11,046 results
1974ref. 152004N.p.: N.p. 1974. Collection of ten vintage oversize double weight photographs from the French release of the 1974 Italian film. Director Liliana Cavani's international breakthrough a deeply controversial film about a Holocaust survivor who renews her sadomasochistic sexual relationship with her Nazi captor after a chance encounter which threatens to expose his fellow former SS officers now living in secret in postwar Vienna. Shot on location in Vienna Austria and Rome Italy. 15.5 x 12 inches. About Near Fine with tiny punch holes at the corners as issued. Criterion Collection 59. Grant Italy. N.p. unknown books
1960ref. 144529Rome: Titanus 1960. Two vintage borderless double weight photographs from the 1960 film. With manuscript annotations and an agency stamp on the verso of each. Rosaria Katina Paxinou recently widowed moves to Milan from the countryside with four of her sons to join her eldest. Each take different paths as they struggle to adjust to life in the city. Shot on location in Milan and Rome Italy. 12 x 8 inches. Near Fine. Ebert III. Eureka Masters of Cinema 133. Titanus unknown books
1971ref. 151550N.p.: Alfa Cinematografica 1971. Vintage oversize borderless reference photograph of Luchino Visconti and Silvana Mangano on the set of the 1971 film. Mimeo snipe "Parimage" stamp and "Camera Press" stamp on verso. Based on Thomas Mann's 1912 novella. Mann's lonely and obsessed novelist was transformed by Visconti into a composer based on Mahler who travels to Venice for his health and becomes increasingly obsessed with an adolescent Polish boy. The middle film of Visconit's "German Trilogy" an impressionistic conceptual cycle that begins with "The Damned" 1969 and ends with "Ludwig" 1972. Nominated for an Academy Award and for the Palm d'Or. Shot on location in Venice Italy. 12 x 9 inches. Very Good plus with some creasing and two small closed tears to left edge. Criterion Collection 962. Vogel Film as a Subversive Art. Alfa Cinematografica unknown books
ref. 130855Hollywood: Paramount Pictures. Final Draft script for the 1955 film. Actor Van Heflin's copy with his name on the front wrapper and his manuscript annotations throughout. Based on the novel "Jovanka e le altre" by Urgo Pirro. Once branded himself by the House Un-American Activities Committee award-winning director Martin Ritt focuses on the cruel branding of five women in this wartime drama. Some of his better-known films The Spy Who Came In from the Cold Norma Rae also deal with the question of social and ethical choices in the face of pressure. In this story the savagery of the Yugoslav partisans as they fight off Nazi occupation forces is also vented on five women accused of Nazi sympathies because of their sexual association with one German officer. The women played by Silvana Mangano Vera Miles Barbara Bel Geddes Jeanne Moreau and Carla Gravina have their heads shaved in order to brand them as traitors. Eleanor Mannikka AllMovie Filmed on location in Italy and Austria. Orange untitled wrappers with the Dino De Laurentiis stamp and numerous annotations. Title page present noted as Final Draft with credits for screenwriters Michael and Achilles for screenwriter Pirro and for director Ritt. 153 leaves mimeograph duplication with annotations throughout. Pages Near Fine wrapper Near Fine internally bound with two gold brads. Paramount Pictures unknown books
1968ref. 168097Hollywood: Paramount Pictures 1968. Vintage reference photograph from the 1968 film showing actress Mia Farrow. Printed mimeo snipe and layout annotations on the verso. Based on the 1967 novel by Ira Levin. A seminal horror film one of the best genre pictures ever made from the earliest days of the New Hollywood cinema bringing together newcomer Roman Polanski as director established producer William Castle young star Mia Farrow and Hollywood veteran John Cassavetes. Winner of the Academy Award for Best Supporting Actress for Ruth Gordon and nominated for Best Screenplay. Set and shot on location in New York City. 10 x 8 inches. About Near Fine lightly creased at the corners with pinholes at the top right corner. National Film Registry. Criterion Collection 630. McPadden Heavy Metal Movies. Rosenbaum 1000. Paramount Pictures unknown books
1989ref. 147144N.p.: N.p. 1989. Draft script for the 1989 film here under its working title "Vac-U-Sapien." With extensive manuscript pencil and ink annotations on virtually every page. Bound in after the script are two handwritten pages of notes and four typed pages of effects and sets for the film. Michael Paul Girard's first directorial effort wherein aliens return to Earth for the first time in ten million years to see what has become of their "human experiment." After declaring the experiment a failure the aliens decide that due to humans' untidiness crossbreeding vacuum cleaners and humans will produce a better race of beings to inhabit the planet. They subsequently create a sentient vacuum cleaner which is programmed to reproduce with earthlings. A splendid Z-budget effort considered by some to be the worst movie ever made. And yet a script for it exists. Titled self wrappers with title page integral with the first page of text as issued. 86 leaves with last page of text numbered 82. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. N.p. unknown books
1957ref. 163764N.p.: N.p. 1957. Collection of six vintage double weight reference photographs from the 1957 Soviet film including four oversize prints. Two photos with provenance blindstamps at the corners and distributor stamps on the versos. Based on the classic novel published in 1605 and 1615 by Miguel de Cervantes. The first adaptation of Cervantes' novel to be filmed in widescreen and color. Nominated for the Palme d'Or. Shot on location in Crimea. Four photographs 12 x 9.5 inches. Two photographs 4.5 x 6.75 inches. Very Good plus. N.p. unknown books
1961ref. 143198Tokyo: Toho Company 1961. Second Final Draft script for the 1961 Japanese film. Manuscript ink notation on rear wrapper and manuscript ink and rubber-stamped name Takahishi Toshihiro not credited in the final film on the top and bottom page edges with the same initials in Arabic lettering "T.T." near the spine. Manuscript annotations on preliminary page 4 noting the entire proposed cast lining up pretty closely with the final cast and a note in manuscript ink on the rear wrapper about an unrelated play titled Minamioka. A psychological drama that a love triangle unraveling a family in the process. Set in Japan. White titled wrappers noted as 2 on the front wrapper dated 1961. Title page present. 78 leaves with last page of text numbered "e-30." Mechanical duplication. Pages Near Fine wrapper Very Good with some foxing due to age. Toho Company unknown books
1972ref. 151500Budapest: Hungarofilm 1972. Six vintage photographs from the 1972 film including four studio still photographs and two borderless reference photographs. A dramatization of an 1890 Hungarian peasants' strike. As with many of director Miklos Janczo's films a slow enigmatic meditation on morality and violence composed of only 26 shots over 87 minutes. Set and shot on location in Hungary. Approximately 7 x 5.25 inches. Near Fine. Rosenbaum 1000. Vogel Film as a Subversive Art. Hungarofilm unknown books
1960ref. 143202Tokyo: Toho Company 1960. Draft script for the 1960 Japanese film. Manuscript ink and stamp on the outer page edges. Production designer's script with manuscript underlining on numerous pages regarding objects needed for a given scene swimsuits sun cream summer kimonos Persian cat etc. Other annotations in the same hand fill in the names of actors who have been chosen to play the parts of various characters whose names are printed. The double directed feature intentionally creates a juxtaposition between each director's lens and the credits give no indication of how the two collaborated also intentional. According to Audie Bock author of "Japanese Film Directors" Naruse filmed all of the older generation scenes and the Japanese restaurant scenes while Kawashima did the younger generation and the geisha house scenes comparatively the 'comic relief'. A family love triangle sees a mother and daughter in competition and parallels the conflicting nature of new and older generations in modern society. Set in Japan. White titled wrappers noted as 1 on the front wrapper dated 1960. Title page present. 88 leaves with last page of text numbered g-25. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound with two staples wrapped in paper on spine. Toho Company unknown books
1986ref. 163842N.p.: N.p. 1986. Archive of three scripts for the 1987 prison film including two very early internally duplicated development scripts dated April 14 1980 and July 21 1980 and a Draft script dated July 16 1986. A suicidal inmate at San Quentin State Prison attends a production of "Waiting for Godot" and regains both his inspiration and his will to live ultimately organizing his own successful acting troupe in the prison. Shot on location in Wilmington Lillington and Durham North Carolina. Script dated April 14 1980: Yellow wrappers with title noted in manuscript ink on the front wrapper and a label with credits for director and screenwriter John Hancock and actor Robert De Niro although the latter did not appear in the film. Title page present dated April 14 1980 with credits for Hancock and screenwriter Dorothy Tristan. 132 leaves with last page of text numbered 122. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Script dated July 21 1980: Blue front wrapper with a die-cut title window lacking rear wrapper. Title page present dated July 21 1980 with credits for Hancock and Tristan. 133 leaves with last page of text numbered 132. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good bound with two gold brads. Script dated July 16 1986: Lacking front wrapper with brown rear wrapper. Title page present dated July 16 1986 with credits for Hancock and Tristan. 118 leaves with last page of text numbered 117. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good bound with two gold brads. N.p. unknown books
1980ref. 162972N.p.: N.p. 1980. Draft script for the 1989 German film for which Nigel Kneale was an uncredited screenwriter. Title and credits in manuscript ink on the front wrapper with the label of American producer Wilbur Stark at the bottom right corner. Stark is best known as executive producer for "The Thing" 1982 and "Vampire Circus" 1972. At the stage of development represented by this script Nigel Kneale was the screenwriter though Stark eventually produced the film for Common Film in Germany using German screenwriters to write a new adaptation. A virtually unknown adaptation of Patricia Highsmith's 1965 novel "A Suspension of Mercy" published in the US under the title "The Story-Teller" about an American novelist who is suspected of murdering his wife during a trial separation. Noted Manx screenwriter Nigel Kneale is today best remembered for his work in television particularly for the successful science fiction "Quatermass" series as well as the well-regarded folk horror BBC television film "The Stone Tape." He was twice nominated for the BAFTA Award for Best British Screenplay and also penned several collections of short stories one of which won the Somerset Maugham Award in 1950. Blue-gray wrappers with annotations in manuscript ink crediting screenwriter Nigel Kneale novelist Patricia Highsmith and producer Wilbur Stark. Title page integral with the front wrapper. 152 leaves with last page of text numbered 152. Xerographic duplication on slick thermal paper stock made from a UK master copy and then likely transmitted by wire from the UK to the US. Rectos only. Pages Near Fine wrapper Very Good moderately faded with a few splashes and light wear on the front wrapper bound with two gold brads. N.p. unknown books
1968ref. 160762Universal City: Universal Studios 1968. Second Revised Final script for the 1969 film. Copy belonging to cinematographer Jules Brenner with his name in manuscript ink on the front wrapper. A successful race car driver dreams of winning the Indy 500 and stops at nothing to achieve his goal sacrificing his relationships with his wife and stepson in the progress. Shot on location in Elkhart Lake Wisconsin and Indianapolis Indiana. Yellow titled Universal Studios wrappers noted as SECOND REVISED FINAL SCREENPLAY on the front wrapper noted as production No. 02017 dated April 16 1968. Title page present noted as Second Revised Final Screenplay with credit for screenwriter Howard Rodman. 152 leaves with last page of text numbered 130. Mimeograph duplication rectos only with pink and blue revision pages throughout dated variously between 4/26/68 and 5/14/68. Pages Very Good plus wrapper Very Good plus moderately soiled with a dampstain on the fore-edges bound with three gold brads. Universal Studios unknown books
1947ref. 145051Culver City CA: Edward Small Productions 1947. Archive of production material for the 1952 film noir consisting of the following: breakdown set list wardrobe plot shooting schedule and a summary of detail budget. With a type written letter outlining the contents of the archive from producer Edward Small to Dan O'Shea signed by Edward Small in manuscript ink and dated October 7 1947. Based on Samuel Fuller's 1944 novel "The Dark Page." The editor of an exploitative magazine murders his wife then has one of his journalists investigate the matter in order to divert attention from himself. Breakdown: Title page present dated September 17 1947. 83 leaves with last page of text numbered 81. Typescript on production form rectos only. Pages Near Fine bound with three gold brads. Set List: 2 leaves with last page of text numbered 2. Typescript rectos only. Pages Near Fine bound with a single staple in top left corner. Wardrobe Plot: Title page present dated September 17 1947. 11 leaves with last page of text numbered 11. Typescript rectos only. Pages Near Fine bound with three gold brads. Shooting Schedule: Dated 9/19/47. 6 leaves with last page of text numbered 6. Typescript rectos only. Pages Near Fine bound with two gold brads. Summary of Detail Budget: Dated September 29 1947. 34 leaves with last page of text numbered 26. Typescript rectos only. Pages Near Fine bound with two staples in the top left corner. Grant US. Selby US Canon. Silver and Ward Classic Noir. Spicer US. Edward Small Productions unknown books
1970ref. 135317Beverly Hills CA: Twentieth Century-Fox 1970. Draft script for the 1972 film. An early example of the film's script still slated to be a Twentieth Century-Fox production with their imprint on the front wrapper. The fourth Roth novel after "Goodbye Columbus" in 1972 to be adapted to the screen and the sole directorial effort for noted screenwriter Ernest Lehman "North by Northwest" "The Sweet Smell of Success" "Sabrina" "West Side Story" The Sound of Music" and "Who's Afraid of Virginia Woolf". Alexander Portnoy Benjamin sees a therapist and goes on one long tirade after another about his family his childhood his sexual fantasies and desires his problems with women and his obsession with his own Judaism. Set in New York. Blue titled wrappers. Title page present dated August 3 1970 with credits for screenwriter Lehman and novelist Roth. 150 leaves with last page of text numbered 149. Mechanical duplication on eye-rest green stock. Pages and wrapper Near Fine bound internally with three gold brads. Twentieth Century-Fox unknown books
1962ref. 143832Paris: Filmsonor 1962. Collection of 67 original single weight borderless film stills for the 1962 French-Italian film here under the original French title "Cartouche." Action sequences men in military regalia and romantically charged images of Belmondo and Cardinale with most representing Belmondo either charming people or dueling with swords. Housed in original brown envelope noted as "CARTOUCHE" on the flap. Numerical annotations in manuscript pencil on the versos. Also included are a few leaves of French press material on stationery from the film's distributor Cinedis. A riveting Peplum sword-and-sandal swashbuckler set in 1700s France where a gang member named Cartouche Belmondo forms his own band of knaves deciding his former gang to be too unethical. He steals from the rich to give to the poor enlists in the army to escape capture and meets Venus Cardinale a gypsy prisoner who joins his new gang. Venus' love proves fatal and Cartouche rolls her into a lake in a stolen carriage vowing revenge knowing it will likely lead him to the gallows. Belmondo and Cardinale's interaction is palpable but they would star in only two other films together Mauro Balognini's "La viaccia" 1961 and José Giovanni's "Scoumoune" 1972. Photos 6.75 x 9 inches. Very Good plus overall with light curling a few short creases and a few slightly discolored. Press material corner-stapled and paper-clipped Very Good plus overall. Complete collation upon request. Filmsonor unknown books
1939ref. 146098N.p.: N.p. 1939. Draft script for an unproduced film by Rafael Sabatini. A fine leatherbound copy with gilt lettering and decorated endpapers. One of prolific screenwriter Rafael Sabatini's final projects. A romanticized swashbuckling account of the adventures and loves of Italian explorer Christopher Columbus here re-imagined as the Spanish "Cristobal Colon" from Castile. Delays in the production of the film led Sabatini to turn his early screenplay into a novel first published by Hutchinson in 1941. Although interest was again raised in a Columbus film in the late 1940s-leading to the British "Christopher Columbus" 1949 starring Fredric March-Sabatini's script was ultimately rewritten for the film. Set in Spain. Red titled wrappers with credits for screenwriter Rafael Sabatini. Title page integral with the front wrapper as issued. 259 leaves with last page of text numbered 256. Carbon typescript rectos only. Pages Near Fine wrapper Near Fine with wear at the extremities. N.p. unknown books
1980ref. 146709N.p.: N.p. 1980. Draft script and Second Rough Draft for an unproduced English-language film circa 1960s and 1980s about the life of St. Martin de Porres. Laid in one of the scripts is a typed note identifying Martin as the subject of the script and noting the date of his canonization. Although the scripts appear to have been written at different times and there are significant differences between them there are also enough textual similarities to confidently suggest they were both written by Raymond Ferrante despite the early script containing no credits. The titular character was born to a Spanish father and a woman of African and Native American Heritage He is the patron saint of mixed-race peoples and those seeking racial harmony as well as barbers innkeepers and public health workers. He was canonized by Pope John XXIII in 1962 roughly corresponding with the first script on offer. First script: Yellow titled wrappers. 117 leaves with last page of text numbered 117. Mimeograph duplication rectos only. Pages Very Good wrapper Very Good with a dampstain to the rear wrapper and about half the pages bound with two gold brads. Second script: Red titled wrappers noted as SECOND ROUGH DRAFT on the front wrapper with credits for screenwriter Raymond Ferrante. Title page present noted as SECOND ROUGH DRAFT with credits for Ferrante. 175 leaves with last leaf of text numbered 174. Mimeograph duplication. Pages Near Fine wrapper Very Good plus bound with three gold brads. N.p. unknown books
1967ref. 139540Culver City CA: Columbia Pictures 1967. Vintage oversize double weight color still photograph from the 1967 film based on the 1964 play by Murray Schisgal. Although not indicated shot and struck by the film's still photographer Bob Willoughby with an agency stamp on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 13 x 19.25 inches mounted on board. About Near Fine with some soiling near the top edge and light edgewear overall. Columbia Pictures unknown books
1983ref. 162428N.p.: N.p. 1983. Third Draft script for the 1984 film seen here under the working title "The Texas Picture." Single annotation in manuscript ink on the title page noting copy No. 39. During the Great Depression a recently widowed mother fights to defend her family farm from repossession. Nominated for seven Academy Awards winning two including Best Actress for Sally Field and Best Screenplay. Set in Waxahachie Texas and shot on location in Waxahachie and Five Points Texas. Red titled Studio Duplicating Service wrappers. Title page present dated August 12 1983 noted as Third Draft with credit for screenwriter Robert Benton. 139 leaves with last page of text numbered 138. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold screw brads. N.p. unknown books
1974ref. 150217N.p.: N.p. 1974. Vintage oversize borderless reference photograph of Robert Bresson on the set of the 1974 film one of the film's jousting sequences. Jacques Henri Lartigue credit printed on verso. Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality-though certainly still quite surreal. Shot on location in Noirmoutier-en-L'Ile France. 11.75 x 8 inches. Very Good plus with some creasing and wear to extremities. Rosenbaum 1000. N.p. unknown books
1961ref. 149449Beverly Hills CA: United Artists / Mirisch Corporation 1961. Vintage oversize borderless black-and-white reference photograph of actors Tony Mordente Harvey Evans Susan Oakes Bert Michaels Tommy Abbott and Tucker Smith standing with director Jerome Robbins on the set of the 1961 film. With a printed mimeo snipe affixed to the verso. Based on the 1957 Broadway musical with book by Arthur Laurents music by Leonard Bernstein and lyrics by Stephen Sondheim. Robbins who would go on to direct the film with Robert Wise served as choreographer and came up with the original concept of a modern musical update of William Shakespeare's "Romeo and Juliet." Winner of ten Academy Awards including Best Picture Best Director Best Supporting Actor for George Chakiris and Best Supporting Actress for Rita Moreno. Set in New York's West Side shot on location in New York and California. 14 x 11 inches. Very Good plus with light wear and creasing to the corners. United Artists / Mirisch Corporation unknown books
1972ref. 154016N.p.: N.p. 1972. Collection of 32 vintage keybook snapshot photographs from the 1972 film. Possibly unique. A lesser known film in director Roman Polanski's oeuvre a comedic and highly sexualized homage to Alice in Wonderland starring Sydne Rome as an American hitchhiker who stumbles upon an increasingly bizarre and decadent party at an Italian villa. Filmed on location in Italy as "Che" the film also saw later release in the US as "Diary of Forbidden Dreams." 5 x 3.5 inches. Near Fine to Very Good plus. N.p. unknown books
1942ref. 159797Los Angeles: Walt Disney Productions 1942. Three vintage oversize borderless double weight reference photographs from the 1942 film. Printed mimeo snipes and photographer stamps on the versos. Based on the 1894 collection of stories by Rudyard Kipling. A Technicolor live-action version of the classic Kipling stories made by the Hungarian-born filmmaking team of director Zoltan Korda producer Alexander Korda and art director Vincent Korda. The production brilliantly utilized live exotic animals and featured Indian actor Sabu as Mowgli the boy raised by wolves who can communicate with the animals of the jungle. Nominated for four Academy Awards including Best Cinematography. Shot on location in Sherwood Forest California. 9 x 12 inches. Fine. Criterion Collection Eclipse Series 30. Walt Disney Productions unknown books
1950ref. 135620Paris: B.M.P. Films 1950. Draft script for the 1950 French film "The Treasure of Cantenac" here under its title of origin "Le Tresor de Cantenac" on the title page with the film's working title "Un miracle" also on the title page. French copy company rubber stamp and faint pencil annotations on the front wrapper. Pre-New Wave items are scarce this being a completely original example with text in French throughout. Set in a rundown French village the film is a series of vignettes illustrating the human condition. The Baron de Cantenac on the verge of suicide after losing his fortune goes on one last walk through his dying town. On the way he meets the town's oldest citizen who reveals a royal treasure that he has been jealously guarding for years. Director-screenwriter-actor Guitry was a prominent French filmmaker during the post-WWI years of French cinema following in the footsteps of his father silent film actor Lucien Guitry. His notable film credits include English titles "The Lover of Camille" 1924 "The Story of a Cheat" 1936 "Nine Bachelors" 1939 "Royal Affairs in Versailles" 1954 a film notable for its appearance of a young Brigitte Bardot and "Napoleon" 1955. Blue titled wrappers. Title page present undated with a credit for Guitry and B.M.P. Films in Paris the US branch is in California. 102 leaves with last page of text numbered 100. Mimeograph duplication. Pages Near Fine wrapper Very Good perfect-bound and side-stiched. B.M.P. Films unknown books
