10,264 results
1978ref. 161333N.p.: N.p. 1978. Vintage borderless reference photograph from the 1978 film showing director Claudia Weill with actress Melanie Mayron on the set. Annotations in manuscript ink on the verso. From the archive of film historian and author Joel Finler. A young single photographer struggles to maintain her friendship with her former roommate after the woman marries and moves out of their longtime shared apartment. Weill's first feature film a warm and incisive depiction of life as a woman in New York in the late 1970s described by Stanley Kubrick in 1980 as "one of the very rare American films that I would compare with the serious intelligent sensitive writing and filmmaking that you find in the best directors in Europe. It wasn't a success I don't know why; it should have been." Shot on location in New York. 10 x 8 inches. Fine. National Film Registry. Criterion Collection 1055. N.p. unknown
1978ref. 161333N.p.: N.p. 1978. Vintage borderless reference photograph from the 1978 film showing director Claudia Weill with actress Melanie Mayron on the set. Annotations in manuscript ink on the verso. From the archive of film historian and author Joel Finler. A young single photographer struggles to maintain her friendship with her former roommate after the woman marries and moves out of their longtime shared apartment. Weill's first feature film a warm and incisive depiction of life as a woman in New York in the late 1970s described by Stanley Kubrick in 1980 as "one of the very rare American films that I would compare with the serious intelligent sensitive writing and filmmaking that you find in the best directors in Europe. It wasn't a success I don't know why; it should have been." Shot on location in New York. 10 x 8 inches. Fine. National Film Registry. Criterion Collection 1055. N.p. unknown books
1987ref. 149949Burbank CA: Warner Brothers 1987. Revised First Draft script for an unproduced film. With manuscript ink annotations throughout most editorial in nature. Loosely based on Clifford D. Simak's 1963 novel which follows a Civil War veteran who is chosen by an alien to monitor an intergalactic way station in exchange for immortality. Set in Pennsylvania. Lavender titled wrappers. Title page present dated July 31 1987 noted as FIRST DRAFT REVISION with credits for director Joe Dante screenwriter Bruce Joel Rubin and novelist Clifford D. Simak. 123 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown
1987ref. 149949Burbank CA: Warner Brothers 1987. Revised First Draft script for an unproduced film. With manuscript ink annotations throughout most editorial in nature. Loosely based on Clifford D. Simak's 1963 novel which follows a Civil War veteran who is chosen by an alien to monitor an intergalactic way station in exchange for immortality. Set in Pennsylvania. Lavender titled wrappers. Title page present dated July 31 1987 noted as FIRST DRAFT REVISION with credits for director Joe Dante screenwriter Bruce Joel Rubin and novelist Clifford D. Simak. 123 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown books
1980ref. 162331N.p.: N.p. 1980. Vintage borderless reference photograph from the set of the 1980 Italian film showing director Dario Argento talking with actress Eleonora Giorgi between takes while crew members adjust her makeup. The second installment in Argento's "Three Mothers" trilogy preceded by "Suspiria" 1977 and followed by "Mother of Tears" 2007. Partially derived from Thomas De Quincey's 1845 prose poetry essay collection "Suspiria de Profundis" the trilogy was inspired by De Quincey's concept of three "Ladies of Sorrow": an all-powerful triumvirate of ancient witches and Satanists. 10 x 8 inches. Fine. N.p. unknown
1980ref. 162331N.p.: N.p. 1980. Vintage borderless reference photograph from the set of the 1980 Italian film showing director Dario Argento talking with actress Eleonora Giorgi between takes while crew members adjust her makeup. The second installment in Argento's "Three Mothers" trilogy preceded by "Suspiria" 1977 and followed by "Mother of Tears" 2007. Partially derived from Thomas De Quincey's 1845 prose poetry essay collection "Suspiria de Profundis" the trilogy was inspired by De Quincey's concept of three "Ladies of Sorrow": an all-powerful triumvirate of ancient witches and Satanists. 10 x 8 inches. Fine. N.p. unknown books
1975ref. 169540N.p.: N.p. 1975. Four vintage borderless reference photographs from the 1975 film. Snipes in German affixed to the verso noting the film's German release title "Parasiten-Mörder." A high-rise apartment building is infected by a parasite that turns its victims into sex-crazed maniacs with the infection spreading at the slightest touch. An early influential entry in the body horror canon. Shot on location in a single high-rise building at Nuns' Island. 7 x 5 inches. Near Fine. Arrow 1497. Canuxploitation Complete. N.p. unknown
1976ref. 163767Saint-Ouen France: Société Nouvelle de Doublage SND 1976. Vintage press kit for the 1976 French release of the 1975 Canadian film. White pocketed folder containing three black-and-white photographs 13 leaves of promotional reading material six color lobby cards and a German promotional leaflet. A high-rise apartment building is infected by a parasite that turns its victims into sex-crazed maniacs with the infection spreading at the slightest touch. An early influential entry in the body horror canon. Shot on location at Nuns' Island. Folder photographs and promotional material Near Fine. Arrow 1497. Canuxploitation Complete. Société Nouvelle de Doublage [SND] unknown
1975ref. 169540N.p.: N.p. 1975. Four vintage borderless reference photographs from the 1975 film. Snipes in German affixed to the verso noting the film's German release title "Parasiten-Mörder." A high-rise apartment building is infected by a parasite that turns its victims into sex-crazed maniacs with the infection spreading at the slightest touch. An early influential entry in the body horror canon. Shot on location in a single high-rise building at Nuns' Island. 7 x 5 inches. Near Fine. Arrow 1497. Canuxploitation Complete. N.p. unknown books
1976ref. 163767Saint-Ouen France: Société Nouvelle de Doublage SND 1976. Vintage press kit for the 1976 French release of the 1975 Canadian film. White pocketed folder containing three black-and-white photographs 13 leaves of promotional reading material six color lobby cards and a German promotional leaflet. A high-rise apartment building is infected by a parasite that turns its victims into sex-crazed maniacs with the infection spreading at the slightest touch. An early influential entry in the body horror canon. Shot on location at Nuns' Island. Folder photographs and promotional material Near Fine. Arrow 1497. Canuxploitation Complete. Société Nouvelle de Doublage [SND] unknown books
1995ref. 155633N.p.: N.p. 1995. Vintage reference photograph of actors Morgan Freeman and Brad Pitt talking with producer Arnold Kopelson between takes on the set of the 1995 film. Two detectives-one younger and inexperienced the other older and ready to retire-track down a serial killer who bases his murders on the seven deadly sins. Director David Fincher's breakthrough film. Shot on location throughout California. 10 x 6.5 inches. Fine. Ebert IV. Grant US. Silver and Ward Neo-Noir. N.p. unknown
1995ref. 155633N.p.: N.p. 1995. Vintage reference photograph of actors Morgan Freeman and Brad Pitt talking with producer Arnold Kopelson between takes on the set of the 1995 film. Two detectives-one younger and inexperienced the other older and ready to retire-track down a serial killer who bases his murders on the seven deadly sins. Director David Fincher's breakthrough film. Shot on location throughout California. 10 x 6.5 inches. Fine. Ebert IV. Grant US. Silver and Ward Neo-Noir. N.p. unknown books
1970ref. 158722London: Mediarts 1970. Revised Draft script for the 1971 British film. Copy belonging to an unknown crew member with their annotations in manuscript ink on seven leaves noting deletions. Based on the 1958 radio drama by Giles Cooper about a boarding school teacher who begins to suspect his predecessor of having been murdered by the students. OCLC locates no holdings. AMPAS shows one holding. Set in Cornwall and shot on location in Llandudno Wales and in Sonning Berkshire. Missing front wrapper with pink rear wrapper. Title page present dated May 1970 noted as REVISED with credits for playwright Giles Cooper and screenwriter Simon Raven. 151 leaves with last page of text numbered 132. Xerographic duplication rectos only with blue revision pages laid in throughout dated August 7 1970. Pages Poor wrapper Poor with moderate dampstaining affecting the last 60 leaves and rear wrapper bound with a silver prong. Mediarts unknown books
1970ref. 160694N.p.: N.p. 1970. Vintage borderless reference photograph of David Lean and a camera crew filming on location for the 1970 film. Mimeo snipe on the verso. The year after the suppressed 1916 Easter Rising a young Irish woman is torn between a British officer she loves and the nationalists from her own home town. The third collaboration between director Lean and screenwriter Robert Bolt following "Lawrence of Arabia" 1962 and "Doctor Zhivago" 1965. Winner of two Academy Awards including Best Cinematography and nominated for two more. Set in an isolated village on the Dingle Peninsula in County Kerry Ireland and shot on location in County Kerry and County Clare Ireland and in Cape Town South Africa. 10 x 8 inches. Near Fine. N.p. unknown
1970ref. 160694N.p.: N.p. 1970. Vintage borderless reference photograph of David Lean and a camera crew filming on location for the 1970 film. Mimeo snipe on the verso. The year after the suppressed 1916 Easter Rising a young Irish woman is torn between a British officer she loves and the nationalists from her own home town. The third collaboration between director Lean and screenwriter Robert Bolt following "Lawrence of Arabia" 1962 and "Doctor Zhivago" 1965. Winner of two Academy Awards including Best Cinematography and nominated for two more. Set in an isolated village on the Dingle Peninsula in County Kerry Ireland and shot on location in County Kerry and County Clare Ireland and in Cape Town South Africa. 10 x 8 inches. Near Fine. N.p. unknown books
1980ref. 171010N.p.: N.p. 1980. Vintage reference photograph from the 1980 neo-noir film showing Debbie Harry and Everett McGill. Based on 1937 Cornell Woolrich story "Union City: The Corpse Next Door" about a married accountant who kills a vagrant in an obsessive fury. An early screen appearance by Harry preceding her better-known roles in "Videodrome" 1983 and "Hairspray" 1988. All photos 8 x 10 inches. About Near Fine. N.p. unknown
1980ref. 171010N.p.: N.p. 1980. Vintage reference photograph from the 1980 neo-noir film showing Debbie Harry and Everett McGill. Based on 1937 Cornell Woolrich story "Union City: The Corpse Next Door" about a married accountant who kills a vagrant in an obsessive fury. An early screen appearance by Harry preceding her better-known roles in "Videodrome" 1983 and "Hairspray" 1988. All photos 8 x 10 inches. About Near Fine. N.p. unknown books
1973ref. 161148Beverly Hills CA: Twentieth Century-Fox 1973. Vintage program for the 1973 film which premiered at The Regent Theater in Westwood Village in Los Angeles on October 3 1973. With his cowboy days suddenly behind him as the American West becomes tame Kid Blue decides to try his hand at a factory job. He finds the routine workday to be monotonous and soon drifts back to the life he knew. Set in Texas shot on location in Mexico. 5.5 x 8.5 inches. Bi-fold. Very Good plus with light edgewear and an annotation in manuscript ink on the upper left of the front wrapper. Twentieth Century-Fox unknown
1973ref. 161148Beverly Hills CA: Twentieth Century-Fox 1973. Vintage program for the 1973 film which premiered at The Regent Theater in Westwood Village in Los Angeles on October 3 1973. With his cowboy days suddenly behind him as the American West becomes tame Kid Blue decides to try his hand at a factory job. He finds the routine workday to be monotonous and soon drifts back to the life he knew. Set in Texas shot on location in Mexico. 5.5 x 8.5 inches. Bi-fold. Very Good plus with light edgewear and an annotation in manuscript ink on the upper left of the front wrapper. Twentieth Century-Fox unknown books
1979ref. 156345London: Mainline 1979. Two vintage photographs from the 1979 film including one borderless and one bordered both showing actress Toyah Wilcox. One with the printed label of Mainline Pictures on the verso and one with manuscript ink and pencil annotations. From the archive of film historian and author Joel Finler. Derek Jarman's avant-garde adaptation of William Shakespeare's 17th century play fusing direct quotes from the play with camp punk and New Age sensibilities featuring previous Jarman collaborators Wilcox Karl Johnson Jack Birkett and Helen Wellington-Lloyd. Shot on location at Stoneleigh Abbey in Warwickshire. 8 x 10 inches. Near Fine. Mainline unknown books
1977ref. 162340N.p.: N.p. 1977. Two vintage borderless reference photographs from the 1977 film. Based on Judith Rossner's 1975 novel in turn based on the 1973 murder of Roseann Quinn about a schoolteacher who begins compulsively cruising singles bars in search of sexual fulfillment. Nominated for two Academy Awards. Restored to a new 4K print by Vinegar Syndrome in 2024. Shot on location in Los Angeles and Chicago. 10 x 8 inches. Near Fine. Vinegar Syndrome 485. N.p. unknown
1977ref. 162340N.p.: N.p. 1977. Two vintage borderless reference photographs from the 1977 film. Based on Judith Rossner's 1975 novel in turn based on the 1973 murder of Roseann Quinn about a schoolteacher who begins compulsively cruising singles bars in search of sexual fulfillment. Nominated for two Academy Awards. Restored to a new 4K print by Vinegar Syndrome in 2024. Shot on location in Los Angeles and Chicago. 10 x 8 inches. Near Fine. Vinegar Syndrome 485. N.p. unknown books
1981ref. 170407N.p.: N.p. 1981. Two vintage borderless reference photographs from the 1981 French film both showing actress Dominique Sanda. Annotations in manuscript ink on the versos. Based on Henry James' classic 1902 novel about a London escort who arranges for her lover to marry a wealthy dying heiress in Venice. Shot on location in Paris and Venice. 7 x 5 inches. Near Fine. N.p. unknown
1981ref. 170407N.p.: N.p. 1981. Two vintage borderless reference photographs from the 1981 French film both showing actress Dominique Sanda. Annotations in manuscript ink on the versos. Based on Henry James' classic 1902 novel about a London escort who arranges for her lover to marry a wealthy dying heiress in Venice. Shot on location in Paris and Venice. 7 x 5 inches. Near Fine. N.p. unknown books
1967ref. 163332N.p.: N.p. 1967. Three vintage reference photographs from the 1967 Yugoslav film all three showing actress Eva Ras. One with a printed mimeo snipe affixed to the verso and all three with the stamps of photographer Michel Ciment. A young switchboard operator begins a relationship with a serious beau but finds herself subject to a colleague's advances when her boyfriend is out of town on business. Told in non-chronological order with imaginative digressions and frequent interruptions creating a critique of communist society and censorship. The second feature film of Du an Makavejev the most celebrated Yugoslavian director of the 1960s. 10 x 8 inches. Near Fine. Criterion Eclipse 18. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
