11,064 results
1945ref. 156305Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1945. Four vintage oversize borderless reference photographs from the 1945 film. Printed mimeo snipes affixed to the versos. A soldier on 48-hour leave spends the day with a woman he meets in Pennsylvania Station gradually falling in love with her. Judy Garland's first dramatic role and her first starring film performance in which she did not sing. 13 x 10 inches. About Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1945ref. 156305Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1945. Four vintage oversize borderless reference photographs from the 1945 film. Printed mimeo snipes affixed to the versos. A soldier on 48-hour leave spends the day with a woman he meets in Pennsylvania Station gradually falling in love with her. Judy Garland's first dramatic role and her first starring film performance in which she did not sing. 13 x 10 inches. About Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1959ref. 148400Los Angeles: Melville Productions 1959. Revised Shooting Final Draft script for the 1959 film belonging to actor Martin Landau his screen debut housed in paper envelope bearing Landau's name film title script and "Will pick up at the gate" on label. Annotations of Landau's name and character's name written on the top of page 36 of script and Landau's name again written at the top of page "66-67" of script in manuscript ink. Laid in is a nine page production announcement from United Artists which includes cast credits synopsis and production notes. Based on the 1956 historical novel Pork Chop Hill: The American Fighting Man in Action by S.L.A. Marshall. The first bloody Battle of Pork Chop Hill which took place in April of 1953 between the US Army's 7th Infantry Division and Chinese and North Korean forces. Gregory Peck portrays Lieutenant Joe Clemons who along with South Korean Lieutenant Suki Ohashi played by George Shibata lead the Division to recapture the hill. All while American and Communist North Korean and Chinese forces convene to discuss a cease fire 70 miles away at Panmunjon. Martin Landau's feature film debut and featuring break out performances from numerous actors who become major film and television stars in the 1960s and 1970s including Woody Strode Harry Guardino Robert Blake George Peppard Norman Fell Abel Fernandez Gavin MacLeod Harry Dean Stanton and others. Set in Cheorwon-gun South Korea shot on location in California and Arizona. Title page integral with front wrapper dated APRIL 22 1958 noted as REVISED SHOOTING FINAL with credits for screenwriter James R. Webb and author S. L. A. Marshall. 121 leaves with last page of text numbered 125. Mimeograph duplication rectos only with blue and pink revision pages throughout dated variously between 5/20/58 and 6/20/58. Pages Very Good plus with occasional light soil and dampstain on very bottom edge of leaf following title page title page Very Good with large dampstain along two to three inches of bottom and lightly along outer edge bound with three gold brads. Melville Productions unknown
1959ref. 148400Los Angeles: Melville Productions 1959. Revised Shooting Final Draft script for the 1959 film belonging to actor Martin Landau his screen debut housed in paper envelope bearing Landau's name film title script and "Will pick up at the gate" on label. Annotations of Landau's name and character's name written on the top of page 36 of script and Landau's name again written at the top of page "66-67" of script in manuscript ink. Laid in is a nine page production announcement from United Artists which includes cast credits synopsis and production notes. Based on the 1956 historical novel Pork Chop Hill: The American Fighting Man in Action by S.L.A. Marshall. The first bloody Battle of Pork Chop Hill which took place in April of 1953 between the US Army's 7th Infantry Division and Chinese and North Korean forces. Gregory Peck portrays Lieutenant Joe Clemons who along with South Korean Lieutenant Suki Ohashi played by George Shibata lead the Division to recapture the hill. All while American and Communist North Korean and Chinese forces convene to discuss a cease fire 70 miles away at Panmunjon. Martin Landau's feature film debut and featuring break out performances from numerous actors who become major film and television stars in the 1960s and 1970s including Woody Strode Harry Guardino Robert Blake George Peppard Norman Fell Abel Fernandez Gavin MacLeod Harry Dean Stanton and others. Set in Cheorwon-gun South Korea shot on location in California and Arizona. Title page integral with front wrapper dated APRIL 22 1958 noted as REVISED SHOOTING FINAL with credits for screenwriter James R. Webb and author S. L. A. Marshall. 121 leaves with last page of text numbered 125. Mimeograph duplication rectos only with blue and pink revision pages throughout dated variously between 5/20/58 and 6/20/58. Pages Very Good plus with occasional light soil and dampstain on very bottom edge of leaf following title page title page Very Good with large dampstain along two to three inches of bottom and lightly along outer edge bound with three gold brads. Melville Productions unknown books
1978ref. 169977N.p.: N.p. 1978. Archive of 180 pages of post-production documents including Italian and English dialogue-only scripts regarding English translations and subtitles for the 1975 Italian film here under the working English title "Young Dracula." Included in the archive are: 68-page dialogue-only script in Italian with manuscript ink annotations on 28 pages checking dialog and occasionally noting timing. Attached is a carbon typescript letter signed from distributor Robert M. Phillips to a "Mr. Finder" at Titra Film Laboratories in New York regarding the English subtitling for the film dated December 18 1978. Xerographic duplication. 46-page dialogue-only script in English with manuscript ink annotations on every page noting timing and checking dialogue. 40-page carbon typescript "English Copy Superimposed Spotted List" on "Spottted and Edited by Nat and Robert Hoffberg" onionskin forms with manuscript ink annotations on nine pages regarding dialogue and timing. 15-page carbon typescript of "Revised text" on onionskin stock with ink annotations on every page checking and noting dialogue. Four ribbon copy typescript pages on onionskin stock of "Changes For Spotting List" and "Additional Changes for Young Dracula." Three ribbon copy typescript pages on onionskin stock comprised of two trailer spotting list pages and a one page "Changes for Trailer Spotting List." Three-page Xerographic copy of "Trailer Dialogue" with manuscript ink annotations throughout noting timing and checking dialogue. Typed letter signed on onionskin stock from Phillips to Robert Hoffberg dated January 19 1979 regarding discrepancies in dialogue translations. Giallo director Lucio Fulco's vampire comedy wherein a boorish quick-tempered toothpaste factor owner finds himself thirsty for blood and re-examining his life after a curse from a gypsy aunt and a business trip to Romania where he shared a bed with a suave vampire. Shot on location in Rome Italy. Italian dialogue-only script: Front wrapper integral with cover letter. 69 leaves with last page of text numbered 68. Xerographic duplication rectos only. Pages Near Fine letter Very Good plus unbound with a large paper clip to the top left corner. English dialogue-only script: Front wrapper integral with first leaf. 46 leaves with the last page of text numbered 46. Xerographic duplication rectos only. Pages Near Fine unbound with a binder clip to the top left corner. Letter dated January 19 1979 8.5 x 11 inches. Very Good with a small closed tear to the right side and a large closed tear to the top left and light edgewear and creasing. All other documents 8.5 x 11 inches to 8.5 x 14 inches. Very Good plus to Near Fine overall. N.p. unknown
1978ref. 169977N.p.: N.p. 1978. Archive of 180 pages of post-production documents including Italian and English dialogue-only scripts regarding English translations and subtitles for the 1975 Italian film here under the working English title "Young Dracula." Included in the archive are: 68-page dialogue-only script in Italian with manuscript ink annotations on 28 pages checking dialog and occasionally noting timing. Attached is a carbon typescript letter signed from distributor Robert M. Phillips to a "Mr. Finder" at Titra Film Laboratories in New York regarding the English subtitling for the film dated December 18 1978. Xerographic duplication. 46-page dialogue-only script in English with manuscript ink annotations on every page noting timing and checking dialogue. 40-page carbon typescript "English Copy Superimposed Spotted List" on "Spottted and Edited by Nat and Robert Hoffberg" onionskin forms with manuscript ink annotations on nine pages regarding dialogue and timing. 15-page carbon typescript of "Revised text" on onionskin stock with ink annotations on every page checking and noting dialogue. Four ribbon copy typescript pages on onionskin stock of "Changes For Spotting List" and "Additional Changes for Young Dracula." Three ribbon copy typescript pages on onionskin stock comprised of two trailer spotting list pages and a one page "Changes for Trailer Spotting List." Three-page Xerographic copy of "Trailer Dialogue" with manuscript ink annotations throughout noting timing and checking dialogue. Typed letter signed on onionskin stock from Phillips to Robert Hoffberg dated January 19 1979 regarding discrepancies in dialogue translations. Giallo director Lucio Fulco's vampire comedy wherein a boorish quick-tempered toothpaste factor owner finds himself thirsty for blood and re-examining his life after a curse from a gypsy aunt and a business trip to Romania where he shared a bed with a suave vampire. Shot on location in Rome Italy. Italian dialogue-only script: Front wrapper integral with cover letter. 69 leaves with last page of text numbered 68. Xerographic duplication rectos only. Pages Near Fine letter Very Good plus unbound with a large paper clip to the top left corner. English dialogue-only script: Front wrapper integral with first leaf. 46 leaves with the last page of text numbered 46. Xerographic duplication rectos only. Pages Near Fine unbound with a binder clip to the top left corner. Letter dated January 19 1979 8.5 x 11 inches. Very Good with a small closed tear to the right side and a large closed tear to the top left and light edgewear and creasing. All other documents 8.5 x 11 inches to 8.5 x 14 inches. Very Good plus to Near Fine overall. N.p. unknown books
1969ref. 144541Los Angeles: Paramount Pictures 1969. Six vintage oversize borderless photographs from the 1969 British film. With manuscript annotations and an agency stamp on the verso of each. One of the best heist films of the twentieth century: funny complex and altogether beautiful to watch. Michael Caine and Noel Coward bring the erudite and the cockney together to make a quintessentially British film with as fine an ending as one could ask for. 13 x 9 inches. Near Fine. Lee The Heist Film. Paramount Pictures unknown
1969ref. 144541Los Angeles: Paramount Pictures 1969. Six vintage oversize borderless photographs from the 1969 British film. With manuscript annotations and an agency stamp on the verso of each. One of the best heist films of the twentieth century: funny complex and altogether beautiful to watch. Michael Caine and Noel Coward bring the erudite and the cockney together to make a quintessentially British film with as fine an ending as one could ask for. 13 x 9 inches. Near Fine. Lee The Heist Film. Paramount Pictures unknown books
1969ref. 160565New York: Contemporary Films 1969. Vintage reference photograph from the 1969 film showing Allen Ginsberg with Peter and Julius Orlovsky. Director Robert Frank's first feature film and Sam Shepard's screenwriting debut following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off he is replaced in the film by actor Joseph Chaikin pushing the boundaries of cinematic reality. The film was released in a new restoration by Steidl in 2007 alongside a book publication outlining the film which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside' the poetic libertinage of the Beats the marginal in a central role. It celebrates the return of the poetic essay as assemblage the affirmation of the underground as a wild cinematic analysis in the form of a collage and skillfully weaves together opposites plays counterfeits against the authentic pornography against poetry acting against being Beat cynicism against hippie romanticism monochrome against colored. The story contains bizarre twists and turns and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 8 x 10 inches. Near Fine. Contemporary Films unknown
1969ref. 160565New York: Contemporary Films 1969. Vintage reference photograph from the 1969 film showing Allen Ginsberg with Peter and Julius Orlovsky. Director Robert Frank's first feature film and Sam Shepard's screenwriting debut following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off he is replaced in the film by actor Joseph Chaikin pushing the boundaries of cinematic reality. The film was released in a new restoration by Steidl in 2007 alongside a book publication outlining the film which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside' the poetic libertinage of the Beats the marginal in a central role. It celebrates the return of the poetic essay as assemblage the affirmation of the underground as a wild cinematic analysis in the form of a collage and skillfully weaves together opposites plays counterfeits against the authentic pornography against poetry acting against being Beat cynicism against hippie romanticism monochrome against colored. The story contains bizarre twists and turns and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 8 x 10 inches. Near Fine. Contemporary Films unknown books
1968ref. 161021Hollywood: Paramount Pictures 1968. Collection of 18 vintage photographs from the 1968 film including 17 studio stills and one reference photograph. Based on the 1967 novel by Ira Levin. A seminal horror film one of the best genre pictures ever made from the earliest days of the New Hollywood cinema bringing together newcomer Roman Polanski as director established producer William Castle young star Mia Farrow and Hollywood veteran John Cassavetes. Winner of the Academy Award for Best Supporting Actress for Ruth Gordon and nominated for Best Screenplay. Set and shot on location in New York City. 10 x 8 inches. Near Fine. National Film Registry. Criterion Collection 630. McPadden Heavy Metal Movies. Rosenbaum 1000. Paramount Pictures unknown
1968ref. 161021Hollywood: Paramount Pictures 1968. Collection of 18 vintage photographs from the 1968 film including 17 studio stills and one reference photograph. Based on the 1967 novel by Ira Levin. A seminal horror film one of the best genre pictures ever made from the earliest days of the New Hollywood cinema bringing together newcomer Roman Polanski as director established producer William Castle young star Mia Farrow and Hollywood veteran John Cassavetes. Winner of the Academy Award for Best Supporting Actress for Ruth Gordon and nominated for Best Screenplay. Set and shot on location in New York City. 10 x 8 inches. Near Fine. National Film Registry. Criterion Collection 630. McPadden Heavy Metal Movies. Rosenbaum 1000. Paramount Pictures unknown books
1953ref. 152724N.p.: N.p. 1953. Vintage oversize borderless matte-finish double weight photograph of Charlton Heston receiving a massage on the set of the 1953 film. With the stamp of photographer Bill Avery on the verso. A Chief of Scouts mistrusts the Apache tribe after the chief refuses to sign a peace treaty but his concerns are disregarded by the US Army. Bill Avery worked as a photographer at Columbia Pictures in the early twentieth century with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill and occasionally worked as a freelance publicity photographer shooting iconic images of Elvis Presley Jack Lemmon Katharine and Audrey Hepburn and Shirley MacLaine among many others. Shot on location in Texas. 9 x 13.5 inches. Near Fine. Pitts 166. N.p. unknown
1953ref. 152724N.p.: N.p. 1953. Vintage oversize borderless matte-finish double weight photograph of Charlton Heston receiving a massage on the set of the 1953 film. With the stamp of photographer Bill Avery on the verso. A Chief of Scouts mistrusts the Apache tribe after the chief refuses to sign a peace treaty but his concerns are disregarded by the US Army. Bill Avery worked as a photographer at Columbia Pictures in the early twentieth century with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill and occasionally worked as a freelance publicity photographer shooting iconic images of Elvis Presley Jack Lemmon Katharine and Audrey Hepburn and Shirley MacLaine among many others. Shot on location in Texas. 9 x 13.5 inches. Near Fine. Pitts 166. N.p. unknown books
1965ref. 151829N.p.: N.p. 1965. Archive of 14 original reference photographs taken on the set of the 1965 film and two original contact sheets with 24 images of cast and crew members at what appears to be a wrap party. Several photographs with manuscript ink annotations to the verso identifying figures in the images. One photograph date-stamped APR 27 1964 inscribed on the recto by uncredited location manager Howard "Dutch" Horton to production supervisor John Palmer and another photograph inscribed to Palmer from an unknown crew member in manuscript ink annotation to the verso. From the collection of John Palmer. Included with the collection is a brief typescript note signed from publicist Phil Gersdorf to Palmer gifting Palmer the contact sheets. Based on Boris Pasternak's controversial Nobel Prize-winning 1957 novel following a married physician whose life is irreversibly changed by the Russian Revolution and resulting Civil War. Nominated for ten Academy Awards winning five including Best Screenplay and Best Cinematography. Pasternak's novel was widely banned in the Soviet Union due to its perceived criticism of the Soviet government forcing director David Lean to begin filming on location in Spain-chosen in large part as a result of his positive experiences filming "Lawrence of Arabia" there several years prior as well as the promise of snow. The film was shot over ten months in Soria and Aragon and at the Aldeadavila Dam with a large-scale Moscow set built outside of Madrid as documented throughout the archive. An unseasonably warm winter in Spain obligated production to head to Finland and Canada in the final months of shooting in order to obtain a sufficiently wintry backdrop for landscape scenes. The archive includes eleven photographs of cast and crew members between takes on the Moscow set several shots featuring Palmer and director David Lean during a parade scene with crowds of extras in Soviet militia garb in the background. The Moscow photographs in particular highlight the intricate set and costume design elements which went into constructing the mock city including several striking images of parade participants holding huge portraits of Soviet officials. An unusual addition to the collection is a photograph of Palmer in conversation with noted Austrian-American director Fred Zinnemann who collaborated with actor Omar Sharif in "Behold a Pale Horse" earlier in 1964. Shot on location throughout Spain Finland and Canada. Photographs and contact sheets varying sizes. All materials generally Very Good plus several photographs with moderate toning. N.p. unknown
1965ref. 151829N.p.: N.p. 1965. Archive of 14 original reference photographs taken on the set of the 1965 film and two original contact sheets with 24 images of cast and crew members at what appears to be a wrap party. Several photographs with manuscript ink annotations to the verso identifying figures in the images. One photograph date-stamped APR 27 1964 inscribed on the recto by uncredited location manager Howard "Dutch" Horton to production supervisor John Palmer and another photograph inscribed to Palmer from an unknown crew member in manuscript ink annotation to the verso. From the collection of John Palmer. Included with the collection is a brief typescript note signed from publicist Phil Gersdorf to Palmer gifting Palmer the contact sheets. Based on Boris Pasternak's controversial Nobel Prize-winning 1957 novel following a married physician whose life is irreversibly changed by the Russian Revolution and resulting Civil War. Nominated for ten Academy Awards winning five including Best Screenplay and Best Cinematography. Pasternak's novel was widely banned in the Soviet Union due to its perceived criticism of the Soviet government forcing director David Lean to begin filming on location in Spain-chosen in large part as a result of his positive experiences filming "Lawrence of Arabia" there several years prior as well as the promise of snow. The film was shot over ten months in Soria and Aragon and at the Aldeadavila Dam with a large-scale Moscow set built outside of Madrid as documented throughout the archive. An unseasonably warm winter in Spain obligated production to head to Finland and Canada in the final months of shooting in order to obtain a sufficiently wintry backdrop for landscape scenes. The archive includes eleven photographs of cast and crew members between takes on the Moscow set several shots featuring Palmer and director David Lean during a parade scene with crowds of extras in Soviet militia garb in the background. The Moscow photographs in particular highlight the intricate set and costume design elements which went into constructing the mock city including several striking images of parade participants holding huge portraits of Soviet officials. An unusual addition to the collection is a photograph of Palmer in conversation with noted Austrian-American director Fred Zinnemann who collaborated with actor Omar Sharif in "Behold a Pale Horse" earlier in 1964. Shot on location throughout Spain Finland and Canada. Photographs and contact sheets varying sizes. All materials generally Very Good plus several photographs with moderate toning. N.p. unknown books
1958ref. 153663Burbank CA: National Broadcasting Company NBC 1958. Archive of six Revised Draft scripts for the 1958 three-part television episode originally aired on June 25 1958 on NBC. Collection includes three scripts noted as Acts I-III and one script duplicate of Act I only and two scripts compiling all three acts. Also included are two typescript pages noting story outlines for a proposed "87th Precinct" television series. Each script signed by screenwriter Larry Cohen and three scripts with manuscript pencil and ink annotations by Cohen throughout noting deletions and substantive revisions. "Kraft Theatre" was a dramatic anthology television series which aired on NBC from 1947 to 1958. In this episode loosely based on Ed McBain's "87th Precinct" novel series a solitary widow whose frequent calls to the police to report a burglar are usually ignored turns up dead in her apartment. An early venture for screenwriter Larry Cohen who would go on to write Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. Set and shot on location in New York. Act I Revised Script with pencil annotation on the front wrapper: Self wrappers. Title page present noted as REVISED dated 6/17/58 with credits for screenwriter Larry Cohen. Title page integral with the front wrapper. 30 leaves with last page of text numbered I-24. Mimeograph duplication rectos only. Pages Very Good plus with the last leaf detached from the binding partially bound with a single staple to the top left corner. Act II Revised Script: Self wrappers. Title page present noted as REVISED dated 6/17/58 with credits for screenwriter Larry Cohen. Title page integral with the front wrapper. 43 leaves with last page of text numbered II-68. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. Act III Revised Script: Self wrappers. Title page present noted as REVISED dated 6/17/58 with credits for screenwriter Larry Cohen. Title page integral with the front wrapper. 34 leaves with last page of text numbered III-103. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. Act I Revised Script with no pencil annotation on the front wrapper: Self wrappers. Title page present noted as REVISED dated 6/17/58 with credits for screenwriter Larry Cohen. Title page integral with the front wrapper. 30 leaves with last page of text numbered I-24. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. Complete script: Lacking wrappers and title page possibly as issued. 144 leaves with last page of text numbered III-136. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. Revised complete script: Lacking and title page possibly as issued. 94 leaves with last page of text numbered III-87. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. National Broadcasting Company [NBC] unknown
1958ref. 153663Burbank CA: National Broadcasting Company NBC 1958. Archive of six Revised Draft scripts for the 1958 three-part television episode originally aired on June 25 1958 on NBC. Collection includes three scripts noted as Acts I-III and one script duplicate of Act I only and two scripts compiling all three acts. Also included are two typescript pages noting story outlines for a proposed "87th Precinct" television series. Each script signed by screenwriter Larry Cohen and three scripts with manuscript pencil and ink annotations by Cohen throughout noting deletions and substantive revisions. "Kraft Theatre" was a dramatic anthology television series which aired on NBC from 1947 to 1958. In this episode loosely based on Ed McBain's "87th Precinct" novel series a solitary widow whose frequent calls to the police to report a burglar are usually ignored turns up dead in her apartment. An early venture for screenwriter Larry Cohen who would go on to write Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. Set and shot on location in New York. Act I Revised Script with pencil annotation on the front wrapper: Self wrappers. Title page present noted as REVISED dated 6/17/58 with credits for screenwriter Larry Cohen. Title page integral with the front wrapper. 30 leaves with last page of text numbered I-24. Mimeograph duplication rectos only. Pages Very Good plus with the last leaf detached from the binding partially bound with a single staple to the top left corner. Act II Revised Script: Self wrappers. Title page present noted as REVISED dated 6/17/58 with credits for screenwriter Larry Cohen. Title page integral with the front wrapper. 43 leaves with last page of text numbered II-68. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. Act III Revised Script: Self wrappers. Title page present noted as REVISED dated 6/17/58 with credits for screenwriter Larry Cohen. Title page integral with the front wrapper. 34 leaves with last page of text numbered III-103. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. Act I Revised Script with no pencil annotation on the front wrapper: Self wrappers. Title page present noted as REVISED dated 6/17/58 with credits for screenwriter Larry Cohen. Title page integral with the front wrapper. 30 leaves with last page of text numbered I-24. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. Complete script: Lacking wrappers and title page possibly as issued. 144 leaves with last page of text numbered III-136. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. Revised complete script: Lacking and title page possibly as issued. 94 leaves with last page of text numbered III-87. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. National Broadcasting Company [NBC] unknown books
1972ref. 153235N.p.: Gerard Damiano Film Productions 1972. Vintage three-color press kit for the groundbreaking 1972 adult film with annotation in manuscript marker on upper right of recto of first page of "Coming! Feb 21st" with a two page center spread featuring a synopsis and black and white photographs and ad mats on verso of second page. The film that heralded in the "Golden Age of Porn." One of the first pornographic films to feature a plot character development and comparably high production values. 8.5 x 11 inches bi-fold. Very Good plus with horizontal crease from having once been folded paper tape shadows on top and bottom margins of the recto of first panel a few one-inch pieces of cello tape on the center spread and paper tape shadow on top and bruise on bottom of verso of second page. Apart from this generally bright and unfaded. Gerard Damiano Film Productions unknown
1972ref. 153235N.p.: Gerard Damiano Film Productions 1972. Vintage three-color press kit for the groundbreaking 1972 adult film with annotation in manuscript marker on upper right of recto of first page of "Coming! Feb 21st" with a two page center spread featuring a synopsis and black and white photographs and ad mats on verso of second page. The film that heralded in the "Golden Age of Porn." One of the first pornographic films to feature a plot character development and comparably high production values. 8.5 x 11 inches bi-fold. Very Good plus with horizontal crease from having once been folded paper tape shadows on top and bottom margins of the recto of first panel a few one-inch pieces of cello tape on the center spread and paper tape shadow on top and bruise on bottom of verso of second page. Apart from this generally bright and unfaded. Gerard Damiano Film Productions unknown books
1960ref. 166647Paris: L'Express 1960. Eight vintage borderless reference photographs from the 1960 Swedish film including multiple images of cast and crew on the set. Italian and French distribution stamps on the versos. A landmark twentieth century film whose irregular dramatic structure and juxtaposition of beauty and violence has inspired many other controversial and renowned films from "The Last House on the Left" 1972 to "Irreversible" 2002. The first of two Bergman efforts to win the Academy Award for Best Foreign Film and nominated for the Palme d'Or with Bergman receiving a Special Mention at Cannes. Set in medieval Sweden. 9.5 x 7 inches. Near Fine to Very Good plus. L'Express unknown
1960ref. 166647Paris: L'Express 1960. Eight vintage borderless reference photographs from the 1960 Swedish film including multiple images of cast and crew on the set. Italian and French distribution stamps on the versos. A landmark twentieth century film whose irregular dramatic structure and juxtaposition of beauty and violence has inspired many other controversial and renowned films from "The Last House on the Left" 1972 to "Irreversible" 2002. The first of two Bergman efforts to win the Academy Award for Best Foreign Film and nominated for the Palme d'Or with Bergman receiving a Special Mention at Cannes. Set in medieval Sweden. 9.5 x 7 inches. Near Fine to Very Good plus. L'Express unknown books
1971ref. 170566N.p.: Harvest Productions 1971. Collection of nine vintage double weight borderless reference photographs of Johnny Cash and his family on the set or the location of the 1971 film. All nine photographs with mimeo snipes Sandra Lee Kaplan photography stamps and publishing stamps on the versos others variously with provenance stamps and annotations see images. Five of the photographs feature Cash exclusively two feature Cash and his step-daughters Rebecca Carlene Smith here Karleen and Rosie Nix Adams both of whom appeared as extras in the film one of Adams and Kirk Douglas' son Eric and one of Cash with June Carter Cash and their newborn son John Carter Cash. Desperate for money two aging gunfighters conspire to organize a public showdown for which they plan to sell tickets. Partially shot on location in Santa Fe New Mexico and Madrid Spain. 7 x 10 inches to 8 x 10 inches. Near Fine overall with light edgewear three with masking tape on the verso and one with masking tape on the verso extending beyond the margin with cropping annotations see image. Harvest Productions unknown
1971ref. 170566N.p.: Harvest Productions 1971. Collection of nine vintage double weight borderless reference photographs of Johnny Cash and his family on the set or the location of the 1971 film. All nine photographs with mimeo snipes Sandra Lee Kaplan photography stamps and publishing stamps on the versos others variously with provenance stamps and annotations see images. Five of the photographs feature Cash exclusively two feature Cash and his step-daughters Rebecca Carlene Smith here Karleen and Rosie Nix Adams both of whom appeared as extras in the film one of Adams and Kirk Douglas' son Eric and one of Cash with June Carter Cash and their newborn son John Carter Cash. Desperate for money two aging gunfighters conspire to organize a public showdown for which they plan to sell tickets. Partially shot on location in Santa Fe New Mexico and Madrid Spain. 7 x 10 inches to 8 x 10 inches. Near Fine overall with light edgewear three with masking tape on the verso and one with masking tape on the verso extending beyond the margin with cropping annotations see image. Harvest Productions unknown books
2017ref. 163911London: Blueprint Pictures 2017. Draft script for the 2017 film. Copy belonging to production designer David Wasco with his name watermarked on every leaf. From the archive of crew member Chris Scher. A Missouri woman rents three billboards to draw attention to her daughter's unsolved rape and murder setting off a violent chain of reactions among members of her small community and the police officers responsible for overseeing the investigation. Nominated for seven Academy Awards winning two for Best Supporting Actor for Sam Rockwell and Best Leading Actress for Frances McDormand. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 films including "The Last Seduction" "Pulp Fiction" "From Dusk Till Dawn" "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Set in Ebbing Missouri shot on location in Sylva North Carolina. Self wrappers. Title page present undated with credit for director and screenwriter Martin McDonagh. 102 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine bound with one gold and one silver brad. Blueprint Pictures unknown
