11,160 results
1964ref. 171049Universal City: Universal Studios 1964. Vintage color transparency from the 1971 film showing Ann-Margret and Jack Nicholson. A pitch-black comedy chronicling the sex lives of two college friends over a period of 25 years as they navigate their changing desires and expectations. Set and shot on location in New York and Massachusetts in the US and Vancouver in Canada. 4 x 5 inches. Near Fine. Universal Studios unknown books
1949ref. 170969Los Angeles: Paramount Pictures 1949. Nine vintage studio still photographs from the 1949 film. Two photographs with provenance stickers on the versos and three photographs with an erratum paste-up to the title in the bottom margin of the recto. A dark and morally conflicted film by Siodmak here at the top of his considerable directorial skills and a powerful performance by Stanwyck who invests her character Thelma with more ambiguity and sympathy than is found in the stereotypical femme fatale. Shot on location in Culver City California. 8 x 10 inches. Near Fine. Grant US. Olive Films. Selby Canon. Selby Master List. Silver and Ward US. Spicer US. Paramount Pictures unknown
1949ref. 170969Los Angeles: Paramount Pictures 1949. Nine vintage studio still photographs from the 1949 film. Two photographs with provenance stickers on the versos and three photographs with an erratum paste-up to the title in the bottom margin of the recto. A dark and morally conflicted film by Siodmak here at the top of his considerable directorial skills and a powerful performance by Stanwyck who invests her character Thelma with more ambiguity and sympathy than is found in the stereotypical femme fatale. Shot on location in Culver City California. 8 x 10 inches. Near Fine. Grant US. Olive Films. Selby Canon. Selby Master List. Silver and Ward US. Spicer US. Paramount Pictures unknown books
ref. 12260L’homme à l’étoile d’argent Une aventure du Lieutenant BLUEBERRY. In 4 cartonné couverture illustrée en couleurs, gardes illustrées, titre illustré en couleurs, 48 pages de dessins en couleurs de J. GIRAUD. Titre en long, en noir au dos. DARGAUD S.A éditeur, quatrième trimestre 1969.n°000, Editeur n°418, 27 titres au dernier plat.. Edition originale. Très bon état.
ref. 20922No date or place. London 1940s. In the 1940s Guest wrote the lyrics to several songs by the American composer Manning Sherwin 1902-1974 several of them for his comedy 'I'll be your Sweetheart' 1945 but he is not known to have written any music himself. No record has been found of the present item but it presumably dates from the same period. It is 4pp. 4to. On bifolium of printed music paper. In good condition lightly aged and worn with central vertical fold. The title is on the cover: '”Swell” Lyrics and music by Val Guest'. There is an illegible name lightly written at top right in another hand. The music is neatly written out in ink. The lyrics are not present except for one phrase in pencil 'You sent me a note and beneath it you wrote it's been swell'. No date or place. [London, 1940s?] unknown
1969ref. 164325N.p.: Miracle Films 1969. Two vintage photographs from the UK release of the 1969 Italian-French anthology film both showing scenes from Bernardo Bertolucci's segment "Agonia." From the archive of film historian and author Joel Finler. Largely dealing with themes of religion and spirituality the film featured segments written and directed by five Italian directors and one French director. Bertolucci's segment starred members of The Living Theatre including noted actor and director Julian Beck. Distributed by the notoriously versatile Miracle Films a significant force in both international cinema and American pornography in the late 1960s and 1970s. 10 x 8 inches. One Very Good plus one Very Good both slightly curled. Miracle Films unknown
1969ref. 164325N.p.: Miracle Films 1969. Two vintage photographs from the UK release of the 1969 Italian-French anthology film both showing scenes from Bernardo Bertolucci's segment "Agonia." From the archive of film historian and author Joel Finler. Largely dealing with themes of religion and spirituality the film featured segments written and directed by five Italian directors and one French director. Bertolucci's segment starred members of The Living Theatre including noted actor and director Julian Beck. Distributed by the notoriously versatile Miracle Films a significant force in both international cinema and American pornography in the late 1960s and 1970s. 10 x 8 inches. One Very Good plus one Very Good both slightly curled. Miracle Films unknown books
1985ref. 157079N.p.: N.p. 1985. Two vintage borderless reference photographs from the set of the 1985 French film showing director Agnes Varda and actress Sandrine Bonnaire. One with a stamp specific to the film's French release on the verso. From the archive of film historian and author Joel Finler. Varda's most successful and critically acclaimed film beginning with the discovery of a young migrant woman's body frozen in a ditch in northern France and retracing her life up until the time of her death. As an important and influential French director writer and artist Agnes Varda garnered praise as a filmmaker for her uncompromising documentary-style realism focusing on women and marginalized members of society as well as her experimental style. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work stylistically prefigures the French New Wave and is today considered very much a part of it. Shot on location in Gard Hérault and Bouches-du-Rhône France. 7 x 5 inches. Near Fine. Criterion Collection 74. N.p. unknown
1985ref. 157079N.p.: N.p. 1985. Two vintage borderless reference photographs from the set of the 1985 French film showing director Agnes Varda and actress Sandrine Bonnaire. One with a stamp specific to the film's French release on the verso. From the archive of film historian and author Joel Finler. Varda's most successful and critically acclaimed film beginning with the discovery of a young migrant woman's body frozen in a ditch in northern France and retracing her life up until the time of her death. As an important and influential French director writer and artist Agnes Varda garnered praise as a filmmaker for her uncompromising documentary-style realism focusing on women and marginalized members of society as well as her experimental style. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work stylistically prefigures the French New Wave and is today considered very much a part of it. Shot on location in Gard Hérault and Bouches-du-Rhône France. 7 x 5 inches. Near Fine. Criterion Collection 74. N.p. unknown books
1963ref. 150389N.p.: N.p. 1963. Vintage borderless reference photograph of director Alain Robbe-Grillet on the set of the 1963 film. French "L'Immortelle" and "57- -3" stamp on verso. Directorial debut of novelist and filmmaker Alain Robbe-Grillet his first film project after writing the screenplay for Alain Resnais' "Last Year at Marienbad" 1961. Robbe-Grillet's eliptical narrative-defying tale of a withdrawn French man Jacques Doniol-Valcroze in a strange city Istanbul unable to speak the language falling in love with a mysterious woman Francoise Brion who shortly thereafter disappears. Set in and shot on location in Istanbul Turkey. 6.75 x 5 inches. Near Fine. BFI 1188. N.p. unknown
1966ref. 160544N.p.: N.p. 1966. Four vintage borderless double weight reference photographs from the 1966 French film. All four with annotations in manuscript ink on the verso. An inexperienced drug runner on a cross-continental train becomes the central figure in the imaginations of a group of filmmakers who are engaged in the process of drafting their next feature. Set in Paris and Antwerp. 9 x 8 inches. Near Fine. BFI 2033. Grant France. N.p. unknown
1966ref. 153193N.p.: N.p. 1966. Vintage borderless reference photograph of director Alain Robbe-Grillet with cinematographer Willy Kurant and a cameraman on the set of the 1966 French film. An inexperienced drug runner on a cross-continental train becomes the central figure in the imaginations of a group of filmmakers who are engaged in the process of drafting their next feature. Set in Paris and Antwerp. 7 x 5 inches. Fine. BFI 2033. Grant France. N.p. unknown
1963ref. 150389N.p.: N.p. 1963. Vintage borderless reference photograph of director Alain Robbe-Grillet on the set of the 1963 film. French "L'Immortelle" and "57- -3" stamp on verso. Directorial debut of novelist and filmmaker Alain Robbe-Grillet his first film project after writing the screenplay for Alain Resnais' "Last Year at Marienbad" 1961. Robbe-Grillet's eliptical narrative-defying tale of a withdrawn French man Jacques Doniol-Valcroze in a strange city Istanbul unable to speak the language falling in love with a mysterious woman Francoise Brion who shortly thereafter disappears. Set in and shot on location in Istanbul Turkey. 6.75 x 5 inches. Near Fine. BFI 1188. N.p. unknown books
1966ref. 153193N.p.: N.p. 1966. Vintage borderless reference photograph of director Alain Robbe-Grillet with cinematographer Willy Kurant and a cameraman on the set of the 1966 French film. An inexperienced drug runner on a cross-continental train becomes the central figure in the imaginations of a group of filmmakers who are engaged in the process of drafting their next feature. Set in Paris and Antwerp. 7 x 5 inches. Fine. BFI 2033. Grant France. N.p. unknown books
1966ref. 160544N.p.: N.p. 1966. Four vintage borderless double weight reference photographs from the 1966 French film. All four with annotations in manuscript ink on the verso. An inexperienced drug runner on a cross-continental train becomes the central figure in the imaginations of a group of filmmakers who are engaged in the process of drafting their next feature. Set in Paris and Antwerp. 9 x 8 inches. Near Fine. BFI 2033. Grant France. N.p. unknown books
1991ref. 155648N.p.: N.p. 1991. Vintage reference photograph of director Alan Parker standing with the members of the band on the set of the beloved 1991 film. Based on the 1987 novel about a young man from Dublin who assembles a soul band composed of a group of working-class music fans. Set and shot on location in Dublin. 10 x 8 inches. Near Fine. Carlson and Connolly Destroy All Movies. N.p. unknown
1991ref. 155648N.p.: N.p. 1991. Vintage reference photograph of director Alan Parker standing with the members of the band on the set of the beloved 1991 film. Based on the 1987 novel about a young man from Dublin who assembles a soul band composed of a group of working-class music fans. Set and shot on location in Dublin. 10 x 8 inches. Near Fine. Carlson and Connolly Destroy All Movies. N.p. unknown books
1985ref. 150336N.p.: N.p. 1985. Vintage oversize reference photograph of director Alan Rudolph and Genevieve Bujold on the set of the 1985 film. Ex-cop Hawk Kris Krisofferson released from jail after serving eight years for murder is in need of "a woman and a job" and returns to his former hangout Wanda's Cafe run by his ex Wanda Bujold. Wanda's new waitress Georgia Lori Singer whose errant husband Coop Keith Carradine has gotten embroiled in shady dealings catches Hawk's eye in Alan Rudolph's stylish unusual Neo-Noir. Set in the fictional Rain City shot on location in Seattle. 8 x 10 inches. Near Fine. Carlson and Connolly Destroy All Movies: The Complete Guide to Punks on Film. N.p. unknown
1985ref. 150336N.p.: N.p. 1985. Vintage oversize reference photograph of director Alan Rudolph and Genevieve Bujold on the set of the 1985 film. Ex-cop Hawk Kris Krisofferson released from jail after serving eight years for murder is in need of "a woman and a job" and returns to his former hangout Wanda's Cafe run by his ex Wanda Bujold. Wanda's new waitress Georgia Lori Singer whose errant husband Coop Keith Carradine has gotten embroiled in shady dealings catches Hawk's eye in Alan Rudolph's stylish unusual Neo-Noir. Set in the fictional Rain City shot on location in Seattle. 8 x 10 inches. Near Fine. Carlson and Connolly Destroy All Movies: The Complete Guide to Punks on Film. N.p. unknown books
1944ref. 154237N.p.: N.p. 1944. Vintage reference photograph from the set of the 1944 film showing actress Tallulah Bankhead sitting and reading a newspaper that makes reference to World War II. A group of survivors are stranded on a lifeboat following a Nazi attack on their merchant ship. Tensions are high as the group negotiates food rations and tries to plot a course to land or rescue. The first film in Alfred Hitchcock's "limited setting" series followed by "Rope" 1948 "Dial M for Murder" 1954 and "Rear Window" 1954. Shot on location in Florida and California. 5 x 4.25 inches. Near Fine. Eureka Masters of Cinema 30. N.p. unknown
1951ref. 151248Burbank CA: Warner-Pathe 1951. Vintage photograph showing two shots from the 1951 film struck onto the single print. With a printed mimeo snipe affixed to the verso along with a Warner-Pathe stamp. From the archive of film historian and author Joel Finler. Based on Patricia Highsmith's 1950 novel. A Hitchcock classic wherein two passengers on a train form a partnership to permanently rid themselves of incessant problems. The plan seems infallible until one person shirks his end of the responsibilities. Shot on location in New York Los Angeles District of Columbia and Connecticut. Nominated for an Academy Award. 10 x 8 inches. Very Good plus lightly and evenly toned overall. Grant US. Hardy BFI Crime Companion. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Warner-Pathe unknown
1944ref. 154237N.p.: N.p. 1944. Vintage reference photograph from the set of the 1944 film showing actress Tallulah Bankhead sitting and reading a newspaper that makes reference to World War II. A group of survivors are stranded on a lifeboat following a Nazi attack on their merchant ship. Tensions are high as the group negotiates food rations and tries to plot a course to land or rescue. The first film in Alfred Hitchcock's "limited setting" series followed by "Rope" 1948 "Dial M for Murder" 1954 and "Rear Window" 1954. Shot on location in Florida and California. 5 x 4.25 inches. Near Fine. Eureka Masters of Cinema 30. N.p. unknown books
1951ref. 151248Burbank CA: Warner-Pathe 1951. Vintage photograph showing two shots from the 1951 film struck onto the single print. With a printed mimeo snipe affixed to the verso along with a Warner-Pathe stamp. From the archive of film historian and author Joel Finler. Based on Patricia Highsmith's 1950 novel. A Hitchcock classic wherein two passengers on a train form a partnership to permanently rid themselves of incessant problems. The plan seems infallible until one person shirks his end of the responsibilities. Shot on location in New York Los Angeles District of Columbia and Connecticut. Nominated for an Academy Award. 10 x 8 inches. Very Good plus lightly and evenly toned overall. Grant US. Hardy BFI Crime Companion. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Warner-Pathe unknown books
1972ref. 153863London: VPS 1972. Vintage double weight borderless reference photograph from the 1972 film showing actors Natalya Bondarchuk and Donatas Banionis. Printed mimeo snipe affixed to the verso specific to the film's UK release. From the archive of film historian and author Joel Finler. Based on the 1961 novel by Stanislaw Lem about a psychologist who is sent to a distant space station in order to observe and treat the station's crew who have fallen into unexplained mental and emotional disorder. An open-ended and conceptually faithful adaptation of Lem's novel concerning itself with the inability of the human species to communicate with other intelligent life forms based simply on the fact that a more advanced life form would exist outside the sphere of human experience and understanding. Set in outer space and shot on location in Ukraine Japan and Russia. 10 x 8 inches. Near Fine. Criterion Collection 164. VPS unknown
1972ref. 153863London: VPS 1972. Vintage double weight borderless reference photograph from the 1972 film showing actors Natalya Bondarchuk and Donatas Banionis. Printed mimeo snipe affixed to the verso specific to the film's UK release. From the archive of film historian and author Joel Finler. Based on the 1961 novel by Stanislaw Lem about a psychologist who is sent to a distant space station in order to observe and treat the station's crew who have fallen into unexplained mental and emotional disorder. An open-ended and conceptually faithful adaptation of Lem's novel concerning itself with the inability of the human species to communicate with other intelligent life forms based simply on the fact that a more advanced life form would exist outside the sphere of human experience and understanding. Set in outer space and shot on location in Ukraine Japan and Russia. 10 x 8 inches. Near Fine. Criterion Collection 164. VPS unknown books
