11,049 results
1968ref. 160678N.p.: N.p. 1968. Vintage borderless reference photograph from the 1968 film showing actress Jane Fonda nude underneath a blanket of moss and feathers. Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. Set in outer space shot on location in Rome. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. N.p. unknown books
1948ref. 151699N.p.: N.p. 1948. Vintage borderless reference photograph of director Jean Cocteau in conversation with actress Silvia Monfort while cinematographer Christian Matras looks on to the left. With the stamp of Le Parisien archive on the verso. Based on Cocteau's 1946 play. In nineteenth-century Europe a suicidal anarchist poet falls in love with the long-secluded queen who has been absent from the public eye for ten years due to her grief over her husband's death. Set in the fictional country of Krantz. 7 x 5.25 inches. Near Fine. N.p. unknown
1948ref. 151699N.p.: N.p. 1948. Vintage borderless reference photograph of director Jean Cocteau in conversation with actress Silvia Monfort while cinematographer Christian Matras looks on to the left. With the stamp of Le Parisien archive on the verso. Based on Cocteau's 1946 play. In nineteenth-century Europe a suicidal anarchist poet falls in love with the long-secluded queen who has been absent from the public eye for ten years due to her grief over her husband's death. Set in the fictional country of Krantz. 7 x 5.25 inches. Near Fine. N.p. unknown books
1962ref. 140952France: Les Films du Cyclope / Omnia Films 1962. Vintage photograph from the 1962 film showing Jean Renoir directing star Jean-Pierre Cassel and some supporting actors during an outdoor shot with the boom operator in the background. Manuscript pencil notation on the verso identifying the subjects and film. Based on Jacques Perret's 1947 novel a comedic account of a French aristocrat's repeated attempts to escape from a German POW camp during WWII and a companion piece to Renoir's earlier WWI set masterpiece "Le Grande Illusion" 1937. 10.75 x 8.25 inches. Light creasing to the borders Near Fine. Les Films du Cyclope / Omnia Films unknown
1951ref. 149591Beverly Hills CA: United Artists 1951. Vintage studio still photograph of director Jean Renoir and screenwriter Rumer Godden on the set of the 1951 film. Based on Godden's 1946 novel. Renoir's first feature length film in color following an adolescent girl coming of age in British colonial India. Shot on location in West Bengal India. 8 x 10 inches. Very Good plus. Ebert III. BFI 619. Criterion Collection 276. United Artists unknown
1962ref. 140952France: Les Films du Cyclope / Omnia Films 1962. Vintage photograph from the 1962 film showing Jean Renoir directing star Jean-Pierre Cassel and some supporting actors during an outdoor shot with the boom operator in the background. Manuscript pencil notation on the verso identifying the subjects and film. Based on Jacques Perret's 1947 novel a comedic account of a French aristocrat's repeated attempts to escape from a German POW camp during WWII and a companion piece to Renoir's earlier WWI set masterpiece "Le Grande Illusion" 1937. 10.75 x 8.25 inches. Light creasing to the borders Near Fine. Les Films du Cyclope / Omnia Films unknown books
1951ref. 149591Beverly Hills CA: United Artists 1951. Vintage studio still photograph of director Jean Renoir and screenwriter Rumer Godden on the set of the 1951 film. Based on Godden's 1946 novel. Renoir's first feature length film in color following an adolescent girl coming of age in British colonial India. Shot on location in West Bengal India. 8 x 10 inches. Very Good plus. Ebert III. BFI 619. Criterion Collection 276. United Artists unknown books
1933ref. 161157Paris: Franfilmdis 1933. Vintage oversize double weight studio still photograph for the landmark 1933 silent film. Provenance stamp on the verso. Although he only made four films before his death from tuberculosis at the age of 29 Jean Vigo would come to have an outsized influence on cinema particularly the French New Wave with François Truffaut in particular paying homage to Vigo's anarchic boarding school students in "Zero for Conduct" during the classroom and recess scenes in his 1959 film "The 400 Blows." 11.75 x 9.75 inches with wide bottom margins. Very Good plus lightly creased at the edges. Criterion Collection 578. Godard Histoires du cinema. Rosenbaum 1000. Franfilmdis unknown
1933ref. 161157Paris: Franfilmdis 1933. Vintage oversize double weight studio still photograph for the landmark 1933 silent film. Provenance stamp on the verso. Although he only made four films before his death from tuberculosis at the age of 29 Jean Vigo would come to have an outsized influence on cinema particularly the French New Wave with François Truffaut in particular paying homage to Vigo's anarchic boarding school students in "Zero for Conduct" during the classroom and recess scenes in his 1959 film "The 400 Blows." 11.75 x 9.75 inches with wide bottom margins. Very Good plus lightly creased at the edges. Criterion Collection 578. Godard Histoires du cinema. Rosenbaum 1000. Franfilmdis unknown books
1961ref. 150014N.p.: N.p. 1961. Vintage borderless reference photograph of Jean-Claude Brialy and Anna Karina from the 1961 film. "Michel Casanova" stamp and "R. Levy" stamp on verso. Godard's homage to romantic comedies and the Hollywood musical about a woman who wants to have child but is caught between her resistant boyfriend and his overeager best friend. Perhaps the director's warmest and funniest film. Set in and shot on location in Paris. 9.25 x 7.25 inches. Near Fine. Criterion Collection 238. N.p. unknown
1967ref. 155298N.p.: N.p. 1967. Vintage reference photograph from the 1967 French film directed by Jean-Luc Godard showing actors Raoul Lévy and Anny Duperey. From the archive of film historian and author Joel Finler. A day in the life of a seemingly normal suburban housewife who intersperses her daily routine of housework cleaning and shopping with appointments as a call girl. One of director Godard's most highly regarded and stylistically innovative films released the same year as "Weekend" and "La chinoise." Set and shot on location in Paris. 10 x 8 inches. Near Fine. Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
1962ref. 163800N.p.: N.p. 1962. Two vintage borderless oversize reference photographs from the 1962 film both showing actress Anna Karina. Annotations in manuscript pencil and ink on the versos. Director Jean-Luc Godard's least "intellectual" film and also one of his finest a drama about a well-educated Parisian woman who drifts into prostitution out of boredom with the working world. The third of seven influential films between 1960 and 1965 directed by Godard and starring his then-wife and muse Anna Karina. Shot on location in Paris. 11.75 x 9.5 inches. Very Good moderately edgeworn. BFI 2055. Criterion Collection 512. Ebert I. N.p. unknown
1967ref. 168470N.p.: N.p. 1967. Two vintage borderless reference photographs showing a car accident sequence from the 1967 film one showing director Jean-Luc Godard looking back at the camera smiling wryly as plumes of smoke rise in the background. Layout annotations in manuscript ink and pencil on the versos. One of Godard's most misanthropic films about a loveless bourgeois couple who fantasize about killing each other while on a long road trip to visit the woman's parents with the intent of securing an inheritance. Shot on location in Ile de France and Paris. 6.75 x 5 inches. Near Fine. Criterion Collection 635. Rosenbaum 1000. Godard Histoires du cinema. Vogel Film as a Subversive Art. N.p. unknown
1962ref. 163800N.p.: N.p. 1962. Two vintage borderless oversize reference photographs from the 1962 film both showing actress Anna Karina. Annotations in manuscript pencil and ink on the versos. Director Jean-Luc Godard's least "intellectual" film and also one of his finest a drama about a well-educated Parisian woman who drifts into prostitution out of boredom with the working world. The third of seven influential films between 1960 and 1965 directed by Godard and starring his then-wife and muse Anna Karina. Shot on location in Paris. 11.75 x 9.5 inches. Very Good moderately edgeworn. BFI 2055. Criterion Collection 512. Ebert I. N.p. unknown books
1967ref. 168470N.p.: N.p. 1967. Two vintage borderless reference photographs showing a car accident sequence from the 1967 film one showing director Jean-Luc Godard looking back at the camera smiling wryly as plumes of smoke rise in the background. Layout annotations in manuscript ink and pencil on the versos. One of Godard's most misanthropic films about a loveless bourgeois couple who fantasize about killing each other while on a long road trip to visit the woman's parents with the intent of securing an inheritance. Shot on location in Ile de France and Paris. 6.75 x 5 inches. Near Fine. Criterion Collection 635. Rosenbaum 1000. Godard Histoires du cinema. Vogel Film as a Subversive Art. N.p. unknown books
1967ref. 155298N.p.: N.p. 1967. Vintage reference photograph from the 1967 French film directed by Jean-Luc Godard showing actors Raoul Lévy and Anny Duperey. From the archive of film historian and author Joel Finler. A day in the life of a seemingly normal suburban housewife who intersperses her daily routine of housework cleaning and shopping with appointments as a call girl. One of director Godard's most highly regarded and stylistically innovative films released the same year as "Weekend" and "La chinoise." Set and shot on location in Paris. 10 x 8 inches. Near Fine. Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown books
1961ref. 150014N.p.: N.p. 1961. Vintage borderless reference photograph of Jean-Claude Brialy and Anna Karina from the 1961 film. "Michel Casanova" stamp and "R. Levy" stamp on verso. Godard's homage to romantic comedies and the Hollywood musical about a woman who wants to have child but is caught between her resistant boyfriend and his overeager best friend. Perhaps the director's warmest and funniest film. Set in and shot on location in Paris. 9.25 x 7.25 inches. Near Fine. Criterion Collection 238. N.p. unknown books
1972ref. 158145N.p.: N.p. 1972. Four vintage reference photographs from the 1972 French adult film. One with annotations in manuscript pencil regarding cropping on the verso. A young drug addict wanders into a secluded Canadian villa where she is drawn into a wild party that quickly degenerates into violence. Shot on location in Mont Saint-Hilaire. 8 x 10 inches. Very Good plus overall. Bier 1203. N.p. unknown
1962ref. 158219N.p.: N.p. 1962. Collection of eleven vintage borderless reference photographs from the 1962 French-Italian film. A peplum sword-and-sandal swashbuckler set in 1700s France about a highwayman who forms a band of knaves who steal from the rich and give to the poor. The second of three films starring Jean-Paul Belmondo and Claudia Cardinale following Mauro Bolognini's "La viaccia" 1961 and preceding José Giovanni's "Scoumoune" 1972. Shot on location in Aveyron Hérault Seine-et-Marne and Oise France. 9.25 x 7 inches. One moderately faded else Near Fine. N.p. unknown
1962ref. 158219N.p.: N.p. 1962. Collection of eleven vintage borderless reference photographs from the 1962 French-Italian film. A peplum sword-and-sandal swashbuckler set in 1700s France about a highwayman who forms a band of knaves who steal from the rich and give to the poor. The second of three films starring Jean-Paul Belmondo and Claudia Cardinale following Mauro Bolognini's "La viaccia" 1961 and preceding José Giovanni's "Scoumoune" 1972. Shot on location in Aveyron Hérault Seine-et-Marne and Oise France. 9.25 x 7 inches. One moderately faded else Near Fine. N.p. unknown books
1972ref. 158145N.p.: N.p. 1972. Four vintage reference photographs from the 1972 French adult film. One with annotations in manuscript pencil regarding cropping on the verso. A young drug addict wanders into a secluded Canadian villa where she is drawn into a wild party that quickly degenerates into violence. Shot on location in Mont Saint-Hilaire. 8 x 10 inches. Very Good plus overall. Bier 1203. N.p. unknown books
1972ref. 150709Los Angeles: Cinerama Releasing 1972. Collection of eleven vintage studio still photographs from the 1972 documentary film. A documentary capturing the first performance of an all-Black rodeo in Harlem and the varied audience reactions to seeing African Americans participating in what was widely considered a white sport. Featuring appearances by Muhammad Ali who rides a horse down 125th Street and noted Western actor Woody Strode. Set and shot on location in Harlem. 10 x 8 inches. Near Fine. Cinerama Releasing unknown
1972ref. 150709Los Angeles: Cinerama Releasing 1972. Collection of eleven vintage studio still photographs from the 1972 documentary film. A documentary capturing the first performance of an all-Black rodeo in Harlem and the varied audience reactions to seeing African Americans participating in what was widely considered a white sport. Featuring appearances by Muhammad Ali who rides a horse down 125th Street and noted Western actor Woody Strode. Set and shot on location in Harlem. 10 x 8 inches. Near Fine. Cinerama Releasing unknown books
1974ref. 169584N.p.: N.p. 1974. Vintage oversize reference photograph from the 1974 French film showing actors Alice Arno and Tania Busselier. Annotations in manuscript ink and pencil regarding layout on the verso. Loosely based on the works of the Marquis de Sade about a murderous countess who is released from a mental institution proceeding to return to her perverse and bloodthirsty ways. 11.5 x 7.5 inches. Near Fine. N.p. unknown
1974ref. 169584N.p.: N.p. 1974. Vintage oversize reference photograph from the 1974 French film showing actors Alice Arno and Tania Busselier. Annotations in manuscript ink and pencil regarding layout on the verso. Loosely based on the works of the Marquis de Sade about a murderous countess who is released from a mental institution proceeding to return to her perverse and bloodthirsty ways. 11.5 x 7.5 inches. Near Fine. N.p. unknown books
