11,049 results
1971ref. 161460N.p.: Abraxas Productions 1971. Three vintage studio still photographs from the 1971 film. All photographs with provenance stamps on the versos one with a label obscuring another provenance stamp. A Swedish woman who emigrated to New York reveals to her psychiatrist that she had been raped by her stepfather and is increasingly attracted to women. Set in and shot on location in New York. 8 x 10 inches. Very Good plus with faint creasing and two with wax pencil annotations on the recto. Abraxas Productions unknown books
1968ref. 161646N.p.: American Film Distributing 1968. Vintage studio still photograph from the 1968 film. Provenance stamp on the verso. One of two sequels along with the 1968 film "The Kiss of Her Flesh" to exploitation maestro Michael Findlay's 1967 breakthrough "The Touch of Her Flesh." Strip club owner Steve a killer of strippers seeks revenge after catching his stripper wife with another man. Set in and shot on location in New York. 8 x 10 inches. Very Good plus with light creasing at the extremities. American Film Distributing unknown books
1955ref. 107862N.p.: N.p. 1955. Treatment script for an unproduced film. From the collection of British film director and editor Peter Hunt presumably one of only a handful of copies made. The only other copy located is in the Harry Ransom Center film library at the University of Texas and the notes from that collection read: "'The Speaker's Corner' is a screenplay based on three stories by Robin Maugham including 'Broken Cellophane' 'The Prodigal Son' and 'The Man Who Could Hypnotize Racehorses.' Maugham worked with Rodney Ackland on the adaptation." Mauve titled wrapper noted as a short story on the front wrapper copy No. 20 with credits for screenwriter Robin Maugham. Title page present with credits for Maugham. 13 leaves with last page of text numbered 12. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good with a string binding. N.p. unknown
1955ref. 107862N.p.: N.p. 1955. Treatment script for an unproduced film. From the collection of British film director and editor Peter Hunt presumably one of only a handful of copies made. The only other copy located is in the Harry Ransom Center film library at the University of Texas and the notes from that collection read: "'The Speaker's Corner' is a screenplay based on three stories by Robin Maugham including 'Broken Cellophane' 'The Prodigal Son' and 'The Man Who Could Hypnotize Racehorses.' Maugham worked with Rodney Ackland on the adaptation." Mauve titled wrapper noted as a short story on the front wrapper copy No. 20 with credits for screenwriter Robin Maugham. Title page present with credits for Maugham. 13 leaves with last page of text numbered 12. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good with a string binding. N.p. unknown books
1982ref. 141746N.p.: N.p. 1982. Draft script for an unproduced television series. Laid in is a letter to agent Walter Kohner and five pages relating to another unrelated and unproduced television program. After speaking very fondly about the Americans he met while traveling abroad a chef is arrested by the KGB. Set in the Czech Republic. Green titled wrappers with credit for screenwriter Robin Sanborn. Title page present with credit for screenwriter Robin Sanborn. 39 leaves with last page of text numbered 38. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown
1982ref. 141746N.p.: N.p. 1982. Draft script for an unproduced television series. Laid in is a letter to agent Walter Kohner and five pages relating to another unrelated and unproduced television program. After speaking very fondly about the Americans he met while traveling abroad a chef is arrested by the KGB. Set in the Czech Republic. Green titled wrappers with credit for screenwriter Robin Sanborn. Title page present with credit for screenwriter Robin Sanborn. 39 leaves with last page of text numbered 38. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown books
1980ref. 147222Montreal: A.S.A. Productions 1980. Second Draft script for the 1988 television film originally aired on New Star Entertainment on September 21 here under the working title "Hit and Run." Based on Tom Alderman's 1976 novel "Hit and Run" wherein a devastated Canadian woman hires a private detective to track down the driver who killed her teenage son in a hit and run accident. Set and shot on location in New York City and Montreal. Blue untitled wrappers white comb binding. Title page present dated 1980 noted as SECOND DRAFT with credits for director ROBIN SPRY screenwriter ARTHUR FULLER and novelist TOM ALDERMAN. 128 leaves with last page of text numbered 127. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus. A.S.A. Productions unknown
1980ref. 147222Montreal: A.S.A. Productions 1980. Second Draft script for the 1988 television film originally aired on New Star Entertainment on September 21 here under the working title "Hit and Run." Based on Tom Alderman's 1976 novel "Hit and Run" wherein a devastated Canadian woman hires a private detective to track down the driver who killed her teenage son in a hit and run accident. Set and shot on location in New York City and Montreal. Blue untitled wrappers white comb binding. Title page present dated 1980 noted as SECOND DRAFT with credits for director ROBIN SPRY screenwriter ARTHUR FULLER and novelist TOM ALDERMAN. 128 leaves with last page of text numbered 127. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus. A.S.A. Productions unknown books
1957ref. 139216Glendale CA: Allied Artists 1957. Collection of 4 vintage black-and-white studio still photographs from the 1957 film. Included are two film still photos and two advertisement layout photos. Mimeo snipes once affixed to the versos of the film stills detached but present. Director Corman at his noir-est. The Black Widows a teenage girl gang led by Helen Spain an early favorite of Russ Meyer suspect Barbara Kenney of killing one of their members. Barbara is the sometimes girlfriend of the leader of rival gang and the two gangs prepare for warfare. As the gangs prepare the stories of their private lives unfold and every aspect of family dysfunction is represented showcasing an example of the mid-century "juvenile delinquency" scare. 8 x 10 inches advert photos slightly larger. Very Good plus overall with a corner crease to one film still photo and minor creasing to others. Grant US. Lyons US. Martin 382. Selby US. Spicer US. Allied Artists unknown
1957ref. 139216Glendale CA: Allied Artists 1957. Collection of 4 vintage black-and-white studio still photographs from the 1957 film. Included are two film still photos and two advertisement layout photos. Mimeo snipes once affixed to the versos of the film stills detached but present. Director Corman at his noir-est. The Black Widows a teenage girl gang led by Helen Spain an early favorite of Russ Meyer suspect Barbara Kenney of killing one of their members. Barbara is the sometimes girlfriend of the leader of rival gang and the two gangs prepare for warfare. As the gangs prepare the stories of their private lives unfold and every aspect of family dysfunction is represented showcasing an example of the mid-century "juvenile delinquency" scare. 8 x 10 inches advert photos slightly larger. Very Good plus overall with a corner crease to one film still photo and minor creasing to others. Grant US. Lyons US. Martin 382. Selby US. Spicer US. Allied Artists unknown books
1981ref. 141750Long Beach CA: Premiere Pictures 1981. Production budget for an unproduced film. A Hitchcockian thriller about a murderer who seduces and kills a photographer's model. The photographer gets curious and begins her own investigation despite the obvious dangers involved. Set in Los Angeles. Brown untitled wrappers. Title page present. 17 leaves with last page of text numbered 7. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine spiral bound. Pagination available upon request. Premiere Pictures unknown
1980ref. 149781N.p.: N.p. 1980. Draft script for an unproduced film. Passengers on a ship heading to the Caribbean in the 1940s contend with a group of black marketeers who wish to commandeer the vessel for their own nefarious means. Beige pictorial front wrapper lacking rear wrapper. Title page present dated 1980 with credits for screenwriter Roger Ernest. 124 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good unbound. N.p. unknown
1981ref. 141750Long Beach CA: Premiere Pictures 1981. Production budget for an unproduced film. A Hitchcockian thriller about a murderer who seduces and kills a photographer's model. The photographer gets curious and begins her own investigation despite the obvious dangers involved. Set in Los Angeles. Brown untitled wrappers. Title page present. 17 leaves with last page of text numbered 7. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine spiral bound. Pagination available upon request. Premiere Pictures unknown books
1980ref. 149781N.p.: N.p. 1980. Draft script for an unproduced film. Passengers on a ship heading to the Caribbean in the 1940s contend with a group of black marketeers who wish to commandeer the vessel for their own nefarious means. Beige pictorial front wrapper lacking rear wrapper. Title page present dated 1980 with credits for screenwriter Roger Ernest. 124 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good unbound. N.p. unknown books
1987ref. 147084N.p.: N.p. 1987. Draft script for an unproduced film. Amid citywide protests over increasingly brutal gang violence a middle-aged police officer decides to take matters into his own hands by donning a World War II officer's uniform and taking to the streets as a Thompson-toting crime-fighting vigilante. Set in Huntington Park Los Angeles. Gray titled wrappers with credits for screenwriter Roger Karshner. Title page present dated 1987 with credits for screenwriter Roger Karshner. 117 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages Very Good wrapper Very Good lightly dampstained along the top page edges bound with three gold brads. N.p. unknown
1987ref. 147084N.p.: N.p. 1987. Draft script for an unproduced film. Amid citywide protests over increasingly brutal gang violence a middle-aged police officer decides to take matters into his own hands by donning a World War II officer's uniform and taking to the streets as a Thompson-toting crime-fighting vigilante. Set in Huntington Park Los Angeles. Gray titled wrappers with credits for screenwriter Roger Karshner. Title page present dated 1987 with credits for screenwriter Roger Karshner. 117 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages Very Good wrapper Very Good lightly dampstained along the top page edges bound with three gold brads. N.p. unknown books
1957ref. 143311Paris: Cinedis 1957. Seven original black-and-white still photographs from the 1957 French-Italian film. Five photos feature actors Carlo Delle Piane and Hossein in a rousing bathtub scene one a juxtaposed bar scene and one photo features Arnoul and foreboding mystery man in black with his hand on the door. All with French film titles in manuscript ink and series number on the versos and photographer credit printed on the rectos. Housed in a vintage glassine sleeve. Vadim's second film as director entered into the 7th Berlin International Film Festival. Sophie Arnoul is an amoral French girl betrothed to rich and seedy Eric Hasse an ex-nazi turned forger. Sophie also attracts the attention of Eric's secretary Sforzi Hossein while falling in love with yet another man Michel Marquand. Photographer Voinquel's films include "Anne-Marie" 1936 "Le Jour se Leve" 1939 "The Hunchback of Notre Dame" 1956 "Belle de Jour" 1967 and "Army of Shadows" 1969. Four photos 3.5 x 4.75 inches three slightly larger. Vertical crease to one photo else Near Fine overall. Cinedis unknown
1957ref. 143311Paris: Cinedis 1957. Seven original black-and-white still photographs from the 1957 French-Italian film. Five photos feature actors Carlo Delle Piane and Hossein in a rousing bathtub scene one a juxtaposed bar scene and one photo features Arnoul and foreboding mystery man in black with his hand on the door. All with French film titles in manuscript ink and series number on the versos and photographer credit printed on the rectos. Housed in a vintage glassine sleeve. Vadim's second film as director entered into the 7th Berlin International Film Festival. Sophie Arnoul is an amoral French girl betrothed to rich and seedy Eric Hasse an ex-nazi turned forger. Sophie also attracts the attention of Eric's secretary Sforzi Hossein while falling in love with yet another man Michel Marquand. Photographer Voinquel's films include "Anne-Marie" 1936 "Le Jour se Leve" 1939 "The Hunchback of Notre Dame" 1956 "Belle de Jour" 1967 and "Army of Shadows" 1969. Four photos 3.5 x 4.75 inches three slightly larger. Vertical crease to one photo else Near Fine overall. Cinedis unknown books
1951ref. 156116New York: Joseph Brenner 1951. Vintage pressbook for the US release of the 1951 German film. The doctor of an invalid heiress marries her out of pity not expecting her to live more than a few years after their marriage but begins to fall in love with her. Shot in Rome and Naples Italy and in Bavaria Germany. Single leaf bi-fold 10.5 x 13.5 inches. Very Good plus with light edgewear. Joseph Brenner unknown
1951ref. 156116New York: Joseph Brenner 1951. Vintage pressbook for the US release of the 1951 German film. The doctor of an invalid heiress marries her out of pity not expecting her to live more than a few years after their marriage but begins to fall in love with her. Shot in Rome and Naples Italy and in Bavaria Germany. Single leaf bi-fold 10.5 x 13.5 inches. Very Good plus with light edgewear. Joseph Brenner unknown books
1968ref. 161022Hollywood: Paramount Pictures 1968. Four vintage color studio still photographs from the 1968 film. Provenance stamps on the versos. Based on the 1967 novel by Ira Levin. A seminal horror film one of the best genre pictures ever made from the earliest days of the New Hollywood cinema bringing together newcomer Roman Polanski as director established producer William Castle young star Mia Farrow and Hollywood veteran John Cassavetes. Winner of the Academy Award for Best Supporting Actress for Ruth Gordon and nominated for Best Screenplay. Set and shot on location in New York City. 10 x 8 inches. Very Good with pinholes at the corners. National Film Registry. Criterion Collection 630. McPadden Heavy Metal Movies. Rosenbaum 1000. Paramount Pictures unknown
1968ref. 161022Hollywood: Paramount Pictures 1968. Four vintage color studio still photographs from the 1968 film. Provenance stamps on the versos. Based on the 1967 novel by Ira Levin. A seminal horror film one of the best genre pictures ever made from the earliest days of the New Hollywood cinema bringing together newcomer Roman Polanski as director established producer William Castle young star Mia Farrow and Hollywood veteran John Cassavetes. Winner of the Academy Award for Best Supporting Actress for Ruth Gordon and nominated for Best Screenplay. Set and shot on location in New York City. 10 x 8 inches. Very Good with pinholes at the corners. National Film Registry. Criterion Collection 630. McPadden Heavy Metal Movies. Rosenbaum 1000. Paramount Pictures unknown books
1974ref. 167632Los Angeles: Twentieth Century-Fox 1974. Vintage studio still photograph from the 1974 film showing actress Janee Mitchell asleep with a snake ready to attack at the lower right. Four estranged cousins three Black one white convene at a mansion in the Atlanta outskirts to attend the reading of their late great-grandmother's will unaware that her voodoo powers from beyond the grave will involve them in a murderous re-birthing ritual. Set and shot on location in Atlanta Georgia. 10 x 8 inches. Light dampstaining on the top edge of the verso else Near Fine. Thrower Nightmare USA. Twentieth Century-Fox unknown
1974ref. 167632Los Angeles: Twentieth Century-Fox 1974. Vintage studio still photograph from the 1974 film showing actress Janee Mitchell asleep with a snake ready to attack at the lower right. Four estranged cousins three Black one white convene at a mansion in the Atlanta outskirts to attend the reading of their late great-grandmother's will unaware that her voodoo powers from beyond the grave will involve them in a murderous re-birthing ritual. Set and shot on location in Atlanta Georgia. 10 x 8 inches. Light dampstaining on the top edge of the verso else Near Fine. Thrower Nightmare USA. Twentieth Century-Fox unknown books
1980ref. 167132N.p.: N.p. 1980. Draft script for an unproduced film. Paul Fredricks investigates the mysterious death of his friend Harry McAlister found dead with large wounds which appear to have made by enormous talons while researching an archeological dig in the old and poverty-striken Native American village of Bottleneck. Tan untitled wrappers. Title page present with credits for screenwriter Ronald E. Kowall. 100 leaves with last page of text numbered 99. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. N.p. unknown
