nicki an impoverished aristocrat who is in love with the beautiful innkeeper's daughter Mitzi Fay Wray but is forced to marry Cecilia the daughter of a wealthy factory owner Zasu Pitts. 5 x 7 inches. Near Fine. National Film Registy. Scorsese A Personal Journey through American Movies. N.p. unknown books
1955ref. 159918Rome: N.p. 1955. Vintage borderless reference photograph of actors Broderick Crawford and Richard Basehart on the set of the 1955 Italian film. Stamp of still photographer G.B. Poletto and a printed mimeo snipe on the verso. A trio of small-time ruthless con artists undergo crises of conscience after facing the condemnation of their families. Director Federico Fellini's followup to "La strada" 1954. 7 x 9.5 inches. Very Good plus with finish lightly rubbed. Eureka Masters of Cinema 66. Godard Histoires du cinema. Grant US. N.p. unknown books
1971ref. 150085N.p.: N.p. 1971. Vintage borderless reference photograph from the 1971 film. Two dated "L'Express" stamps two "Publiee" stamps with annotations in manuscript marker and a "Viva la Muerte" stamp on verso. Based on the 1959 novel "Baal Babilonia" by Fernando Arrabal. Arrabal's fierce directorial debut. A young boy of about ten Fando tries to make sense of his father's arrest and detainment having been accused of being a communist by Franco's Fascists who has his religious mother's sympathies and may have turned him in. Shot on location in Tunisia. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. N.p. unknown
1971ref. 150085N.p.: N.p. 1971. Vintage borderless reference photograph from the 1971 film. Two dated "L'Express" stamps two "Publiee" stamps with annotations in manuscript marker and a "Viva la Muerte" stamp on verso. Based on the 1959 novel "Baal Babilonia" by Fernando Arrabal. Arrabal's fierce directorial debut. A young boy of about ten Fando tries to make sense of his father's arrest and detainment having been accused of being a communist by Franco's Fascists who has his religious mother's sympathies and may have turned him in. Shot on location in Tunisia. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. N.p. unknown books
1973ref. 150118N.p.: N.p. 1973. Vintage borderless reference photograph of François Truffault and crew at a woodsy shooting location the 1973 film. One of the great films about film chronicling the ups and downs in the lives of the cast and crew of shooting a fictional film. Winner of an Academy Award for Best Foreign Language Film and nominated for Best Supporting Actress Best Director and Best Original Screenplay. Shot on location in France. 9.5 x 7.25 inches. image: 9.5 x 3.75 inches. Light edgewear and soiling on verso else Near Fine Criterion Collection 769. Ebert IV. N.p. unknown
1973ref. 150118N.p.: N.p. 1973. Vintage borderless reference photograph of François Truffault and crew at a woodsy shooting location the 1973 film. One of the great films about film chronicling the ups and downs in the lives of the cast and crew of shooting a fictional film. Winner of an Academy Award for Best Foreign Language Film and nominated for Best Supporting Actress Best Director and Best Original Screenplay. Shot on location in France. 9.5 x 7.25 inches. image: 9.5 x 3.75 inches. Light edgewear and soiling on verso else Near Fine Criterion Collection 769. Ebert IV. N.p. unknown books
1931ref. 154507N.p.: N.p. 1931. Vintage reference photograph from the 1931 pre-Code film showing actors Will Rogers and Fifi D'Orsay. A French singer helps an older serious-minded businessman loosen up but his sons decide to intervene afraid that she is taking advantage of his largesse. Set in Chicago. 8 x 10 inches. Near Fine. N.p. unknown
1931ref. 154507N.p.: N.p. 1931. Vintage reference photograph from the 1931 pre-Code film showing actors Will Rogers and Fifi D'Orsay. A French singer helps an older serious-minded businessman loosen up but his sons decide to intervene afraid that she is taking advantage of his largesse. Set in Chicago. 8 x 10 inches. Near Fine. N.p. unknown books
1959ref. 150507Berlin: Central Cinema Company Film CCC 1959. Vintage borderless reference photograph of Fritz Lang being attacked by the shackled Paul Hubschmid rehearsing a scene on the set of the 1959 film. German mimeo snipe and "Der Tiger von Eschnapur" stamps on verso. Based on the 1918 German novel "Das Indische Grabmal" "The Indian Tomb" by Thea von Harbou. Previously filmed in 1921 as the silent film "The Indian Tomb" directed by Joe May and starring Conrad Veidt and Mia May with a screenplay written by von Harbou and Lang who was originally slated to direct and in 1938 as the German film "Der Tiger von Eschnapur" directed by Richard Eichberg starring Philip Dorn and La Jana. Lang returned to the material some forty years later and divided the story into two films to avoid the lengthy three and a half hour running time of the original silent film. A German architect travels to the remote Indian city of Eschnapur to oversee work being done at the behest of the Maharajah and falls in love with a beautiful temple dancer who the Maharajah also loves. Set in India shot on location in Berlin Germany and Udaipur India. 9 x 7 inches. Near Fine. Eureka 50047. Rosenbaum 1000. Central Cinema Company Film [CCC] unknown
1944ref. 150383N.p.: N.p. 1944. Two vintage photographs from the set of the 1944 film noir one showing director Fritz Lang closely inspecting a filmstrip the other showing Lang in conversation with actress Joan Bennett. Based on J. H. Wallis' 1943 novel "Once Off Guard." A married psychology professor gets mixed up with a beautiful young woman who plunges him into a world of blackmail and murder. One 9.5 x 7.5 inches one 8 x 10 inches. Near Fine. Grant US. Selby US Masterwork. Silver Classic Noir. Spicer US. N.p. unknown books
1959ref. 150507Berlin: Central Cinema Company Film CCC 1959. Vintage borderless reference photograph of Fritz Lang being attacked by the shackled Paul Hubschmid rehearsing a scene on the set of the 1959 film. German mimeo snipe and "Der Tiger von Eschnapur" stamps on verso. Based on the 1918 German novel "Das Indische Grabmal" "The Indian Tomb" by Thea von Harbou. Previously filmed in 1921 as the silent film "The Indian Tomb" directed by Joe May and starring Conrad Veidt and Mia May with a screenplay written by von Harbou and Lang who was originally slated to direct and in 1938 as the German film "Der Tiger von Eschnapur" directed by Richard Eichberg starring Philip Dorn and La Jana. Lang returned to the material some forty years later and divided the story into two films to avoid the lengthy three and a half hour running time of the original silent film. A German architect travels to the remote Indian city of Eschnapur to oversee work being done at the behest of the Maharajah and falls in love with a beautiful temple dancer who the Maharajah also loves. Set in India shot on location in Berlin Germany and Udaipur India. 9 x 7 inches. Near Fine. Eureka 50047. Rosenbaum 1000. Central Cinema Company Film [CCC] unknown books
1971ref. 156330Burbank CA: American Zoetrope / Warner Brothers 1971. Two vintage borderless reference photographs from the 1971 film both showing Robert DuVall and Maggie McOmie in states of undress. Given everything that would follow "THX-1138" could easily be described as the most successful student film of all time developed by George Lucas in 1967 as a short called "Electronic Labyrinth: THX 1138 4EB" while he was attending the University of Southern California's film school. The feature film version was one of the first efforts produced under the auspices of Lucas' friend Francis Ford Coppola. 10 x 8 inches. Near Fine. American Zoetrope / Warner Brothers unknown books
1988ref. 162348N.p.: N.p. 1988. Three vintage borderless reference photographs from the 1988 West German film including one photograph of director Dorris Dörrie on the set. Copyright labels affixed to versos. Based on the 1971 Italian novel by Alberto Moravia. A man's penis begins to communicate with him leading to a number of awkward situations and alienating him from his friends and family. 9.5 x 7 inches. Near Fine. N.p. unknown
1988ref. 162348N.p.: N.p. 1988. Three vintage borderless reference photographs from the 1988 West German film including one photograph of director Dorris Dörrie on the set. Copyright labels affixed to versos. Based on the 1971 Italian novel by Alberto Moravia. A man's penis begins to communicate with him leading to a number of awkward situations and alienating him from his friends and family. 9.5 x 7 inches. Near Fine. N.p. unknown books
1943ref. 154949N.p.: Bavaria-Filmkunst 1943. Vintage borderless reference photograph of director G.W. Georg Wilhelm Pabst with a camera crew on the set of the 1943 Nazi propaganda film. Stamp of Bavaria-Filmkunst on the verso. A dramatization of the life of Swiss physician and alchemist Paracelsus. The second of two films Pabst was forced to direct under the auspices of propaganda minister Josef Goebbels the other being "The Comedians" in 1941. 7 x 9.75 inches. Near Fine. Bavaria-Filmkunst unknown
1943ref. 154949N.p.: Bavaria-Filmkunst 1943. Vintage borderless reference photograph of director G.W. Georg Wilhelm Pabst with a camera crew on the set of the 1943 Nazi propaganda film. Stamp of Bavaria-Filmkunst on the verso. A dramatization of the life of Swiss physician and alchemist Paracelsus. The second of two films Pabst was forced to direct under the auspices of propaganda minister Josef Goebbels the other being "The Comedians" in 1941. 7 x 9.75 inches. Near Fine. Bavaria-Filmkunst unknown books
1971ref. 150457Los Angeles: Paramount Pictures 1971. Vintage borderless studio still photograph of director Hal Ashby and actors Charles Tyner Ruth Gordon and Bud Cort along with an unknown crew member on the set of the 1971 film. With a handwritten snipe affixed to the verso along with manuscript pencil and ink annotations identifying the figures and film title. Hal Ashby's idiosyncratic love story following the unlikely romance which blossoms between the young suicidally depressed Harold and the exuberant eighty-year-old Maude. Set and shot on location in San Francisco. 10 x 8 inches. Very Good plus lightly worn on the corners. National Film Registry. Criterion Collection 608. Eureka Masters of Cinema 83. Paramount Pictures unknown
