11,160 results
1975ref. 150795N.p.: N.p. 1975. Complete set of eight vintage oversize color studio still photographs from the US release of the 1975 French hardcore adult film. With manuscript ink annotations on the verso noting the film's English title and several with opaque black stickers on the recto ostensibly blocking out the studio details and French title. A prominent French politician is blackmailed with tapes of her son performing in pornographic movies leading her to recruit a private investigator to find and stop the culprit. Set and shot on location in Paris. 11.5 x 9.25 inches. Very Good plus with a few small scuffs and creases. Bier 161. N.p. unknown books
1972ref. 154493New York: Metromedia Producers Corporation 1972. Revised Draft script for the 1973 television film which aired on March 1 1973 on CBS. Copy belonging to uncredited still photographer Jack Stager his name in manuscript marker on top of the title page with the annotations of production dates "12-11-72 to 12-22-72" in manuscript ink and copy number "17" in manuscript green marker. Laid in are a four page and a single page Crew and Staff List a two page Schedule and a three and a single page Cast List all with the annotation of Stager's name in manuscript marker to top right of first page. Based on the 1971 book by Gay Talese about the Bonanno crime family in the 1960s. Salvatore Bonanno takes control of the family business after the kidnapping of his father causing a rift in the family and inciting a bloody Mafioso war. Yellow untitled card wrappers with a titled Metromedia Producers Corporation label. Title page present dated 12-9-72 noted as REVISE with credits for screenwriter Lewis John Carlino and author Gay Talese. 108 leaves with last page of text numbered 99. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a prong binding. Metromedia Producers Corporation unknown
1972ref. 154493New York: Metromedia Producers Corporation 1972. Revised Draft script for the 1973 television film which aired on March 1 1973 on CBS. Copy belonging to uncredited still photographer Jack Stager his name in manuscript marker on top of the title page with the annotations of production dates "12-11-72 to 12-22-72" in manuscript ink and copy number "17" in manuscript green marker. Laid in are a four page and a single page Crew and Staff List a two page Schedule and a three and a single page Cast List all with the annotation of Stager's name in manuscript marker to top right of first page. Based on the 1971 book by Gay Talese about the Bonanno crime family in the 1960s. Salvatore Bonanno takes control of the family business after the kidnapping of his father causing a rift in the family and inciting a bloody Mafioso war. Yellow untitled card wrappers with a titled Metromedia Producers Corporation label. Title page present dated 12-9-72 noted as REVISE with credits for screenwriter Lewis John Carlino and author Gay Talese. 108 leaves with last page of text numbered 99. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a prong binding. Metromedia Producers Corporation unknown books
1970ref. 144248Burbank CA: Warner Brothers 1970. Vintage photograph from the 1970 film showing actors Stella Stevens and Jason Robards taking direction from Sam Peckinpah on the set. With manuscript annotations regarding layout on the verso. A charming surreal revisionist Western comedy an unusual move for Peckinpah as it was released on the heels of "The Wild Bunch" 1969 and just prior to "Straw Dogs" 1971 both famed for being the high spots of the director's famed odes to violence and male madness. Certainly though Jason Robards-in what many consider to be his finest performance-is as lost as any of Peckinpah's characters but viewed from a different more relaxed perspective. Set in Arizona shot on location in Nevada Arizona and New Mexico. 10 x 8 inches. Near Fine. Warner Brothers unknown
1970ref. 144248Burbank CA: Warner Brothers 1970. Vintage photograph from the 1970 film showing actors Stella Stevens and Jason Robards taking direction from Sam Peckinpah on the set. With manuscript annotations regarding layout on the verso. A charming surreal revisionist Western comedy an unusual move for Peckinpah as it was released on the heels of "The Wild Bunch" 1969 and just prior to "Straw Dogs" 1971 both famed for being the high spots of the director's famed odes to violence and male madness. Certainly though Jason Robards-in what many consider to be his finest performance-is as lost as any of Peckinpah's characters but viewed from a different more relaxed perspective. Set in Arizona shot on location in Nevada Arizona and New Mexico. 10 x 8 inches. Near Fine. Warner Brothers unknown books
1965ref. 146854N.p.: N.p. 1965. Treatment script for an unproduced film. Based on German author Fritz Habeck's 1951 novel. A Nazi officer is bribed with American money from a mysterious man from the Resistance who is desperate to escape the country by boat. The officer is wary but soon agrees and begins to hatch a grand scheme to sneak out the fighter and his wife. Set in Paris. Tan titled wrappers with credits for screenwriter Peter A. Schnitzler. Title page present dated June 1965 with credits for screenwriter Peter A. Schnitzler and author Fritz Habeck. 54 leaves with last page of text numbered 53. Mimeograph duplication rectos only. Pages Very Good wrapper Very Good plus bound with two gold brads. N.p. unknown
1965ref. 146854N.p.: N.p. 1965. Treatment script for an unproduced film. Based on German author Fritz Habeck's 1951 novel. A Nazi officer is bribed with American money from a mysterious man from the Resistance who is desperate to escape the country by boat. The officer is wary but soon agrees and begins to hatch a grand scheme to sneak out the fighter and his wife. Set in Paris. Tan titled wrappers with credits for screenwriter Peter A. Schnitzler. Title page present dated June 1965 with credits for screenwriter Peter A. Schnitzler and author Fritz Habeck. 54 leaves with last page of text numbered 53. Mimeograph duplication rectos only. Pages Very Good wrapper Very Good plus bound with two gold brads. N.p. unknown books
1974ref. 150409N.p.: N.p. 1974. Two vintage borderless photographs from the 1974 film one glossy and one matte-finish. One showing director Peter Bogdanovich in conversation with actresses Cloris Leachman and Eileen Brennan on the set the other showing Bogdanovich with actress Cybill Shepherd and an unknown woman likely during a promotional event for the film. Based on the 1878 novella by Henry James. An intense study in the rules of class boundaries crossed with American-British dichotomies. Bogdanovich's faithful adaptation of James' story concerns the courtship of a beautiful but flirtatious American girl Daisy Miller Shepherd by a sophisticated upper-class British compatriot named Winterbourne Brown. Miller's refusal to observe class boundaries in her flirtations leads Winterbourne to respond negatively to her-with dire consequences. One 10.5 x 8.25 inches one 10 x 8 inches. Near Fine. N.p. unknown
1972ref. 151872Los Angeles: American Film Institute AFI 1972. Two vintage studio still photographs one borderless with a bottom margin and one with a wide bottom margin of Peter Bogdanovich and John Ford from the 1971 film. One with a mimeo snipe on verso for the 9th New York Film Festival the film's US premiere. Bogdanovich's documentary on the life and films of he seminal director interviewing the notoriously obstinate man himself as well as some of his most famous actors notably Henry Fonda James Stewart and John Wayne. Affording the rights to the clips however exhausted the film's AFI funding resulting in the film being rarely shown and then only in non-profit venues. In 2006 Bogdanovich having been dissatisfied with the initial version re-edited and included additional interviews with actors and directors including Clint Eastwood Martin Scorsese Steven Spielberg and Walter Hill. 8 x 10 inches. Some light creasing else Near Fine. Scorsese A Personal Journey Through American Movies. American Film Institute [AFI] unknown
1974ref. 150409N.p.: N.p. 1974. Two vintage borderless photographs from the 1974 film one glossy and one matte-finish. One showing director Peter Bogdanovich in conversation with actresses Cloris Leachman and Eileen Brennan on the set the other showing Bogdanovich with actress Cybill Shepherd and an unknown woman likely during a promotional event for the film. Based on the 1878 novella by Henry James. An intense study in the rules of class boundaries crossed with American-British dichotomies. Bogdanovich's faithful adaptation of James' story concerns the courtship of a beautiful but flirtatious American girl Daisy Miller Shepherd by a sophisticated upper-class British compatriot named Winterbourne Brown. Miller's refusal to observe class boundaries in her flirtations leads Winterbourne to respond negatively to her-with dire consequences. One 10.5 x 8.25 inches one 10 x 8 inches. Near Fine. N.p. unknown books
1972ref. 151872Los Angeles: American Film Institute AFI 1972. Two vintage studio still photographs one borderless with a bottom margin and one with a wide bottom margin of Peter Bogdanovich and John Ford from the 1971 film. One with a mimeo snipe on verso for the 9th New York Film Festival the film's US premiere. Bogdanovich's documentary on the life and films of he seminal director interviewing the notoriously obstinate man himself as well as some of his most famous actors notably Henry Fonda James Stewart and John Wayne. Affording the rights to the clips however exhausted the film's AFI funding resulting in the film being rarely shown and then only in non-profit venues. In 2006 Bogdanovich having been dissatisfied with the initial version re-edited and included additional interviews with actors and directors including Clint Eastwood Martin Scorsese Steven Spielberg and Walter Hill. 8 x 10 inches. Some light creasing else Near Fine. Scorsese A Personal Journey Through American Movies. American Film Institute [AFI] unknown books
1972ref. 141740Munich: InterTel Television 1972. Draft script for an unproduced television film. Text in German. Based on the 1972 novel by Peter Handke about a young Austrian who travels across the United States to search for his estranged wife. Set in California. Red titled wrappers. Title page present with credit for screenwriter Bernhard Wicki. 89 leaves with last page of text numbered 87. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with a gold prong binding. InterTel Television unknown
1972ref. 141740Munich: InterTel Television 1972. Draft script for an unproduced television film. Text in German. Based on the 1972 novel by Peter Handke about a young Austrian who travels across the United States to search for his estranged wife. Set in California. Red titled wrappers. Title page present with credit for screenwriter Bernhard Wicki. 89 leaves with last page of text numbered 87. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with a gold prong binding. InterTel Television unknown books
1984ref. 130321Atlantic Entertaining Group 1984. Revised Draft script for the 1986 film. Based on the 1981 debut novel by Leonard Michaels. Seven singularly dysfunctional men form a discussion group and share their feelings about women love and life. Red titled wrappers recycled by studio from a previous wrapper with the film title noted in manuscript ink. Title page present dated April 1984 noted as Revised with credits for screenwriters Michaels and Gottfried. 116 leaves with last page numbered 113. Xerographically reproduced. Pages Fine wrapper Near Fine bound with two gold brads. Atlantic Entertaining Group unknown
1984ref. 130321Atlantic Entertaining Group 1984. Revised Draft script for the 1986 film. Based on the 1981 debut novel by Leonard Michaels. Seven singularly dysfunctional men form a discussion group and share their feelings about women love and life. Red titled wrappers recycled by studio from a previous wrapper with the film title noted in manuscript ink. Title page present dated April 1984 noted as Revised with credits for screenwriters Michaels and Gottfried. 116 leaves with last page numbered 113. Xerographically reproduced. Pages Fine wrapper Near Fine bound with two gold brads. Atlantic Entertaining Group unknown books
1982ref. 141651Nassau Bahamas: Film Accounting Services 1982. Treatment script for an unproduced film. A proposed 1980s reboot of the 1969 film "99 Women" also written by Peter Welbeck with the same plot but now in 3D. A woman arrives at a penal colony on an island where she is controlled by a cruel lesbian who oversees all the prison's functions. Black blank wrappers with die cut title window in the British style. Title page present dated February 6 1983 with credits for screenwriter Peter Welbeck. 13 leaves with last leaf of text numbered 11. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Film Accounting Services unknown
1982ref. 141651Nassau Bahamas: Film Accounting Services 1982. Treatment script for an unproduced film. A proposed 1980s reboot of the 1969 film "99 Women" also written by Peter Welbeck with the same plot but now in 3D. A woman arrives at a penal colony on an island where she is controlled by a cruel lesbian who oversees all the prison's functions. Black blank wrappers with die cut title window in the British style. Title page present dated February 6 1983 with credits for screenwriter Peter Welbeck. 13 leaves with last leaf of text numbered 11. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Film Accounting Services unknown books
1989ref. 164146N.p.: Michael Kagan Productions 1989. First Draft script for the pilot episode of the 1989 television series which premiered on The Disney Channel on April 30 1989 here under the title "Pilot." Script preceded by a "Rehearsal and Taping Schedule" a "Short Rundown" and a three-page "Main Titles" all bound in. The Disney Channel series starring Cindy Williams and Bill Hudson only lasted for five episodes ending on June 14 1989. Williams and Hudson star as a young married couple who have to hire a couple of children to pose as their offspring to please Hudson's new boss. Front wrapper integral with title page dated March 6 1989 noted as FIRST DRAFT with credits for screenwriter Michael Kagan. 67 leaves with last page of text numbered 61. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Michael Kagan Productions unknown
1989ref. 164146N.p.: Michael Kagan Productions 1989. First Draft script for the pilot episode of the 1989 television series which premiered on The Disney Channel on April 30 1989 here under the title "Pilot." Script preceded by a "Rehearsal and Taping Schedule" a "Short Rundown" and a three-page "Main Titles" all bound in. The Disney Channel series starring Cindy Williams and Bill Hudson only lasted for five episodes ending on June 14 1989. Williams and Hudson star as a young married couple who have to hire a couple of children to pose as their offspring to please Hudson's new boss. Front wrapper integral with title page dated March 6 1989 noted as FIRST DRAFT with credits for screenwriter Michael Kagan. 67 leaves with last page of text numbered 61. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Michael Kagan Productions unknown books
1962ref. 150983N.p.: N.p. 1962. Vintage reference photograph of Micheal Crawford Philip Leacock Steve McQueen and an unidentified woman on the set of the 1962 film. Based on the 1959 novel by John Hersey. The commander of a Boeing B-17 Flying Fortress bomber cocky hotshot Captain Buzz Rickson lives for the most dangerous missions and acts as though he may have a death wish. Shot on location in Cabridge Bovingdon and Kent England. 10 x 8 inches. Near Fine. N.p. unknown
1962ref. 150983N.p.: N.p. 1962. Vintage reference photograph of Micheal Crawford Philip Leacock Steve McQueen and an unidentified woman on the set of the 1962 film. Based on the 1959 novel by John Hersey. The commander of a Boeing B-17 Flying Fortress bomber cocky hotshot Captain Buzz Rickson lives for the most dangerous missions and acts as though he may have a death wish. Shot on location in Cabridge Bovingdon and Kent England. 10 x 8 inches. Near Fine. N.p. unknown books
1964ref. 150645N.p.: N.p. 1964. Vintage borderless reference photograph of Philippe de Broca on the set of the 1964 film. Dufourquet Jean-Paul Belmondo is in Paris on shore leave eager to see his Agnes Francoise Dorléac. When he finally briefly sees her she's kidnapped and held for ransom by a treasure-hungry family friend. A James Bond spoof in the wake of Belmondo's swashbuckling success "Cartouche" 1962 opposite Claudia Cardinale with puzzle solving murder in Brasilia art thieves and a pursuit to find sacred Amazon treasure. Nominated for an Academy Award for Best Screenplay. Shot on location in Rio de Janeiro Brazil and Paris 8 x 10 inches. Near Fine. N.p. unknown
1960ref. 150632N.p.: N.p. 1960. Vintage borderless reference photograph of Philippe de Boca on the set of the 1960 film. Victor Jean-Pierre Cassel is in love with Suzanne Genevieve Cluny but doesn't understand her need for commitment and desire for a family until his friend Francois Jean-Louis Maury declares his willingness to offer Suzanne everything she wants. Shot on location in Paris France. 9.25 x 7 inches. Light creasing along top else Near Fine. N.p. unknown
1965ref. 144489Paris: Les Films Ariane 1965. Vintage borderless photograph of Ursula Andress on the set of the 1965 film provocatively eating a banana. With agency stamps and manuscript annotations on the verso. Loosely based on the 1879 novel "Tribulations of a Chinaman in China" by Jules Verne. An adventure-comedy following the depressed billionaire Arthur Lempereur Jean-Paul Belmondo who after a series of suicide attempts hires hit-men to kill him but after he meets Alexandrine Pinardel Ursula Andress he tries to cancel the hit. Shot on location in Malaysia China Nepal India and France. 6.5 x 9.5 inches. Near Fine. Les Films Ariane unknown
1965ref. 144489Paris: Les Films Ariane 1965. Vintage borderless photograph of Ursula Andress on the set of the 1965 film provocatively eating a banana. With agency stamps and manuscript annotations on the verso. Loosely based on the 1879 novel "Tribulations of a Chinaman in China" by Jules Verne. An adventure-comedy following the depressed billionaire Arthur Lempereur Jean-Paul Belmondo who after a series of suicide attempts hires hit-men to kill him but after he meets Alexandrine Pinardel Ursula Andress he tries to cancel the hit. Shot on location in Malaysia China Nepal India and France. 6.5 x 9.5 inches. Near Fine. Les Films Ariane unknown books
