11,048 results
1989ref. 159717San Francisco: Roxie Cinema 1989. Vintage poster for the theatrical premiere of the 1989 film at the Roxie Cinema Friday February 23 through Thursday March 1 1989. Manhattan newlyweds portrayed by Christopher Rich and Amanda Plummer set out of New York for Hoboken commencing a series of mishaps and misadventures. 11 x 17 inches. Very Good plus with tape shadows along the vertical margins. Roxie Cinema unknown
1989ref. 159717San Francisco: Roxie Cinema 1989. Vintage poster for the theatrical premiere of the 1989 film at the Roxie Cinema Friday February 23 through Thursday March 1 1989. Manhattan newlyweds portrayed by Christopher Rich and Amanda Plummer set out of New York for Hoboken commencing a series of mishaps and misadventures. 11 x 17 inches. Very Good plus with tape shadows along the vertical margins. Roxie Cinema unknown books
1962ref. 148348N.p.: N.p. 1962. Four vintage French lobby cards from the 1962 film. "Consortium Pathe" stamp on versos. Two Corsican criminal families are at war with each other in Paris. Set in Paris. 11.75 x 9.25 inches. Pinholes at corners and light edgewear else Near Fine. N.p. unknown
1962ref. 148348N.p.: N.p. 1962. Four vintage French lobby cards from the 1962 film. "Consortium Pathe" stamp on versos. Two Corsican criminal families are at war with each other in Paris. Set in Paris. 11.75 x 9.25 inches. Pinholes at corners and light edgewear else Near Fine. N.p. unknown books
1958ref. 160810Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1958. Vintage banner poster for the 1958 film. Based on the 1957 nonfiction book "The Naked Warriors" by Commander Francis Douglas Fane about the evolution of the US Navy's Underwater Demolition Unit beginning with its inception near the end of World War II through it's utilization in the Korean War. 82 x 24 inches. Very Good with light soiling overall foxing to the left margin a 1.5 inch closed tear to the bottom center margin several pinholes throughout and a 1.5 inch closed tear to the center with corresponding rubbing and creasing between the a and r of "Warrior". Otherwise bright and unfaded. Metro-Goldwyn-Mayer [MGM] unknown
1958ref. 160810Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1958. Vintage banner poster for the 1958 film. Based on the 1957 nonfiction book "The Naked Warriors" by Commander Francis Douglas Fane about the evolution of the US Navy's Underwater Demolition Unit beginning with its inception near the end of World War II through it's utilization in the Korean War. 82 x 24 inches. Very Good with light soiling overall foxing to the left margin a 1.5 inch closed tear to the bottom center margin several pinholes throughout and a 1.5 inch closed tear to the center with corresponding rubbing and creasing between the a and r of "Warrior". Otherwise bright and unfaded. Metro-Goldwyn-Mayer [MGM] unknown books
1968ref. 161721N.p.: William Mishkin Motion Pictures 1968. Vintage studio still photograph from the 1968 film. Provenance stamp on the verso. Aspiring boxer Johnny Longo must choose between Rose a prostitute who has used her mob connections to further his career or Rita a once famous actress now addicted to heroin. A film presumed lost with only a 20-minute German dubbed reel known to exist. Shot on location in New York. 8 x 10 inches. Near Fine. William Mishkin Motion Pictures unknown
1968ref. 161721N.p.: William Mishkin Motion Pictures 1968. Vintage studio still photograph from the 1968 film. Provenance stamp on the verso. Aspiring boxer Johnny Longo must choose between Rose a prostitute who has used her mob connections to further his career or Rita a once famous actress now addicted to heroin. A film presumed lost with only a 20-minute German dubbed reel known to exist. Shot on location in New York. 8 x 10 inches. Near Fine. William Mishkin Motion Pictures unknown books
1968ref. 167741N.p.: N.p. 1968. Vintage oversize borderless reference photograph from the 1968 sexploitation film showing a topless Annette Johnson. Provenance stamp on the verso. A playboy is framed for the murder of a girl he met at a discotheque and finds himself drawn into the seedy underworld of London. Shot on location in Brighton England. 8 x 10.25 inches. About Fine. BFI B1106. N.p. unknown
1968ref. 167741N.p.: N.p. 1968. Vintage oversize borderless reference photograph from the 1968 sexploitation film showing a topless Annette Johnson. Provenance stamp on the verso. A playboy is framed for the murder of a girl he met at a discotheque and finds himself drawn into the seedy underworld of London. Shot on location in Brighton England. 8 x 10.25 inches. About Fine. BFI B1106. N.p. unknown books
1980ref. 166246Shepperton: CWJ Associates / CCTV 1980. First Draft script for an unproduced film. Not to be confused with the 1969 British film directed by Alastair Reid and starring Diana Dors. A wealthy Jewish doctor and his wife who cannot have children decide to pretend that the wife is pregnant while secretly hiring a surrogate but bump up against trouble when they realize the child will not be born Jewish. Gray tall wrappers with a die-cut title window in the British style. Title page present with credit for screenwriter Barbara Jago noted as First Draft undated. 129 leaves with last page of text numbered 128. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two silver brads. CWJ Associates / CCTV unknown
1980ref. 166246Shepperton: CWJ Associates / CCTV 1980. First Draft script for an unproduced film. Not to be confused with the 1969 British film directed by Alastair Reid and starring Diana Dors. A wealthy Jewish doctor and his wife who cannot have children decide to pretend that the wife is pregnant while secretly hiring a surrogate but bump up against trouble when they realize the child will not be born Jewish. Gray tall wrappers with a die-cut title window in the British style. Title page present with credit for screenwriter Barbara Jago noted as First Draft undated. 129 leaves with last page of text numbered 128. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two silver brads. CWJ Associates / CCTV unknown books
1987ref. 163719Burbank CA: Touchstone Pictures 1987. Vintage reference photograph from the 1987 film showing director Barry Levinson talking with actor Robin Williams on the set. A wildly successful war comedy loosely based on the experiences of real-life serviceman Adrian Cronauer about an irreverent Armed Forces Radio Service disc jockey in Saigon. Nominated for an Academy Award for Best Actor for Williams. Shot on location in Bangkok and Phuket Thailand. 10 x 8 inches. Near Fine. Touchstone Pictures unknown
1987ref. 163719Burbank CA: Touchstone Pictures 1987. Vintage reference photograph from the 1987 film showing director Barry Levinson talking with actor Robin Williams on the set. A wildly successful war comedy loosely based on the experiences of real-life serviceman Adrian Cronauer about an irreverent Armed Forces Radio Service disc jockey in Saigon. Nominated for an Academy Award for Best Actor for Williams. Shot on location in Bangkok and Phuket Thailand. 10 x 8 inches. Near Fine. Touchstone Pictures unknown books
1988ref. 151501N.p.: N.p. 1988. Two vintage borderless satin-finish reference photographs from the 1988 film. A moody atmospheric masterpiece of Hungarian cinema following a depressed man and his bleak solitary existence which is brightened only by his love for a torch singer at a local bar. Set and shot on location in Hungary. 7 x 5 inches. Near Fine. Rosenbaum 1000. N.p. unknown
1988ref. 151501N.p.: N.p. 1988. Two vintage borderless satin-finish reference photographs from the 1988 film. A moody atmospheric masterpiece of Hungarian cinema following a depressed man and his bleak solitary existence which is brightened only by his love for a torch singer at a local bar. Set and shot on location in Hungary. 7 x 5 inches. Near Fine. Rosenbaum 1000. N.p. unknown books
1981ref. 148353Paris: Darmon 1981. Six vintage French color lobby cards from the 1981 film. Based on the 1964 novel "Pop. 1280" by Jim Thompson reset from the West Texas oil boom town of the novel to colonized 1938 French West Africa. In a small French West African village Lucien Cordier Philippe Noiret is the only policeman. Abused by his superiors insulted by local business leaders fancying the lovely but married Rose Isabelle Huppert whose husband beats her in the street and humiliated by his unfaithful wife Stephane Audran-Lucien will soon reach a breaking point. Nominated for an Academy Award for Best Foreign Film. Set in French West Africa shot on location in Senegal. 10.75 x 8.5 inches. Near Fine. Criterion Collection 106. Grant France. Darmon unknown
1981ref. 148353Paris: Darmon 1981. Six vintage French color lobby cards from the 1981 film. Based on the 1964 novel "Pop. 1280" by Jim Thompson reset from the West Texas oil boom town of the novel to colonized 1938 French West Africa. In a small French West African village Lucien Cordier Philippe Noiret is the only policeman. Abused by his superiors insulted by local business leaders fancying the lovely but married Rose Isabelle Huppert whose husband beats her in the street and humiliated by his unfaithful wife Stephane Audran-Lucien will soon reach a breaking point. Nominated for an Academy Award for Best Foreign Film. Set in French West Africa shot on location in Senegal. 10.75 x 8.5 inches. Near Fine. Criterion Collection 106. Grant France. Darmon unknown books
1935ref. 164466Culver City CA: Columbia Pictures 1935. Five vintage photographs from the 1935 film including three double weight reference photographs one on-the-set and two test Photographs Photographers one of Joan Bennett and one of Billie Burke. All five photographs with a studio stamp crediting photographer Ray Jones on the versos and four with mimeo snipes on the same. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. A wealthy patriarch is continuously irritated and dismayed by his family's outrageous behavior. After winding up in prison for tax evasion he befriends his cellmate a bootlegger and fellow tax evader whom he names as executor of his estate upon his release. 8 x 10 inches. Near Fine overall one with light creasing and edgewear. Columbia Pictures unknown
1935ref. 164466Culver City CA: Columbia Pictures 1935. Five vintage photographs from the 1935 film including three double weight reference photographs one on-the-set and two test Photographs Photographers one of Joan Bennett and one of Billie Burke. All five photographs with a studio stamp crediting photographer Ray Jones on the versos and four with mimeo snipes on the same. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. A wealthy patriarch is continuously irritated and dismayed by his family's outrageous behavior. After winding up in prison for tax evasion he befriends his cellmate a bootlegger and fellow tax evader whom he names as executor of his estate upon his release. 8 x 10 inches. Near Fine overall one with light creasing and edgewear. Columbia Pictures unknown books
1926ref. 171412N.p.: N.p. 1926. Vintage double weight reference photograph from the 1926 film showing actress Billie Dove. Distribution stamp on the verso. After the death of his father at the hands of a bloody pirate gang a nobleman infiltrates the gang and becomes a buccaneer himself quietly seeking revenge. The third feature to be filmed in early two-tone Technicolor first introduced in "The Toll of the Sea" 1922. 8 x 10 inches. About Near Fine lightly toned with faint soil at the bottom right corner of the margin. National Film Registry. N.p. unknown
1926ref. 171412N.p.: N.p. 1926. Vintage double weight reference photograph from the 1926 film showing actress Billie Dove. Distribution stamp on the verso. After the death of his father at the hands of a bloody pirate gang a nobleman infiltrates the gang and becomes a buccaneer himself quietly seeking revenge. The third feature to be filmed in early two-tone Technicolor first introduced in "The Toll of the Sea" 1922. 8 x 10 inches. About Near Fine lightly toned with faint soil at the bottom right corner of the margin. National Film Registry. N.p. unknown books
1946ref. 159187Los Angeles: Paramount Pictures 1946. Vintage studio still photograph of Bing Crosby and Fred Astaire from the 1946 film. With provenance stamps on the verso. A man hosting a radio broadcast is telling his life story mostly about himself and a friend trying to make it big after World War I-until both men fall for the same woman. 8 x 10 inches. Very Good plus with some pin holes along the edges. Paramount Pictures unknown
1946ref. 159187Los Angeles: Paramount Pictures 1946. Vintage studio still photograph of Bing Crosby and Fred Astaire from the 1946 film. With provenance stamps on the verso. A man hosting a radio broadcast is telling his life story mostly about himself and a friend trying to make it big after World War I-until both men fall for the same woman. 8 x 10 inches. Very Good plus with some pin holes along the edges. Paramount Pictures unknown books
1957ref. 164746Universal City: Universal-International 1957. Two vintage studio still photographs from the 1957 film both showing actor Tony Curtis. Printed mimeo snipe affixed to the verso of one. An opportunistic busboy at a resort gambles his way into high society where he falls in love with a wealthy but disinterested young heiress. Director Blake Edwards' third directorial effort. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Set in Wisconsin shot on location at Lake Arrowhead and Lake Tahoe California. 8 x 10 inches. Very Good plus. Universal-International unknown
