11,046 results
1963ref. 166554N.p.: Bing Crosby Productions 1963. Revised Final Draft script for the nineteenth episode of the 1963-1964 ABC television series printed on blue leaves which aired on January 27 1964. A spin-off of the 1961-1966 ABC television series "Ben Casey." Created by producer Meta Rosenberg "Breaking Point" starred Paul Richards as a resident in psychiatry at York Hospital in Los Angeles and Eduard Franz as the hospital's psychiatric clinical director and focused on the problems of individual patients seeking help at the clinic. The Emmy Award-nominated series premiered on ABC on September 16 1963 and aired for 30 episodes with the final episode airing on April 27 1964. In this episode a fashion designer Eleanor Parker who compulsively seeks out liaisons with strange men sets her sights on seducing Dr. Thompson Richards. Front wrapper integral with title page dated November 26 1963 noted as REVISED FINAL DRAFT with credits for screenwriter George Bellak. 55 leaves with last page of text numbered 52. Mimeograph duplication rectos only. Pages Very Good plus with loverall edgewear and light foxing on the front and rear leaves bound with two gold brads. Bing Crosby Productions unknown
1963ref. 166554N.p.: Bing Crosby Productions 1963. Revised Final Draft script for the nineteenth episode of the 1963-1964 ABC television series printed on blue leaves which aired on January 27 1964. A spin-off of the 1961-1966 ABC television series "Ben Casey." Created by producer Meta Rosenberg "Breaking Point" starred Paul Richards as a resident in psychiatry at York Hospital in Los Angeles and Eduard Franz as the hospital's psychiatric clinical director and focused on the problems of individual patients seeking help at the clinic. The Emmy Award-nominated series premiered on ABC on September 16 1963 and aired for 30 episodes with the final episode airing on April 27 1964. In this episode a fashion designer Eleanor Parker who compulsively seeks out liaisons with strange men sets her sights on seducing Dr. Thompson Richards. Front wrapper integral with title page dated November 26 1963 noted as REVISED FINAL DRAFT with credits for screenwriter George Bellak. 55 leaves with last page of text numbered 52. Mimeograph duplication rectos only. Pages Very Good plus with loverall edgewear and light foxing on the front and rear leaves bound with two gold brads. Bing Crosby Productions unknown books
1979ref. 151119Universal City: Universal Pictures 1979. Vintage press kit for the 1979 film. Full-color illustrated pocketed folder containing 11 black and white photographs and 13 gatherings of promotional reading material. A marathon runner training to qualify in the Summer Olympics faces estrangement from his wife and struggles with unemployment due to his dedication to the sport. Folder photographs and promotional material Near Fine. Universal Pictures unknown
1979ref. 151119Universal City: Universal Pictures 1979. Vintage press kit for the 1979 film. Full-color illustrated pocketed folder containing 11 black and white photographs and 13 gatherings of promotional reading material. A marathon runner training to qualify in the Summer Olympics faces estrangement from his wife and struggles with unemployment due to his dedication to the sport. Folder photographs and promotional material Near Fine. Universal Pictures unknown books
1968ref. 162464N.p.: American Film Distributing 1968. Vintage studio still photograph from the 1968 film. Provenance stamp on the verso. Henpecked misogynist Richard Davis has just murdered his wife and is looking to dispose of the body. He is kidnapped by a pair of lesbians and a grown woman named Baby who lives in a crib. Shot on location in New York City. 8 x 10 inches. Light edgewear else Near Fine. American Film Distributing unknown
1968ref. 162464N.p.: American Film Distributing 1968. Vintage studio still photograph from the 1968 film. Provenance stamp on the verso. Henpecked misogynist Richard Davis has just murdered his wife and is looking to dispose of the body. He is kidnapped by a pair of lesbians and a grown woman named Baby who lives in a crib. Shot on location in New York City. 8 x 10 inches. Light edgewear else Near Fine. American Film Distributing unknown books
1982ref. 153824N.p.: N.p. 1982. Draft script for an unproduced film. Laid in with the script is a three-page autograph note discussing the script's plot. In the Virgin Islands in the 18th century a prominent doctor is given a valuable crucifix to protect his employer the governor of Jamaica unaware that the artifact is highly desired by a nefarious supernatural being for its mystical properties. Set in the Virgin Islands. Black untitled wrappers. Title page present dated 1982 with credits for screenwriter Michael H. Krohn. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a silver prong. N.p. unknown
1982ref. 153824N.p.: N.p. 1982. Draft script for an unproduced film. Laid in with the script is a three-page autograph note discussing the script's plot. In the Virgin Islands in the 18th century a prominent doctor is given a valuable crucifix to protect his employer the governor of Jamaica unaware that the artifact is highly desired by a nefarious supernatural being for its mystical properties. Set in the Virgin Islands. Black untitled wrappers. Title page present dated 1982 with credits for screenwriter Michael H. Krohn. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a silver prong. N.p. unknown books
1976ref. 140020London: ITC Entertainment 1976. Collection of 6 vintage full-color lobby cards from the 1976 film. Exploiting corruption within the law enforcement system of the Midwest the Roger Corman-produced film has long been a cult cornerstone and favorite of modern directors like Quentin Tarantino. Dinah Mimieux is an associate for a Los Angeles advertising agency but quits her job after catching her boyfriend being unfaithful and she leaves in a car for New York. Along the way she picks up two hitchhikers who rob and assault her stealing her purse and car. After she is arrested and thrown in jail where she is raped by the guard who receives a fatal vengeful blow from Dinah and meets a thief named Coley Jones. Together they escape and meet their destiny in a "Bonnie and Clyde" fashion. 11 x 14 inches. Light corner bumps else Near Fine. Scarce. ITC Entertainment unknown
1976ref. 140020London: ITC Entertainment 1976. Collection of 6 vintage full-color lobby cards from the 1976 film. Exploiting corruption within the law enforcement system of the Midwest the Roger Corman-produced film has long been a cult cornerstone and favorite of modern directors like Quentin Tarantino. Dinah Mimieux is an associate for a Los Angeles advertising agency but quits her job after catching her boyfriend being unfaithful and she leaves in a car for New York. Along the way she picks up two hitchhikers who rob and assault her stealing her purse and car. After she is arrested and thrown in jail where she is raped by the guard who receives a fatal vengeful blow from Dinah and meets a thief named Coley Jones. Together they escape and meet their destiny in a "Bonnie and Clyde" fashion. 11 x 14 inches. Light corner bumps else Near Fine. Scarce. ITC Entertainment unknown books
1964ref. 148822N.p.: Cinema V. 1964. Two vintage studio still photographs from the 1964 film. An African American railroad worker attempts to maintain his dignity and self-respect in the face of small-town racism and a troubled familial past. While initially the film faced a limited release due to its complex portrayal of southern prejudice and class divides it has since become regarded as an important example of neorealistic American cinema and was selected for preservation in the National Film Registry in 1993. Set outside Birmingham Alabama and shot on location in Atlantic City and Cape May New Jersey. 8 x 10 inches. Very Good with light creasing and fading. National Film Registry. Cinema V. unknown
1964ref. 148822N.p.: Cinema V. 1964. Two vintage studio still photographs from the 1964 film. An African American railroad worker attempts to maintain his dignity and self-respect in the face of small-town racism and a troubled familial past. While initially the film faced a limited release due to its complex portrayal of southern prejudice and class divides it has since become regarded as an important example of neorealistic American cinema and was selected for preservation in the National Film Registry in 1993. Set outside Birmingham Alabama and shot on location in Atlantic City and Cape May New Jersey. 8 x 10 inches. Very Good with light creasing and fading. National Film Registry. Cinema V. unknown books
1970ref. 147208N.p.: N.p. 1970. Draft script for an unproduced film also noted under the working title "Tennessee Overdrive" though it should be noted that by the writing of this draft the locale for the intended film was changed from Tennessee to Texas. A ex-convict looking to pay his debts teams up with a hardened trucker determined to keep his small trucking operation in spite of violent intimidation tactics by a rival company. The two men make their way along a Texas trucking route culminating in a shootout just outside Austin. Screenwriters Michael Scheff and David Spector were best known for the disaster thriller "Airport '77" 1977. Yellow generic studio wrappers. Title page present with credits for screenwriters Michael Scheff and David Spector. 130 leaves with last page of text numbered 127. Xerographic duplication rectos only. Pages Very Good wrapper Very Good with light tide marks to the top edges of the wrapper and leaves bound internally with three gold brads. N.p. unknown
1970ref. 147208N.p.: N.p. 1970. Draft script for an unproduced film also noted under the working title "Tennessee Overdrive" though it should be noted that by the writing of this draft the locale for the intended film was changed from Tennessee to Texas. A ex-convict looking to pay his debts teams up with a hardened trucker determined to keep his small trucking operation in spite of violent intimidation tactics by a rival company. The two men make their way along a Texas trucking route culminating in a shootout just outside Austin. Screenwriters Michael Scheff and David Spector were best known for the disaster thriller "Airport '77" 1977. Yellow generic studio wrappers. Title page present with credits for screenwriters Michael Scheff and David Spector. 130 leaves with last page of text numbered 127. Xerographic duplication rectos only. Pages Very Good wrapper Very Good with light tide marks to the top edges of the wrapper and leaves bound internally with three gold brads. N.p. unknown books
1985ref. 152520Hollywood: Paramount Pictures 1985. Vintage promotional flyer from the 1974 film. The granddaddy of all modern vigilante movies and a watershed film for rugged American icon Charles Bronson who had roles in many crime and adventure films prior to 1974 but met with destiny as an iceman. The series became a franchise with Bronson's character falling deeper into a typecast mold with each outing. But this first film is a different matter quite faithful to Brian Garfield's novel one of the great films of the New Hollywood cinema a great New York location film and a statement on the rampant and epidemic spread of urban crime in the US during the 1970s. 8.25 x 11.75 inches. Very Good plus with a light horizontal crease affecting the center of the flyer and a faint vertical crease running the length of the left edge. Grant US. 341. Silver Classic Noir. Spicer US. Paramount Pictures unknown
1985ref. 152520Hollywood: Paramount Pictures 1985. Vintage promotional flyer from the 1974 film. The granddaddy of all modern vigilante movies and a watershed film for rugged American icon Charles Bronson who had roles in many crime and adventure films prior to 1974 but met with destiny as an iceman. The series became a franchise with Bronson's character falling deeper into a typecast mold with each outing. But this first film is a different matter quite faithful to Brian Garfield's novel one of the great films of the New Hollywood cinema a great New York location film and a statement on the rampant and epidemic spread of urban crime in the US during the 1970s. 8.25 x 11.75 inches. Very Good plus with a light horizontal crease affecting the center of the flyer and a faint vertical crease running the length of the left edge. Grant US. 341. Silver Classic Noir. Spicer US. Paramount Pictures unknown books
1974ref. 142071France: Les Films du Jeudi / Gaumont 1974. Vintage oversize borderless reference photograph of Jane Birkin from the 1974 film. With a manuscript notation on the verso identifying the film. A liquor salesman makes up stories to obscure his pathetic life in order to succeed at both business and with women. 9 x 11.25 inches Near Fine. Les Films du Jeudi / Gaumont unknown
1974ref. 142071France: Les Films du Jeudi / Gaumont 1974. Vintage oversize borderless reference photograph of Jane Birkin from the 1974 film. With a manuscript notation on the verso identifying the film. A liquor salesman makes up stories to obscure his pathetic life in order to succeed at both business and with women. 9 x 11.25 inches Near Fine. Les Films du Jeudi / Gaumont unknown books
1980ref. 145685France: Maurice Bernard 1980. Vintage borderless photograph of Geraldine Chaplin from the 1980 film. With manuscript annotations on the verso. Childhood friends Lucia and Elena leave Paris for the countryside where they share an intimate understanding of each others inner lives and desires. 9.5 x 7 inches. Near Fine. Maurice Bernard unknown
1980ref. 145685France: Maurice Bernard 1980. Vintage borderless photograph of Geraldine Chaplin from the 1980 film. With manuscript annotations on the verso. Childhood friends Lucia and Elena leave Paris for the countryside where they share an intimate understanding of each others inner lives and desires. 9.5 x 7 inches. Near Fine. Maurice Bernard unknown books
1982ref. 148336Paris: G Darmon 1982. Two vintage French color lobby cards from the 1982 film. Antonioni's rarely discussed final feature and one of his greatest achievements. Niccolo Tomas Milian a recently divorced movie director pursues a new relationship with a younger woman Mavi Daniela Silverio who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival. Shot on location in Venice and Rome. 8.5 x 10.75 inches. Near Fine. Criterion Collection 585. G Darmon unknown
1982ref. 148336Paris: G Darmon 1982. Two vintage French color lobby cards from the 1982 film. Antonioni's rarely discussed final feature and one of his greatest achievements. Niccolo Tomas Milian a recently divorced movie director pursues a new relationship with a younger woman Mavi Daniela Silverio who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival. Shot on location in Venice and Rome. 8.5 x 10.75 inches. Near Fine. Criterion Collection 585. G Darmon unknown books
1963ref. 172432N.p.: Colorama Features 1963. Vintage studio still photograph from the 1963 film. Provenance stamp on the verso. Based on the 1962 novel of the same name by Mickey Spillane. A private detective investigating the murder of a US senator uncovers a World War II era spy ring. A rare instance in which the author of the source material Mickey Spillane portrays his own character Mike Hammer. Shot on location in Hertfordshire and London England and New York City. 8 x 10 inches. Very Good plus. Grant UK. Spicer UK. Weldon 1983. Colorama Features unknown
1963ref. 172432N.p.: Colorama Features 1963. Vintage studio still photograph from the 1963 film. Provenance stamp on the verso. Based on the 1962 novel of the same name by Mickey Spillane. A private detective investigating the murder of a US senator uncovers a World War II era spy ring. A rare instance in which the author of the source material Mickey Spillane portrays his own character Mike Hammer. Shot on location in Hertfordshire and London England and New York City. 8 x 10 inches. Very Good plus. Grant UK. Spicer UK. Weldon 1983. Colorama Features unknown books
1961ref. 160411N.p.: Europ-Films 1961. Vintage French poster for the 1961 Hungarian film seen here under the French title "Les cignognes s'envolent a l'aube." Based on a true love affair between a Hungarian doctor and a Russian girl during World War II. A man recalls through flashback the parting words of a woman "I'll Come Back." Director Mihaly Szemes' best-known film winner of a Silver Prize at the 2nd Moscow International Film Festival 1961. Shot on location in Hungary. 22.5 x 30 inches. Folded as issued. Near Fine. Europ-Films unknown
