11,160 results
1958ref. 146727Culver City CA: Columbia Pictures 1958. Five vintage hand-tinted studio still photographs from the 1958 film. Based on the 1955 novel of the same name by Les Savage Jr. who also wrote the screenplay. Clay Hollister Philip Carey escapes prison with 2 accomplices Red Robert J. Wilke and Johnny William Leslie to return to the town of Warbow where his brother Frank James Griffith stashed $30000 from a stagecoach robbery 11 years before. Set in the fictional town of Warbow shot on location in Simi Valley and Chatsworth California. 8 x 10 inches. Near Fine 1 with a chipped upper right corner 1 Very Good plus with small closed tear in right margin and creasing to right and bottom margin. Pitts 3397. Columbia Pictures unknown
1958ref. 146727Culver City CA: Columbia Pictures 1958. Five vintage hand-tinted studio still photographs from the 1958 film. Based on the 1955 novel of the same name by Les Savage Jr. who also wrote the screenplay. Clay Hollister Philip Carey escapes prison with 2 accomplices Red Robert J. Wilke and Johnny William Leslie to return to the town of Warbow where his brother Frank James Griffith stashed $30000 from a stagecoach robbery 11 years before. Set in the fictional town of Warbow shot on location in Simi Valley and Chatsworth California. 8 x 10 inches. Near Fine 1 with a chipped upper right corner 1 Very Good plus with small closed tear in right margin and creasing to right and bottom margin. Pitts 3397. Columbia Pictures unknown books
1971ref. 149610Mexico: Cinematografica Filmex 1971. Six vintage lobby cards for the 1971 film. With a film still photograph tipped onto the illustrated cards. In the original brown paper envelope with the label of distributor Azteca Films. A man hunts the escaped convict who killed his wife in an increasingly deadly quest for revenge. 14 x 11 inches. About Near Fine with pinholes to the corners and light soil. Cinematografica Filmex unknown
1971ref. 149610Mexico: Cinematografica Filmex 1971. Six vintage lobby cards for the 1971 film. With a film still photograph tipped onto the illustrated cards. In the original brown paper envelope with the label of distributor Azteca Films. A man hunts the escaped convict who killed his wife in an increasingly deadly quest for revenge. 14 x 11 inches. About Near Fine with pinholes to the corners and light soil. Cinematografica Filmex unknown books
1958ref. 144474Beverly Hills CA: MGM 1958. Vintage photograph of director Richard Brooks and actor Paul Newman on the set of the 1958 film. Typed description and manuscript annotations on the verso. Based on the 1955 Pulitzer Prize-winning play of the same name by Tennessee Williams though without much of the homosexual themes and cultural critique of the original. Brick Pollitt Paul Newman is a troubled man beat up from a drunken accident on his way to visit his dying father Big Daddy Burl Ives and the rest of his family with his wife Maggie Elizabeth Taylor. The gathering brings out the family's deeply buried tension repression and anxiety. Nominated for six Academy Awards. Shot on location in Long Island New York. 8 x 10 inches. Near Fine. MGM unknown
1957ref. 145088Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1957. Vintage photograph of actors Rock Hudson and Sidney Poitier getting their clothes fitted while in Nairobi for the production of the 1957 film. Mimeo snipe manuscript annotations and a rubber stamp on the verso. Based on the 1955 novel of the same name by Robert C. Ruark. Set amidst Kenya's Mau Mau uprising. Two childhood friends Peter Rock Hudson the son of a British colonist and Kimani Sidney Poitier a native to Kenyan grow up to be on opposing sides of the conflict each wishing for a more peaceful world while surrounded by extreme violence. Shot on location in Kenya. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1957ref. 145088Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1957. Vintage photograph of actors Rock Hudson and Sidney Poitier getting their clothes fitted while in Nairobi for the production of the 1957 film. Mimeo snipe manuscript annotations and a rubber stamp on the verso. Based on the 1955 novel of the same name by Robert C. Ruark. Set amidst Kenya's Mau Mau uprising. Two childhood friends Peter Rock Hudson the son of a British colonist and Kimani Sidney Poitier a native to Kenyan grow up to be on opposing sides of the conflict each wishing for a more peaceful world while surrounded by extreme violence. Shot on location in Kenya. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1958ref. 144474Beverly Hills CA: MGM 1958. Vintage photograph of director Richard Brooks and actor Paul Newman on the set of the 1958 film. Typed description and manuscript annotations on the verso. Based on the 1955 Pulitzer Prize-winning play of the same name by Tennessee Williams though without much of the homosexual themes and cultural critique of the original. Brick Pollitt Paul Newman is a troubled man beat up from a drunken accident on his way to visit his dying father Big Daddy Burl Ives and the rest of his family with his wife Maggie Elizabeth Taylor. The gathering brings out the family's deeply buried tension repression and anxiety. Nominated for six Academy Awards. Shot on location in Long Island New York. 8 x 10 inches. Near Fine. MGM unknown books
1987ref. 130708Burbank CA: Warner Brothers 1987. Fourth Draft script for the 1988 film. Based on the 1985 novel by Joseph Olshan. A family is in crisis following the death of their child from Sudden Infant Death Syndrome. The mother takes a trip to Jamaica where she meets Clara Mayfield Goldberg who helps her overcome her grief with her no-nonsense straight talk. The mother invites her back to Baltimore to raise their young son Harris and Clara is eventually compelled to reveal dark secrets about her past. Pink titled wrappers. Title page present dated April 8 1987 noted as Fourth Draft with credits for screenwriter Medoff and writer Olshan. 128 leaves mechanical duplication. Pages Fine wrapper Fine with some mild sunning bound with two gold brads. Warner Brothers unknown
1987ref. 130708Burbank CA: Warner Brothers 1987. Fourth Draft script for the 1988 film. Based on the 1985 novel by Joseph Olshan. A family is in crisis following the death of their child from Sudden Infant Death Syndrome. The mother takes a trip to Jamaica where she meets Clara Mayfield Goldberg who helps her overcome her grief with her no-nonsense straight talk. The mother invites her back to Baltimore to raise their young son Harris and Clara is eventually compelled to reveal dark secrets about her past. Pink titled wrappers. Title page present dated April 8 1987 noted as Fourth Draft with credits for screenwriter Medoff and writer Olshan. 128 leaves mechanical duplication. Pages Fine wrapper Fine with some mild sunning bound with two gold brads. Warner Brothers unknown books
1967ref. 149023N.p.: Royal Films International 1967. Vintage one sheet poster for the US release of the 1966 French film. A modern adaptation of the 1872 Emile Zola play "La Curee." Pampered young Renee Saccard Jane Fonda married to the older wealthy industrialist Alexandre Saccard Michel Piccoli is tricked out of her fortune when she falls for his son Maxime Peter McEnery. The second of four films Vadim and Fonda would make together. Set in Paris. 27 x 41 inches. Folded as issued. Very Good plus some splitting to three of the folds. Royal Films International unknown
1967ref. 149023N.p.: Royal Films International 1967. Vintage one sheet poster for the US release of the 1966 French film. A modern adaptation of the 1872 Emile Zola play "La Curee." Pampered young Renee Saccard Jane Fonda married to the older wealthy industrialist Alexandre Saccard Michel Piccoli is tricked out of her fortune when she falls for his son Maxime Peter McEnery. The second of four films Vadim and Fonda would make together. Set in Paris. 27 x 41 inches. Folded as issued. Very Good plus some splitting to three of the folds. Royal Films International unknown books
1966ref. 135801N.p.: Trans American Films 1966. Original pressbook for the 1966 Italian film. An early "mondo" documentary "shockumentary" featuring shockingly real customs throughout the world predating many similar films that would make the "video nasties" list a list of films banned in England in the 1980s. Not to be confused with the 1980 Lamberto Bava film of the same name. The "shockumentary" is a type of filmmaking that relates worldly customs and practices that would seem shocking to normal audiences often showcasing staged events rather than actual ones. Similar films include "Mondo cane" 1962 "Taboos of the World" 1963 and "Ecco" 1964. This film features gypsy tribes surgery footage wrestling head-hunting Brazilians sexy secretaries eating snakes hanging children on parade floats in Italy Swedish railway roulette and much more. Narrated by prolific voice-over actor Marvin Miller who's film credits include "Blood on the Sun" 1945 "Red Planet Mars" 1952 "Godzilla Raids Again" 1955 "Forbidden Planet" 1956 and Disney's "Sleeping Beauty" 1959. 11 x 17 inches saddle-stapled 8 pages. black-and-white throughout with green wrappers. Horizontal fold at the middle else Near Fine. Trans American Films unknown
1966ref. 135801N.p.: Trans American Films 1966. Original pressbook for the 1966 Italian film. An early "mondo" documentary "shockumentary" featuring shockingly real customs throughout the world predating many similar films that would make the "video nasties" list a list of films banned in England in the 1980s. Not to be confused with the 1980 Lamberto Bava film of the same name. The "shockumentary" is a type of filmmaking that relates worldly customs and practices that would seem shocking to normal audiences often showcasing staged events rather than actual ones. Similar films include "Mondo cane" 1962 "Taboos of the World" 1963 and "Ecco" 1964. This film features gypsy tribes surgery footage wrestling head-hunting Brazilians sexy secretaries eating snakes hanging children on parade floats in Italy Swedish railway roulette and much more. Narrated by prolific voice-over actor Marvin Miller who's film credits include "Blood on the Sun" 1945 "Red Planet Mars" 1952 "Godzilla Raids Again" 1955 "Forbidden Planet" 1956 and Disney's "Sleeping Beauty" 1959. 11 x 17 inches saddle-stapled 8 pages. black-and-white throughout with green wrappers. Horizontal fold at the middle else Near Fine. Trans American Films unknown books
1968ref. 139327California: Eve Productions 1968. Two vintage black-and-white still photographs from the 1968 film. Seen in the stills is Erica Gavin Vixen and Jon Evans Judd and a split image with Erica Gavin and Harrison Page Niles the duo responsible for the film's thick racial tensions. "Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. 8 x 10 inches. One still with a faint tape ghost and two short tears else Near Fine overall. Eve Productions unknown
1968ref. 139327California: Eve Productions 1968. Two vintage black-and-white still photographs from the 1968 film. Seen in the stills is Erica Gavin Vixen and Jon Evans Judd and a split image with Erica Gavin and Harrison Page Niles the duo responsible for the film's thick racial tensions. "Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. 8 x 10 inches. One still with a faint tape ghost and two short tears else Near Fine overall. Eve Productions unknown books
1925ref. 150993Los Angeles: First National Pictures 1925. Vintage borderless studio still photograph from the 1925 film showing actress Constance Talmadge sitting at a piano. Based on Ludwig Fulda's 1902 play "The Twin Sister." A housewife and her visiting twin sister a famed erotic dancer switch places in order to teach the men in their lives a lesson. 7.25 x 9.5 inches. Near Fine. First National Pictures unknown
1925ref. 150993Los Angeles: First National Pictures 1925. Vintage borderless studio still photograph from the 1925 film showing actress Constance Talmadge sitting at a piano. Based on Ludwig Fulda's 1902 play "The Twin Sister." A housewife and her visiting twin sister a famed erotic dancer switch places in order to teach the men in their lives a lesson. 7.25 x 9.5 inches. Near Fine. First National Pictures unknown books
1977ref. 138423Beverly Hills CA: United Artists 1977. Five vintage studio still photographs from the 1977 film. Based on the Tony Award-winning 1973 play by Peter Shaffer and adapted by Shaffer for the film. Photographs have been hand-retouched affixed to a backing board and prepared for use in advertising. A haunting film in which a psychiatrist slowly loses faith in himself while doggedly attempting to aid a teen obsessed with mutilating horses. Nominated for three Academy Awards and winner of two Golden Globes for Best Actor and Best Supporting Actor. Shot on location in Toronto. Photos 8 x 10 inches on 10 x 15 inch mat board. Very Good to Near Fine. United Artists unknown
1977ref. 138423Beverly Hills CA: United Artists 1977. Five vintage studio still photographs from the 1977 film. Based on the Tony Award-winning 1973 play by Peter Shaffer and adapted by Shaffer for the film. Photographs have been hand-retouched affixed to a backing board and prepared for use in advertising. A haunting film in which a psychiatrist slowly loses faith in himself while doggedly attempting to aid a teen obsessed with mutilating horses. Nominated for three Academy Awards and winner of two Golden Globes for Best Actor and Best Supporting Actor. Shot on location in Toronto. Photos 8 x 10 inches on 10 x 15 inch mat board. Very Good to Near Fine. United Artists unknown books
1974ref. 168123N.p.: Golden Films 1974. Seven vintage studio still photographs from the 1974 film seen here under the working title "Evil in the Deep." A crew of maritime adventurers search for a long-lost sunken Spanish Galleon carrying a massive amount of treasure. 10 x 8 inches. Very Good plus. Golden Films unknown
1974ref. 168123N.p.: Golden Films 1974. Seven vintage studio still photographs from the 1974 film seen here under the working title "Evil in the Deep." A crew of maritime adventurers search for a long-lost sunken Spanish Galleon carrying a massive amount of treasure. 10 x 8 inches. Very Good plus. Golden Films unknown books
1980ref. 163479N.p.: N.p. 1980. Draft script for an unproduced episode of the 1975-1984 television series. The series followed a divorced career woman and single mother as she tries to raise her two teenage daughters in an apartment building in Indianapolis with frequent visits from the building's nosy superintendent. In this episode the eldest daughter wants to move out into her own apartment to her mother's dismay. Set in Indianapolis. Front wrapper integral with title page with credits for screenwriter Stephen Thomas Sustarsic II. 38 leaves with last page of text numbered 37. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
1980ref. 163479N.p.: N.p. 1980. Draft script for an unproduced episode of the 1975-1984 television series. The series followed a divorced career woman and single mother as she tries to raise her two teenage daughters in an apartment building in Indianapolis with frequent visits from the building's nosy superintendent. In this episode the eldest daughter wants to move out into her own apartment to her mother's dismay. Set in Indianapolis. Front wrapper integral with title page with credits for screenwriter Stephen Thomas Sustarsic II. 38 leaves with last page of text numbered 37. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown books
1966ref. 161441N.p.: Executive Films 1966. Four vintage studio still photographs from the 1966 film. Two with "Tom Conroy" photographer stamps on the versos one of which has two labels affixed to the verso obscuring previous provenance stamps. A voyeur blackmails an ex-stripper for money then sex after observing her having an affair on her husband. Shot on location in Toronto. 8 x 10 inches. Very Good plus. Executive Films unknown
