11,048 results
1975ref. 150678N.p.: N.p. 1975. Vintage reference photograph of François Truffaut and Isabelle Adjani on the set of the 1975 film. Based on the diaries of Adele Hugo youngest daughter of French writer Victor Hugo. Adele Hugo's Isababelle Adjani romantic obsession with the indifferent British officer Lieutenant Pinson Bruce Robinson leads her to follow him to Halifax and eventually succumb to madness and despair. Nominated for an Academy Award for Best Actress for Adjani at age 20 making her the youngest nominee for the award at the time. Set in Halifax Nova Scotia shot on location in Senegal and Channel Islands. 12 x 9.5 inches. Light soiling in margin else Near Fine. N.p. unknown
1975ref. 150678N.p.: N.p. 1975. Vintage reference photograph of François Truffaut and Isabelle Adjani on the set of the 1975 film. Based on the diaries of Adele Hugo youngest daughter of French writer Victor Hugo. Adele Hugo's Isababelle Adjani romantic obsession with the indifferent British officer Lieutenant Pinson Bruce Robinson leads her to follow him to Halifax and eventually succumb to madness and despair. Nominated for an Academy Award for Best Actress for Adjani at age 20 making her the youngest nominee for the award at the time. Set in Halifax Nova Scotia shot on location in Senegal and Channel Islands. 12 x 9.5 inches. Light soiling in margin else Near Fine. N.p. unknown books
1942ref. 159171Burbank CA: Warner Brothers 1942. Vintage reference photograph from the 1942 film. With mimeo snipe on the verso. A 1942 film musical with a somewhat controversial trajectory. Seven years after its release Hungarian playwright and concentration camp survivor Ferenc Herczeg sued MGM for plagiarizing his 1903 play "Seven Sisters." Paramount legally adapted the play into a film in 1915. However during the 1941 production of "Seven Sweethearts" Herczeg was imprisoned within a Nazi concentration camp. Subsequently he only learned of the film's existence years after his release. The suit settled out of court for a substantial sum of money. Shot on location in Los Angeles. 10 x 8 inches. Near Fine. Warner Brothers unknown
1942ref. 159171Burbank CA: Warner Brothers 1942. Vintage reference photograph from the 1942 film. With mimeo snipe on the verso. A 1942 film musical with a somewhat controversial trajectory. Seven years after its release Hungarian playwright and concentration camp survivor Ferenc Herczeg sued MGM for plagiarizing his 1903 play "Seven Sisters." Paramount legally adapted the play into a film in 1915. However during the 1941 production of "Seven Sweethearts" Herczeg was imprisoned within a Nazi concentration camp. Subsequently he only learned of the film's existence years after his release. The suit settled out of court for a substantial sum of money. Shot on location in Los Angeles. 10 x 8 inches. Near Fine. Warner Brothers unknown books
1970ref. 161703N.p.: Grove Press 1970. Six vintage studio still photographs from the 1970 film. Five photographs with provenance stamps on the versos. A pair of filmmakers in hopes of raising money to shoot a documentary on Lenny Bruce decide to meet that goal by shooting pornographic films with runaway flower kids in Greenwich Village over a weekend. Aspects of cinema verite mixed with sexploitation with an early appearance by actress Joy Bang and a cameo by Robert Altman in the same year he directed MASH. Shot on location in New York. 8 x 10 inches. Very Good plus with some faint creasing edgewear and one with a wax pencil annotation on the recto. Grove Press unknown
1970ref. 161703N.p.: Grove Press 1970. Six vintage studio still photographs from the 1970 film. Five photographs with provenance stamps on the versos. A pair of filmmakers in hopes of raising money to shoot a documentary on Lenny Bruce decide to meet that goal by shooting pornographic films with runaway flower kids in Greenwich Village over a weekend. Aspects of cinema verite mixed with sexploitation with an early appearance by actress Joy Bang and a cameo by Robert Altman in the same year he directed MASH. Shot on location in New York. 8 x 10 inches. Very Good plus with some faint creasing edgewear and one with a wax pencil annotation on the recto. Grove Press unknown books
1952ref. 150381N.p.: N.p. 1952. Vintage reference photograph of director Fred Zinnemann and assistant director Emmett Emerson on the set of the 1952 film. A town marshal faces off against three vengeful killers on the eve of his wedding. Nominated for seven Academy Awards winning four including Best Actor for Gary Cooper. Set in New Mexico shot on location in Warnerville and Jamestown California. 7.25 x 5 inches. Fine. Pitts 1877. N.p. unknown
1952ref. 150381N.p.: N.p. 1952. Vintage reference photograph of director Fred Zinnemann and assistant director Emmett Emerson on the set of the 1952 film. A town marshal faces off against three vengeful killers on the eve of his wedding. Nominated for seven Academy Awards winning four including Best Actor for Gary Cooper. Set in New Mexico shot on location in Warnerville and Jamestown California. 7.25 x 5 inches. Fine. Pitts 1877. N.p. unknown books
1969ref. 164374N.p.: Warner Brothers / Seven Arts 1969. Vintage French Moyenne poster for the 1968 Hammer film here under the French release title "Dracula et les femmes." The fourth entry in Hammer Film Productions' Dracula series and the third to feature Christopher Lee as the Count. Preceded by the 1966 film "Dracula: Prince of Darkness" directed by Terence Fisher and followed by the 1970 film "Taste the Blood of Dracula" directed by Peter Sasdy. A monsignor exorcises Dracula's castle unwittingly resurrecting the Count who proceeds to prey on the monsignor's beautiful niece and friends. 23 x 31.25 inches. Folded as issued. Very Good plus with a 4.25 inch closed tear to the upper right side and starting at the center and far right creases. Warner Brothers / Seven Arts unknown
1969ref. 164374N.p.: Warner Brothers / Seven Arts 1969. Vintage French Moyenne poster for the 1968 Hammer film here under the French release title "Dracula et les femmes." The fourth entry in Hammer Film Productions' Dracula series and the third to feature Christopher Lee as the Count. Preceded by the 1966 film "Dracula: Prince of Darkness" directed by Terence Fisher and followed by the 1970 film "Taste the Blood of Dracula" directed by Peter Sasdy. A monsignor exorcises Dracula's castle unwittingly resurrecting the Count who proceeds to prey on the monsignor's beautiful niece and friends. 23 x 31.25 inches. Folded as issued. Very Good plus with a 4.25 inch closed tear to the upper right side and starting at the center and far right creases. Warner Brothers / Seven Arts unknown books
1973ref. 146856Rome: Audiovisual Editorial Programs 1973. Treatment script for an unproduced thirteen-part documentary series. Laid in with the script is a prospective budget for the film in English and an overview of the film in Italian as well as a typed letter from producer Sam Marx to casting agent Paul Kohner with manuscript ink annotations likely written by Kohner. Screenwriter George A. Vicas was best known for his documentary films for television especially for his involvement in the 1963 film "The Kremlin" notable for being the first time an American film crew was allowed to enter and record footage of Soviet Russia's government. "The Peoples of the USS.R." was intended to follow in its footsteps with each episode focusing on a different region of Russia. Set in the USSR. Green untitled wrappers. Title page present with credits for screenwriter GEORGE A. VICAS. 49 leaves with last page of text numbered XIII/45. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with light offsetting on the front and rear wrappers bound internally with two gold brads. Audiovisual Editorial Programs unknown
1973ref. 146856Rome: Audiovisual Editorial Programs 1973. Treatment script for an unproduced thirteen-part documentary series. Laid in with the script is a prospective budget for the film in English and an overview of the film in Italian as well as a typed letter from producer Sam Marx to casting agent Paul Kohner with manuscript ink annotations likely written by Kohner. Screenwriter George A. Vicas was best known for his documentary films for television especially for his involvement in the 1963 film "The Kremlin" notable for being the first time an American film crew was allowed to enter and record footage of Soviet Russia's government. "The Peoples of the USS.R." was intended to follow in its footsteps with each episode focusing on a different region of Russia. Set in the USSR. Green untitled wrappers. Title page present with credits for screenwriter GEORGE A. VICAS. 49 leaves with last page of text numbered XIII/45. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with light offsetting on the front and rear wrappers bound internally with two gold brads. Audiovisual Editorial Programs unknown books
1977ref. 163611Los Angeles: Twentieth Century-Fox 1977. Two vintage still photographs from the 1977 film. The film that started a multibillion dollar media empire pun intended which now includes ten additional live action films animated shows novels comic books video games and countless tons of officially licensed merchandise with no signs of slowing down. Winner of six Academy Awards nominated for four more including Best Picture Best Director Best Original Screenplay and Best Supporting Actor for Alec Guinness. Set a long time ago in a galaxy far far away shot on location in California Arizona Mexico Guatemala Tunisia and the UK. Both photos 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown
1977ref. 163611Los Angeles: Twentieth Century-Fox 1977. Two vintage still photographs from the 1977 film. The film that started a multibillion dollar media empire pun intended which now includes ten additional live action films animated shows novels comic books video games and countless tons of officially licensed merchandise with no signs of slowing down. Winner of six Academy Awards nominated for four more including Best Picture Best Director Best Original Screenplay and Best Supporting Actor for Alec Guinness. Set a long time ago in a galaxy far far away shot on location in California Arizona Mexico Guatemala Tunisia and the UK. Both photos 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books
1974ref. 160750Burbank CA: Warner Brothers 1974. Collection of 43 vintage studio still photographs from the 1974 film. An unusual and prescient sci-fi thriller that was poorly distributed in the US but over time counted Stanley Kubrick and Terrence Malick among its admirers. Actor George Segal in a serious against-type role is a scientist who agrees to an experimental treatment wherein a tiny computer is implanted in his head to help control violent tendencies. The computer malfunctions probably Windows-based and he becomes a psychotic killer. When Mike Kaplan a Warner Bros international marketing executive attempted to override Warner Bros' decision not to release the film in Britain he sought Kubrick's help. After explaining the situation and how the film required a different marketing campaign Kubrick interrupted with "I've already seen it and it's terrific." The director Terrence Malick wrote to Hodges expressing how much he loved watching the film saying "I have just come from seeing The Terminal Man and want you to know what a magnificent overwhelming picture it is. You achieve moods that I've never experienced in the movies before though it's only in hope of finding them that I keep going. Your images make me understand what an image is not a pretty picture but something that should pierce one through like an arrow and speak in a language all its own." 10 x 8 inches. Very Good plus lightly curled at the edges and some with light creasing and wear to the finish. Warner Brothers unknown
1974ref. 160750Burbank CA: Warner Brothers 1974. Collection of 43 vintage studio still photographs from the 1974 film. An unusual and prescient sci-fi thriller that was poorly distributed in the US but over time counted Stanley Kubrick and Terrence Malick among its admirers. Actor George Segal in a serious against-type role is a scientist who agrees to an experimental treatment wherein a tiny computer is implanted in his head to help control violent tendencies. The computer malfunctions probably Windows-based and he becomes a psychotic killer. When Mike Kaplan a Warner Bros international marketing executive attempted to override Warner Bros' decision not to release the film in Britain he sought Kubrick's help. After explaining the situation and how the film required a different marketing campaign Kubrick interrupted with "I've already seen it and it's terrific." The director Terrence Malick wrote to Hodges expressing how much he loved watching the film saying "I have just come from seeing The Terminal Man and want you to know what a magnificent overwhelming picture it is. You achieve moods that I've never experienced in the movies before though it's only in hope of finding them that I keep going. Your images make me understand what an image is not a pretty picture but something that should pierce one through like an arrow and speak in a language all its own." 10 x 8 inches. Very Good plus lightly curled at the edges and some with light creasing and wear to the finish. Warner Brothers unknown books
1979ref. 166713Universal City: Universal Studios 1979. Two Draft scripts for the third episode of the first season both copies belonging to actress Christina Cummings who played the character Nancy Duvall. The episode aired on NBC on May 10 1979. Laid in is a gathering of 20 green revision pages dated 2/15/79 four xerographically duplicated revision pages dated 2/17/79 and an eight-page xerographically duplicated shooting schedule. The first of the two Draft scripts printed on pink leaves with blue revision pages has Cummings' name written on the top of the title page and manuscript marker annotations on six dog-eared pages including her name adjacent to her character's circled name on the cast page here as "Kathy Duvall." The second of the Draft scripts is printed on yellow leaves with manuscript marker and ink annotations on six dog-eared pages with her character's name here changed to "Nancy Duvall." Produced at the height of the CB radio and trucking craze of the late 1970's "B.J. and the Bear" was created by Glean A. Larson and Christopher Crow and starred Greg Evigan as Billie Joe "B.J." McKay a freelance trucker who travels the highways of the US with his pet chimpanzee Bear. The series premiered on October 4 1978 and aired for three seasons and 46 episodes ending on May 9 1981. In this episode B.J. and the Bear drive two coffins from Transylvania to Los Angeles from San Francisco as a publicity stunt for a movie during a dangerously stormy night and encounter a strange caretaker played by John Carradine. Featuring Danny Glover in his television debut. Pink Draft script: Front wrapper integral with title page dated February 5 1979 with credits for screenwriter Michael Sloan. 70 leaves with last page of text numbered 67. Mimeograph duplication rectos only with blue revision pages throughout dated 2/8/79. Pages Very Good plus with the title page detached bound with two gold brads. Yellow Draft script: Front wrapper integral with title page dated February 5 1978 with credits for screenwriter Michael Sloan. 69 leaves with last page of text numbered 66. Mimeograph duplication rectos only. Pages Very Good bound with two gold brads. Universal Studios unknown
1982ref. 166658Los Angeles: Twentieth Century-Fox 1982. Revised Final Draft script for the fourteenth episode of the second season of the 1981-1986 ABC television series printed on pink leaves which aired on February 2 1983. Copy belonging to stunt person Nick Dimitri with Dimitri's stamp on the front wrapper and first leaf. Laid in are three Call Sheets one with an attached map and directions to a location shoot. Created by Glen A. Larson for ABC "The Fall Guy" starred Lee Majors Douglas Barr and Heather Thomas as Hollywood stunt performers who moonlight as bounty hunters. The show premiered on November 4 1982 and aired for five seasons and 112 episodes before ending on May 2 1986. In this episode Colt Majors and Howie Barr pose as millionaires aboard a cruise ship who with Jody's Thomas help hope to ensnare a jewel thief who has had plastic surgery to disguise her looks unaware she is also the target of an insurance investigator and her former accomplice. Red titled wrappers noted as REVISED FINAL on the front wrapper dated September 3 1982. Title page present dated September 3 1982 noted as REVISED FINAL with credits for screenwriter Lou Shaw. 69 leaves with last page of text numbered 57. Mimeograph duplication rectos only with blue revision pages throughout dated 9/8/82. Pages Very Good plus with light foxing along the top edge and on the extremities of the first leaf wrapper Very Good plus bound with two gold brads. Twentieth Century-Fox unknown
1982ref. 166658Los Angeles: Twentieth Century-Fox 1982. Revised Final Draft script for the fourteenth episode of the second season of the 1981-1986 ABC television series printed on pink leaves which aired on February 2 1983. Copy belonging to stunt person Nick Dimitri with Dimitri's stamp on the front wrapper and first leaf. Laid in are three Call Sheets one with an attached map and directions to a location shoot. Created by Glen A. Larson for ABC "The Fall Guy" starred Lee Majors Douglas Barr and Heather Thomas as Hollywood stunt performers who moonlight as bounty hunters. The show premiered on November 4 1982 and aired for five seasons and 112 episodes before ending on May 2 1986. In this episode Colt Majors and Howie Barr pose as millionaires aboard a cruise ship who with Jody's Thomas help hope to ensnare a jewel thief who has had plastic surgery to disguise her looks unaware she is also the target of an insurance investigator and her former accomplice. Red titled wrappers noted as REVISED FINAL on the front wrapper dated September 3 1982. Title page present dated September 3 1982 noted as REVISED FINAL with credits for screenwriter Lou Shaw. 69 leaves with last page of text numbered 57. Mimeograph duplication rectos only with blue revision pages throughout dated 9/8/82. Pages Very Good plus with light foxing along the top edge and on the extremities of the first leaf wrapper Very Good plus bound with two gold brads. Twentieth Century-Fox unknown books
1979ref. 166713Universal City: Universal Studios 1979. Two Draft scripts for the third episode of the first season both copies belonging to actress Christina Cummings who played the character Nancy Duvall. The episode aired on NBC on May 10 1979. Laid in is a gathering of 20 green revision pages dated 2/15/79 four xerographically duplicated revision pages dated 2/17/79 and an eight-page xerographically duplicated shooting schedule. The first of the two Draft scripts printed on pink leaves with blue revision pages has Cummings' name written on the top of the title page and manuscript marker annotations on six dog-eared pages including her name adjacent to her character's circled name on the cast page here as "Kathy Duvall." The second of the Draft scripts is printed on yellow leaves with manuscript marker and ink annotations on six dog-eared pages with her character's name here changed to "Nancy Duvall." Produced at the height of the CB radio and trucking craze of the late 1970's "B.J. and the Bear" was created by Glean A. Larson and Christopher Crow and starred Greg Evigan as Billie Joe "B.J." McKay a freelance trucker who travels the highways of the US with his pet chimpanzee Bear. The series premiered on October 4 1978 and aired for three seasons and 46 episodes ending on May 9 1981. In this episode B.J. and the Bear drive two coffins from Transylvania to Los Angeles from San Francisco as a publicity stunt for a movie during a dangerously stormy night and encounter a strange caretaker played by John Carradine. Featuring Danny Glover in his television debut. Pink Draft script: Front wrapper integral with title page dated February 5 1979 with credits for screenwriter Michael Sloan. 70 leaves with last page of text numbered 67. Mimeograph duplication rectos only with blue revision pages throughout dated 2/8/79. Pages Very Good plus with the title page detached bound with two gold brads. Yellow Draft script: Front wrapper integral with title page dated February 5 1978 with credits for screenwriter Michael Sloan. 69 leaves with last page of text numbered 66. Mimeograph duplication rectos only. Pages Very Good bound with two gold brads. Universal Studios unknown books
1943ref. 152570Culver City CA: Columbia Pictures 1943. Vintage press photograph of actors Glenn Ford and Marguerite Chapman from the 1943 film. Printed mimeo snipe affixed to the verso. During WWII a new destroyer fails its sea trials and is assigned to mail runs but nevertheless is forced to engage in combat against Japanese planes and a submarine. 8 x 10 inches. Near Fine. Columbia Pictures unknown
1943ref. 152570Culver City CA: Columbia Pictures 1943. Vintage press photograph of actors Glenn Ford and Marguerite Chapman from the 1943 film. Printed mimeo snipe affixed to the verso. During WWII a new destroyer fails its sea trials and is assigned to mail runs but nevertheless is forced to engage in combat against Japanese planes and a submarine. 8 x 10 inches. Near Fine. Columbia Pictures unknown books
1968ref. 152562Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1968. Vintage reference photograph from the 1968 film showing actors Jim Brown Diahann Carroll Julie Harris Ernest Borgnine Warren Oates Jack Klugman and Don Sutherland. Mimeo snipe to the verso. Based on the 1966 Parker novel "The Seventh" by Donald E. Westlake writing as Richard Stark. A gang of thieves begins to fall apart when half a million dollars stolen from the Los Angeles Coliseum goes missing. Set and shot on location in Los Angeles. 8 x 10 inches. Near Fine. Grant US. Lee The Heist Film. Silver and Ward Neo-Noir. Spicer US Neo-Noir. Metro-Goldwyn-Mayer [MGM] unknown
1968ref. 152562Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1968. Vintage reference photograph from the 1968 film showing actors Jim Brown Diahann Carroll Julie Harris Ernest Borgnine Warren Oates Jack Klugman and Don Sutherland. Mimeo snipe to the verso. Based on the 1966 Parker novel "The Seventh" by Donald E. Westlake writing as Richard Stark. A gang of thieves begins to fall apart when half a million dollars stolen from the Los Angeles Coliseum goes missing. Set and shot on location in Los Angeles. 8 x 10 inches. Near Fine. Grant US. Lee The Heist Film. Silver and Ward Neo-Noir. Spicer US Neo-Noir. Metro-Goldwyn-Mayer [MGM] unknown books
1947ref. 148425Los Angeles: Allied Artists 1947. Vintage US lobby card from the 1947 film noir. With a few brief annotations to the verso. Based on the 1937 novel following a small-town racketeer who suffers a mental breakdown when his turf is threatened by a ruthless sinister gangster. Set in the fictional boardwalk town of Neptune Beach Brooklyn. 14 x 11 inches. Very Good with a two-inch tear to the top edge and light toning and two tape reinforcements to the top and bottom edges of the verso. Allied Artists unknown
