10,264 results
1971ref. 170566N.p.: Harvest Productions 1971. Collection of nine vintage double weight borderless reference photographs of Johnny Cash and his family on the set or the location of the 1971 film. All nine photographs with mimeo snipes Sandra Lee Kaplan photography stamps and publishing stamps on the versos others variously with provenance stamps and annotations see images. Five of the photographs feature Cash exclusively two feature Cash and his step-daughters Rebecca Carlene Smith here Karleen and Rosie Nix Adams both of whom appeared as extras in the film one of Adams and Kirk Douglas' son Eric and one of Cash with June Carter Cash and their newborn son John Carter Cash. Desperate for money two aging gunfighters conspire to organize a public showdown for which they plan to sell tickets. Partially shot on location in Santa Fe New Mexico and Madrid Spain. 7 x 10 inches to 8 x 10 inches. Near Fine overall with light edgewear three with masking tape on the verso and one with masking tape on the verso extending beyond the margin with cropping annotations see image. Harvest Productions unknown books
2017ref. 163911London: Blueprint Pictures 2017. Draft script for the 2017 film. Copy belonging to production designer David Wasco with his name watermarked on every leaf. From the archive of crew member Chris Scher. A Missouri woman rents three billboards to draw attention to her daughter's unsolved rape and murder setting off a violent chain of reactions among members of her small community and the police officers responsible for overseeing the investigation. Nominated for seven Academy Awards winning two for Best Supporting Actor for Sam Rockwell and Best Leading Actress for Frances McDormand. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 films including "The Last Seduction" "Pulp Fiction" "From Dusk Till Dawn" "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Set in Ebbing Missouri shot on location in Sylva North Carolina. Self wrappers. Title page present undated with credit for director and screenwriter Martin McDonagh. 102 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine bound with one gold and one silver brad. Blueprint Pictures unknown
2017ref. 163911London: Blueprint Pictures 2017. Draft script for the 2017 film. Copy belonging to production designer David Wasco with his name watermarked on every leaf. From the archive of crew member Chris Scher. A Missouri woman rents three billboards to draw attention to her daughter's unsolved rape and murder setting off a violent chain of reactions among members of her small community and the police officers responsible for overseeing the investigation. Nominated for seven Academy Awards winning two for Best Supporting Actor for Sam Rockwell and Best Leading Actress for Frances McDormand. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 films including "The Last Seduction" "Pulp Fiction" "From Dusk Till Dawn" "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Set in Ebbing Missouri shot on location in Sylva North Carolina. Self wrappers. Title page present undated with credit for director and screenwriter Martin McDonagh. 102 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine bound with one gold and one silver brad. Blueprint Pictures unknown books
1969ref. 153094London: Ned Sherrin 1969. Early Draft script for the 1970 British film with annotations in manuscript ink on four pages a "1." on the title page and three underlining locations. Script preceded by six pages of notes on story cast of characters and notes on principal characters. An ad man is tasked with creating a new sexy image for a frozen porridge brand. A satirical farce directly ridiculing British conservative activist Mary Whitehouse who in 1970 was staging a war on gratuitous sex in advertising and many other fields of British life. Shot on location in London and Surrey. Dark blue untitled wrappers with die-cut window in the British Fashion. Title page present dated 6th February 1969 with credits for screenwriters Marty Feldman and Barry Took and story credit for Milton Shulman and Herbert Kretzmer. 101 leaves with last page of text numbered 93. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three flat metal brads. Ned Sherrin unknown
1969ref. 153094London: Ned Sherrin 1969. Early Draft script for the 1970 British film with annotations in manuscript ink on four pages a "1." on the title page and three underlining locations. Script preceded by six pages of notes on story cast of characters and notes on principal characters. An ad man is tasked with creating a new sexy image for a frozen porridge brand. A satirical farce directly ridiculing British conservative activist Mary Whitehouse who in 1970 was staging a war on gratuitous sex in advertising and many other fields of British life. Shot on location in London and Surrey. Dark blue untitled wrappers with die-cut window in the British Fashion. Title page present dated 6th February 1969 with credits for screenwriters Marty Feldman and Barry Took and story credit for Milton Shulman and Herbert Kretzmer. 101 leaves with last page of text numbered 93. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three flat metal brads. Ned Sherrin unknown books
1988ref. 172338Santa Monica: Cinema City 1988. Shooting script for the 1988 film with rainbow revisions. A former drug dealer tries to quit his old habits but nevertheless finds himself caught in the crosshairs of a large-scale Drug Enforcement Administration investigation. The second film to be both written and directed by Robert Towne following "Personal Best" 1982. Nominated for an Academy Award for Best Cinematography. Set and shot on location in Manhattan Beach California. Self wrappers. Title page present dated January 14 1988 noted as SHOOTING SCRIPT with credit for Towne. 150 leaves with last page of text numbered 142. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between February 8 and March 4 1988. Pages about Fine bound with two gold brads. Cinema City unknown
1988ref. 172338Santa Monica: Cinema City 1988. Shooting script for the 1988 film with rainbow revisions. A former drug dealer tries to quit his old habits but nevertheless finds himself caught in the crosshairs of a large-scale Drug Enforcement Administration investigation. The second film to be both written and directed by Robert Towne following "Personal Best" 1982. Nominated for an Academy Award for Best Cinematography. Set and shot on location in Manhattan Beach California. Self wrappers. Title page present dated January 14 1988 noted as SHOOTING SCRIPT with credit for Towne. 150 leaves with last page of text numbered 142. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between February 8 and March 4 1988. Pages about Fine bound with two gold brads. Cinema City unknown books
1989ref. 160721London: Goldcrest Films 1989. Final Draft script for the 1989 neo-noir film. Copy belonging to cinematographer Gerry Fisher with 13 pages of production materials laid in including revision pages manuscript leaves and production memos dated variously between October 26 and November 19 1988. Several of the laid-in pages bear Fisher's name on the top margins in manuscript pencil and ink. A medium finds herself the target of a corporate hitman after she foretells the death of a factory whistleblower. Although well received by critics the film's distributors fell into financial difficulties resulting in it never receiving a full cinema release. Shot in Rock Hill South Carolina and Charlotte North Carolina. Blue titled wrappers undated noted as FINAL DRAFT 3 with credit for screenwriter and director Mike Hodges. Title page present undated noted as FINAL DRAFT 3 with credit for screenwriter and director Mike Hodges. 107 leaves with last page of text numbered 106. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Goldcrest Films unknown
1989ref. 160721London: Goldcrest Films 1989. Final Draft script for the 1989 neo-noir film. Copy belonging to cinematographer Gerry Fisher with 13 pages of production materials laid in including revision pages manuscript leaves and production memos dated variously between October 26 and November 19 1988. Several of the laid-in pages bear Fisher's name on the top margins in manuscript pencil and ink. A medium finds herself the target of a corporate hitman after she foretells the death of a factory whistleblower. Although well received by critics the film's distributors fell into financial difficulties resulting in it never receiving a full cinema release. Shot in Rock Hill South Carolina and Charlotte North Carolina. Blue titled wrappers undated noted as FINAL DRAFT 3 with credit for screenwriter and director Mike Hodges. Title page present undated noted as FINAL DRAFT 3 with credit for screenwriter and director Mike Hodges. 107 leaves with last page of text numbered 106. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Goldcrest Films unknown books
1967ref. 150244N.p.: N.p. 1967. Five vintage borderless black and white photographs from the set of the 1967 film. With two printed mimeo snipes on the verso along with the stamp of still photographer James Johnson. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Truman Capote's most famous book and remains one of the great meditations on violence in America. Nominated for four Academy Awards. 10 x 8 inches. Most Very Good plus with light creasing and edgewear one Very Good with a tear to the top right corner repaired with cello tape on the verso. National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US. N.p. unknown books
1970ref. 163450Hollywood: Tempo Enterprises / Crown Pictures 1970. Revised Final Draft script for the 1971 film. Copy belonging to an unidentified crew member with annotations in manuscript ink and pencil on the title page and three leaves of the script. While waiting for the results from a pregnancy test a precocious high school senior decides to leave her family older lover and boyfriend behind and hitchhike to Big Sur California with her best friend. Red titled wrappers noted as copy No. 23 in manuscript ink on the front wrapper. Title page present undated noted as Revised Final Draft with credit for screenwriter David Allen Dixon. 125 leaves with last page of text numbered 124. Mimeograph duplication rectos only with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. Tempo Enterprises / Crown Pictures unknown
1970ref. 163450Hollywood: Tempo Enterprises / Crown Pictures 1970. Revised Final Draft script for the 1971 film. Copy belonging to an unidentified crew member with annotations in manuscript ink and pencil on the title page and three leaves of the script. While waiting for the results from a pregnancy test a precocious high school senior decides to leave her family older lover and boyfriend behind and hitchhike to Big Sur California with her best friend. Red titled wrappers noted as copy No. 23 in manuscript ink on the front wrapper. Title page present undated noted as Revised Final Draft with credit for screenwriter David Allen Dixon. 125 leaves with last page of text numbered 124. Mimeograph duplication rectos only with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. Tempo Enterprises / Crown Pictures unknown books
1960ref. 151136London: J. Arthur Rank 1960. Shooting script for the 1961 film. Laid in with the script is a 36-leaf gathering of revision pages on pink stock bound with a single staple on the top left corner dated 5.4.60. Based on the 1953 novel by Audrey Erskine Lindop. A Catholic priest is sent to establish a parish in a rural Mexican town under the control of a ruthless but educated bandit. Set in Mexico shot on location in Spain. Blue titled wrappers noted as SHOOTING SCRIPT on the front wrapper dated 15-3-60. Title page present noted as SHOOTING SCRIPT dated 18th March 1960 with credits for screenwriter Nigel Balchin. 105 leaves with last page of text numbered 104. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with a silver prong. J. Arthur Rank unknown
1960ref. 151136London: J. Arthur Rank 1960. Shooting script for the 1961 film. Laid in with the script is a 36-leaf gathering of revision pages on pink stock bound with a single staple on the top left corner dated 5.4.60. Based on the 1953 novel by Audrey Erskine Lindop. A Catholic priest is sent to establish a parish in a rural Mexican town under the control of a ruthless but educated bandit. Set in Mexico shot on location in Spain. Blue titled wrappers noted as SHOOTING SCRIPT on the front wrapper dated 15-3-60. Title page present noted as SHOOTING SCRIPT dated 18th March 1960 with credits for screenwriter Nigel Balchin. 105 leaves with last page of text numbered 104. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with a silver prong. J. Arthur Rank unknown books
2011ref. 160434N.p.: N.p. 2011. First Draft script for the 2014 film. From the archive of Christ Zois Abel Ferrara's frequent co-screenwriter. A biopic about the final days in the life of controversial Italian director Pier Paolo Pasolini then middle-aged and living in Rome as he finishes production of his notorious 1975 film "Salò or the 120 Days of Sodom." Housed in a blue card folder. Title page present dated February 28 2011 noted as First Draft with credits for director-screenwriter Abel Ferrara and screenwriter Nicola Tranquillino. 98 leaves with last page of text numbered 97. Xerographic duplication rectos only. Pages about Fine partially bound with a binder clip on the top left corner. N.p. unknown books
1963ref. 163783N.p.: N.p. 1963. Vintage reference photograph from the set of the 1963 film showing actors Jeanne Moreau and Claude Mann. Stamp of photographer Agnès Varda film director and wife of Jacques Demy on the verso. Varda and director Jacques Demy were married from 1962 until Demy's death in 1990. While vacationing in Nice a quiet young bank employee begins an affair with a gambler whose addiction and despair mirrors his own. Set and shot on location in Alpes-Maritimes Val-d'Oise and Paris France and in and Monte Carlo Monaco. 9.5 x 6.5 inches. Near Fine. Criterion Collection 715. N.p. unknown
1963ref. 163783N.p.: N.p. 1963. Vintage reference photograph from the set of the 1963 film showing actors Jeanne Moreau and Claude Mann. Stamp of photographer Agnès Varda film director and wife of Jacques Demy on the verso. Varda and director Jacques Demy were married from 1962 until Demy's death in 1990. While vacationing in Nice a quiet young bank employee begins an affair with a gambler whose addiction and despair mirrors his own. Set and shot on location in Alpes-Maritimes Val-d'Oise and Paris France and in and Monte Carlo Monaco. 9.5 x 6.5 inches. Near Fine. Criterion Collection 715. N.p. unknown books
1969ref. 163669N.p.: Maya Film Productions Ltd 1969. Treatment script for the 1970 British film. Here under working title "Bronco Bullfrog King of the Nippers". A classic of underground British cinema that follows a group of disillusioned teens as they carry out petty robberies in East London. While a fictional narrative very much a fascinating record of the then-emerging suedehead culture largely improvised by a non-professional cast of teenagers from East London. Recently restored by the British Film Institute. Set in East London shot on location in London. Red untitled wrappers with a die-cut title window in the British style printed at Scripts Limited in London. Title page present noted as Outline with credits for actors Del Walker Roy Hayward and Sam Shepherd. 64 leaves with last page of text numbered 62. Mimeograph duplication rectos only. Pages Near Fine wrapper About Near Fine with one damp stain to the top right corner of the front wrapper bound internally with two silver brads. BFI Flipside 15. Maya Film Productions Ltd unknown
1969ref. 163669N.p.: Maya Film Productions Ltd 1969. Treatment script for the 1970 British film. Here under working title "Bronco Bullfrog King of the Nippers". A classic of underground British cinema that follows a group of disillusioned teens as they carry out petty robberies in East London. While a fictional narrative very much a fascinating record of the then-emerging suedehead culture largely improvised by a non-professional cast of teenagers from East London. Recently restored by the British Film Institute. Set in East London shot on location in London. Red untitled wrappers with a die-cut title window in the British style printed at Scripts Limited in London. Title page present noted as Outline with credits for actors Del Walker Roy Hayward and Sam Shepherd. 64 leaves with last page of text numbered 62. Mimeograph duplication rectos only. Pages Near Fine wrapper About Near Fine with one damp stain to the top right corner of the front wrapper bound internally with two silver brads. BFI Flipside 15. Maya Film Productions Ltd unknown books
1954ref. 159801Los Angeles: Columbia Pictures 1954. Six vintage reference photographs from the 1955 film showing actor and choreographer Bob Fosse rehearsing dance steps with Janet Leigh and others on the set. Five with mimeo snipes on the versos and all six with stamp of Columbia Pictures. Based on the 1940 play by Joseph A. Fields and Jerome Chodorov about two sisters who move from Ohio to New York City settling in a derelict basement apartment in Greenwich Village. Fosse's first film credit as choreographer. 8 x 10 inches. Near Fine to Fine. Columbia Pictures unknown books
1971ref. 172851New York: CBS Television Network 1971. Original permanent set design drawing imagining a 1971 update for the Captain's quarters and bridge for "Captain Kangaroo" created by Emmy Award-winning artist Gary Smith. Smith began his career at CBS in 1956 and created this design at the peak of his career there in 1971 by which time he was doing work for specials devoted to Burt Bacharach Barbra Streisand and the Tony Awards. Set design noted as "Capt. Kangaroo Perm. Set" above Smith's autograph during the period when the show's original setting "The Treasure House" had been renovated and renamed "The Captain's Place" and the Captain's navy blue coat was replaced with a red one. From the estate of actor puppeteer and television host Chuck McCann who starred as the recurring character "Sailor Clyde" on the series during the 1960s. The groundbreaking children's television series aired on CBS on weekday mornings from 1955 to 1985 for over 6000 episodes the longest running nationally broadcast children's program of its time later surpassed by "Sesame Street" and "Mister Rogers' Neighborhood" and was the winner of three Emmy Awards for Outstanding Children's Entertainment. Created by and starring Bob Keeshan as the Captain who previously played Clarabell the Clown on "The Howdy Doody Show" from 1947 to 1952. The show's loose structure was built around life in the "Treasure House" later "The Captain's Place" where the Captain would tell stories meet guests present cartoons and engage in conversation silly stuntsm and skits with regular characters both human and puppet such as Mr. Green Jeans and the psychedelic Dancing Bear. 24 x 20 inches Ozalid duplication folded as issued. Near Fine overall with starting at the center fold and a small chip at the right fold. A well-preserved lovely example almost certainly unique. CBS Television Network unknown
1971ref. 172851New York: CBS Television Network 1971. Original permanent set design drawing imagining a 1971 update for the Captain's quarters and bridge for "Captain Kangaroo" created by Emmy Award-winning artist Gary Smith. Smith began his career at CBS in 1956 and created this design at the peak of his career there in 1971 by which time he was doing work for specials devoted to Burt Bacharach Barbra Streisand and the Tony Awards. Set design noted as "Capt. Kangaroo Perm. Set" above Smith's autograph during the period when the show's original setting "The Treasure House" had been renovated and renamed "The Captain's Place" and the Captain's navy blue coat was replaced with a red one. From the estate of actor puppeteer and television host Chuck McCann who starred as the recurring character "Sailor Clyde" on the series during the 1960s. The groundbreaking children's television series aired on CBS on weekday mornings from 1955 to 1985 for over 6000 episodes the longest running nationally broadcast children's program of its time later surpassed by "Sesame Street" and "Mister Rogers' Neighborhood" and was the winner of three Emmy Awards for Outstanding Children's Entertainment. Created by and starring Bob Keeshan as the Captain who previously played Clarabell the Clown on "The Howdy Doody Show" from 1947 to 1952. The show's loose structure was built around life in the "Treasure House" later "The Captain's Place" where the Captain would tell stories meet guests present cartoons and engage in conversation silly stuntsm and skits with regular characters both human and puppet such as Mr. Green Jeans and the psychedelic Dancing Bear. 24 x 20 inches Ozalid duplication folded as issued. Near Fine overall with starting at the center fold and a small chip at the right fold. A well-preserved lovely example almost certainly unique. CBS Television Network unknown books
1928ref. 170410N.p.: N.p. 1928. Vintage double weight borderless reference photograph from the 1928 French film showing director Carl Dreyer cinematographer Rudolph Maté and cameraman Louis Née with other crew members on the set. A rare photograph of the director at work on his magnum opus. The film was shot on a large concrete set modeled on medieval architecture in order to realistically portray the Rouen prison where Joan was known to have been held. 10.25 x 8 inches. Very Good plus. N.p. unknown
1928ref. 170410N.p.: N.p. 1928. Vintage double weight borderless reference photograph from the 1928 French film showing director Carl Dreyer cinematographer Rudolph Maté and cameraman Louis Née with other crew members on the set. A rare photograph of the director at work on his magnum opus. The film was shot on a large concrete set modeled on medieval architecture in order to realistically portray the Rouen prison where Joan was known to have been held. 10.25 x 8 inches. Very Good plus. N.p. unknown books
1948ref. 158992Buckinghamshire: London Film 1948. Two vintage reference photographs of director Carol Reed on the set of the 1948 British film one showing Reed with a camera crew on location and the other showing Reed between takes with actors Ralph Richardson and Bobby Henrey. Both photographs with printed mimeo snipes affixed the versos one with the stamp of photographer Leslie Baker on the verso and one with a studio stamp incorrectly crediting Anthony Asquith's 1948 film "The Winslow Boy." Based on Graham Greene's 1936 short story "The Basement Room" about a diplomat's son who comes to suspect that his family's beloved butler has committed a murder. Shot on location in London. One photograph 9.75 x 8 inches one photograph 10 x 8 inches. Near Fine. Criterion Collection 357. Grant UK. Penzler 101. Selby UK Masterwork. Spicer UK. London Film unknown books
