11,067 results
1941ref. 151324N.p.: N.p. 1941. Vintage photograph of director King Vidor his wife and screenwriter Elizabeth Hill and actors Hedy Lamarr and Robert Young taken to publicize the 1941 film. With provenance stamps on the verso along with a stamp noting No. 81-422. From the archive of film historian and author Joel Finler. Based on John P. Marquand's 1941 novel. A married businessman locked in a monotonous life recalls his passionate relationship with a beautiful independent young woman twenty years prior. Lamarr's second film with Vidor following "Comrade X" in 1940. Set in Boston. 10 x 8 inches. Very Good plus with light soil to the top edge. N.p. unknown
1941ref. 151324N.p.: N.p. 1941. Vintage photograph of director King Vidor his wife and screenwriter Elizabeth Hill and actors Hedy Lamarr and Robert Young taken to publicize the 1941 film. With provenance stamps on the verso along with a stamp noting No. 81-422. From the archive of film historian and author Joel Finler. Based on John P. Marquand's 1941 novel. A married businessman locked in a monotonous life recalls his passionate relationship with a beautiful independent young woman twenty years prior. Lamarr's second film with Vidor following "Comrade X" in 1940. Set in Boston. 10 x 8 inches. Very Good plus with light soil to the top edge. N.p. unknown books
1954ref. 156130N.p.: N.p. 1954. Vintage program for the 1954 German film. Text and titles in German. Based on the 1932 novel by Ernst Wiechert. A widowed woman falls in love with a piano player and spends the night with him out of wedlock only for him to die shortly thereafter in a car accident. She discovers that she is pregnant to the shame of her family members and is forced to leave town in disgrace. 7.25 x 10.5 inches. Bi-fold. Near Fine. N.p. unknown
1954ref. 156130N.p.: N.p. 1954. Vintage program for the 1954 German film. Text and titles in German. Based on the 1932 novel by Ernst Wiechert. A widowed woman falls in love with a piano player and spends the night with him out of wedlock only for him to die shortly thereafter in a car accident. She discovers that she is pregnant to the shame of her family members and is forced to leave town in disgrace. 7.25 x 10.5 inches. Bi-fold. Near Fine. N.p. unknown books
1963ref. 153686New York: Filmways 1963. Draft script for the 1963 television episode originally aired on October 12 1963 on CBS. Signed by screenwriter Larry Cohen on the title page. The series which ran from 1961-1965 followed the legal adventures of a father-son defense attorney team. In this episode the duo become involved in an international espionage case. An early venture for screenwriter Larry Cohen who would go on to write Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. Black titled Studio Duplicating Service wrappers. Title page present dated May 15 1963 noted as FIRST MIMEO with credits for screenwriter Larry Cohen. 92 leaves with last page of text numbered 87. Mimeograph duplication rectos only. Pages Near Fine wrappers Very Good plus slightly edgeworn bound with two gold brads. Filmways unknown
1963ref. 153686New York: Filmways 1963. Draft script for the 1963 television episode originally aired on October 12 1963 on CBS. Signed by screenwriter Larry Cohen on the title page. The series which ran from 1961-1965 followed the legal adventures of a father-son defense attorney team. In this episode the duo become involved in an international espionage case. An early venture for screenwriter Larry Cohen who would go on to write Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. Black titled Studio Duplicating Service wrappers. Title page present dated May 15 1963 noted as FIRST MIMEO with credits for screenwriter Larry Cohen. 92 leaves with last page of text numbered 87. Mimeograph duplication rectos only. Pages Near Fine wrappers Very Good plus slightly edgeworn bound with two gold brads. Filmways unknown books
1991ref. 163986N.p.: N.p. 1991. Early Revised Draft script for the 1993 television film. From the archive of crew member Chris Scher. Based on the 1989 book by Bryan Burrough and John Helyar. A satirical depiction of F. Ross Johnson CEO of RJR Nabisco and his attempts at buying the company leading to leveraged buyouts and bidding wars. Nominated for nine Primetime Emmy Awards winner of Best Picture. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Untitled Rastar wrappers. Title page present dated 1 November 1991 noted as REVISED with credits for screenwriter Larry Gelbart. 112 leaves with last page of text numbered 111. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. N.p. unknown
1991ref. 163986N.p.: N.p. 1991. Early Revised Draft script for the 1993 television film. From the archive of crew member Chris Scher. Based on the 1989 book by Bryan Burrough and John Helyar. A satirical depiction of F. Ross Johnson CEO of RJR Nabisco and his attempts at buying the company leading to leveraged buyouts and bidding wars. Nominated for nine Primetime Emmy Awards winner of Best Picture. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Untitled Rastar wrappers. Title page present dated 1 November 1991 noted as REVISED with credits for screenwriter Larry Gelbart. 112 leaves with last page of text numbered 111. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. N.p. unknown books
1993ref. 150020N.p.: N.p. 1993. Revised Draft script for the 1994 short film. With manuscript ink annotations throughout. A young married female painter enjoys a one-night stand with a handsome actor. Set in Rochester New York. Self wrappers. Title page integral with front wrapper dated October 11 1993 noted as Revised Draft with credits for director Laura Ziskin and screenwriter Alvin Sargent. 18 leaves with last page of text numbered 15. Xerographic duplication rectos only with yellow white blue and pink revision pages throughout dated variously between 10/27/93 and 10/29/93. Pages Very Good plus with a small tide mark to the bottom right corner of the title page bound with three gold brads. Full provenance available. N.p. unknown
1993ref. 150020N.p.: N.p. 1993. Revised Draft script for the 1994 short film. With manuscript ink annotations throughout. A young married female painter enjoys a one-night stand with a handsome actor. Set in Rochester New York. Self wrappers. Title page integral with front wrapper dated October 11 1993 noted as Revised Draft with credits for director Laura Ziskin and screenwriter Alvin Sargent. 18 leaves with last page of text numbered 15. Xerographic duplication rectos only with yellow white blue and pink revision pages throughout dated variously between 10/27/93 and 10/29/93. Pages Very Good plus with a small tide mark to the bottom right corner of the title page bound with three gold brads. Full provenance available. N.p. unknown books
1946ref. 172485Culver City CA: RKO Radio Pictures 1946. Two vintage photographs: one studio still photograph and one reference photograph from the 1946 film noir. Studio still photograph with a blind stamp on the verso bottom left corner and reference photograph with a blind stamp on the verso bottom right corner. A US senator his secretary and a war veteran are targeted by German agents. Set in and shot on location in Malibu. 8 x 10 inches. Very Good plus. Selby US. Spicer US. RKO Radio Pictures unknown
1946ref. 172485Culver City CA: RKO Radio Pictures 1946. Two vintage photographs: one studio still photograph and one reference photograph from the 1946 film noir. Studio still photograph with a blind stamp on the verso bottom left corner and reference photograph with a blind stamp on the verso bottom right corner. A US senator his secretary and a war veteran are targeted by German agents. Set in and shot on location in Malibu. 8 x 10 inches. Very Good plus. Selby US. Spicer US. RKO Radio Pictures unknown books
1968ref. 154902Dallas: Orbit Films 1968. Vintage pressbook for the 1968 film. Con women steal one million dollars from two mob money couriers forcing the men to find and recover the money before their employers discover the theft. Versatile and prolific cross-genre filmmaker Lee Frost was best known for his string of exploitation films throughout the 1960s and 1970s most notably including "The Animal" 1968 "Chain Gang Women" 1971 and "Policewomen" 1974. 12 pages saddle stapled. 11 x 17 inches. Near Fine. Orbit Films unknown
1968ref. 154902Dallas: Orbit Films 1968. Vintage pressbook for the 1968 film. Con women steal one million dollars from two mob money couriers forcing the men to find and recover the money before their employers discover the theft. Versatile and prolific cross-genre filmmaker Lee Frost was best known for his string of exploitation films throughout the 1960s and 1970s most notably including "The Animal" 1968 "Chain Gang Women" 1971 and "Policewomen" 1974. 12 pages saddle stapled. 11 x 17 inches. Near Fine. Orbit Films unknown books
1969ref. 150125N.p.: American International Pictures 1969. Two vintage reference studio still photographs one borderless from the 1970 film. Borderless photo with "Lester Glassner Collection" stamp on verso. Inspired by the "lonely hearts killers" Raymond Fernandez and Martha Beck of the 1940s who lured victims through lonely hearts ads. Leonard Kastle's only foray into filmmaking a black and white documentary-style film wherein the overweight and lonely nurse Martha Beck Shirley Stoler and con man Raymond Fernandez Tony Lo Bianco embark on a murder spree of elderly women. Shot on location in Albany New York and Pittsfield Massachusetts. 10 x 8.25 inches. Borderless photograph 7.25 x 8.75 inches. Near Fine. Criterion Collection 200. Rosenbaum 1000. Grant US. American International Pictures unknown
1969ref. 150125N.p.: American International Pictures 1969. Two vintage reference studio still photographs one borderless from the 1970 film. Borderless photo with "Lester Glassner Collection" stamp on verso. Inspired by the "lonely hearts killers" Raymond Fernandez and Martha Beck of the 1940s who lured victims through lonely hearts ads. Leonard Kastle's only foray into filmmaking a black and white documentary-style film wherein the overweight and lonely nurse Martha Beck Shirley Stoler and con man Raymond Fernandez Tony Lo Bianco embark on a murder spree of elderly women. Shot on location in Albany New York and Pittsfield Massachusetts. 10 x 8.25 inches. Borderless photograph 7.25 x 8.75 inches. Near Fine. Criterion Collection 200. Rosenbaum 1000. Grant US. American International Pictures unknown books
1970ref. 161861N.p.: N.p. 1970. Final Draft script for Season 4 Episode 24 of the 1966-1973 television series. The successful espionage series followed the adventures of a small team of government agents as they fought a changing roster of Cold War spies corrupt leaders of industry and Third World dictators. In this episode the team gathers to fight a chief of police operating a secret illegal "death squad" in a small Latin American country. Originally aired on March 15 1970 on CBS. Dark blue titled wrappers dated January 12 1970 and noted as FINAL DRAFT on the front wrapper with credit for screenwriter Laurence Heath noted as production No. 60034-100. Title page integral with the front wrapper as issued. 56 leaves with last page of text numbered 55. Mimeograph duplication on blue stock rectos only. Pages lightly foxed on the edges else Near Fine wrapper about Near Fine bound with two gold brads. N.p. unknown
1970ref. 161861N.p.: N.p. 1970. Final Draft script for Season 4 Episode 24 of the 1966-1973 television series. The successful espionage series followed the adventures of a small team of government agents as they fought a changing roster of Cold War spies corrupt leaders of industry and Third World dictators. In this episode the team gathers to fight a chief of police operating a secret illegal "death squad" in a small Latin American country. Originally aired on March 15 1970 on CBS. Dark blue titled wrappers dated January 12 1970 and noted as FINAL DRAFT on the front wrapper with credit for screenwriter Laurence Heath noted as production No. 60034-100. Title page integral with the front wrapper as issued. 56 leaves with last page of text numbered 55. Mimeograph duplication on blue stock rectos only. Pages lightly foxed on the edges else Near Fine wrapper about Near Fine bound with two gold brads. N.p. unknown books
1933ref. 167819New York: Fox Film 1933. Vintage pressbook for the 1933 pre-Code film musical. A wealthy young man bets his uncle that he can transform a cleaning lady into a sophisticated socialite. The second of four Hollywood films made by British-German actress Lilian Harvey. Notable as one of the first films to use the word "gay" to mean homosexual although the Studio Relations Committee censors ultimately decided the phrase would have to be muffled. 15.75 x 21.75 inches folded once as issued. 16 pages side-stapled. Very Good plus with last leaf partially detached from the binding. Fox Film unknown
1933ref. 167819New York: Fox Film 1933. Vintage pressbook for the 1933 pre-Code film musical. A wealthy young man bets his uncle that he can transform a cleaning lady into a sophisticated socialite. The second of four Hollywood films made by British-German actress Lilian Harvey. Notable as one of the first films to use the word "gay" to mean homosexual although the Studio Relations Committee censors ultimately decided the phrase would have to be muffled. 15.75 x 21.75 inches folded once as issued. 16 pages side-stapled. Very Good plus with last leaf partially detached from the binding. Fox Film unknown books
1980ref. 161298N.p.: N.p. 1980. Vintage color borderless reference photograph from the 1980 Italian film. Provenance stamp and manuscript label crediting photographer Gianfranco Salis. A low-budget film actor suffers a nervous breakdown and runs away with an actress who believes herself to be Shakespeare's Ophelia. 9.5 x 7 inches. Near Fine. N.p. unknown
1980ref. 161298N.p.: N.p. 1980. Vintage color borderless reference photograph from the 1980 Italian film. Provenance stamp and manuscript label crediting photographer Gianfranco Salis. A low-budget film actor suffers a nervous breakdown and runs away with an actress who believes herself to be Shakespeare's Ophelia. 9.5 x 7 inches. Near Fine. N.p. unknown books
1993ref. 167749N.p.: N.p. 1993. Vintage color photograph from the 1993 film showing a topless Madonna. Annotations in manuscript ink and pencil on the verso. Against his better judgment a married lawyer agrees to defend a woman suspected of murdering her husband and soon begins a sadomasochistic affair with her. Shot on location in Portland Oregon and Olympia Washington. 8 x 10 inches. Near Fine. Grant US. Silver & Ursini American Neo-Noir. Spicer US Neo-Noir. N.p. unknown
1993ref. 167749N.p.: N.p. 1993. Vintage color photograph from the 1993 film showing a topless Madonna. Annotations in manuscript ink and pencil on the verso. Against his better judgment a married lawyer agrees to defend a woman suspected of murdering her husband and soon begins a sadomasochistic affair with her. Shot on location in Portland Oregon and Olympia Washington. 8 x 10 inches. Near Fine. Grant US. Silver & Ursini American Neo-Noir. Spicer US Neo-Noir. N.p. unknown books
1981ref. 171003N.p.: N.p. 1981. Vintage borderless reference photograph from the 1981 film showing director James Ivory talking with Isabelle Adjani on the set. Mimeo label affixed to the verso. Based on the 1928 Jean Rhys novel about a young woman who falls in with a group of decadent Parisians after falling into sudden poverty. Nominated for the Palme d'Or and winner of Best Actress at Cannes for Adjani. 8 x 10 inches. About Fine. N.p. unknown
