10,190 results
1969ref. 147024Burbank CA: Warner Brothers / Seven Arts 1969. Six vintage temporary tattoos issued as a promotional item for the 1969 film by the beloved but short-lived film studio Warner Brothers-Seven Arts. With both the original envelope housing the tattoos and a Warner Brothers-Seven Arts mailing envelope addressed to film critic photographer and poet Michael S. Dworkin. The decals shown in reverse here for the sake of readability are inspired by the designs for the tattoos sported by actor Rod Steiger in the film with the promotional copy inviting the recipient to "be your own illustrated man." The only example we have encountered unsurprising given the temporary nature of the item. Based on three short stories from Bradbury's acclaimed collection "The Veldt" "The Long Rain" and "The Last Night of the World." Tattoos variously sized between 4.25 x 5.75 and 8.75 x 4 inches. All but one of the tissue guards are still fully attached. Bright and Near Fine. Promotional envelope 5.25 x 10 inches. Chip to the envelope flap and some bruising from having been opened else Near Fine. Warner Brothers / Seven Arts unknown books
1943ref. 150216Los Angeles: Paramount Pictures 1943. Five vintage borderless double weight reference photographs taken on location in Spain for the 1943 film most showing director Sam Wood and actors Joseph Calleia Lilo Yarson Gary Cooper Katina Paxinou and Ingrid Bergman. With printed mimeo snipes affixed to the verso. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. Based on Ernest Hemingway's 1940 novel which follows the experiences of an American fighting against the fascists in the Spanish Civil War and his relationship with a young guerrilla fighter. Nominated for nine Academy Awards winning one for Best Supporting Actress for Katina Paxinou. Set and shot on location in Spain. 9.5 x 7.5 inches. Near Fine. Paramount Pictures unknown books
1986ref. 171897N.p.: IndieProd Company 1986. Draft script for the 1987 film comedy. Copy belonging to stunt coordinator Joe Dunne with his name in manuscript ink at the top corners of several revision pages. Missing page 29 likely as used or issued. With color revision pages througout. One of the best comedies of the 1980s a modern-day adaptation of Edmond Rostand's 1897 play "Cyrano de Bergerac" and adapted by actor Steve Martin about a man whose insecurity over his unusually large nose leads him to hide his feelings for the woman he loves. Shot on location in British Columbia. Beige IndieProd production company wrappers. Lacking title page presumably as issued. 150 leaves with last page of text numbered 118. Xerographic duplication on blue stock rectos only with yellow green and goldenrod revision pages throughout dated variously between August 7 and 16 1986. Pages Near Fine wrapper about Near Fine bound internally with two gold brads. IndieProd Company unknown
1986ref. 171897N.p.: IndieProd Company 1986. Draft script for the 1987 film comedy. Copy belonging to stunt coordinator Joe Dunne with his name in manuscript ink at the top corners of several revision pages. Missing page 29 likely as used or issued. With color revision pages througout. One of the best comedies of the 1980s a modern-day adaptation of Edmond Rostand's 1897 play "Cyrano de Bergerac" and adapted by actor Steve Martin about a man whose insecurity over his unusually large nose leads him to hide his feelings for the woman he loves. Shot on location in British Columbia. Beige IndieProd production company wrappers. Lacking title page presumably as issued. 150 leaves with last page of text numbered 118. Xerographic duplication on blue stock rectos only with yellow green and goldenrod revision pages throughout dated variously between August 7 and 16 1986. Pages Near Fine wrapper about Near Fine bound internally with two gold brads. IndieProd Company unknown books
1987ref. 161345Burbank CA: Warner Brothers 1987. Second Draft script for the 1988 film. Steven Seagal in his film debut stars as Nico Toscani an Italian-American ex-CIA agent and martial arts expert working for the Chicago police force. What begins as a drug trafficking investigation soon reveals the CIA's involvement in an international weapons-trade operation. Nico goes to great lengths to stop Zargon Henry Silva the corrupt CIA agent behind it all. Shot on location in O'ahu and Chicago. Red titled wrappers. Title page present dated March 27 1987 noted as SECOND DRAFT with credits for screenwriters Steven Pressfield Ronald Shusett and Andrew Davis and story credits for Andrew Davis and Steven Seagal. 112 leaves with last page of text numbered 110. Mechanical duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Moore The Good the Tough and the Deadly: Action Movies and Stars 1960s-2015. Warner Brothers unknown
1987ref. 161345Burbank CA: Warner Brothers 1987. Second Draft script for the 1988 film. Steven Seagal in his film debut stars as Nico Toscani an Italian-American ex-CIA agent and martial arts expert working for the Chicago police force. What begins as a drug trafficking investigation soon reveals the CIA's involvement in an international weapons-trade operation. Nico goes to great lengths to stop Zargon Henry Silva the corrupt CIA agent behind it all. Shot on location in O'ahu and Chicago. Red titled wrappers. Title page present dated March 27 1987 noted as SECOND DRAFT with credits for screenwriters Steven Pressfield Ronald Shusett and Andrew Davis and story credits for Andrew Davis and Steven Seagal. 112 leaves with last page of text numbered 110. Mechanical duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Moore The Good the Tough and the Deadly: Action Movies and Stars 1960s-2015. Warner Brothers unknown books
1949ref. 144415Los Angeles: Twentieth Century-Fox 1949. Final Draft script for the 1950 film. With a "New York Legal Department" rubber stamp on the front wrapper and extensive manuscript pencil annotations throughout likely by a professional reader regarding differences between the source novel by Thomas B. Costain and the script. Based on Costain's 1945 novel and partially conceived as a sequel to the 1949 film "Prince of Foxes" in order to reunite Tyrone Power and Orson Welles. "The Black Rose" features Power as a Saxon youth who runs away from England during the Crusades. Somehow he and his North African warlord friend Orson Welles make it to China where they get involved with the court of Kubla Kahn. Nominated for an Academy Award. Set in England and the Far East shot on location in England and Morocco. Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 19 and production No. 125 dated May 4 1949. Distribution page present with receipt removed. Title page present dated May 4 1949. PAGES leaves with last page of text numbered 161. Mimeograph duplication rectos only with blue revision pages throughout dated 5/17/49 and 7/5/49. Pages Fine wrapper Very Good bound internally with three gold brads. Twentieth Century-Fox unknown
1949ref. 144415Los Angeles: Twentieth Century-Fox 1949. Final Draft script for the 1950 film. With a "New York Legal Department" rubber stamp on the front wrapper and extensive manuscript pencil annotations throughout likely by a professional reader regarding differences between the source novel by Thomas B. Costain and the script. Based on Costain's 1945 novel and partially conceived as a sequel to the 1949 film "Prince of Foxes" in order to reunite Tyrone Power and Orson Welles. "The Black Rose" features Power as a Saxon youth who runs away from England during the Crusades. Somehow he and his North African warlord friend Orson Welles make it to China where they get involved with the court of Kubla Kahn. Nominated for an Academy Award. Set in England and the Far East shot on location in England and Morocco. Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 19 and production No. 125 dated May 4 1949. Distribution page present with receipt removed. Title page present dated May 4 1949. PAGES leaves with last page of text numbered 161. Mimeograph duplication rectos only with blue revision pages throughout dated 5/17/49 and 7/5/49. Pages Fine wrapper Very Good bound internally with three gold brads. Twentieth Century-Fox unknown books
1951ref. 122115Rome: Albert and Charles Boni 1951. Original Italian program for the 1951 film based on the novel "Toto il buono" by Cesare Zavattini. SIGNED by Vittorio De Sica at the bottom of the title page. One of the director's classics pure visual storytelling made just after "Bicycle Thieves" 1948 and just before "Umberto D." 1952. A gorgeous oversize program with a central illustration on the front wrapper within a debossed frame. The wrapper houses 6 loose deluxe card plates as issued the first two devoted to text and the last four being full-color lithograph illustrations reflecting the film story. One of the most beautiful programs we've ever seen. Plates Near Fine outer wrapper Very Good plus with a few tears at the edges but no loss 12.75 x 17.25 inches. Albert and Charles Boni unknown
1951ref. 122115Rome: Albert and Charles Boni 1951. Original Italian program for the 1951 film based on the novel "Toto il buono" by Cesare Zavattini. SIGNED by Vittorio De Sica at the bottom of the title page. One of the director's classics pure visual storytelling made just after "Bicycle Thieves" 1948 and just before "Umberto D." 1952. A gorgeous oversize program with a central illustration on the front wrapper within a debossed frame. The wrapper houses 6 loose deluxe card plates as issued the first two devoted to text and the last four being full-color lithograph illustrations reflecting the film story. One of the most beautiful programs we've ever seen. Plates Near Fine outer wrapper Very Good plus with a few tears at the edges but no loss 12.75 x 17.25 inches. Albert and Charles Boni unknown books
1966ref. 149378N.p.: Delpire 1966. Three vintage borderless reference photographs from the 1966 film. With the stamp of Tele-Magazine on the verso. An anarchic satire of the fashion industry directed by a true insider "Vogue" magazine's longtime photographer William Klein. Dorothy McGowan in her first and only film appearance stars as young model Polly Maggoo who becomes the subject of a television documentary news episode over the course of Paris Fashion Week. Set and shot on location in Paris. One photograph 10 x 8 inches two photographs 10 x 7.5 inches. Near Fine. Delpire unknown
1966ref. 149378N.p.: Delpire 1966. Three vintage borderless reference photographs from the 1966 film. With the stamp of Tele-Magazine on the verso. An anarchic satire of the fashion industry directed by a true insider "Vogue" magazine's longtime photographer William Klein. Dorothy McGowan in her first and only film appearance stars as young model Polly Maggoo who becomes the subject of a television documentary news episode over the course of Paris Fashion Week. Set and shot on location in Paris. One photograph 10 x 8 inches two photographs 10 x 7.5 inches. Near Fine. Delpire unknown books
1970ref. 153149N.p.: N.p. 1970. Second Draft script for the 1974 film. In 1969 Julian Barry was hired by Columbia Pictures to write the screenplay for a dramatic biographical account of comedian Lenny Bruce's life. Shortly thereafter the project was delayed reportedly due to studios' demand for romances as a result of Arthur Hiller's successful 1970 romantic drama "Love Story" leading Barry to approach theatre director Tom O'Horgan about adapting the screenplay for the stage. The play was a success running on Broadway from May 1971 to June 1972 and earning its lead Cliff Gorman a Tony Award in 1972. The finished film completed two years later was Bob Fosse's third directorial effort and first non-musical with standout performances by Dustin Hoffman as Bruce and Valerie Perrine as his wife Honey. A tour de force shot in black and white in a documentary style interspersed with interviews jumping back and forth from Bruce's early rise to fame to his twilight days and eventual death. Nominated for six Academy Awards including Best Picture Best Director and Best Screenplay. Nominated for the Palme d'Or. Green titled wrappers noted as Second Draft and production No. 8895 on the front wrapper dated May 19 1970. Title page present dated May 19 1970 noted as Second Draft with credits for Julian Barry. 152 leaves with last page of text numbered 149. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1970ref. 153149N.p.: N.p. 1970. Second Draft script for the 1974 film. In 1969 Julian Barry was hired by Columbia Pictures to write the screenplay for a dramatic biographical account of comedian Lenny Bruce's life. Shortly thereafter the project was delayed reportedly due to studios' demand for romances as a result of Arthur Hiller's successful 1970 romantic drama "Love Story" leading Barry to approach theatre director Tom O'Horgan about adapting the screenplay for the stage. The play was a success running on Broadway from May 1971 to June 1972 and earning its lead Cliff Gorman a Tony Award in 1972. The finished film completed two years later was Bob Fosse's third directorial effort and first non-musical with standout performances by Dustin Hoffman as Bruce and Valerie Perrine as his wife Honey. A tour de force shot in black and white in a documentary style interspersed with interviews jumping back and forth from Bruce's early rise to fame to his twilight days and eventual death. Nominated for six Academy Awards including Best Picture Best Director and Best Screenplay. Nominated for the Palme d'Or. Green titled wrappers noted as Second Draft and production No. 8895 on the front wrapper dated May 19 1970. Title page present dated May 19 1970 noted as Second Draft with credits for Julian Barry. 152 leaves with last page of text numbered 149. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1953ref. 152724N.p.: N.p. 1953. Vintage oversize borderless matte-finish double weight photograph of Charlton Heston receiving a massage on the set of the 1953 film. With the stamp of photographer Bill Avery on the verso. A Chief of Scouts mistrusts the Apache tribe after the chief refuses to sign a peace treaty but his concerns are disregarded by the US Army. Bill Avery worked as a photographer at Columbia Pictures in the early twentieth century with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill and occasionally worked as a freelance publicity photographer shooting iconic images of Elvis Presley Jack Lemmon Katharine and Audrey Hepburn and Shirley MacLaine among many others. Shot on location in Texas. 9 x 13.5 inches. Near Fine. Pitts 166. N.p. unknown books
1965ref. 151829N.p.: N.p. 1965. Archive of 14 original reference photographs taken on the set of the 1965 film and two original contact sheets with 24 images of cast and crew members at what appears to be a wrap party. Several photographs with manuscript ink annotations to the verso identifying figures in the images. One photograph date-stamped APR 27 1964 inscribed on the recto by uncredited location manager Howard "Dutch" Horton to production supervisor John Palmer and another photograph inscribed to Palmer from an unknown crew member in manuscript ink annotation to the verso. From the collection of John Palmer. Included with the collection is a brief typescript note signed from publicist Phil Gersdorf to Palmer gifting Palmer the contact sheets. Based on Boris Pasternak's controversial Nobel Prize-winning 1957 novel following a married physician whose life is irreversibly changed by the Russian Revolution and resulting Civil War. Nominated for ten Academy Awards winning five including Best Screenplay and Best Cinematography. Pasternak's novel was widely banned in the Soviet Union due to its perceived criticism of the Soviet government forcing director David Lean to begin filming on location in Spain-chosen in large part as a result of his positive experiences filming "Lawrence of Arabia" there several years prior as well as the promise of snow. The film was shot over ten months in Soria and Aragon and at the Aldeadavila Dam with a large-scale Moscow set built outside of Madrid as documented throughout the archive. An unseasonably warm winter in Spain obligated production to head to Finland and Canada in the final months of shooting in order to obtain a sufficiently wintry backdrop for landscape scenes. The archive includes eleven photographs of cast and crew members between takes on the Moscow set several shots featuring Palmer and director David Lean during a parade scene with crowds of extras in Soviet militia garb in the background. The Moscow photographs in particular highlight the intricate set and costume design elements which went into constructing the mock city including several striking images of parade participants holding huge portraits of Soviet officials. An unusual addition to the collection is a photograph of Palmer in conversation with noted Austrian-American director Fred Zinnemann who collaborated with actor Omar Sharif in "Behold a Pale Horse" earlier in 1964. Shot on location throughout Spain Finland and Canada. Photographs and contact sheets varying sizes. All materials generally Very Good plus several photographs with moderate toning. N.p. unknown
1965ref. 151829N.p.: N.p. 1965. Archive of 14 original reference photographs taken on the set of the 1965 film and two original contact sheets with 24 images of cast and crew members at what appears to be a wrap party. Several photographs with manuscript ink annotations to the verso identifying figures in the images. One photograph date-stamped APR 27 1964 inscribed on the recto by uncredited location manager Howard "Dutch" Horton to production supervisor John Palmer and another photograph inscribed to Palmer from an unknown crew member in manuscript ink annotation to the verso. From the collection of John Palmer. Included with the collection is a brief typescript note signed from publicist Phil Gersdorf to Palmer gifting Palmer the contact sheets. Based on Boris Pasternak's controversial Nobel Prize-winning 1957 novel following a married physician whose life is irreversibly changed by the Russian Revolution and resulting Civil War. Nominated for ten Academy Awards winning five including Best Screenplay and Best Cinematography. Pasternak's novel was widely banned in the Soviet Union due to its perceived criticism of the Soviet government forcing director David Lean to begin filming on location in Spain-chosen in large part as a result of his positive experiences filming "Lawrence of Arabia" there several years prior as well as the promise of snow. The film was shot over ten months in Soria and Aragon and at the Aldeadavila Dam with a large-scale Moscow set built outside of Madrid as documented throughout the archive. An unseasonably warm winter in Spain obligated production to head to Finland and Canada in the final months of shooting in order to obtain a sufficiently wintry backdrop for landscape scenes. The archive includes eleven photographs of cast and crew members between takes on the Moscow set several shots featuring Palmer and director David Lean during a parade scene with crowds of extras in Soviet militia garb in the background. The Moscow photographs in particular highlight the intricate set and costume design elements which went into constructing the mock city including several striking images of parade participants holding huge portraits of Soviet officials. An unusual addition to the collection is a photograph of Palmer in conversation with noted Austrian-American director Fred Zinnemann who collaborated with actor Omar Sharif in "Behold a Pale Horse" earlier in 1964. Shot on location throughout Spain Finland and Canada. Photographs and contact sheets varying sizes. All materials generally Very Good plus several photographs with moderate toning. N.p. unknown books
1958ref. 153663Burbank CA: National Broadcasting Company NBC 1958. Archive of six Revised Draft scripts for the 1958 three-part television episode originally aired on June 25 1958 on NBC. Collection includes three scripts noted as Acts I-III and one script duplicate of Act I only and two scripts compiling all three acts. Also included are two typescript pages noting story outlines for a proposed "87th Precinct" television series. Each script signed by screenwriter Larry Cohen and three scripts with manuscript pencil and ink annotations by Cohen throughout noting deletions and substantive revisions. "Kraft Theatre" was a dramatic anthology television series which aired on NBC from 1947 to 1958. In this episode loosely based on Ed McBain's "87th Precinct" novel series a solitary widow whose frequent calls to the police to report a burglar are usually ignored turns up dead in her apartment. An early venture for screenwriter Larry Cohen who would go on to write Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. Set and shot on location in New York. Act I Revised Script with pencil annotation on the front wrapper: Self wrappers. Title page present noted as REVISED dated 6/17/58 with credits for screenwriter Larry Cohen. Title page integral with the front wrapper. 30 leaves with last page of text numbered I-24. Mimeograph duplication rectos only. Pages Very Good plus with the last leaf detached from the binding partially bound with a single staple to the top left corner. Act II Revised Script: Self wrappers. Title page present noted as REVISED dated 6/17/58 with credits for screenwriter Larry Cohen. Title page integral with the front wrapper. 43 leaves with last page of text numbered II-68. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. Act III Revised Script: Self wrappers. Title page present noted as REVISED dated 6/17/58 with credits for screenwriter Larry Cohen. Title page integral with the front wrapper. 34 leaves with last page of text numbered III-103. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. Act I Revised Script with no pencil annotation on the front wrapper: Self wrappers. Title page present noted as REVISED dated 6/17/58 with credits for screenwriter Larry Cohen. Title page integral with the front wrapper. 30 leaves with last page of text numbered I-24. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. Complete script: Lacking wrappers and title page possibly as issued. 144 leaves with last page of text numbered III-136. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. Revised complete script: Lacking and title page possibly as issued. 94 leaves with last page of text numbered III-87. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. National Broadcasting Company [NBC] unknown books
1972ref. 153235N.p.: Gerard Damiano Film Productions 1972. Vintage three-color press kit for the groundbreaking 1972 adult film with annotation in manuscript marker on upper right of recto of first page of "Coming! Feb 21st" with a two page center spread featuring a synopsis and black and white photographs and ad mats on verso of second page. The film that heralded in the "Golden Age of Porn." One of the first pornographic films to feature a plot character development and comparably high production values. 8.5 x 11 inches bi-fold. Very Good plus with horizontal crease from having once been folded paper tape shadows on top and bottom margins of the recto of first panel a few one-inch pieces of cello tape on the center spread and paper tape shadow on top and bruise on bottom of verso of second page. Apart from this generally bright and unfaded. Gerard Damiano Film Productions unknown
1972ref. 153235N.p.: Gerard Damiano Film Productions 1972. Vintage three-color press kit for the groundbreaking 1972 adult film with annotation in manuscript marker on upper right of recto of first page of "Coming! Feb 21st" with a two page center spread featuring a synopsis and black and white photographs and ad mats on verso of second page. The film that heralded in the "Golden Age of Porn." One of the first pornographic films to feature a plot character development and comparably high production values. 8.5 x 11 inches bi-fold. Very Good plus with horizontal crease from having once been folded paper tape shadows on top and bottom margins of the recto of first panel a few one-inch pieces of cello tape on the center spread and paper tape shadow on top and bruise on bottom of verso of second page. Apart from this generally bright and unfaded. Gerard Damiano Film Productions unknown books
1960ref. 166647Paris: L'Express 1960. Eight vintage borderless reference photographs from the 1960 Swedish film including multiple images of cast and crew on the set. Italian and French distribution stamps on the versos. A landmark twentieth century film whose irregular dramatic structure and juxtaposition of beauty and violence has inspired many other controversial and renowned films from "The Last House on the Left" 1972 to "Irreversible" 2002. The first of two Bergman efforts to win the Academy Award for Best Foreign Film and nominated for the Palme d'Or with Bergman receiving a Special Mention at Cannes. Set in medieval Sweden. 9.5 x 7 inches. Near Fine to Very Good plus. L'Express unknown
1960ref. 166647Paris: L'Express 1960. Eight vintage borderless reference photographs from the 1960 Swedish film including multiple images of cast and crew on the set. Italian and French distribution stamps on the versos. A landmark twentieth century film whose irregular dramatic structure and juxtaposition of beauty and violence has inspired many other controversial and renowned films from "The Last House on the Left" 1972 to "Irreversible" 2002. The first of two Bergman efforts to win the Academy Award for Best Foreign Film and nominated for the Palme d'Or with Bergman receiving a Special Mention at Cannes. Set in medieval Sweden. 9.5 x 7 inches. Near Fine to Very Good plus. L'Express unknown books
1971ref. 170566N.p.: Harvest Productions 1971. Collection of nine vintage double weight borderless reference photographs of Johnny Cash and his family on the set or the location of the 1971 film. All nine photographs with mimeo snipes Sandra Lee Kaplan photography stamps and publishing stamps on the versos others variously with provenance stamps and annotations see images. Five of the photographs feature Cash exclusively two feature Cash and his step-daughters Rebecca Carlene Smith here Karleen and Rosie Nix Adams both of whom appeared as extras in the film one of Adams and Kirk Douglas' son Eric and one of Cash with June Carter Cash and their newborn son John Carter Cash. Desperate for money two aging gunfighters conspire to organize a public showdown for which they plan to sell tickets. Partially shot on location in Santa Fe New Mexico and Madrid Spain. 7 x 10 inches to 8 x 10 inches. Near Fine overall with light edgewear three with masking tape on the verso and one with masking tape on the verso extending beyond the margin with cropping annotations see image. Harvest Productions unknown
1971ref. 170566N.p.: Harvest Productions 1971. Collection of nine vintage double weight borderless reference photographs of Johnny Cash and his family on the set or the location of the 1971 film. All nine photographs with mimeo snipes Sandra Lee Kaplan photography stamps and publishing stamps on the versos others variously with provenance stamps and annotations see images. Five of the photographs feature Cash exclusively two feature Cash and his step-daughters Rebecca Carlene Smith here Karleen and Rosie Nix Adams both of whom appeared as extras in the film one of Adams and Kirk Douglas' son Eric and one of Cash with June Carter Cash and their newborn son John Carter Cash. Desperate for money two aging gunfighters conspire to organize a public showdown for which they plan to sell tickets. Partially shot on location in Santa Fe New Mexico and Madrid Spain. 7 x 10 inches to 8 x 10 inches. Near Fine overall with light edgewear three with masking tape on the verso and one with masking tape on the verso extending beyond the margin with cropping annotations see image. Harvest Productions unknown books
2017ref. 163911London: Blueprint Pictures 2017. Draft script for the 2017 film. Copy belonging to production designer David Wasco with his name watermarked on every leaf. From the archive of crew member Chris Scher. A Missouri woman rents three billboards to draw attention to her daughter's unsolved rape and murder setting off a violent chain of reactions among members of her small community and the police officers responsible for overseeing the investigation. Nominated for seven Academy Awards winning two for Best Supporting Actor for Sam Rockwell and Best Leading Actress for Frances McDormand. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 films including "The Last Seduction" "Pulp Fiction" "From Dusk Till Dawn" "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Set in Ebbing Missouri shot on location in Sylva North Carolina. Self wrappers. Title page present undated with credit for director and screenwriter Martin McDonagh. 102 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine bound with one gold and one silver brad. Blueprint Pictures unknown
