11,071 results
1968ref. 161637N.p.: Distribpix / A.F.P.I. 1968. Four vintage studio still photographs from the 1968 film. Three photographs with provenance stamps on the versos. Rare. The exploits of "college girls" who'll do anything for a good grade. 8 x 10 inches.Very Good plus one with a bruise to the center of the photograph. Distribpix / A.F.P.I. unknown
1968ref. 161637N.p.: Distribpix / A.F.P.I. 1968. Four vintage studio still photographs from the 1968 film. Three photographs with provenance stamps on the versos. Rare. The exploits of "college girls" who'll do anything for a good grade. 8 x 10 inches.Very Good plus one with a bruise to the center of the photograph. Distribpix / A.F.P.I. unknown books
1985ref. 153201N.p.: N.p. 1985. Vintage borderless reference photograph from the set of the 1985 film showing director Susan Seidelman reviewing the script on location. A bored New Jersey housewife gets involved in the life of a free spirited New Yorker through a series of events involving farcical elements such as amnesia and mistaken identity. Madonna's first major screen role and a breakthrough turn for Rosanna Arquette. 9.5 x 7 inches. Near Fine. Carlson and Connolly Destroy All Movies. N.p. unknown
1985ref. 153201N.p.: N.p. 1985. Vintage borderless reference photograph from the set of the 1985 film showing director Susan Seidelman reviewing the script on location. A bored New Jersey housewife gets involved in the life of a free spirited New Yorker through a series of events involving farcical elements such as amnesia and mistaken identity. Madonna's first major screen role and a breakthrough turn for Rosanna Arquette. 9.5 x 7 inches. Near Fine. Carlson and Connolly Destroy All Movies. N.p. unknown books
1960ref. 158228N.p.: N.p. 1960. Original borderless oversize reference photograph from the 1960 film showing actress Susan Strasberg with two Nazi officers in the background. A Jewish women is sent to a concentration camp during World War II but decides to lead an escape attempt even as the turmoil of war threatens to defeat her will. An engaging war film with feminist undercurrents by director Gillo Pontecorvo largely overshadowed by what would become his best-known film "The Battle of Algiers" 1966. Nominated for an Academy Award for Best Foreign Language Film. Shot on location in Yugoslavia. 14.5 x 9.5 inches. Very Good plus with light wear at the corners. N.p. unknown
1960ref. 158228N.p.: N.p. 1960. Original borderless oversize reference photograph from the 1960 film showing actress Susan Strasberg with two Nazi officers in the background. A Jewish women is sent to a concentration camp during World War II but decides to lead an escape attempt even as the turmoil of war threatens to defeat her will. An engaging war film with feminist undercurrents by director Gillo Pontecorvo largely overshadowed by what would become his best-known film "The Battle of Algiers" 1966. Nominated for an Academy Award for Best Foreign Language Film. Shot on location in Yugoslavia. 14.5 x 9.5 inches. Very Good plus with light wear at the corners. N.p. unknown books
1932ref. 159945London: National Film Archive 1932. Vintage reference photograph from the 1932 film showing director Tay Garnett and a camera crew capturing a scene with Lew Ayres. National Film Archive stamp and annotations in manuscript ink and pencil on the verso. From the archive of film historian and author Joel Finler. A dramatization of the rise to fame of a gossip columnist based closely on real-life columnist Walter Winchell. 10 x 8 inches. Near Fine. National Film Archive unknown
1932ref. 159945London: National Film Archive 1932. Vintage reference photograph from the 1932 film showing director Tay Garnett and a camera crew capturing a scene with Lew Ayres. National Film Archive stamp and annotations in manuscript ink and pencil on the verso. From the archive of film historian and author Joel Finler. A dramatization of the rise to fame of a gossip columnist based closely on real-life columnist Walter Winchell. 10 x 8 inches. Near Fine. National Film Archive unknown books
1985ref. 140818Universal City CA: Embassy Pictures / Universal Pictures 1985. Vintage borderless photograph from the 1985 film showing director Gilliam and crew during a quiet moment between takes. With manuscript ink annotations on the verso. Gilliam's masterpiece about a man trying to escape a bureaucratic authoritarian government in a dystopian future. Nominated for two Academy Awards including Best Screenplay. 8 x 10 inches. Near Fine. Criterion Collection 51. Embassy Pictures / Universal Pictures unknown
1985ref. 140818Universal City CA: Embassy Pictures / Universal Pictures 1985. Vintage borderless photograph from the 1985 film showing director Gilliam and crew during a quiet moment between takes. With manuscript ink annotations on the verso. Gilliam's masterpiece about a man trying to escape a bureaucratic authoritarian government in a dystopian future. Nominated for two Academy Awards including Best Screenplay. 8 x 10 inches. Near Fine. Criterion Collection 51. Embassy Pictures / Universal Pictures unknown books
1967ref. 157320N.p.: N.p. 1967. Vintage reference photograph from the 1967 British film showing director John Schlesinger talking with actress Julie Christie between takes. Mimeo snipe on the verso. From the archive of film historian and author Joel Finler. Based on Thomas Hardy's 1874 novel about a young flirtatious heiress who is relentlessly pursued by three young men. Nominated for an Academy Award. Shot on location throughout Dorset and Wiltshire England. 8 x 10 inches. Near Fine with light creasing at the corners. N.p. unknown
1967ref. 157320N.p.: N.p. 1967. Vintage reference photograph from the 1967 British film showing director John Schlesinger talking with actress Julie Christie between takes. Mimeo snipe on the verso. From the archive of film historian and author Joel Finler. Based on Thomas Hardy's 1874 novel about a young flirtatious heiress who is relentlessly pursued by three young men. Nominated for an Academy Award. Shot on location throughout Dorset and Wiltshire England. 8 x 10 inches. Near Fine with light creasing at the corners. N.p. unknown books
1970ref. 141077N.p.: N.p. 1970. Treatment script for an unproduced film. Based on Joseph Dispenza's Pulitzer Prize-winning 1927 novel. A bridge woven by the Incas collapses in Peru killing five people. A monk witnesses the event and afterwards becomes obsessed with finding information about the five victims in order to prove that the collapse was part of God's plan. Set in Peru. Yellow titled wrappers. Title page present with credits for author Thorton Wilder and screenwriter Joseph Dispenza. 42 leaves with last leaf of text numbered 40. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown
1970ref. 141077N.p.: N.p. 1970. Treatment script for an unproduced film. Based on Joseph Dispenza's Pulitzer Prize-winning 1927 novel. A bridge woven by the Incas collapses in Peru killing five people. A monk witnesses the event and afterwards becomes obsessed with finding information about the five victims in order to prove that the collapse was part of God's plan. Set in Peru. Yellow titled wrappers. Title page present with credits for author Thorton Wilder and screenwriter Joseph Dispenza. 42 leaves with last leaf of text numbered 40. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown books
1999ref. 142242Malibu CA: Word of Mouth Productions 1999. Draft script for the 1999 film. Laid in are a collection of documents two autographed letters from screenwriter and director Tom Lazarus to Jack Murphy dated February 26 March 5 and March 29 1991 urging him to please read and consider producing his film. Finally there is a typed biography of Lazarus with his phone number sans area code in manuscript ink. Torri Larranga is a prostitute at the top of her game charging high prices for exquisite services. Her reputation precedes her as a documentarian approaches her asking to film a feature look into her life. The first directorial effort of Tom Lazarus who later went to on to direct "Stigmata" 1999 and write "Just You and Me Kid" 1979. Red titled wrappers. Title page present with credits for screenwriter Tom Lazarus. 102 leaves with last page of text numbered 101. Xerographically reproduced. Pages Near Fine wrapper Near Fine bound with three gold brads. Word of Mouth Productions unknown
1999ref. 142242Malibu CA: Word of Mouth Productions 1999. Draft script for the 1999 film. Laid in are a collection of documents two autographed letters from screenwriter and director Tom Lazarus to Jack Murphy dated February 26 March 5 and March 29 1991 urging him to please read and consider producing his film. Finally there is a typed biography of Lazarus with his phone number sans area code in manuscript ink. Torri Larranga is a prostitute at the top of her game charging high prices for exquisite services. Her reputation precedes her as a documentarian approaches her asking to film a feature look into her life. The first directorial effort of Tom Lazarus who later went to on to direct "Stigmata" 1999 and write "Just You and Me Kid" 1979. Red titled wrappers. Title page present with credits for screenwriter Tom Lazarus. 102 leaves with last page of text numbered 101. Xerographically reproduced. Pages Near Fine wrapper Near Fine bound with three gold brads. Word of Mouth Productions unknown books
1976ref. 157620N.p.: N.p. 1976. Vintage borderless satin-finish reference photograph from the 1976 film showing actress Bulle Ogier topless in bed. Stamp of photographer Roswitha Hecke on the verso along with layout annotations in manuscript ink. A collection of four stories dealing with erotic obsession. The first film directed by Werner Schroeter to feature Ogier followed by "Weiße Reise" 1980 "Two" 2002 and "This Night" 2008. 7 x 9.5 inches. Near Fine. N.p. unknown
1976ref. 157620N.p.: N.p. 1976. Vintage borderless satin-finish reference photograph from the 1976 film showing actress Bulle Ogier topless in bed. Stamp of photographer Roswitha Hecke on the verso along with layout annotations in manuscript ink. A collection of four stories dealing with erotic obsession. The first film directed by Werner Schroeter to feature Ogier followed by "Weiße Reise" 1980 "Two" 2002 and "This Night" 2008. 7 x 9.5 inches. Near Fine. N.p. unknown books
1979ref. 158125N.p.: N.p. 1979. Vintage reference photograph from the 1979 film. Annotations in manuscript ink on the verso noting director Walerian Borowczyk's name and the film title in French. An anthology film divided into three segments set in three different time periods Rome in 1520 France at the turn of the century and modern Paris and following three women who are driven to commit crimes of passion. 9.25 x 7 inches. Near Fine. N.p. unknown
1979ref. 158125N.p.: N.p. 1979. Vintage reference photograph from the 1979 film. Annotations in manuscript ink on the verso noting director Walerian Borowczyk's name and the film title in French. An anthology film divided into three segments set in three different time periods Rome in 1520 France at the turn of the century and modern Paris and following three women who are driven to commit crimes of passion. 9.25 x 7 inches. Near Fine. N.p. unknown books
1973ref. 154001Los Angeles: American International Pictures AIP 1973. Vintage reference photograph from the 1973 film showing actors Warren Oates and Michelle Phillips. A dramatization of the crimes of folk hero midwestern bank robber and notorious mobster John Dillinger best known for killing five FBI agents during a shootout in Kansas City. Hot on the heels of Arthur Penn's "Bonnie and Clyde" 1967 a movie that reignited the US public's interest in 1930s gangster films. Set and shot on location throughout Arizona and Oklahoma. 8 x 10 inches. Near Fine. American International Pictures [AIP] unknown
1973ref. 154001Los Angeles: American International Pictures AIP 1973. Vintage reference photograph from the 1973 film showing actors Warren Oates and Michelle Phillips. A dramatization of the crimes of folk hero midwestern bank robber and notorious mobster John Dillinger best known for killing five FBI agents during a shootout in Kansas City. Hot on the heels of Arthur Penn's "Bonnie and Clyde" 1967 a movie that reignited the US public's interest in 1930s gangster films. Set and shot on location throughout Arizona and Oklahoma. 8 x 10 inches. Near Fine. American International Pictures [AIP] unknown books
1996ref. 162508Culver City CA: Columbia Pictures 1996. Vintage studio still photograph of director Wes Anderson on the set of the 1996 film. Anderson's feature film directorial debut cowritten with actor Owen Wilson about three friends who plan a heist in the southwestern suburbs. Based on Anderson's 1992 short film of the same title whose success at the 1994 Sundance Film Festival persuaded filmmaker James L. Brooks to finance a full-length version of the film. Shot on location in Dallas Fort Worth and Hillsboro Texas and at the Camarillo State Mental Hospital in Camarillo California. 8 x 10 inches. Lightly toned else Near Fine. Columbia Pictures unknown
1996ref. 162508Culver City CA: Columbia Pictures 1996. Vintage studio still photograph of director Wes Anderson on the set of the 1996 film. Anderson's feature film directorial debut cowritten with actor Owen Wilson about three friends who plan a heist in the southwestern suburbs. Based on Anderson's 1992 short film of the same title whose success at the 1994 Sundance Film Festival persuaded filmmaker James L. Brooks to finance a full-length version of the film. Shot on location in Dallas Fort Worth and Hillsboro Texas and at the Camarillo State Mental Hospital in Camarillo California. 8 x 10 inches. Lightly toned else Near Fine. Columbia Pictures unknown books
1966ref. 152456Los Angeles: Twentieth Century-Fox Television 1966. Revised Final Draft script for the 21st episode of season one of the 1965-1966 television series originally aired on February 16 1966 on ABC. Copy belonging to an unknown crew member with their name in manuscript ink on the front wrapper. Based on the 1958 film directed by Martin Ritt which was in turn based on the 1931 novella "Spotted Horses" the 1939 short story "Barn Burning" and the 1940 novel "The Hamlet" by William Faulkner. The series followed the Varners a wealthy Mississippi family whose patriarch is forced to confront the newly arrived young son of his former rival who challenges the Varners' control over the town. Set in the fictitious town of Frenchman's Bend Mississippi. Red titled wrappers noted as REVISED FINAL on the front wrapper dated January 11 1966. Title page present dated January 11 1966 noted as REVISED FINAL with credits for screenwriter Mike Zagor. 62 leaves with last page of text numbered 60. Mimeograph duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox Television unknown
