11,058 results
1966ref. 158727London: Woodfall Films 1966. Shooting Script for the 1967 British short film. Two annotations in manuscript ink: one on the title page noting copy No. 11 and one on page eight noting a deletion. Clad in an ornate and eye-catching costume an opera singer must make his way through a succession of busy city streets in order to arrive on time for his performance. Originally commissioned by producer Oscar Lewenstein as one third of a planned anthology film titled "Red White and Zero." OCLC locates no holdings. AMPAS shows no holdings. Tall red untitled wrappers with a die-cut title window in the British style. Title page present dated 17.3.66 noted as Shooting Script with credit for director and screenwriter Peter Brook. 11 leaves with last page of text numbered 9. Mimeograph duplication rectos only. Pages Fine wrapper Near Fine bound internally with three silver brads. Woodfall Films unknown books
1972ref. 157321N.p.: N.p. 1972. Four vintage borderless reference photographs from the 1972 French film. One photograph with a printed label affixed to the verso crediting a Dutch photo archive. A Parisian bookseller goes through a mid-life crisis and decides to convert his store into a sex shop in order to spice up his marriage and make more money. Set and shot on location in Paris. 7 x 9.5 inches. Near Fine. N.p. unknown
1972ref. 157321N.p.: N.p. 1972. Four vintage borderless reference photographs from the 1972 French film. One photograph with a printed label affixed to the verso crediting a Dutch photo archive. A Parisian bookseller goes through a mid-life crisis and decides to convert his store into a sex shop in order to spice up his marriage and make more money. Set and shot on location in Paris. 7 x 9.5 inches. Near Fine. N.p. unknown books
1968ref. 152359Los Angeles: Cinerama International Releasing Organization 1968. Vintage borderless reference photograph of director Daniel Mann laughing with actors Abbey Lincoln and Joseph Attles on the set of the 1968 film. With a printed mimeo snipe affixed to the verso. In order to prevent their maid from leaving their employment to attend secretarial school the youngest son of a wealthy white Long Island family searches for a handsome executive to wine and dine her. Set in Long Island and New York. 9.5 x 6.5 inches. Very Good plus lightly toned and soiled to the right edge with brief wear to the corners. Cinerama International Releasing Organization unknown
1968ref. 152359Los Angeles: Cinerama International Releasing Organization 1968. Vintage borderless reference photograph of director Daniel Mann laughing with actors Abbey Lincoln and Joseph Attles on the set of the 1968 film. With a printed mimeo snipe affixed to the verso. In order to prevent their maid from leaving their employment to attend secretarial school the youngest son of a wealthy white Long Island family searches for a handsome executive to wine and dine her. Set in Long Island and New York. 9.5 x 6.5 inches. Very Good plus lightly toned and soiled to the right edge with brief wear to the corners. Cinerama International Releasing Organization unknown books
1958ref. 150599N.p.: N.p. 1958. Four vintage borderless reference photographs from the 1958 film. The anemic undead governor of a nineteenth century prison for the criminally insane conducts cruel illegal experiments on his inmates mostly involving blood transfusions. Set in Transylvania. 7 x 5 inches. Near Fine. N.p. unknown
1958ref. 150599N.p.: N.p. 1958. Four vintage borderless reference photographs from the 1958 film. The anemic undead governor of a nineteenth century prison for the criminally insane conducts cruel illegal experiments on his inmates mostly involving blood transfusions. Set in Transylvania. 7 x 5 inches. Near Fine. N.p. unknown books
1977ref. 150004N.p.: N.p. 1977. Vintage borderless reference photograph of Sylvia Kristel from the 1977 film. The last film in the original "Emmanuelle" trilogy following "Emmanuelle" 1974 directed by Just Jaeckin and starring Kristel and Alain Cuny and "Emmanuelle: The Joys of a Woman" "Emmanuelle II" 1975 directed by Francis Giacobetti and starring Kristel and Umberto Orsini. Miramax film founders Bob and Harvey Weinstein acquired the rights to the film at the 1977 Cannes Film Festival capitalizing on the popularity of what had become an international franchise broadcasting a unique appeal as an erotic film series with feminist leanings. 7 x 4.75 inches. Near Fine. N.p. unknown
1977ref. 150004N.p.: N.p. 1977. Vintage borderless reference photograph of Sylvia Kristel from the 1977 film. The last film in the original "Emmanuelle" trilogy following "Emmanuelle" 1974 directed by Just Jaeckin and starring Kristel and Alain Cuny and "Emmanuelle: The Joys of a Woman" "Emmanuelle II" 1975 directed by Francis Giacobetti and starring Kristel and Umberto Orsini. Miramax film founders Bob and Harvey Weinstein acquired the rights to the film at the 1977 Cannes Film Festival capitalizing on the popularity of what had become an international franchise broadcasting a unique appeal as an erotic film series with feminist leanings. 7 x 4.75 inches. Near Fine. N.p. unknown books
1974ref. 155786N.p.: N.p. 1974. Original studio still photograph of actress Charlotte Rampling and director Liliana Cavani on the set of the 1974 Italian film. Stamp of the British Film Institute on the verso. From the archive of film historian and author Joel Finler. Cavani's international breakthrough a deeply controversial film about a Holocaust survivor who renews her sadomasochistic sexual relationship with her Nazi captor after a chance encounter which threatens to expose his fellow former SS officers now living in secret in postwar Vienna. Shot on location in Vienna Austria and Rome Italy. 10 x 8 inches. Very Good plus with light wear at the corners. Criterion Collection 59. Grant Italy. N.p. unknown
1974ref. 155786N.p.: N.p. 1974. Original studio still photograph of actress Charlotte Rampling and director Liliana Cavani on the set of the 1974 Italian film. Stamp of the British Film Institute on the verso. From the archive of film historian and author Joel Finler. Cavani's international breakthrough a deeply controversial film about a Holocaust survivor who renews her sadomasochistic sexual relationship with her Nazi captor after a chance encounter which threatens to expose his fellow former SS officers now living in secret in postwar Vienna. Shot on location in Vienna Austria and Rome Italy. 10 x 8 inches. Very Good plus with light wear at the corners. Criterion Collection 59. Grant Italy. N.p. unknown books
1972ref. 35001972 16,9 x 25,9 cm, tirage gélatino-argentique d'époque, sans autre mention qu'un "F" au verso de la main du tireur.
ref. 015987Sacha Guitry (1885-1957), écrivain, réalisateur, scénariste, metteur en scène. Manuscrit autographe, sd, 4p in-4. Notes, difficiles à lire, au crayon rouge, à déchiffrer. Petits manques. [259]
1955ref. 163793N.p.: N.p. 1955. Vintage oversize reference photograph from the 1955 French film showing actors Lia Di Leo and Marcel Raine in an intimate moment. Annotations in manuscript ink and pencil on the verso. Based on the 1832 play by Alexandre Dumas and Frédéric Gaillardet about Queen Margaret of Burgundy who kills her partners after their dalliances have ended in order to leave no trace of her sexual misdeeds. Partially shot on location in Paris. 11.5 x 9.25 inches. Very Good with multiple pinholes and accompanying wear at the corners and light soil on the verso. N.p. unknown
1955ref. 163793N.p.: N.p. 1955. Vintage oversize reference photograph from the 1955 French film showing actors Lia Di Leo and Marcel Raine in an intimate moment. Annotations in manuscript ink and pencil on the verso. Based on the 1832 play by Alexandre Dumas and Frédéric Gaillardet about Queen Margaret of Burgundy who kills her partners after their dalliances have ended in order to leave no trace of her sexual misdeeds. Partially shot on location in Paris. 11.5 x 9.25 inches. Very Good with multiple pinholes and accompanying wear at the corners and light soil on the verso. N.p. unknown books
1963ref. 151612Universal City: Universal Pictures 1963. Vintage studio still photograph from the 1963 film showing director Alfred Hitchcock's cameo in the film passing Tippi Hedren in a doorway while walking two small dogs. Hitchcock's last great film a grim psychological study made all the more terrifying by the lack of motivation assigned to its violence. Shot in various locations throughout California including Bodega Bay Bloomfield Valley Ford the Venice Canals and Union Square in San Francisco. 8 x 10 inches. Near Fine. National Film Registry. Clover Men Women and Chainsaws. Godard Histoires du cinema. Universal Pictures unknown
1963ref. 151612Universal City: Universal Pictures 1963. Vintage studio still photograph from the 1963 film showing director Alfred Hitchcock's cameo in the film passing Tippi Hedren in a doorway while walking two small dogs. Hitchcock's last great film a grim psychological study made all the more terrifying by the lack of motivation assigned to its violence. Shot in various locations throughout California including Bodega Bay Bloomfield Valley Ford the Venice Canals and Union Square in San Francisco. 8 x 10 inches. Near Fine. National Film Registry. Clover Men Women and Chainsaws. Godard Histoires du cinema. Universal Pictures unknown books
1966ref. 152363N.p.: N.p. 1966. Vintage reference photograph from the 1966 Russian film showing actress Irma Raush. Director Andrei Tarkovsky's sprawling 15th-century drama capturing seven episodes in the life of revered Russian iconographer Andrei Rublev from his humble origins as a traveling monk to his later years returning to painting after a long and meditative sabbatical. Set in medieval Russia shot on location in Moscow. 10 x 8 inches. Near Fine. Criterion Collection 34. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
1966ref. 152363N.p.: N.p. 1966. Vintage reference photograph from the 1966 Russian film showing actress Irma Raush. Director Andrei Tarkovsky's sprawling 15th-century drama capturing seven episodes in the life of revered Russian iconographer Andrei Rublev from his humble origins as a traveling monk to his later years returning to painting after a long and meditative sabbatical. Set in medieval Russia shot on location in Moscow. 10 x 8 inches. Near Fine. Criterion Collection 34. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown books
1966ref. 154505N.p.: Film-Makers' Distribution Center 1966. Vintage studio still photograph of Gerard Malanga from the 1966 film. Disregarding formal narrative the film follows various residents of the Chelsea Hotel in New York City during 1966 presented in a split screen with a single audio track associated with only one side of the screen. The release marked a critical moment in Andy Warhol's career as it was the first film he directed to receive international success and distribution or even be screened outside cine-clubs in New York City. Set and shot on location in Chelsea New York. 8 x 10 inches. Very Good plus. Film-Makers' Distribution Center unknown
1966ref. 154505N.p.: Film-Makers' Distribution Center 1966. Vintage studio still photograph of Gerard Malanga from the 1966 film. Disregarding formal narrative the film follows various residents of the Chelsea Hotel in New York City during 1966 presented in a split screen with a single audio track associated with only one side of the screen. The release marked a critical moment in Andy Warhol's career as it was the first film he directed to receive international success and distribution or even be screened outside cine-clubs in New York City. Set and shot on location in Chelsea New York. 8 x 10 inches. Very Good plus. Film-Makers' Distribution Center unknown books
2001ref. 163921N.p.: N.p. 2001. One Draft script and two Revised Draft scripts for the 2002 film. Two scripts with label affixed to front wrapper of the name of crew member Brian Markey. From the archive of crew member Chris Scher. A high school student's plans to go to Stanford are temporarily halted when his guidance counselor sends the incorrect transcripts. Set in Orange County California shot on location in Southern California. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Blue Revised: Blue titled self-wrappers lacking rear wrapper noted as Blue Draft on the front wrapper dated January 18 2001 with credits for screenwriters Mike White. Title page integral with front wrapper. 108 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Pink Revised: Pink titled self wrappers lacking rear wrapper noted as Revised on the front wrapper dated January 22 01 with credits for screenwriter Mike White. Title page integral with front wrapper. 19 leaves with last page of text numbered 104. Xerographic duplication rectos only comprised solely of pink undated revision pages. Pages Near Fine wrapper Near Fine bound with a paperclip at the top left corner. Yellow Revised: Yellow titled self wrappers lacking rear wrapper noted as Revised on the front wrapper dated January 31 01 with credits for screenwriter Mike White. Title page integral with front wrapper. 54 leaves with last page of text numbered 108. Xerographic duplication rectos only comprised solely of yellow revision pages dated 1/31/01. Pages Near Fine wrapper About Near Fine bound with two gold brads. N.p. unknown
2001ref. 163921N.p.: N.p. 2001. One Draft script and two Revised Draft scripts for the 2002 film. Two scripts with label affixed to front wrapper of the name of crew member Brian Markey. From the archive of crew member Chris Scher. A high school student's plans to go to Stanford are temporarily halted when his guidance counselor sends the incorrect transcripts. Set in Orange County California shot on location in Southern California. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Blue Revised: Blue titled self-wrappers lacking rear wrapper noted as Blue Draft on the front wrapper dated January 18 2001 with credits for screenwriters Mike White. Title page integral with front wrapper. 108 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Pink Revised: Pink titled self wrappers lacking rear wrapper noted as Revised on the front wrapper dated January 22 01 with credits for screenwriter Mike White. Title page integral with front wrapper. 19 leaves with last page of text numbered 104. Xerographic duplication rectos only comprised solely of pink undated revision pages. Pages Near Fine wrapper Near Fine bound with a paperclip at the top left corner. Yellow Revised: Yellow titled self wrappers lacking rear wrapper noted as Revised on the front wrapper dated January 31 01 with credits for screenwriter Mike White. Title page integral with front wrapper. 54 leaves with last page of text numbered 108. Xerographic duplication rectos only comprised solely of yellow revision pages dated 1/31/01. Pages Near Fine wrapper About Near Fine bound with two gold brads. N.p. unknown books
1967ref. 164292N.p.: N.p. 1967. Four vintage reference photographs from the 1967 Yugoslavian film all showing actress Eva Ras. Two with a printed French mimeo snipes affixed to the verso and three with provenance stamps and labels on same. A young switchboard operator begins a relationship with a serious beau but finds herself subject to a colleague's advances when her boyfriend is out of town on business. Told in non-chronological order with imaginative digressions and frequent interruptions creating a critique of communist society and censorship. The second feature film of Du an Makavejev the most celebrated Yugoslavian director of the 1960s. Two photographs 9.5 x 7.25 inches two photographs 5 x 7 inches. Generally Very Good plus. Criterion Eclipse 18. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
1967ref. 164292N.p.: N.p. 1967. Four vintage reference photographs from the 1967 Yugoslavian film all showing actress Eva Ras. Two with a printed French mimeo snipes affixed to the verso and three with provenance stamps and labels on same. A young switchboard operator begins a relationship with a serious beau but finds herself subject to a colleague's advances when her boyfriend is out of town on business. Told in non-chronological order with imaginative digressions and frequent interruptions creating a critique of communist society and censorship. The second feature film of Du an Makavejev the most celebrated Yugoslavian director of the 1960s. Two photographs 9.5 x 7.25 inches two photographs 5 x 7 inches. Generally Very Good plus. Criterion Eclipse 18. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown books
