10,190 results
1991ref. 150037N.p.: N.p. 1991. Vintage matte finish reference photograph of Steven Soderbergh on the set of the 1991 film. Printed snipe on verso. Loosely based on the life of Franz Kafka combined with elements from Kafka's novels "The Castle" 1926 and "The Trial" 1925. Soderbergh's second feature film experimental in concept and execution and today a cult favorite frequently compared to Terry Gilliam's 1985 film "Brazil" and David Cronenberg's 1991 film "Naked Lunch." Set in 1919 Prague shot on location in Prague Czech Republic. 8 x 10 inches wide bottom margin. Very light creasing in right margin else Near Fine. N.p. unknown books
1964ref. 167104N.p.: N.p. 1964. Vintage borderless reference photograph from the 1964 British film showing actress Sylva Koscina undressing. Stamp of photographer Georg Michalke on the verso. Based on Lionel Davidson's 1960 novel "The Night of Wenceslas" about an ordinary man who is unknowingly pulled into a Cold War plot. 9.5 x 7 inches. About Fine. N.p. unknown
1974ref. 163782N.p.: N.p. 1974. Vintage borderless color reference photograph from the 1974 film showing actor Gunnar Hansen in costume as Leatherface. Provenance labels on the verso. From the archive of film historian and author Joel Finler. Loosely based on the crimes of serial murderer and body snatcher Ed Gein. Shot on a shoestring budget with the cast mostly composed of unknown Texan actors Tobe Hooper's second feature film courted controversy upon release for its grisly violence and critical view of US politics and is now rightfully considered a slasher cult classic. Set and shot on location in Round Rock Watterson Austin and San Marcos Texas. 5 x 7 inches. Fine. Thrower Nightmare USA. N.p. unknown
1974ref. 163782N.p.: N.p. 1974. Vintage borderless color reference photograph from the 1974 film showing actor Gunnar Hansen in costume as Leatherface. Provenance labels on the verso. From the archive of film historian and author Joel Finler. Loosely based on the crimes of serial murderer and body snatcher Ed Gein. Shot on a shoestring budget with the cast mostly composed of unknown Texan actors Tobe Hooper's second feature film courted controversy upon release for its grisly violence and critical view of US politics and is now rightfully considered a slasher cult classic. Set and shot on location in Round Rock Watterson Austin and San Marcos Texas. 5 x 7 inches. Fine. Thrower Nightmare USA. N.p. unknown books
1954ref. 168480N.p.: N.p. 1954. Vintage reference photograph from the set of the 1954 film showing actor Tony Curtis standing behind the Woodill Wildfire surrounded by cast and crew members. Annotations in manuscript pencil on the verso. An automobile engineer designs a new sports car later stealing it with the help of his boss' granddaughter in order to compete in a cross-country race. Shot on location in Reno. 10 x 8 inches. N.p. unknown
1960ref. 151690Beverly Hills CA: United Artists 1960. Vintage reference photograph of director Billy Wilder chatting with actors Tony Curtis apparently visiting the set and Jack Lemmon on the set of the 1960 film. A mild-mannered office worker allows his boss use of his apartment for the boss' weekend dalliances in hopes of getting ahead on the corporate ladder only to finally meet the perfect woman a beautiful elevator operator. Madcap wonderment ensues. Nominated for ten Academy Awards winning five including Best Picture Best Director and Best Screenplay. 8 x 10 inches. Near Fine. National Film Registry. Ebert I. United Artists unknown books
1954ref. 168480N.p.: N.p. 1954. Vintage reference photograph from the set of the 1954 film showing actor Tony Curtis standing behind the Woodill Wildfire surrounded by cast and crew members. Annotations in manuscript pencil on the verso. An automobile engineer designs a new sports car later stealing it with the help of his boss' granddaughter in order to compete in a cross-country race. Shot on location in Reno. 10 x 8 inches. N.p. unknown books
1979ref. 132250New York: New Yorker Films 1979. Original US promotional window poster for the 1979 German film issued in small numbers by New Yorker Films who distributed Herzog's film in the US. From the collection of noted film historian Amos Vogel. Full provenance available. 11 x 17 inches folded as issued. Near Fine. New Yorker Films unknown books
1940ref. 150548N.p.: N.p. 1940. Vintage reference photographs of director Wesley Ruggles on the set of the 1940 film by photographer Irving Lippman. Mimeo snipe and photographer "Irving Lippman" stamp on verso. Based on the 1919 play by W. Somerset Maugham which was based on the 1864 poem "Enoch Arden" by Alfred Tennyson. Soon after presumed window Vicky Jean Arthur marries her late husband's friend and business partner Henry Melvyn Douglas her first presumed dead husband Bill Fred MacMurray shows back up and now she's got one too many. Nominated for an Academy Award. 10 x 8 inches. Near Fine. Byrge and Miller The Screwball Comedy Films A History and Filmography 1934-1942. N.p. unknown
1940ref. 150548N.p.: N.p. 1940. Vintage reference photographs of director Wesley Ruggles on the set of the 1940 film by photographer Irving Lippman. Mimeo snipe and photographer "Irving Lippman" stamp on verso. Based on the 1919 play by W. Somerset Maugham which was based on the 1864 poem "Enoch Arden" by Alfred Tennyson. Soon after presumed window Vicky Jean Arthur marries her late husband's friend and business partner Henry Melvyn Douglas her first presumed dead husband Bill Fred MacMurray shows back up and now she's got one too many. Nominated for an Academy Award. 10 x 8 inches. Near Fine. Byrge and Miller The Screwball Comedy Films A History and Filmography 1934-1942. N.p. unknown books
1962ref. 170352N.p.: N.p. 1962. Vintage reference photograph from the 1962 film showing a crew member holding a script for Elizabeth Montgomery on the set. Annotations in manuscript pencil on the verso. Based on the 1959 novel "The Kingdom of Johnny Cool" by John McPartland about an exiled American in Rome who recruits a hit man to return to the US and take revenge on the people who forced him to flee. Set and shot on location in New York City Las Vegas and Los Angeles. 8 x 10 inches. Near Fine. Selby US. Silver and Ward Classic Noir. Spicer US. N.p. unknown
1962ref. 170352N.p.: N.p. 1962. Vintage reference photograph from the 1962 film showing a crew member holding a script for Elizabeth Montgomery on the set. Annotations in manuscript pencil on the verso. Based on the 1959 novel "The Kingdom of Johnny Cool" by John McPartland about an exiled American in Rome who recruits a hit man to return to the US and take revenge on the people who forced him to flee. Set and shot on location in New York City Las Vegas and Los Angeles. 8 x 10 inches. Near Fine. Selby US. Silver and Ward Classic Noir. Spicer US. N.p. unknown books
1994ref. 161134Burbank CA: Warner Brothers 1994. Three vintage studio still photographs from the set of the 1994 film: one showing Oliver Stone and Woody Harrelson consulting a screenplay between takes one showing Stone leaning on a railing with Robert Downey Jr. and the last showing Stone talking with Juliette Lewis. All three photographs credited to photographer Sidney Baldwin on the recto margins. After killing her abusive father a young woman sets off on a murderous road trip with her lover finding new victims at every stop. Their story piques the interest of an unscrupulous journalist who spins their crimes into heroism through his sensationalistic reporting. Shot on location in New Mexico Arizona and Statesville Correctional Center Illinois. 10 x 8 inches. Fine. Grant US. Spicer US Neo-Noir. Warner Brothers unknown
1994ref. 161134Burbank CA: Warner Brothers 1994. Three vintage studio still photographs from the set of the 1994 film: one showing Oliver Stone and Woody Harrelson consulting a screenplay between takes one showing Stone leaning on a railing with Robert Downey Jr. and the last showing Stone talking with Juliette Lewis. All three photographs credited to photographer Sidney Baldwin on the recto margins. After killing her abusive father a young woman sets off on a murderous road trip with her lover finding new victims at every stop. Their story piques the interest of an unscrupulous journalist who spins their crimes into heroism through his sensationalistic reporting. Shot on location in New Mexico Arizona and Statesville Correctional Center Illinois. 10 x 8 inches. Fine. Grant US. Spicer US Neo-Noir. Warner Brothers unknown books
1972ref. 35011972 25,5 x 16,4 cm, tirage gélatino-argentique d'époque, sans autre mention qu'un "F" au verso de la main du tireur.
1972ref. C102028London: Josef Shaftel Productions 1972. First Edition. Wraps. Very Good. First Edition. Wraps. Alice's adventures in Wonderland: Final shooting script by William Sterling copy belonging to actor Mike Elles playing Guinea Pig Two; with his signature on the title page. Typed 159 page script presented in a black card binder with title window/ Original Programme of the 'Royal Premiere in the Gracious Presence of Her Majesty The Queen in aid of The Gurkha Welfare Appeal Odeon Marble Arch 4th December 1972. Small 4to. Original publisher's wraps in old gold lettered Black and Orange with background illustrations of the traditional characters from the book. Contents Include Frontispiece photograph of HM Queen Elizabeth II; information on The Gurkha Welfare Appeal Premiere Committee with Patron Admiral of the Fleet The Earl Mountbatten of Burma and many period advertisements which add graphic interest; 32 Page souvenir booklet with Cast List Technical Credits and copious colour production photographs. Loosely inserted black and white stills photographs x 5 featuring the Guinea Pigs; Newspaper review clippings x 3 by Giles Brandreth and Lida Handsley with a feature on Fiona Fullerton 'The Girl Lord Snowdon Discovered.' / Production flyer for the Premiere promoting The Gurkha Welfare Appeal and a colour production illustration of Fiona Fullerton as Alice surrounded by a cast of characters/ Josef Shaftel Productions 'Script Amendments and Deletions' 24 March 1972 issued to all concerned from Rene DuPont/ Six typed Call Sheets No.s 13452734 giving scene details with artists and characters involved. Very good. Josef Shaftel Productions paperback
1981ref. 157696London: GTO Films 1981. Vintage pressbook from the 1981 British film. Kit includes one full-color bi-fold booklet and three studio still photographs. A comic documentary film following the exploits of British pop group Madness following their rise to fame from their humble pub-band origins. Booklet: 11.5 x 8.5 inches. Very Good plus with a light vertical crease on the fore-edges. Photographs 8 x 10 inches. Very Good plus one with annotations in manuscript ink on the recto. GTO Films unknown books
1949ref. 161624Burbank CA: Warner Brothers 1949. Four vintage reference photographs from the landmark 1949 film adaptation of Ayn Rand's 1943 novel "The Fountainhead." In approaching the film adaptation of Rand's iconoclastic work Vidor dispensed with typical Hollywood production techniques and focused on creating an expressionistic film one that literally echoed the architectural underpinnings of its characters' philosophies motives and ambitions. Unusual choices included modernist cinematography expressionistic set designs and wardrobe and having Ms. Rand herself write the heady screenplay. 8 x 10 inches. Near Fine. Warner Brothers unknown
1949ref. 161624Burbank CA: Warner Brothers 1949. Four vintage reference photographs from the landmark 1949 film adaptation of Ayn Rand's 1943 novel "The Fountainhead." In approaching the film adaptation of Rand's iconoclastic work Vidor dispensed with typical Hollywood production techniques and focused on creating an expressionistic film one that literally echoed the architectural underpinnings of its characters' philosophies motives and ambitions. Unusual choices included modernist cinematography expressionistic set designs and wardrobe and having Ms. Rand herself write the heady screenplay. 8 x 10 inches. Near Fine. Warner Brothers unknown books
1961ref. 153855N.p.: N.p. 1961. Vintage reference photograph of director Alain Resnais with a camera on the set of the 1961 French film. Manuscript ink and pencil annotations to the verso. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. A divisive film viewed by critics as either an ambiguous surreal masterpiece or an incomprehensible mess. Shot on location in Germany and France. 7.25 x 5.25 inches. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown books
1961ref. 153966N.p.: N.p. 1961. Vintage borderless reference photograph of director Alain Resnais setting up a shot with a camera crew on the set of the 1961 French film. Stamp specific to the film's French release on the verso along with manuscript ink and pencil annotations. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. Shot on location in Germany and France. 7 x 9.25 inches with a wide bottom margin. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown books
1968ref. 162398Montreal: Prima Film 1968. Three vintage borderless reference photographs from the 1968 French-Czechoslovak film including one double weight and two single weight. Vanessa Redgrave & Joshua Logan on set of Camelot 1967. Double weight photograph with layout annotations in manuscript pencil and ink on the recto single weight photographs with Canadian distribution stamps on the versos. Double weight photograph shows director Alain Robbe-Grillet talking with actress Sylvie Bréal on the set. An experimental film addressing post-traumatic stress disorder and postwar Europe about a man who insists on providing varying contradictory accounts of his activities during the war. Two 9.5 x 6.75 inches one 6 x 10 inches. Near Fine. Prima Film unknown
1968ref. 162398Montreal: Prima Film 1968. Three vintage borderless reference photographs from the 1968 French-Czechoslovak film including one double weight and two single weight. Vanessa Redgrave & Joshua Logan on set of Camelot 1967. Double weight photograph with layout annotations in manuscript pencil and ink on the recto single weight photographs with Canadian distribution stamps on the versos. Double weight photograph shows director Alain Robbe-Grillet talking with actress Sylvie Bréal on the set. An experimental film addressing post-traumatic stress disorder and postwar Europe about a man who insists on providing varying contradictory accounts of his activities during the war. Two 9.5 x 6.75 inches one 6 x 10 inches. Near Fine. Prima Film unknown books
1980ref. 153848N.p.: N.p. 1980. Vintage reference photograph from the 1980 film showing actress Debbie Harry playfully "drumming" empty beer bottles while Meat Loaf looks on to her left. From the archive of film historian and author Joel Finler. A rowdy beer distributor from Texas gets roped into becoming a roadie for a touring rock band. Featuring numerous cameos by real-life bands including Blondie Utopia Alice Cooper Asleep at the Wheel Hank Williams Jr. and Roy Orbison. Meat Loaf's first starring role. Shot on location in New York Texas and California. 5 x 3.5 inches. Near Fine. Carlson and Connolly Destroy All Movies. McPadden Heavy Metal Movies. N.p. unknown books
1964ref. 157639N.p.: Cambist Films 1964. Three vintage studio still photographs of Libertad Leblanc from the 1964 film. A young would-be nightclub singer discovers that her new performing contract is controlled by a violent drug baron. Set and shot on location in Buenos Aires and Venezuela. 10 x 8 inches. NEear Fine. Cambist Films unknown books
